New Books in Journalism

The common-sense way of thinking about what representatives should do in democracies tends to revolve around the concept of responsiveness: representatives should respond to the interests and demands of their constituents. However, this account of representation does not tell us much about how citizens form preferences. If political representatives and other actors have the ability to shape the interests and preferences of actors, this raises the specters of manipulation, voter incompetence, and false consciousness. All of these concepts question whether citizens have the capacity to form accurate beliefs about their own interests and to judge whether or not politicians are serving them.In her new book Making Constituencies: Representation as Mobilization in Mass Democracy (University of Chicago Press, 2021), my guest Lisa Disch argues that concerns about manipulation and voter competence are overwrought because they are grounded in a mistaken understanding of how representation works in democracies. Building on the “constructivist turn” in representation, Disch argues that the starting point of theorizing about how representation should work in democracies should be on the processes through which representatives of all kinds – from elected politicians to media outlets and social movements – constitute the very groups that they claim to speak for. Rather than asking how we can make politicians respond to the interests of voters, Disch argues that we should be asking how political actors, parties, and movements can mobilize constituencies for projects of social change.Lisa Disch is Professor of Political Science and Women’s Studies at the University of Michigan. Geoffrey Gordon is a PhD candidate in comparative politics at the University of Virginia. Follow him on Twitter: @geofflgordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Political scientists have argued that Donald Trump exacerbated long-simmering changes in polarization, populism, and other aspects of politics. In their book News After Trump: Journalism's Crisis of Relevance in a Changed Media Culture (Oxford University Press, 2021), Matt Carlson, Seth C. Lewis, and Sue Robinson, argue that Trump's candidacy and presidency did the same in journalism. The question now is, how do news organizations move forward and continue to deliver informational value to the public at a time when they're just one of many information sources people see?Taking an expansive view of the contemporary media and political environment during the Trump years, News After Trump portrays a media culture in transition. As journalism's very relevance comes to be increasingly questioned, the authors focus on how different actors — from Trump to small-town newspaper editors — use their cultural power to define journalism, assess its value, and question what the news should look like. This conversation is especially important as news organizations continue to grapple with their role in standing up for democratic norms and values.Matt Carlson is associate professor at the Hubbard School of Journalism and Mass Communication at the University of Minnesota. Seth C. Lewis is founding holder of the Shirley Papé Chair in Emerging Media in the School of Journalism and Communication at the University of Oregon.Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

This interview was recorded and first published in early 2020 when the NBN had about a million downloads a month. Since then the downloads have increased more than four-fold to just below 5 million monthly downloads at the end of 2021 and the number of hosts has increased greatly as well. On the New Books Network authors to talk about their books with a specialist host. Founded in 2007 by Marshall Poe, formerly a Russian history professor from the US. The NBN has grown to be the most downloaded podcast of its type in the world.  New Books Network website NBN on Stitcher NBN on Apple Podcasts NBN on Spotify Marshal Poe on Wikipedia About your host Richard LucasRichard is a business and social entrepreneur who founded, led and/or invested in more than 30 businesses, Richard has been a TEDx event organiser, supports the pro-entrepreneurship ecosystem, and leads entrepreneurship workshops at all levels: from pre-schools to leading business schools. Richard was born in Oxford and moved to Poland in 1991. Read more here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Elena Poniatowska is a legendary Mexican journalist who has chronicled popular celebrities, politicians as well as important social movements in Mexico since the 1968 Tlatelolco students massacre.Today I talked to Lynn Stephen, a professor of anthropology at the University of Oregon who has described in her book Stories That Make History: Mexico through Elena Poniatowska’s Crónicas (Duke UP, 2021) how Poniatowska’s personal and political trajectory intertwined with Mexico’s growing critical public after 1968. The earthquake of 1985, the Chiapas uprising and Subcomandante Marcos as well as the recent occupation of the Zócalo in Mexico City are in Stephen’s words “historical moments when the status quo is cracked open, when people take to the streets and demand change, when another future seems possible”. These are the moments when gifted writers and artists step up and document movements and create new historical actors.We might have read Elena Poniatowska but we didn't know her. Lynn Stephen has reflected on the beautiful and strong parts of this woman who beat the odds in her own life to rewrite Mexican history.Minni Sawhney is a professor of Hispanic Studies at the University of Delhi. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Eric Berkowitz has written a short history of a censorship, a large topic that has been a phenomenon since the advent of recorded history. In Dangerous Ideas: A Brief History of Censorship in the West from the Ancients to Fake News (Beacon Press, 2021), Berkowitz reviews the motives and methods of governments, religious authorities, and private citizens to quell freedom of thought and expression. One theme Berkowitz reveals is how ineffective many censorship efforts have been. For example, after the printing press multiplied the sources available to readers and the opportunities for the Church and governments to suppress books and pamphlets, the attempts to censor speech served to heighten interest and encourage more dissent, creating profitable black markets for forbidden topics. Some publishers actually encouraged authors to write something likely to be forbidden. Yet, Berkowitz forthrightly acknowledges the dangers under which free thinker have lived and continue to live in our contemporary world. The dangers of daring to express oneself are present not only in authoritarian polities but in our own, and Berkowitz’s history seeks to reveal the common motives of censors and their targets.Ian J. Drake is Associate Professor of Jurisprudence, Montclair State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

How do we narrate history, both the troubling past and what we chose to remember? Clint Smith sets out to wrestle with this question and its relationship to enslavement in his first nonfiction book, How the Word is Passed: A Reckoning with the History of Slavery Across America (Little, Brown and Company, 2021). From Monticello plantation to Angola Prison to Galveston Island, Smith guides the reader on a journey as he visits domestic and abroad landmarks. In his exploration, he includes the reactions of the people he meets, like tourists, local public historians, and teachers, illuminating how these sites and all of us participate in remembering enslavement in contemporary America.N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Media is usually seen as a feature of the modern world enabled by the latest technologies. Scholars, educators, parents, and politicians often talk about media as something people should be wary of due to its potential negative impact on their lives. But do we really understand what media is?In Media Is Us: Understanding Communication and Moving Beyond Blame (Rowman and Littlefield, 2021), Elizaveta Friesem argues that instead of being worried about media or blaming it for what’s going wrong in society, we should become curious about uniquely human ways we communicate with each other. Media Is Us proposes five key principles of communication that are relevant both for the modern media and for people’s age-old ways of making sense of the world.In order to understand problems of the contemporary society revealed and amplified by the latest technologies, we will have to ask difficult questions about ourselves. Where do our truths and facts come from? How can we know who is to blame for flaws of the social system? What can we change about our own everyday actions to make the world a better place? To answer these questions we will need to rethink not only the term “media” but also the concept of power. The change of perspective proposed by the book is intended to help the reader become more self-aware and also empathic towards those who choose different truths.Concluding with practical steps to build media literacy through the ACE model—from Awareness to Collaboration through Empathy—this timely book is essential for students and scholars, as well as anyone who would use the new understanding of media to decrease the current levels of cultural polarization.Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the Qing dynasty (1644-1911), China experienced far greater access to political information than suggested by the blunt measures of control and censorship employed by modern Chinese regimes. A tenuous partnership between the court and the dynamic commercial publishing enterprises of late imperial China enabled the publication of gazettes in a wide range of print and manuscript formats. For both domestic and foreign readers these official gazettes offered vital information about the Qing state and its activities, transmitting state news across a vast empire and beyond. And the most essential window onto Qing politics was the Peking Gazette, a genre that circulated globally over the course of the dynasty.The Peking Gazette in Late Imperial China: State News and Political Authority (U Washington Press, 2021) presents a comprehensive history of the Peking Gazette and frames it as the cornerstone of a Qing information policy that, paradoxically, prized both transparency and secrecy. Gazettes gave readers a glimpse into the state's inner workings but also served as a carefully curated form of public relations. Historian Emily Mokros draws from international archives to reconstruct who read the gazette and how they used it to guide their interactions with the Chinese state. Her research into the Peking Gazette's evolution over more than two centuries is essential reading for anyone interested in understanding the relationship between media, information, and state power. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Matthew Ricketson joins to discuss how newsrooms, the engine rooms of reporting, have shrunk. A generation of journalists has borne witness to seismic changes in the media and this book shares their stories as essays and narrative interviews. Names include  from more than 50 Australian journalists – including Amanda Meade, David Marr and Flip Prior – Upheaval: The Great Digital Disruption in Journalism and Its Aftermath (NewSouth, 2021) reveals the highs and the lows of those who were there to see it all.Matthew takes us inside frenetic and vibrant newsrooms at the peak of their influence, and the difficulties of adapting to ever-accelerating news cycles with fewer resources. Some left journalism altogether while others stayed in the media — or sought to reinvent it. Normally the ones telling other people’s stories, in Upheaval journalists share the rawness of losing their own job or watching others lose theirs. They reveal their anxieties and hopes for the industry’s future and their commitment to reporting news that matters.Matthew Ricketson is presently the professor of communication at Deakin University, previously inaugural journalism professor at the University of Canberra between 2009 and 2017. He ran the journalism program at RMIT for 11 years, and worked on staff at The Australian and Time Australia magazine. His last news media role was Media and Communications Editor at The Age.Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). bede.haines@holdingredlich.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The story of the American newsroom is that of modern American journalism. In The American Newsroom: A History, 1920-1960 (University of Missouri Press, 2021), Will Mari documents a time of great change and controversy in the field, one in which journalism was produced in "news factories" by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. While newspapers have come to be seen as an integral part of American democracy, Mari's work shows that newsrooms themselves were far from democratic during this period. They were largely not available to women and people of color, and the leadership style of some editors and mangers bordered on authoritarian. Those standards shifted over the time The American Newsroom documents, thanks in part to the rise of newsroom unions, changing practices around human resources, and the continued transformation of journalism into a professional, white-collar occupation. The American Newsroom sets the stage for many of the visions of newsrooms we see in pop culture from All The President's Men to Spotlight and demonstrates how the period from 1920-1960 expanded the notions of what journalism could and should be. Will Mari is assistant professor of media history and media law at the Manship School of Mass Communication at Louisiana State University. He received his MPhil from Wolfson College, Cambridge and his Ph.D. from the University of Washington. He studies media history, media law, and especially analog-to-digital transitions and their impact on news workers.Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism