New Books in Journalism

When journalist Rory Kress met Izzie, she didn’t think twice before bringing her home. She found the twelve-week-old wheaten terrier in a pet shop and was handed paperwork showing Izzie had been born in a USDA-licensed breeding facility—so she couldn’t be a puppy mill dog, right?But a few years later, as Rory embarked on her own difficult journey to become a mother, her curiosity began to tug at her. Sure, Izzie was her fur baby, but who was her dog’s real mother, and where was she now? And where did Izzie pick up her strange personality quirks? Like so many people, Rory had assumed the young puppy was a clean slate when she bought her. Those questions led Rory—with Izzie by her side—on a nationwide investigation, the first of its kind. From a dog livestock auction to the laboratory of one of the world’s leading animal behavioral scientists all the way up to the highest echelons of the USDA, they sought answers about who we’re trusting to be the watchdog for our pet dogs.The Doggie in the Window (Sourcebooks, 2018) is a story of hope and redemption. It upends the notion that purchased dogs are a safer bet than rescues, examines how internet puppy sales allow customers to get even farther from the truth of dog breeding, and offers fresh insights into one of the oldest bonds known to humanity. With Izzie’s help, we learn the real story behind the dog in the window—and how she got there in the first place.Rory Kress is a journalist and a national Emmy Award-winning television producer. She has reported on Iraqi refugees in Jordan coping through rollerblading, surrogate mothers giving birth to American babies in India, the cultural awakening of Jewish youths in Poland, and the conversions of Hispanic Americans to Islam in New Jersey. She was the news producer for NBC's Today Show and is a graduate of the Columbia University Graduate School of Journalism and Princeton University. She lives in Denver with her family and her dog, Izzie.Mark Molloy is the reviews editor at MAKE: A Literary Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours.Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Picking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti’s post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In Haiti's Paper War: Post-Independence Writing, Civil War, and the Making of the Republic, 1804-1954 (NYU Press, 2020) — her analysis of Haitian writing that followed independence — Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume — the paper war — that vied to shape public sentiment and the very idea of Haiti.Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Sophia Rosenfeld is Walter H. Annenberg Professor of History at the University of Pennsylvania. She is the author of Democracy and Truth: A Short History.The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Future of Truth project. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

What is the relationship between print culture, religious identity, and formations of social consciousness in the modern period? In her brilliant new book, Print and the Urdu Public: Muslims, Newspapers, and Urban Life (Oxford UP, 2020), Megan Robb explores this question through a vigorous and exciting micro-history of a major 20th-century Urdu newspaper Madinah that was at the center of critical political, theological, and sociological currents in Muslim South Asia. The distinguishing feature of this book lies in its focus on the place and space of the qasbah, or small towns, as fascinating and often overlooked theaters of individual and communal identity formation and contestation. What competing notions of Islam, politics, and time emerge in a marketplace of ideas animated and engine by the technology and materiality of print culture, especially, the newspaper? Robb examines this question through a probing analysis that brings together vivid portraits of social and intellectual life in early 20th-century Northern India, with productive theoretical interventions on conceptualizing the interaction of print, religion, and politics in colonial modernity.SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Who were your heroes during your formative years? As a child of the 1970s, many of mine were journalists, especially those reporting on war and revolution in Southeast Asia and Latin America. I wanted to be Mel Gibson in The Year of Living Dangerously, James Woods in Salvador, or even Nick Nolte in Under Fire. It was all so exciting and glamorous, but all of these role models were men. As a teenager I idealized that romantic image of the hard drinking, rugged, tough guy journalist. When I read When the War was Over for a college seminar on the politics of revolution, I added a real-life heroine to my pantheon: Elizabeth Becker. She covered the horrors of the American bombing of Cambodia, the barbaric civil war, and the unfathomable brutality of the Khmer Rouge. She was there, on the ground in Cambodia, when so much of the world turned away. Now she has written a book about her heroes, three female journalists who covered the American War in Vietnam, the Second Indochina War, and the way it spilled into Cambodia. You Don't Belong Here: How Three Women Rewrote the Story of War is a profile of these three journalists, but it also works as a narrative of the war in Vietnam and in Cambodia. Obviously, this book genders our understanding of the war and the reporters who told the world about this war.Like the three women she profiles in You Don't Belong Here: How Three Women Rewrote the Story of War (PublicAffairs, 2021), Elizabeth Becker began her career as a war correspondent in Southeast Asia. She arrived Cambodia in early 1973. Writing for the Washington Post, she covered the American bombing and the war between the Lon Nol government and the Khmer Rouge. She wrote a major exposé of the Khmer Rouge leadership. During the Khmer Rouge regime, she was one of a handful of Westerners allowed into the country and met Pol Pot. She was almost killed by assassins during that surreal trip. She has been the Senior Foreign Editor for National Public Radio and a New York Times correspondent covering national security, economics and foreign policy. She has won accolades from the Overseas Press Club and was part the Times team that won the Pulitzer Prize for Public Service for coverage of 9/11. She is the author of When the War was Over: Cambodia and the Khmer Rouge Revolution, which has been in print for 35 years and remains one of the best books on the Khmer Rouge. She has also written Bophana, America’s Vietnam War: A Narrative History, and Overbooked: The Exploding Business of Travel and Tourism, an exposé of the travel industry. She also served as an expert witness in the Khmer Rouge genocide trials in Phnom Penh.Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

On June 4, Federal Police raided the home of Walkley award-winning journalist Annika Smethurst, changing her life forever. The police claimed they were investigating the publication of classified information, her employer called it a 'dangerous act of intimidation'. Annika believes she was simply doing her job.Ms Smethurst became the accidental poster woman for press freedom. Politicians even debated the merits of police searching through her underwear drawer. On Secrets (Hachette, 2020) considers the impact this invasion has had on her life, and examines press freedom.Annika Smethurst is a Walkley award-winning journalist. She is the Daily Telegraph's and Sunday Herald Sun's political editor.Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). bede.haines@holdingredlich.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Can your zip code predict when you will die? Should you space out childhood vaccines? Does talcum powder cause cancer? Why do some doctors recommend e-cigarettes while other doctors recommend you stay away from them? Health information―and misinformation―is all around us, and it can be hard to separate the two. A long history of unethical medical experiments and medical mistakes, along with a host of celebrities spewing anti-science beliefs, has left many wary of science and the scientists who say they should be trusted. How can we unravel the knots of fact and fiction to find out what we should really be concerned about, and what we can laugh off?In Viral BS: Medical Myths and Why We Fall for Them (Johns Hopkins UP, 2021), medical journalist, doctor, professor, and former CDC disease detective Seema Yasmin, driven by a need to set the record straight, dissects some of the most widely circulating medical myths and pseudoscience. Exploring how epidemics of misinformation and disinformation can spread faster than microbes, Dr. Yasmin asks why bad science is sometimes more believable and contagious than the facts. Each easy-to-read chapter covers a specific myth, whether it has endured for many years or hit the headlines more recently.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

We are joined today by Meenakshi Gigi Durham, Professor in the School of Journalism and Mass Communication at the University of Iowa in the writers’ heaven that is Iowa City, Iowa. She also holds a joint appointment in the Department of Gender, Women’s Studies, and Sexuality Studies at Iowa. She is here today to talk to us about her upcoming book: Me Too: The Impact of Rape Culture in the Media (Polity Press, 2021).Professor Durham is the author of the quite famous The Lolita Effect: The Media Sexualization of Young Girls and What We Can Do About It (Overlook Press, 2008) and Technosex: Precarious Corporealities, Mediated Sexualities, and the Ethics of Embodied Technics (Palgrave 2016) – both of which address modern, mass media explorations of the sexuality and gender.In the wake of the MeToo movement, revelations of sexual assault and harassment continue to disrupt sexual politics across the globe. Reports of recurrent and widespread misconduct - in workplaces from doctors' offices to factory floors - are precipitating firings, legal actions, street protests, and policy punditry. Meenakshi Gigi Durham situates media culture as a place in which these broader social struggles are enacted and reproduced. The media figures whose depravity sparked the #MeToo movement are symbolic markers of the complexities of sexual desire and consent. Pop culture sparks controversies about rape culture; social media users have launched feminist resistance that turned to real-world activism; investigative journalists have broken stories of assault, offering a platform for survivors to speak truth to patriarchal power. Arguing that the media are a linchpin in these events, Durham provides a feminist account of the interrelated contexts of media production, representation, and reception. She situates media as the key site where the establishment of sexuality and social relations takes place and traces the media's powerful role in both reifying and challenging rape culture.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

On January 28 2011 WikiLeaks released documents from a cache of US State Department cables stolen the previous year. The Daily Telegraph in London published one of the memos with an article headlined 'Egypt protests: America's secret backing for rebel leaders behind uprising'. The effect of the revelation was immediate, helping set in motion an aggressive counter-narrative to the nascent story of the Arab Spring. The article featured a cluster of virulent commentators all pushing the same story: the CIA, George Soros and Hillary Clinton were attempting to take over Egypt. Many of these commentators were trolls, some of whom reappeared in 2016 to help elect Donald J. Trump as President of the United States. Nathaniel Greenberg's book How Information Warfare Shaped the Arab Spring: The Politics of Narrative in Egypt and Tunisia (Edinburgh UP, 2019) tells the story of how a proxy-communications war ignited and hijacked the Arab uprisings and how individuals on the ground, on air and online worked to shape history.Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism