New Books in British Studies

During the eighteenth century, Britain’s slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into an Atlantic-wide system through which fifty thousand men, women, and children were enslaved every year.In Traders in Men: Merchants and the Transformation of the Transatlantic Slave Trade (Yale UP, 2023), Nicholas Radburn explains how thousands of slaving merchants in Africa, Britain, and the British Americas collectively created this cancerous system by devising highly efficient, but also violent, new business methods. African brokers developed commercial techniques that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people’s constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to a variety of colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade became one of the most important phenomena in world history and dragged millions of people into the trade’s terrible vortex.Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

John Gower’s "Confessio Amantis" ("The Lover’s Confession") is one of the most important English works of the fourteenth century. Within its frame of the lovesick lover’s confession are well over a hundred stories, mainly derived from classical mythology, the Bible, and history which exemplify the Middle Ages. Echoing the octosyllabic line of the original, The Lover's Confession: A Translation of John Gower's Confessio Amantis (Medieval Institute Press, 2023) is the first translation of the entire (33,000-line) poem, including its Latin verses and glosses. The book was edited and translated by Brian Gastle and Catherine Carter, with Latin translations by Andrew Galloway.Nikki Roulo received her Ph.D. in English from the University of North Carolina at Chapel Hill in 2023 and her scholarly interests include fools in early modern literature, seventeenth-century drama, poetics, and jestbooks. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Empire and imperial frameworks, policies, practices, and cultures have shaped the history of the world for the last two millennia. It is nation states that are the blip on the historical horizon. Making Empire: Ireland, Imperialism, and the Early Modern World (Oxford University Press, 2023) by Dr. Jane Ohlmeyer re-examines empire as process—and Ireland's role in it—through the lens of early modernity. It covers the two hundred years, between the mid-sixteenth century and the mid-eighteenth century, that equate roughly to the timespan of the First English Empire (c.1550-c.1770s).Ireland was England's oldest colony. How then did the English empire actually function in early modern Ireland and how did this change over time? What did access to European empires mean for people living in Ireland? This book answers these questions by interrogating four interconnected themes. First, that Ireland formed an integral part of the English imperial system, Second, that the Irish operated as agents of empire(s). Third, Ireland served as laboratory in and for the English empire. Finally, it examines the impact that empire(s) had on people living in early modern Ireland.What becomes clear is that colonisation was not a single occurrence but an iterative and durable process that impacted different parts of Ireland at different times and in different ways. That imperialism was about the exercise of power, violence, coercion and expropriation. Strategies about how best to turn conquest into profit, to mobilise and control Ireland's natural resources, especially land and labour, varied but the reality of everyday life did not change and provoked a wide variety of responses ranging from acceptance and assimilation to resistance.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Why is music important to place, and place important to music? In Where We Come From: Rap, Home and Hope in Modern Britain (Faber and Faber, 2024), Aniefiok Ekpoudom, a freelance writer and storyteller from South London, tells the story of UK Rap and Grime music. In doing so he tells the story of Modern British culture. The book uses three places- South London, South Wales, and the Midlands, and three case studies of some of UK Rap and Grime’s leading artists. In doing so, the book powerfully charts the struggles and triumphs of modern British music, and the struggles and triumphs of the places where that music comes from. A work of brilliant and compelling narrative non-fiction, the book is essential reading across the humanities and social sciences, as well as for anyone interested in music, culture, and place.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Beginning in August 1946, stateless and visaless Jews, most of them survivors of the Nazi death camps, who sought to immigrate to the Land of Israel were intercepted by the Royal Navy and deported to the nearby island of Cyprus, where they were detained in camps surrounded by barbed wire. Despite occupying a dramatic and fateful position in modern history, this saga has remained largely inaccessible due to the widespread dispersal of the primary sources and the linguistic difficulties presented by them. To address these problems, Yitzhak Teutsch's book The Cyprus Detention Camps: The Essential Research Guide (Cambridge Scholars, 2019) scrutinizes the scholarly literature, consulting hundreds of primary sources, many of them previously unknown, on three continents, bringing together interviews with scores of eyewitnesses, and translating foreign-language terms into English. The result is a comprehensive, meticulously footnoted guide that uses such tools as maps, a detailed timeline, and biographical entries to make this riveting saga accessible to a broad audience of scholars and general readers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In A United Ireland: Why Unification in Inevitable and How It Will Come About (Biteback Publishing, 2017), Kevin Meagher argues that a reasoned, pragmatic discussion about the most basic questions regarding Britain's relationship with its nearest neighbour is now long overdue, and questions that have remained unasked, and perhaps unthought, must now be answered. Indeed, in the light of Brexit and a highly probable second independence referendum in Scotland, the reunification of Ireland is not a question of if, but when and how.Listen to Meagher explain to Owen Bennett Jones why he thinks a united Ireland is inevitable and how he thinks it will happen.Kevin Meagher was a Special Adviser to former Labour Northern Ireland Secretary Shaun Woodward. He is the associate editor of the Labour Uncut blog and frequently writes about Irish politics for the New Statesman.Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science.Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War.Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, Emma Gleadhill's Taking Travel Home: The Souvenir Culture of British Women Tourists, 1750-1830 (Manchester UP, 2022) examines a wide range of objects, from painted fans "of the ruins of Rome for a sequin apiece" and the Pope's "bless'd beads", to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narrativeEmma Gleadhill is a Melbourne-based historian and artistMorteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Christopher Corker's The Business and Technology of the Sheffield Armaments Industry, 1900-1930 (U of York, 2016) focuses on four in-depth case studies of John Brown, Cammell-Laird, Thomas Firth and Hadfields to examine the business and technology of the industry. It builds on the work of Tweedale and Trebilcock on Sheffield and armaments, and advances the argument that during the period of study from 1900 to 1930, the city was one of the most important centres for armaments research and production anywhere in the world. The business of the armaments industry is explored through an examination of the evolving links the industry had with the Government against the backdrop of an uncertain trading environment, and the managerial connections established between the state and private industry. Also explored are the collaborative, collusive and independent defensive measures enacted by the industry to counter uncertainty in the industry, through collaborative business arrangements and various approaches to entering international markets for armaments. An examination of the business of the armaments industry also highlights the value of the technological investment made by the industry. At the centre of exploring the technology of the armaments industry, a reconstruction of its technological history is undertaken using patent and archival records, highlighting the nuances and research dead-ends of development in the industry. Of central importance is the notion of spin-off and the interactions between armaments and metallurgical developments in the creation of a pool of knowledge to be utilised for future research into alloy steels, and the notion of path-dependent technological research. Also advanced is the concept of an innovation system centred on Sheffield, and an exploration of the important national and international links advanced by the industryThis title is available open access here. Chris is a business historian, and Lecturer in Management at the School for Business and Society at the University of York, where he is a former Director of Undergraduate Programmes. He completed his PhD in 2016, and won the 2017 Coleman Prize from the Association of Business Historians for excellence in new business history research, and an Emerald Literati Prize in 2019. His current research is on innovation and knowledge in industrial clusters, in particular the business and intellectual history of Stainless Steel, which has been supported by a small grant from the Business Archives Council. Outside of academia Chris is an advisor to Sheffield Archives, member of the Joined Up Heritage Sheffield Partnership Board, and former Chair of Portland Works Little Sheffield, a social enterprise housed in a 19th Century cutlery works. His work has also been featured on BBC Radio 3's Free Thinking.Also discussed during the podcast Chris Corker, ‘Continuity and Change in the Sheffield Armaments Industry 1919-1930’, Journal of Management History, Vol. 24, No.2, pp.174-188, 2018. Wilson, J.F., Corker, C., and Lane, J.P. (Eds), Industrial Clusters in the UK: Knowledge, Innovation Systems and Sustainability (Routledge, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In his new book Inkface: Othello and White Authority in the Era of Atlantic Slavery (University of Virginia Press, 2023), Miles P. Grier argues that blackness in Othello and the texts that it influenced should be understood as deeply material, transferable, and unstable. The defining of alphanumerical and dramatic characters, while represented as settled, was anything but. As Miles writes in the book, “Before the racial categories of high scientific racism were elaborated in the late eighteenth century, a functional white interpretive community was being forged through the shared exercise of interpretive authority over inky black figures. The stage offered a place in which control over symbols and their interpretation could be celebrated as if it were already a fait accompli, rather than a tense, ongoing battle.”Miles Parks Grier is Professor of English at Queens College, City University of New York. Miles’s articles have appeared in The William and Mary Quarterly, The Journal of Popular Music Studies, and Shakespeare/Text: Contemporary Readings in Textual Studies, Editing and Performance. Along with Cassander L. Smith and Nicholas Jones, Miles co-edited Early Modern Black Diaspora Studies: A Critical Anthology (Palgrave, 2018). Inkface is his first monograph.John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

From rumps and stays to muffs and handkerchiefs, underwear and accessories were critical components of the 18th-century woman's wardrobe. They not only created her shape, but expressed her character, sociability, fashionability, and even political allegiances. These so-called ephemeral flights of fashion were not peripheral and supplementary, but highly charged artefacts, acting as cultural currency in contemporary society.The Modern Venus: Dress, Underwear and Accessories in the Late 18th-Century Atlantic World (Bloomsbury, 2023) by Dr. Elisabeth Gernerd highlights the significance of these elements of a woman's wardrobe in 1770s and 1780s Britain and the Atlantic World, and shows how they played their part in transforming fashionable dress when this was expanding to new heights and volumes. Dissecting the female silhouette into regions of the body and types of dress and shifting away from a broad-sweeping stylistic evolution, this book explores these potent players within the woman's armoury. Marrying material, archival and visual approaches to dress history, and drawing on a rich range of sources – including painted portraiture, satirical prints, diaries, memoirs – The Modern Venus unpacks dress as a medium and mediator in women's lives. It demonstrates the importance of these overlooked garments in defining not just a woman's silhouette, but also her social and cultural situation, and thereby shapes our understanding of late 18th-century life.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies