New Books in British Studies

Olga Tufnell (1905–85) was a British archaeologist working in Egypt, Cyprus, and Palestine in the 1920s and 1930s, a period often described as a golden age of archaeological discovery. Tufnell achieved extraordinary success for an “amateur” archaeologist and as a woman during a time when the field of professional archaeology was heavily dominated by men, typically with university training.Olga Tufnell’s 'Perfect Journey': Letters and Photographs of an Archaeologist in the Levant and Mediterranean (UCL Press, 2021), edited by Jack Green and Ros Henry, presents, for the first time, letters and photographs by Tufnell primarily during her pioneering work in the 1920s and 1930s. From the Palestine Exploration Fund archive, these records not only shed light on the discoveries made by Tufnell and her colleagues, but are also a window into the past, often narrating contemporary events, and revealing a great deal about the way in which Olga Tufnell viewed the rapidly changing, often contentious world around her.With expert commentary and annotation by the editors that situate these records in their historical and archaeological contexts, this book is a crucial addition to the growing bibliography on the history of archaeology around the world, and the Levant specifically. This text can be read well as an archaeological account, a historical primary source reader, or a travelogue from a past age.Samuel Pfister is the collections manager at the Badè Museum in California's East Bay. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

After over a decade of king-less government, civil war, and political and religious revolution, the restoration of the Stuart monarchy created a complex situation for those religious dissenters who had enjoyed a brief period of political freedom outside the English church. In The Culture of Dissent in Restoration England: 'The Wonders of the Lord' (Royal Historical Society, 2019) George Southcombe employs a series of case studies to explore the religious and print cultures of religious nonconformity. The Presbyterian poet and satirist Robert Wild shows the paradox of those "moderate puritans" who had helped restore the monarchy which led to their own social exclusion. The General Baptist Thomas Grantham helps us to learn about the possibilities and limits of friendship between dissenters and establishment clergy. The Quaker John Whitehead provides a vignette into the development of Quaker theology in the Restoration. And the Fifth Monarchist Vavasor Powell and Particular Baptist Benjamin Keach show the popularity of Calvinism and apocalyptic hermeneutics all the way through the seventeenth century. Southcombe's study explores the way dissenters used print to create a richly variegated culture that contributed to the development of Restoration political parties and religious denominations. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The city that sits on the River Foyle on the North side of the Irish isle in many ways has stood as a microcosm of the conflicts in Northern Ireland, even to the contestation over the name of Derry/Londonderry. In Derry City: Memory and Political Struggle in Northern Ireland (University of Notre Dame Press, 2020), Margo Shea examines the popular and cultural identity formations in this emblematic city over the century leading up to the sectarian clash known commonly as as "The Troubles." Throughout the period Shea examines, Irish nationalist communities developed a cultural memory that fostered a social identity and shared heritage as an alternative to the loyalist sanctioned commemorations, festivals, and community histories. Shea's study models a fruitful method of reading cultural history, especially of communities without recourse to political power and the usual means of archival representation. This book will be of interest for those interested in the formation of cultural identity and the development of Northern Ireland.Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Marching across occupied France in 1944, American GI Leroy Stewart had neither death nor glory on his mind: he was worried about his underwear. "I ran into a new problem when we walked," Stewart wrote, "the shorts and I didn't get along. They would crawl up on me all the time." Crawling underwear may have been a small price to pay for the liberation of millions of people, but in the utter wretchedness of the moment, it was quite natural for soldiers like Stewart to lose sight of that end. In Sheer Misery: Soldiers in Battle in WWII (U Chicago Press, 2021), Mary Louise Roberts focuses on the corporeal experiences of the soldiers who fought in Belgium, France, and Italy during the last two years of the Second World War. In the horrendously unhygienic and often lethal conditions of the front line, their bodies broke down, stubbornly declaring their needs for warmth, rest, and good nutrition. Turning away from the accounts of high-level military strategy that dominate many WWII histories, Roberts instead relies on diaries and letters to bring to life visceral sense memories like the moans of the "screaming meemies," the acrid smell of cordite, and the shockingly mundane sight of rotting corpses.Told in inimitable style by one of our most distinctive historians of the Second World War, Sheer Misery, published by the University of Chicago Press, gives readers both an unprecedented look at the ground-level world of the common soldier and a deeply felt rendering of the experience of being a body in war.Douglas Bell is a historian who focuses on American military history, American foreign policy, German history, and European Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

English has borrowed more words from French than from any other modern foreign language. French words and phrases—such as à la mode, ennui, naïveté and caprice—lend English a certain je-ne-sais-quoi that would otherwise elude the language. Richard Scholar examines the continuing history of untranslated French words in English and asks what these words reveal about the fertile but fraught relationship that England and France have long shared and that now entangles English- and French-speaking cultures all over the world.Émigrés: French Words That Turned English (Princeton UP, 2020) demonstrates that French borrowings have, over the centuries, “turned” English in more ways than one. From the seventeenth-century polymath John Evelyn’s complaint that English lacks “words that do so fully express” the French ennui and naïveté, to George W. Bush’s purported claim that “the French don’t have a word for entrepreneur,” this unique history of English argues that French words have offered more than the mere seasoning of the occasional mot juste. They have established themselves as “creolizing keywords” that both connect English speakers to—and separate them from—French. Moving from the realms of opera to ice cream, the book shows how migrant French words are never the same again for having ventured abroad, and how they complete English by reminding us that it is fundamentally incomplete.At a moment of resurgent nationalism in the English-speaking world, Émigrés invites native Anglophone readers to consider how much we owe the French language and why so many of us remain ambivalent about the migrants in our midst. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The First World War poet and composer Ivor Gurney (1890–1937) spent the last fifteen years of his life confined in a Kent mental hospital before dying prematurely of tuberculosis. How good was Gurney's war poetry, and has his music stood the test of time? Why did try to re-write Shakespeare's plays? How far do recently uncovered archives transform our understandings both of Ivor Gurney's troubled life and his remarkable work? Kate Kennedy of the Oxford Centre for Life-Writing discusses her ground-breaking biography of Ivor Gurney Dweller in Shadows (Princeton 2021) with Duncan McCargo, in an unusual podcast that includes readings of his poetry, and two specially recorded examples of his music. The podcast opens and closes with Kate Kennedy (cello) and Simon Over (piano) performing Gurney's song Sleep. We also hear Simon accompany Dominic Bevan as he sings Severn Meadows, a rare example of Gurney setting his own words to music. Rare treats lie in store for the listener.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Borders are “important”: they define, in legal terms, who we are, our identity, and our rights. Except borders are rarely imposed with any thought to the people actually living there. And once a border is imposed, it can radically change the lives of those who live alongside it, dividing communities forever more.India’s border, imposed by colonial authorities and disputed by successor governments, makes this clear. Midnight's Borders: A People's History of Modern India (Context / Melville House, 2021) sees author Suchitra Vijayan travel along India’s vast land border to meet the people who live there, and investigates how lives have been affected by geopolitics, colonialism, state violence, ethnic strife, and corruption.In this interview, Suchitra and I talk about India’s border regions: with Afghanistan, China, Bangladesh, Pakistan and Myanmar. We talk about the lives of those that live in these borderlands, and why she chose to call this book a “People’s History”.Suchitra Vijayan is the founder and executive director of the Polis Project, a hybrid research and journalism organization. A barrister by training, she previously worked for the United Nations war crimes tribunals in Yugoslavia and Rwanda before co-founding the Resettlement Legal Aid Project in Cairo, which gives legal aid to Iraqi refugees. Her work has appeared in The Washington Post, GQ, The Boston Review, The Hindu and Foreign Policy.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Midnight’s Borders. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art (Princeton UP, 2021) presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities.Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity.Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The Western Front evokes images of mud-spattered men in waterlogged trenches, shielded from artillery blasts and machine-gun fire by a few feet of dirt. This iconic setting was the most critical arena of the Great War, a 400-mile combat zone stretching from Belgium to Switzerland where more than three million Allied and German soldiers struggled during four years of almost continuous combat. It has persisted in our collective memory as a tragic waste of human life and a symbol of the horrors of industrialized warfare. In this history, military historian Nick Lloyd captures the horrific fighting in The Western Front: A History of the First World War (Liveright, 2021). As Lloyd reveals, far from a site of attrition and stalemate, the Western Front was dynamic and defined by extraordinary scientific and tactical innovation. It was on the Western Front that the modern technologies—machine guns, mortars, grenades, and howitzers—were refined and developed into effective killing machines. It was on the Western Front that chemical warfare, in the form of poison gas, was first unleashed. And it was on the Western Front that tanks and aircraft were introduced, causing a dramatic shift away from nineteenth-century bayonet tactics toward modern combined arms, reinforced by heavy artillery, that forever changed the face of war.Douglas Bell received his PhD in history at Texas A&M University and was recently the Postdoctoral Fellow at the US Army Heritage an Education Center. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In 1902, the British government concluded a defensive alliance with Japan, a state that had surprised much of the world with its sudden rise to prominence. For the next two decades, the Anglo-Japanese alliance would hold the balance of power in East Asia, shielding Japan as it cemented its regional position, and allowing Britain to concentrate on meeting the German challenge in Europe. Yet it was also a relationship shaped by its contradictions.Empire Ascendant: The British World, Race, and the Rise of Japan, 1894-1914 (Oxford UP, 2020) examines how officials and commentators across the British imperial system wrestled with the implications of Japan's unique status as an Asian power in an international order dominated by European colonial empires. On the settlement frontiers of Australasia and North America, white colonial elites formulated their own responses to the growth of Japan's power, charged by the twinned forces of colonial nationalism and racial anxiety, as they designed immigration laws to exclude Japanese migrants, developed autonomous military and naval forces, and pressed Britain to rally behind their vision of a 'white empire'. Yet at the same time, the alliance legitimised Japan's participation in great-power diplomacy, and worked to counteract racist notions of a 'yellow peril'.By the late 1900s, Japan stood at the centre of a series of escalating inter-imperial disputes over foreign policy, defence, migration, and ultimately, over the future of the British imperial system itself. This account weaves together studies of diplomacy, strategy, and imperial relations to pose searching questions about how Japan's entry into the 'family of civilised nations' shaped, and was shaped by, ideologies of race. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies