The Cinematography Podcast

The Cinematography Podcast
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Apr 22, 2020 • 1h 12min

Jeff Cronenweth, ASC on David Fincher, Fight Club, growing up in Hollywood, music videos, Mark Romanek, One Hour Photo, Gone Girl, The Social Network and the new Amazon series Tales from the Loop

Jeff Cronenweth comes from three generations in the film business and followed his father, cinematographer Jordan Cronenweth (Blade Runner) into a career as a director of photography. Growing up on film sets and working alongside his father enabled Jeff to take a hands-on role in the camera department. He started as a loader and camera assistant, getting into the union while attending USC. He met David Fincher while working on the Madonna music video "Oh Father" as a camera assistant. Fincher gave Jeff his first opportunity to DP for the film Fight Club. Jeff's collaboration with Fincher later earned him two Oscar nominations- one for The Social Network and one for The Girl with the Dragon Tattoo. He also began working with director Mark Romanek on music videos, such as Eels “Novocaine for the Soul” and Nine Inch Nails' “The Perfect Drug.” Jeff and Romanek also worked together on the feature film, One Hour Photo starring Robin Williams. The film presented many lighting challenges since the bulk of it takes place inside a store with flat white lights before the darker undertones of the movie are revealed. Jeff also shot the pilot for Tales from the Loop with director Mark Romanek, streaming now on Amazon Prime. https://www.youtube.com/watch?v=1htuNZp82Ck Find Jeff Cronenweth https://www.ddatalent.com/client/jeff-cronenweth-asc-commercial Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep72/ LIKE AND FOLLOW US, send fan mail or suggestions! Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
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Apr 20, 2020 • 29min

BONUS Episode: The Sound of Silence director Michael Tyburski

The Cinematography Podcast BONUS Episode: The Sound of Silence director Michael Tyburski It's a very special Shelter In Place episode as we dig into our archives to bring you some past podcasts you might have missed. Illya sat down with director Michael Tyburski during 2019's Sundance Film Festival to talk about his film, The Sound of Silence (in a rather noisy setting!) The movie is about a “house tuner” in New York City- a fictional job he made up for the film. Peter Saarsgard plays the house tuner, who listens for discordant tones in the home and adjusts them to create emotional resonance and harmony. Michael Tyburski talks about directing his first feature film shot by cinematographer Eric Lin. He discusses the color palette, directing Peter Saarsgard and Rashida Jones, and of course the importance of sound, music and sound design in the movie. You can stream The Sound of Silence right now on Hulu. https://www.youtube.com/watch?v=ejZ75QFesgE Find Michael Tyburski: http://www.michaeltyburski.com/ Twitter: @michaeltyburski Find out even more about this episode, with extensive show notes and links: http://camnoir.com/bonussoundofsilence/ LIKE AND FOLLOW US, send fan mail or suggestions! Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
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Apr 15, 2020 • 1h 10min

Producer Brendan Davis tells his story about fleeing China before it was shut down during the pandemic

The Cinematography Podcast Episode 71: Brendan Davis Producer Brendan Davis tells his story about fleeing China before it was shut down for coronavirus Brendan Davis has been producing film and television for the Chinese and U.S. market in Beijing for the past few years. He was in the midst of developing the feature film My Favorite Season and was planning a trip back to the U.S. when he got word from a doctor friend that the city would be shutting down and a stay at home order was imminent. Fearing an extended lockdown, Brendan got on one of the last flights headed to San Francisco, keeping his mask on nearly the entire time, and is temporarily living in Los Angeles, which is under a mandatory stay at home order. He talks about the differences he's noticed between the Chinese and American governments and how people have been reacting to the crisis. Brendan Davis also hosts a few podcasts: If I Knew You Better (with an episode featuring Ben Rock) https://podcasts.apple.com/us/podcast/if-i-knew-you-better/id1457785319 Big Fish in the Middle Kingdom https://bigfishmiddlekingdom.libsyn.com/ How China Works https://www.howchinaworkspodcast.com/ Find Brendan: https://www.crazyinagoodway.com/ “My Favorite Season”: https://www.myfavoriteseasonmovie.com IMDb: https://www.imdb.com/name/nm0204272/ LinkedIn: https://www.linkedin.com/in/brendandavis/ Brought to you by Hot Rod Cameras: Find your next camera, lens, light or accessory at https://hotrodcameras.com/ Aputure: https://aputure.com/ The Aputure MC- Any color, any time. You can buy Aputure products at Hot Rod Cameras. Here are the winners for the MC light contest sponsored by Hot Rod Cameras! DP Casey McBeath and his pal Drew Kowalski will each receive an Aputure MC Light. Close Focus: With some weekly and nightly TV shows being shot via webcam or conferencing apps, will this become something more common post-coronavirus? The technology has definitely started to catch up. https://www.hollywoodreporter.com/live-feed/super-janky-but-it-works-how-late-night-producers-have-adapted-remote-filming-1288279 Ben's short end: A YouTube channel called Cinema Tyler, by Tyler Knudsen, who does video essays into various topics. https://www.youtube.com/channel/UC7GV-3hrA9kDKrren0QMKMg Illya's short end: John Krasinski's YouTube show Some Good News is feel-good content for these times. https://www.youtube.com/watch?v=F5pgG1M_h_U Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep71/ LIKE AND FOLLOW US, send fan mail or suggestions! Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
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Apr 13, 2020 • 30min

BONUS EPISODE: Jeff Sengpiehl, chief technologist at Key Code Media, gives tips for remote editing and other post production options from home

BONUS EPISODE: Jeff Sengpiehl, chief technologist at Key Code Media, gives tips for remote editing and other post production options from home Finding the right technologies and new ways to work from home is becoming a necessity right now. Jeff Sengpiehl discusses ways to remotely access your work edit bay from your computer, edit from the cloud, consolidating the project onto hard drives and physically taking it home, and how to proxy edit from your editing facility. In this episode: Hewlett Packard's Z Central Remote (Remote Graphics Service, or RGS)- Free to those with HP systems, or it can be used through Apple's boot camp partition and paying the HP Z Central Remote license fee. A plus: Still allows collaboration so everyone knows who is doing what. https://www8.hp.com/us/en/workstations/zcentral-remote-boost.html VPN: Virtual Private Network, can be used to connect to another network as if you're there which allows more bandwidth. https://www.pcmag.com/picks/the-best-vpn-services Adobe editing systems, such as Premiere can be “lifted and shifted” into the cloud https://www.adobe.com/products/premiere.html?gclid=Cj0KCQjwm9D0BRCMARIsAIfvfIajfwAVEc8MQudttNTgB56iKpQsARUo2pzuLJdsue-bPw2KKfcB1iwaAgKEEALw_wcB&sdid=KKQOM&mv=search&ef_id=Cj0KCQjwm9D0BRCMARIsAIfvfIajfwAVEc8MQudttNTgB56iKpQsARUo2pzuLJdsue-bPw2KKfcB1iwaAgKEEALw_wcB:G:s&s_kwcid=AL!3085!3!383822034471!e!!g!!adobe%20premiere Studio Network Solutions has a product called Nomad, with asset management proxy files available through a shared browser software. NOT collaborative, but there is an “over-the-shoulder” mode for a producer to give notes. https://www.studionetworksolutions.com/nomad-remote-workflow-offline-editing/ Teradici- For PCs only, software to access your workplace's shared cloud using PCoIP (PC-over-IP) https://www.teradici.com/ Good and fast, not inexpensive. See Jeff's YouTube video explaining some of the technology mentioned in the episode: https://www.youtube.com/watch?v=tzsHG3IbVcA Find Jeff Sengpiehl: https://www.keycodemedia.com/ Find out even more about this episode, with extensive show notes and links: http://camnoir.com/bonusremotework/ LIKE AND FOLLOW US, send fan mail or suggestions! Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz Brought to you by Hot Rod Cameras: Find your next camera, lens, light or accessory at https://hotrodcameras.com/
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Apr 9, 2020 • 1h 7min

DP Michael Dallatorre on Brightburn, Clive Barker’s Books of Blood, The Hive, working for Panavision and growing up in South Central Los Angeles

The Cinematography Podcast Episode 70: Michael Dallatorre As an immigrant kid growing up in South Central L.A., Mike Dallatorre joined his high school's performing arts group called Colors United. He was a featured performer in the Oscar-nominated documentary Colors Straight Up. Seeing a documentary crew in action made Mike realize that being behind the camera could be a legitimate career choice, so he started studying film at Los Angeles City College. Mike landed a job in the shipping department at Panavision, quickly moving up to prep tech where he was mentored by optical engineer Dan Sasaki. He was able to take gear out on the weekends to shoot short films and music videos such as koRn's “Hater.” Director David Yarovesky asked Mike to DP the horror films The Hive and Brightburn. His next film, Clive Barker's Books of Blood, directed by Brannon Braga, will air on Hulu in September. You can stream Brightburn now on Hulu. Find Mike Dallatorre: https://www.michaeldallatorre.com/ Instagram: @dp_miked Mike was recently featured in American Cinematographer's Rising Stars of 2020. https://ascmag.com/articles/rising-stars-2020 Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep70/ LIKE AND FOLLOW US, send fan mail or suggestions! Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz Brought to you by Hot Rod Cameras: Find your next camera, lens, light or accessory at https://hotrodcameras.com/
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Apr 1, 2020 • 1h 23min

DP Laura Merians Gonçalves on Pacified, shooting in Brazil, starting out as best boy electric on Bully, music videos, her love of Super 8 film

The Cinematography Podcast Episode 69: Laura Merians Gonçalves As a kid, Laura Merians Gonçalves would play around with a Super 8 camera and make visual collages. But it was only for fun, and she had a degree in philosophy and was planning on traveling and studying martial arts in Japan when she got a summer job in Florida working as best boy electric on Bully,  directed by Larry Clark and shot by Steve Gainer. The film unionized and Laura was able to make a career in movies as a best boy and electrician. Her experience with martial arts influences her perspective on cinematography- learning a craft requires time, commitment, patience and practice. It took time for her to gravitate to the camera department and develop a skill through shooting short films, documentaries and reality TV. She further honed her skill with music videos for Bjork, Beyonce, Atoms for Peace, and Snow Patrol. Laura's most recent film, Pacified, takes place in the favelas of Brazil and won Best Cinematographer’s Debut at last year's Camerimage International Film Festival. Find Laura Merians Gonçalves: www.lauramerians.com Instagram: @lauramerians Laura was recently featured in American Cinematographer's Rising Stars of 2020: https://ascmag.com/articles/rising-stars-2020 Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep69/ LIKE AND FOLLOW US, send fan mail or suggestions! Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz Brought to you by Hot Rod Cameras: Find your next camera, lens, light or accessory at https://hotrodcameras.com/
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Mar 30, 2020 • 20min

BONUS Episode: J.D. Dillard, director of Sweetheart and Sleight

The Cinematography Podcast Bonus Episode: Director J.D. Dillard It’s another very special Shelter In Place episode as we stay home and dig into our archives to bring you some past podcasts you might have missed. Enjoy our show and these films from the comfort of your safe space. One of Illya’s favorite movies at Sundance in 2019 was J.D. Dillard’s midnight movie, Sweetheart. The horror/thriller movie stars Kiersey Clemons (Hearts Beat Loud, Dope) as a woman who is stranded on a desert island and stalked by a mysterious monster. J.D. discusses the difficulties of shooting on a small island in Fiji, on a short time schedule, while being entirely outdoors and subject to the whims of nature. As a black filmmaker, he feels like it’s important to put people who look like him in genre films such as fantasy and horror. Blumhouse, known for their horror movie slate, produced Sweetheart and you can currently stream it on Netflix. J.D. is currently developing a new Star Wars project. Find J.D. Dillard: @JGDillard (Twitter & Instagram) Sweetheart is now streaming on Netflix. https://www.youtube.com/watch?v=kyg3gU09SX8 (trailer) Find out even more about this episode, with extensive show notes and links: http://camnoir.com/bonussweetheart/ LIKE AND FOLLOW US, send fan mail or suggestions! Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz Brought to you by Hot Rod Cameras: Find your next camera, lens, light or accessory at https://hotrodcameras.com/
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Mar 25, 2020 • 1h 29min

DP Stefan Ciupek on Guns Akimbo, the challenges of Russian Ark, working with Anthony Dod Mantle on Slumdog Millionaire and 127 Hours

The Cinematography Podcast Episode 68: Stefan Ciupek Stefan Ciupek became interested in film while growing up in East Germany, but his options were limited in what was then a Communist country. His family managed to escape to Poland, and movies became a refuge from difficult times. In fact, Stefan and his mother were able to pirate Western films and re-sell them as bootlegs. His family managed to move to West Berlin, and by the age of 16, Stefan had a videocamera and started studying film in Germany. Stefan became one of the first adopters of digital camera technology, and became an early digital imaging technician (DIT) and colorist. He helped pull off an amazing achievement with 2003's Russian Ark, a 90 minute film shot entirely in one take, in one location. After his accomplishments on Russian Ark, cinematographer Anthony Dod Mantle found him and the two worked on several projects, including 127 Hours and Slumdog Millionaire, which became the first digital film to win an Academy Award for Best Cinematography and Best Picture. As digital technology became more technical, Stefan decided he wanted to be more involved in the creative process and returned to cinematography. He shot director Lulu Wang's first film, Posthumous, as well as several episodes of the upcoming season of The Spanish Princess on Starz. For Guns Akimbo, Stefan read the script and immediately knew how he would shoot it. Everything in the action movie is highly exaggerated and over-the-top. Stefan used the Red Monstro camera, a variety of different lenses and high key lighting to highlight some of the humor. You can see Guns Akimbo streaming now on Vudu and Amazon. https://www.youtube.com/watch?v=ZOFatKD0Vzo Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep68/ LIKE AND FOLLOW US, send fan mail or suggestions! Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz Brought to you by Hot Rod Cameras: Find your next camera, lens, light or accessory at https://hotrodcameras.com/ Hot Rod Cameras is giving away TWO professional, cinema quality Aputure MC lights! One for you AND a friend you tag! Go to http://hotrodcameras.com/giveaway to enter. Contest ends March 30, 2020.
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Mar 24, 2020 • 24min

BONUS Episode: Big Time Adolescence director Jason Orley and DP Andrew Huebscher

It's a very special Shelter In Place episode as we stay home and dig into our archives to bring you some past podcasts you might have missed. Enjoy our show and these films from the comfort of your safe space. Illya sat down with director Jason Orley and DP Andrew Huebscher during 2019's Sundance Film Festival to talk about their movie about arrested development, "Big Time Adolescence." Starring SNL’s Pete Davidson, Griffin Gluck, and John Cryer, the story follows a teen whose idolization and friendship with a twenty-something stoner college dropout has destructive effects on his life. Orley and Huebscher discuss the close director/DP working relationship on the movie, creating the look of the film, working with production company American High, and using the Chemical Wedding Artemis Pro App and Hollywood Camerawork shot designer App to plan out where to place the camera and lights. You can stream Big Time Adolescence right now on Hulu. https://www.youtube.com/watch?v=t3PcDo4YcnY Find out even more about this episode, with extensive show notes and links: http://camnoir.com/bonusbigtime/ LIKE AND FOLLOW US, send fan mail or suggestions! Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz Brought to you by Hot Rod Cameras: Find your next camera, lens, light or accessory at https://hotrodcameras.com/ Hot Rod Cameras is giving away TWO professional, cinema quality Aputure MC lights! One for you AND a friend you tag! Go to http://hotrodcameras.com/giveaway to enter. Contest ends March 30, 2020.
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Mar 18, 2020 • 1h 7min

DP Kira Kelly on working with director Ava DuVernay, her Netflix series Self Made, 13th, Queen Sugar, East Los High

Cinematographer Kira Kelly had years of experience before director Ava DuVernay approached her to shoot her documentary, 13th. For 13th, DuVernay was interested in creating artful, composed shots rather than the typical “talking heads” of most documentaries, and pushed Kira and the team to get creative about how it was framed. The film examines the 13th Amendment, which outlawed slavery, yet the mass incarceration of African-Americans continues to this day as its own kind of slavery. 13th was nominated for an Academy Award for Best Documentary Feature in 2017. Kira collaborated with DuVernay again on the second season of the critically-acclaimed series, Queen Sugar. When she was first starting out, Kira worked as a gaffer before moving into the camera department and establishing herself as a cinematographer, shooting a small independent film called Were the World Mine. Producer/director Carlos Portugal noticed her work and hired her to shoot four seasons of Hulu's Emmy-nominated series, East Los High. Kira Kelly's latest show is a limited series for Netflix called Self Made: Inspired by the Life of Madame C.J. Walker, starring Octavia Spencer. The series is based on the real-life story of an African American washerwoman who builds a hair product empire to become the first female self-made millionaire. Self-Made is on Netflix beginning March 20. https://www.netflix.com/title/80202462 Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep67/ LIKE AND FOLLOW US, send fan mail or suggestions! Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz Brought to you by Hot Rod Cameras: Find your next camera, lens, light or accessory at https://hotrodcameras.com/ Hot Rod Cameras is giving away TWO professional, cinema quality Aputure MC lights! One for you AND a friend you tag! Go to http://hotrodcameras.com/giveaway to enter. Contest ends March 30, 2020.

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