New Books in British Studies

This episode features Professor Simon Ville talking about his latest book with David Merrett International Business in Australia Before World War One: Shaping a Multinational Economy (Palgrave MacMillan, 2022).This book challenges conventional wisdom by revealing an extensive and heterogeneous community of foreign businesses in Australia before 1914. Multinational enterprise arrived predominantly from Britain, but other sender nations included the USA, France, Germany, New Zealand, and Japan. Their firms spread out across Australia from mining and pastoral communities, to portside industries and CBD precincts, and they operated broadly across mining, trading, shipping, insurance, finance, and manufacturing. They were a remarkably diverse population of firms by size, organisational form, and longevity. This is a rare study of the impact of multinationals on a host nation, particularly before World War One, and that focuses on a successful resource-based economy. Deploying a database of more than 600 firms, supported by contemporary archives and publications, the work reveals how multinational influence was contested by domestic enterprise, other foreign firms, and the strategic investments of governments in network industries. Nonetheless, foreign agency – particularly investment, knowledge and entrepreneurship – mattered in the economic development of Australia in the nineteenth as well as the twentieth centuries. This book will be of interest to students and researchers in Australian and international economic and business history, the history of economic growth and scholars of international business.Professor Ville is a Professor of Economic and Business History at the University of Wollongong in Australia. Prof Ville has worked with scholars in a broad range of disciplines including economics, history, management, sociology, engineering, and museum science.Dr. Paula de la Cruz Fernández has been the host of this interview. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Is there such a thing as “the Israel lobby,” and how powerful is it really? Hilary Frances Aked's book Friends of Israel: The Backlash Against Palestine Solidarity (Verso, 2023) provides a forensically researched account of the activities of Israel's advocates in Britain, showing how they contribute to maintaining Israeli apartheid. The book traces the history and changing fortunes of key actors within the British Zionist movement in the context of the Israeli government's contemporary efforts to repress a rising tide of solidarity with Palestinians expressed through the Boycott Divestment and Sanctions (BDS) movement. Offering a nuanced and politically relevant account of pro-Israel actors' strategies, tactics, and varying levels of success in key arenas of society, it draws parallels with the similar anti-boycott campaign waged by supporters of the erstwhile apartheid regime in South Africa.Roberto Mazza is currently a Visiting Lecturer at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Arthur Snell's book How Britain Broke the World: War, Greed and Blunders from Kosovo to Afghanistan (1997-2021) (Canbury Press, 2022) critically assesses UK foreign policy over the past 25 years, from Kosovo in 1998 to Afghanistan in 2021, while also scrutinising British policy towards the powerhouses of the USA, Russia, India, and China. Far from being unimportant, Snell reveals, Britain has often played a pivotal role in world affairs. For instance, London supplied the false intelligence that justified the Allied invasion of Iraq and plugged Russia's corrupt elite into Western economies. Then come the bungled humanitarian interventions in foreign states. Without the UK's marginal but key role, the author argues, it's likely that wars would not have blighted the Balkans, Iraq, and Libya, hundreds of thousands of lives would have been saved, and the world would be a safer place in the 2020s. Taking in Russia's full-scale invasion of Ukraine in 2022, Snell charts the key political, economic and geographic factors that drive the behaviour of the most powerful and populous countries. Like a diplomatic version of Prisoners of Geography by Tim Marshall, How Britain Broke the World reveals the ignominious reality of UK foreign policy and the true state of world affairs. It is a must-read for anyone interested in Britain's role in international affairs.Philip Blood is a British historian residing in Germany. His specialist research covers military culture, war, security, genocide and the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Will Wales ever become an independent country? The UK’s other constituent parts – Scotland and Northern Ireland - seem more likely to breakaway: the Scots voted no to independence in 2016 but it was by quite a narrow margin (55% to 45%) and next time, who knows? In Northern Ireland Catholics are for the first time becoming a majority and with some protestants who would rather be in the EU than the UK, a referendum there could lead to Irish unity. But what about the Welsh? Polls suggest support for independence is well short of 50% but the trend is upward. Welsh journalist Will Hayward has been talking about Welsh independence with Owen Bennett-Jones. Hayward is the author of Independent Nation: Should Wales Leave the UK? (Biteback Publishing, 2022).Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

At the Battle of Saratoga, the tide of the Revolutionary War turned in favor of unlikely victors: the American patriots. What were the major strategy elements at play in the Saratoga Campaign, and why did it prove so crucial? Where did England misstep, and what did the Americans get right? To find out, we chat with Kevin Weddle *03, Professor of Military Theory and Strategy at the Army War College.A graduate of West Point and veteran of operations Desert Storm and Enduring Freedom, Dr. Weddle received his PhD here at Princeton, and was the 2019 William L. Garwood visiting professor with the Madison Program. He is the author of The Compleat Victory: Saratoga and the American Revolution, winner of the 2021 Gilder Lehrman Military History Prize. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Empire and Progress in the Victorian Secularist Movement: Imagining a Secular World (Palgrave Macmillan, 2022) by Dr. Patrick Corbeil is the first extensive historical analysis of the relationship between empire and the Victorian secularist movement. Historians have paid little attention to the role of empire in the development of organized free thought. Secularism as it developed in Britain and its settler colonies was an overtly outward-looking, global ideology in a period marked by the rise of scientific rationalism and belief in the logic of a European civilizing mission. Recent scholarship has focused on how the empire influenced British and American atheists on the question of race. What is missing is an in-depth examination of the formation of secularist ideas about universal progress, ethics, and secular morality. Through an examination of the secularist periodical and pamphlet press, this book argues that the religious diversity of the British Empire helped to shape the ethical worldview of the secularists, providing ammunition for their critiques of Christian morality and the church and justification for their policy reform proposals both in Britain and the colonies.Patrick Corbeil is an independent scholar living in Victoria, British Columbia, Canada. He is also the Associate Director with the International Society for Historians of Atheism, Secularism, and Humanism (ISHASH).Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Clive Nwonka and Anamik Saha discuss their forthcoming book Black Film, British Cinema II (publishing in March with Goldsmiths Press), a book which brings together scholars, thinkers and practitioners to consider the politics of blackness in contemporary British cinema and visual practice.Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race.Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

During the late nineteenth century, tens of thousands of diggers, prospectors, merchants, and dealers extracted and shipped over 50 million carats of diamonds from South Africa to London. The primary supplier to the world, South Africa's diamond fields became one of the formative sites of modern capitalist production. At each stage of the diamond's route through the British empire and beyond-from Cape Town to London, from Amsterdam to New York City-carbon gems were primarily mined, processed, appraised, and sold by Jews.In A Brilliant Commodity: Diamonds and Jews in a Modern Setting (Oxford University Press, 2023), historian Dr. Saskia Coenen Snyder traces how once-peripheral Jewish populations became the central architects of a new, global exchange of diamonds that connected African sites of supply, European manufacturing centers, American retailers, and western consumers. Centuries of restrictions had limited Jews to trade and finance, businesses that often heavily relied on internal networks. Jews were well-positioned to become key players in the earliest stage of the diamond trade and its growth into a global industry, a development fueled by technological advancements, a dramatic rise in the demand of luxury goods, and an abundance of rough stones. Relying on mercantile and familial ties across continents, Jews created a highly successful commodity chain that included buyers, brokers, cutters, factory owners, financiers, and retailers.Working within a diasporic ethnic community that bridged city and countryside, metropole and colony, Jews helped build a flourishing diamond industry, notably Hatton Garden in London and the Diamond District of New York City, and a place for themselves in the modern world.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In her latest book, Rude Girls: Women in 2 Tone and One Step Beyond (Sally Brown Publishing, 2023), Heather Augustyn explores the ska revival in the UK during the lates 1970s and 1980s. The 2 Tone label represented unity of black and white in both the content of the songs, and appearance of the bands. While race may have been central to this declaration, where did gender fit in? Many bands had few, if any, women in their lineup and so women had to do it for themselves. Empowered by punk and impassioned by Jamaican ska and reggae, they took up the microphone, the saxophone, drumsticks. Women demanded their space on the stage and in the studio. Through exclusive interviews with more than 50 women involved in ska in the UK during the '70s and '80s, Rude Girls: Women in 2 Tone and One Step Beyond tells their stories of adversity, perseverance, and sisterhood for an inspiring look at half of the story that has never been told.Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book.The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media.The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material.Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies