The Evolution of Horror

Happy bonus horror treat! Here's the full, uninterrupted chat with film musician / composer / historian Neil Brand about a history of horror scores. From Nosferatu through to Under The Skin, we cover the trends, the traits and the evolution of the horror score over the last one hundred years. ENJOY! Neil Brand is a film historian, musician and composer. You can find details of his upcoming events at http://www.neilbrand.com/ or follow him on twitter: @NeilKBrand Mike Muncer is a TV & Podcast Producer and Film Journalist. You can find him on twitter: @TheMovieMike He also produces and co-presents another film podcast with Rhianna Dhillon called Back Row: https://backrowpodcast.net Thanks for listening, tune in next week for our GIALLO special. Mike will be joined by Dan Martin from the Arrow Video Podcast, as well as special guest ALAN JONES. Until next time... Dracula (1958) Dir: Terence Fisher Music by James Bernard Courtesy of Hammer Films Psycho (1960) Dir: Alfred Hitchcock Score by Bernard Herrmann Courtesy of Shamley Productions The Birds (1963) Dir: Alfred Hitchcock Score by Bernard Herrmann Courtesy of Alfred J. HItchcock Productions The Innocents (1961) Dir: Jack Clayton Courtesy of Achilles / Twentieth Century Fox Halloween (1978) Dir: John Carpenter Music by John Carpenter Courtesy of Falcon International Productions & Compass International Pictures The Shining (1980) Dir: Stanley Kubrick Music and the Stars and You performed by Al Bowlly Courtesy of Warner Bros. Hawk Films, Peregrine, Producers Circle Deep Red (1975) Dir: Dario Argento Score by Goblin Courtesy of Rizzoli Films & Seda Spettacoli Suspiria (1977) Dir: Dario Argento Score by Goblin Courtesy of Seda Spettacoli Assault on Precinct 13 (1976) Dir: John Carpenter Score by John Carpenter Courtesy of The CKK Corporation Under The Skin (2014) Dir: Jonathan Glazier Score by Mica Levi Courtesy of Film4, BFI, Silver Reel, Creative Scotland, Sigma Films, FilmNation Entertainment, Nick Wechsler Productions, JW Films, Canal+, Scottish Screen & UK Film Council Star Wars: The Force Awakens (2015) Dir: JJ Abrams Score by John Williams Courtesy of Walt Disney Studios / LucasFilm / Bad Robot Jurassic Park (1993) Dir: Steven Spielberg Score by John Williams Courtesy of Universal Pictures / Amblin Entertainment

This week Mike is joined by Ollie Charles as we begin our in depth look at the evolution of the slasher, and review the two movies that are often considered the forerunners to the format, Psycho and Peeping Tom. Mike is also joined by a chat with film composer, musician and historian, Neil Brand for a chat about that Bernard Herman score. Podcast music by Jack Whitney (@Jack_Whitney) For all other episodes of The Evolution of Horror please subscribe: iTunes: https://t.co/ztPjckq0YS Stitcher: https://goo.gl/2aSB8g Libsyn: https://evolutionofhorror.libsyn.com Ollie Charles works as a film PR for trafalgar releasing and also writes for Front Row Reviews. You can find him on twitter: @OllieCharles Neil Brand is a film historian, musician and composer. You can find details of his upcoming events at http://www.neilbrand.com/ or follow him on twitter: @NeilKBrand Mike Muncer is a TV & Podcast Producer and Film Journalist. You can find him on twitter: @TheMovieMike He also produces and co-presents another film podcast with Rhianna Dhillon called Back Row: https://backrowpodcast.net Thanks for listening, tune in next week for our GIALLO special. Mike will be joined by Dan Martin from the Arrow Video Podcast, as well as special guest ALAN JONES. Until next time... Dracula (1958) Dir: Terence Fisher Courtesy of Hammer Films Psycho (1960) Dir: Alfred Hitchcock Courtesy of Shamley Productions Peeping Tom (1960) Dir: Michael Powell Courtesy of Michael Powell (Theatre) Halloween (1978) Dir: John Carpenter Courtesy of Falcon International Productions & Compass International Pictures

This week Mike is joined by BFI Programmer Michael Blyth and film collective 'The Final Girls' to discuss the tropes, the peaks and the troughs of the slasher sub genre. What makes the slasher one of the most successful horror sub-genres? Why do we love watching endless Jason or Freddy sequels, when they all pretty much follow the same formula? And is there anything feminist about a sub-genre which celebrates and fetishises the dismemberment of pretty teenage girls? Join us for the Evolution of the Slasher... Podcast theme music by Jack Whitney Michael Blyth is a programmer for the BFI (British Film Institute) and is the man behind the current BFI STEPHEN KING season and the BFI Cult Strand. For all information, including showtimes and tickets, visit www.bfi.org.uk. Michael can also be found on Twitter: @michaeljblyth The Final Girls are a film collective that explore female representation (both behind and in front of the camera) in the horror genre. Information about their upcoming events can be found at www.thefinalgirls.co.uk and you can find them on twitter @TheFinalGirlsUK. Mike is a TV, video and Podcast producer and also has another movie podcast called Back Row with Rhianna Dhillon. This is available on iTunes and on their website http://backrowpodcast.net Mike can also be found on Twitter: @TheMovieMike We're taking a 2 week break but will be back next time to continue exploring the Evolution of the Slasher with reviews of Psycho and Peeping Tom! Got a spare minute? Leave us a rating or review on iTunes!

Welcome to the Evolution of Horror, a brand new horror movie review and discussion podcast! Host Mike Muncer and co-host Rob Watts discuss why they love horror, how they got into horror, some of their favourite horror movies, and Mike interviews horror maestro Kim Newman for a brief history and introduction to the genre. Email us: evolutionofhorror@gmail.com Tweet us: @EvolutionPod Rob Watts is author of Outside of A Dream blog: http://outsideofadream.wordpress.com Tweet Rob! @RobWatts88 Mike has another podcast with Rhianna Dhillon called Back Row. http://backrowpodcast.net Tweet Mike! @TheMovieMike