The Next Reel Film Podcast

Bruce Willis’ star power rose quite a bit with the release of Die Hard, but strangely it was his supporting role in Bonfire of the Vanities that seemed to give him the clout he needed to do his own rewrites on the action thriller he was working on at the time, Hudson Hawk. Through his vision, this film became goofier and very Looney Tunes-esque. Unfortunately, the marketing stuck with the action side of Willis and the film flopped in the States. But it’s a quirky film that found its audience over time and became a bit of a cult classic. Join us – Pete Wright and Andy Nelson – as we start up a new round of our guilty pleasure series for the new year and look at one of Pete’s guilty pleasures, Michael Lehmann’s 1991 film Hudson Hawk. We talk about why Pete has this on his guilty pleasures list and what Andy thought of it. We look at the backstory and what went into getting it made. We discuss the marketing for the film and ponder if a different approach may have allowed for a successful release. We chat about the over-the-top antics of the rest of the cast but principally Richard E. Grant and Sandra Bernhard as the Mayflowers. We touch on Dante Spinotti’s look and Chris Lebenzon’s & Michael Tronick’s editing of the film and what they brought to it, paired with Lehmann. And we debate the tonal shifts in the film between goofy, bonkers comedy and surprising moments of strong violence. It’s a strange little film that many people don’t click with but some people – like us – really enjoy. We have a great time talking about it on this week’s show, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesThank you for supporting The Next Reel Film Podcast on Patreon!Watch this film: iTunes • Amazon • Netflix • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxdWalkthrough of Super NES version of Hudson Hawk Video GameSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“It’s just a lil’ ole bitty pissant country place. Nothing much to see.”After Nine to Five, Colin Higgins had been working on a few ideas of his own when he was asked by his recent collaborator Dolly Parton to direct her next film, the adaptation of the Broadway musical The Best Little Whorehouse in Texas. While coming on board a relatively put together story may not have allowed Higgins to craft the story his way, the project still did fit with the types of stories about outsiders that he was best known for. Join us – Pete Wright and Andy Nelson – as we wrap up our Colin Higgins series with his 1982 film The Best Little Whorehouse in Texas. We talk about the challenges of a film about prostitution and making the characters relatable. We look at the on-screen chemistry between Parton and her co-star Burt Reynolds. We chat about some supporting staff like Charles Durning, Dom DeLuise, and Jim Nabors. We discuss what the film’s saying about politics, the media, and legislating morality. We touch on Dolly’s iconic song “I Will Always Love You” which she included in this film, and discuss who did it better – Dolly or Whitney? And we look at Higgins’ career and discuss what makes a Higgins film a Higgins film?It’s a fun film but not something that wowed us. Either way we have a great time talking about it on this week’s show, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesThank you for supporting The Next Reel Film Podcast on Patreon!Watch this film: iTunes • Amazon • Netflix • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkThe Best Little Whorehouse in Texas The Musical (Wikipedia)FlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

When Jane Fonda and her producing partner Bruce Gilbert brought Colin Higgins on to rewrite Patricia Resnick’s workplace drama, they knew they were going to shift the story to a comedy instead. They also knew that Higgins would flesh out the three female protagonists at the core of the story. What they also got was an incredibly well-structured script that was full of wild humor while also keeping the characters honest and grounded. Considering these were features that Higgins consistently wrote into his scripts, it really didn’t come as a surprise, but what did surprise everyone is how much audiences connected to this story. Join us – Pete Wright and Andy Nelson – as we continue our Colin Higgins series with his 1980 comedy classic Nine to Five. We talk about how smart this script was for its time and how sadly relevant it is today still. We look at Fonda, Lily Tomlin, and Dolly Parton and chat about how perfect they are as an on-screen trio. We look at the perfect Dabney Coleman as their nemesis and chat about the awful crimes he commits in the workplace, and how it’s viewed through today’s eyes. We discuss how Parton’s title song became such an iconic anthem for a cultural movement at the time. And we look at elements in the film that we can point to that define Higgins’ style of storytelling (not to mention his love for comedy tropes). It’s an absolute comedy classic that everyone should see, so stop what you’re doing, watch it, then tune in to this week’s show. The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesThank you for supporting The Next Reel Film Podcast on Patreon!Watch this film: iTunes • Amazon • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artwork[Original Material][original]FlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“People just don’t drop dead in cinemas watching horror movies and whispering, 'Look out for the elf!'”Even if his first screenplay was for a film that was a box office flop at the time, the success of the second film he wrote gave Colin Higgins enough clout to finally direct. As a clear fan of Hitchcock’s work, he delivered his second comedy thriller that felt very much an homage to Hitchcock in Foul Play, and he delivered another box office hit. Join us – Pete Wright and Andy Nelson – as we continue our Colin Higgins series with his 1978 directorial debut Foul Play. We talk about Higgins as director and debate how he does on his first time out of the gate. We look at many of the tropes he fills the film with, both Hitchcockian thriller tropes and comedy tropes of the time. We chat about the casting of Goldie Hawn and Chevy Chase and how they got the roles, plus we look at many of the other actors fleshing the film out. We touch on politically incorrect comedy involving little people and ponder how that affects our viewing in 2020. We look at the cinematography and music, and wonder if Barry Manilow, although popular at the time, made sense for a comedy thriller. And we revel in the playful titles the Swedes gave to this film as well as many other Hawn films over the years.It’s a fun film and definitely worth talking about, even if only in context of the time when it comes to jokes involving laughing at little people suffering. We have a great time talking about it on this week’s show, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesThank you for supporting The Next Reel Film Podcast on Patreon!Watch this film: Amazon • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“If there’s ever anything that you need, don’t call me.”For Colin Higgins’ second film, he wanted to write something that had a Hitchcockian flair, and he was partial to the thrillers on trains. What we got – and what Arthur Hiller deftly directed – was Silver Streak. What we also got was the legendary comedy pairing of Gene Wilder and Richard Pryor, two comedians who would end up making three more films together after this. Join us – Pete Wright and Andy Nelson – as we continue our Colin Higgins series with Hiller’s 1976 train thriller Silver Streak.We talk about Pryor and Wilder and if blackface comedy is still something we’re allowed to laugh at, especially when the actors are so clearly pointing out that it’s not okay. We chat about the thrills balanced with the comedy in this film and how well it works. We look at Wilder and Pryor, but also Jill Clayburgh, Patrick McGoohan, Ned Beatty, Clifton James, Scatman Crothers, Ray Walston, Valerie Curtin, and Richard Kiel, to see what they’re all bringing to the table. We touch on Henry Mancini’s score and the vibes it brings. And we look at the many tropes throughout this film, wondering if they work well here because at the time, they likely weren’t as commonly used as they came to be.It’s a fun film and we have a great time talking about it on this week’s show, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesThank you for supporting The Next Reel Film Podcast on Patreon!Watch this film: iTunes • Amazon • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“You can’t let the world judge you too much.”Colin Higgins had one of those incredibly lucky starts to his career in motion pictures – knowing the right people at the right time while still in school. Of course, he also proved right out of the gate that he was incredibly talented, which always helps. His first script, Harold and Maude, was written as his thesis project while at UCLA, and even if he didn’t end up getting to direct it, with Hal Ashby on board, he was able to be involved from start to finish to see his vision come to life. Join us – Pete Wright and Andy Nelson – as we kick off our Colin Higgins series with his first film, Ashby’s 1971 film Harold and Maude.We talk about Higgins and why he still resonates as a great writer/director. We look at Ashby’s career and discuss this in relation to it. We discuss why this film had a hard time finding its audience upon its initial release but how it’s become a popular classic now. We look at the humor in it and chat about why jokes about suicide end up being okay in the movie. We touch on Cat Stevens and his music which feels so of a part of the movie. And we cover the amazing Ruth Gordon and Bud Cort in the titular roles (not to mention several of the other amazing actors rounding out the cast). It’s one of our favorites and we have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesThank you for supporting The Next Reel Film Podcast on Patreon!Watch this film: iTunes • Amazon • [Hulu][hulu] • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

By the time Steve Martin came around to act in All of Me, his film career was in full bloom and he could be counted on to make a movie work (albeit not always make money). He had proven that he could do over-the-top goofball comedy, more serious roles, and more straight-forward comedy in which he plays a regular person. Join us – Pete Wright and Andy Nelson – as we conclude our series on Martin’s early career with Carl Reiner’s final film with him, 1984’s All of Me.We talk about Martin and his lovely co-star, Lily Tomlin, and how well they work together in this film. We look at the nonsense rules established in the film about when they each have to speak out loud, when they speak in their heads, and debate if any breaking of these rules really matters since they so firmly sell us on this fantastical situation. We look at some other cast members and what they bring to the table, including the swami who doesn’t work very well for Andy. And we look at some of the crew members and what they bring to the table, especially in some complicated scenes through mirrors – or at least seemingly through mirrors.It’s a great film that works on all fronts, making for a great experience, and a great entry for Martin’s filmography. We have a great time talking about it on this week’s show, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesWatch this film: iTunes • Amazon • Netflix • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkWhat ever happened to Me Two?FlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

By 1984, Steve Martin had played an idiot, a down-on-his-luck sheet music salesman in 30s Chicago, a noir detective, and a mad scientist – quite a variety of characters, though all very specific in their characterizations. Because of that, seeing him play a pretty normal, non-affected straight guy in Arthur Hiller’s comedy The Lonely Guy almost seemed a bit of a surprise. Surely, Martin was looking for a variety of parts so he could show off what we could do, so it makes sense. The film didn’t end up being a success, but it still allowed Martin the chance to play something a bit different yet again. Join us – Pete Wright and Andy Nelson – as we continue our Steve Martin series with Hillers’ 1984 film The Lonely Guy. We talk about why a lot of this film doesn’t work, but why parts of it do work. We look at why comedy beats with Dr. Joyce Brothers may work (or not, depending on your take), but how her presence does seem to date the film a bit. We look at the team behind some of the technical elements, including composer Jerry Goldsmith. And we look at other cast members like Charles Grodin and Judith Ivey and chat about what works with their performances versus Martin’s. It’s a tricky little film that feels at times like the parts are better than the sum. Regardless, it has some great comedic beats, even if the tone is a mess. We have a great time talking about it on this week’s show so check it out then tune in. The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesThank you for supporting The Next Reel Film Podcast on Patreon!Watch this film: iTunes • Amazon • Hulu • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkThe Lonely Guy’s Book of Life by Bruce Jay FriedmanFlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

"I’ve had the top of her head off, but that’s as far as it went.”When Steve Martin and Carl Reiner reunited for a third time, they took some of the parody comedy joy the found in Dead Men Don’t Wear Plaid and the absurd comedy from The Jerk, to make The Man With Two Brains. There is a clear sense here that they enjoy playing with conventions from mad scientist films, but it’s not as much an homage like their last film. It also feels like they’ve grown quite a bit in their comedy writing, as the jokes work really well here, especially the ones that repeat throughout the film. Join us – Pete Wright and Andy Nelson – as we continue our Steve Martin series with Reiner’s 1983 film The Man With Two Brains.We talk about why this film works so well for us, and why the comedy tends to stick more often in this one. We look at elements of the comedy that also didn’t work as well, and why that may be. We chat about Martin and Kathleen Turner, looking at what they each bring to the table, along with other cast members. We complain about the editing and wonder if it’s the fault of the editor or if it was a problem inherent in the script before they realized what the issues were. And we chat about some of our favorite comedy bits throughout.It’s a fun film and we have a great time talking about it, so check it out then tune in to this week’s show. The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesThank you for supporting The Next Reel Film Podcast on Patreon!Watch this film: iTunes • Amazon • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible

“You know how to dial, don’t you? You just put your finger in the hole and make a tiny little circle.”When Steve Martin and Carl Reiner latched onto the idea of acting in a scene opposite characters in other movies, they thought it was pretty funny and thought it would be even funnier if they could do an entire movie that way. It took some work to get there, but they managed to pull off a pretty clever film in Dead Men Don’t Wear Plaid, even if they devolve into dumb comedy at times. Join us – Pete Wright and Andy Nelson – as we continue our Steve Martin series with Reiner’s 1982 film Dead Men Don’t Wear Plaid.We talk about the nature of comedy, particularly when it’s a film that is operating as both a parody of and an homage to films noir – and why the silly humor they throw in sometimes just doesn’t work. We look at the brilliant technical feat it was to recreate costumes, sets, lighting designs, music, script, and more to make this movie work. We chat about Martin, Reiner, and Rachel Ward, and how well they work in the film. We chat about the origins of the film and why the story feels so convoluted. And we look at some other films that have tried to pull similar things off. It’s a really interesting film in the lineup of Reiner/Martin collaborations, and we have a great time talking about it. Definitely check it out, then tune in! The Next Reel – when the movie ends, our conversation begins.Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesThank you for supporting The Next Reel Film Podcast on Patreon!Watch this film: iTunes • Amazon • Netflix • YouTubeScript TranscriptOriginal theatrical trailerOriginal poster artworkFlickchartLetterboxdSupport The Next Reel Family of Film Podcasts:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Letterboxd Pro/Patron discount | Audible