The Last Thing I Saw

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The film Collective is an investigation of corruption in the aftermath of a deadly fire in a Romanian nightclub that led to protests that toppled the prime minister. Director Alexander Nanau follows tenacious journalists as they expose wrongdoing at hospitals and in government dealings with the help of whistleblowers. He also gains access to a newly appointed health minister who is trying to reform the system. Like All the President’s Men or Citizenfour, the results make us feel as if we’re watching the process develop in real time, with basic freedoms at stake. I spoke with Nanau about the film, which he directed, produced, edited, and operated camera on. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week Genevieve Yue tells us about a film series she programmed at Metrograph called Implicit Movies. It's a fascinating selection of films, exploring a world of backgrounds, bit parts, and fragmented memories that lurk behind every image. Genevieve is an assistant professor of culture and media at the New School, and so we also talk about how she taught Uncut Gems in one of her classes. And as part of my “bring a friend” initiative on the podcast, Genevieve invited Nico Baumbach, an associate professor of film and media at Columbia University. We talk about the children’s classic The Red Balloon; Agnes Varda’s The Gleaners and I; and the new Adam Curtis series, Can’t Get You Out of My Head. Please note that to indulge my whim for spontaneity and mystery, Nico patches into our recording session partway through. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. For this special episode I talk with director David Fincher and production designer Don Burt about Mank, a black-and-white evocation of Hollywood through the jaded eyes of one Herman J. Mankiewicz, as he writes the screenplay for Citizen Kane. If you’ve seen any Fincher films since Zodiac, you’ve also seen Burt's beautiful work, which won him an Academy Award for The Curious Case of Benjamin Button. We talk about the conception of Mank's particular spaces; the techniques behind designing for a black-and-white film; the eagle-eyed capabilities of digital cameras; and whether Mank is intended to be a political film. Mank has received 10 Academy Award nominations, including best picture, director, and production design. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. This week we begin with some films from the cult label Something Weird Video: the revenge drama Johnny Firecloud, and a couple of films from the one and only Doris Wishman. My adventurous guest is Adam Piron, Los Angeles-based programmer for the Sundance Film Festival where he's associate director of the indigenous program. Other movies discussed: Straight Time; Bless Their Little Hearts; The Exiles; and the silent movie The Daughter of Dawn, which led Adam to an incredible personal discovery. Adam is also a member of the Cousin collective, which supports indigenous artists and has a program featured in this year’s Documentary Fortnight at MoMA. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. Critic Nick Pinkerton and cinematographer Sean Price Williams join this episode. Pinkerton’s new book on Tsai Mingliang’s wonderful film Goodbye Dragon Inn is available now from Fireflies Press. Sean Price Williams’s vibrant and dynamic work as a cinematographer includes the acclaimed movies Good Time, directed by Josh and Benny Safdie, and Her Smell, directed by Alex Ross Perry. A leading cinematographer of his generation, Williams has also shot movies with Abel Ferrara, Sean Baker, Michael Almereyda, Jessica Oreck, and Albert Maysles. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. For the final installment in our essential picks from the 2021 Berlin Film Festival, I’m joined by Berlin-based critic Jessica Kiang, who wrote about the festival for The New York Times and filed multiple reviews of highlights for Variety. Movies discussed include The Scary of 61st, from Red Scare podcast co-host Dasha Nekrasova; the Georgian small-scale epic What Do We See When We Look at the Sky?; fresh readings of Alice Diop’s We, the Vietnamese curio Taste, and Alonso Ruizpalacios’s meta-docufiction A Cop Movie; and Petite Maman, Céline Sciamma’s follow-up to Portrait of a Lady on Fire. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. The one and only Amy Taubin joins to talk about a couple of selections from the Berlin Film Festival and Berlin Critics’ Week, with some comments on watching on the small screen. Movies discussed include Ballad of a White Cow, An Unusual Summer, Nous (We), and Petite Maman. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. Brazil-based critic Ela Bittencourt, who has been reviewing for MUBI, joins to discuss a selection of movies in the Berlin Film Festival, which presented its slate online in advance of its public summer incarnation. Movies discussed include The Girl and the Spider, Natural Light, Azor, Tsarenska Scaling, and the short Fury Is a Feeling Too (1983). You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. London calling! Critic Jonathan Romney weighs in on the best from the Berlin Film Festival, which presented its slate of films online in advance of a public summer incarnation. Movies discussed include the prize-winners Bad Luck Banging or Loony Porn from Radu Jude, Ryusuke Hamaguchi’s Wheel of Fortune and Fantasy, Maria Speth’s Mr. Bachmann and His Class, Alonso Ruizpalacios’s A Cop Movie, and more. You can read show notes with links at: rapold.substack.com Opening Music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. We’re giving a sneak preview of the prestigious Berlin Film Festival, which presented its slate of films online this week (in advance of a public summer incarnation). Critic-programmer Jordan Cronk joins the episode to give a run-down on what’s new at Berlin and a selection of highlights including the latest from Hong Sangsoo and adventurous new work. For complete show notes with links, sign up for my newsletter at rapold.substack.com Music: “Monserrate” by The Minarets Photo by Steve Snodgrass