New Books in British Studies

Focusing on India between the early nineteenth century and the First World War, Colonial Terror explores the centrality of the torture of Indian bodies to the law-preserving violence of colonial rule and some of the ways in which extraordinary violence was embedded in the ordinary operation of colonial states. Although enacted largely by Indians on Indian bodies, particularly by subaltern members of the police, the book argues that torture was facilitated, systematized, and ultimately sanctioned by first the East India Company and then the Raj because it benefitted the colonial regime, since rendering the police a source of terror played a key role in the construction and maitenance of state sovereignty.Drawing upon the work of both Giorgio Agamben and Michel Foucault, Colonial Terror contends, furthermore, that it is only possible to understand the terrorizing nature of the colonial police in India by viewing colonial India as a 'regime of exception' in which two different forms of exceptionality were in operation - one wrought through the exclusion of particular groups or segments of the Indian population from the law and the other by petty sovereigns in their enactment of illegal violence in the operation of the law. It was in such fertile ground, in which colonial subjects were both included within the domain of colonial law while also being abandoned by it, that torture was able to flourish. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In September 1666, a fire sparked in a bakery on Pudding Lane grew until it had destroyed four-fifths of central London. The rebuilding efforts that followed not only launched the careers of some of London’s most famous architects, but also transformed Londoners’ relationship to their city by underscoring the ways that people could shape a city’s spaces—and the ways that a city’s spaces could shape its people. Movable Londons: Performance and the Modern City (U Michigan Press, 2025) by Dr. Julia Fawcett looks to the Restoration theater to understand how the dispossessed made London into a modern city after the Great Fire of 1666 and how the introduction of changeable scenery in theaters altered how Londoners conceptualized the city. Dr. Fawcett makes a claim for the centrality of unplanned spaces and the role of the Restoration theater in articulating those spaces as the modern city emerged and argues that movable scenery revolutionized London’s public theaters, inviting audiences to observe how the performers—many of them hailing from the same communities as their characters—navigated the stage. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Beginning in the late nineteenth century, British companies used the resources of empire to create an imperial oil industry that controlled 20% of global oil reserves by 1939 and allowed for the movement of capital and labor between regions and companies. The imperial oil complex encompassed colonies—Burma and Trinidad—and dependent states-Iraq and Iraq. In both, the imperial state used its political and military power to support British oil interests. The oil complex drew on the resources of empire but also bolstered it with profits and tax revenues while a global set of oil sites supplied the British military and civilian consumers. British companies built an infrastructure of oil production that gave them quasi-state power in oil regions while connecting these areas to global and imperial networks of communication and transportation.Fuelling Empire: The British Imperial Oil Complex, 1886-1945 (Oxford UP, 2025) highlights the significance of Britain to the development of the global oil industry. It demonstrates the ways in which the global histories of oil and empire are inextricably interlinked. The imperial oil complex relied on a racially stratified hierarchy of labor where white supervisors managed indigenous and migrant workers. The harsh conditions of work and low pay fueled labor conflicts that resonated with emerging colonial nationalist movements that sought to limit the power of oil companies. Despite robust private and state security operations, the imperial oil complex faced greater insecurity before World War II. While the imperial oil complex survived the war, in the postwar era decolonization and Britain's financial weakness led to its decline. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

As the First World War drew to a close and regimes began to collapse across Europe, British officials plotted a daring campaign to send an unlikely band of maverick soldiers, diplomats and spies to the chaotic region around the Caspian Sea. Their mission: to block the advance of the Turks, to hold back the rising Bolsheviks and prevent a Turkish-inspired jihad overwhelming India, and to secure the vital supply of oil from Baku.It was an almost impossible task, but Mavericks: Empire, Oil, Revolution and the Forgotten Battle of World War One (Bloomsbury, 2025) by Nick Higham tells the gripping stories of the remarkable and enterprising characters at the centre of it all, who would be tested to the limit. There was Lionel Dunsterville, the inspiration for Kipling's Stalky and commander of the expedition; Ranald MacDonell, a Scottish aristocrat and diplomat who smuggled millions of roubles for the war effort; Edward Noel, a seemingly indestructible soldier who was held hostage for sixty-five days in horrific conditions; Toby Rawlinson, the younger brother of one of Britain's most senior generals and a brilliant inventor; and Reginald Teague-Jones, a spy who printed his own currency and would eventually emerge as an author at the age of ninety-nine.Drawing on personal diaries, memoirs and once-secret government archives, Mavericks brings to life a cast of eccentric heroes who survived against all odds to tell their extraordinary tales. This is a propulsive story of boldness and intrigue, set in a forgotten corner of the Great War where the rules were made to be broken. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf’s friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, The Life of Violet blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.In these irresistible and riotously plotted stories, Violet, who has powers “as marvelous as her height,” gleefully flouts aristocratic proprieties, finds joy in building “a cottage of one’s own,” and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, The Life of Violet upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women’s friendships and laughter.A major literary discovery that heralds Woolf’s ambitions to revolutionize fiction and sheds new light on her great themes, The Life of Violet: Three Early Stories (Princeton UP, 2025) is first and foremost a delight to read. This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context. Urmila Seshagiri is Distinguished Professor of Humanities and Professor of English at the University of Tennessee, Knoxville. She is the author of Race and the Modernist Imagination, the editor of the Oxford World’s Classics edition of Virginia Woolf’s Jacob’s Room, and a contributor to the Los Angeles Review of Books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. In The Painter's Fire: A Forgotten History of the Artists Who Championed the American Revolution (Harvard UP, 2025), Dr. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence. Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy. Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Between the First and Second World Wars, activists across the British Empire began to think about what their homes might look like as independent nations, rather than colonies subject to the control of London. Sometimes, these thinkers found refuge and common cause in others elsewhere in the Empire–such as between India and Egypt, , as Erin O’Halloran explores in her book East of Empire: Egypt, India, and the World Between the Wars (Stanford UP, 2025). India was the jewel in the British Empire’s crown; Egypt was the strategic artery that connected Britain’s eastern possessions with the metropole. Erin, in her book, explores how Indian and Egyptian thinkers were inspired by each other, through the aftermath of the First World War, the Italian invasion of Abyssynia, the Palestinian question, and the onset of the Second World War. Erin is the Marie Sklodowska Curie European Research Fellow at the University of Cambridge. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of East of Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The European left seemed to be in rude health during the 1970s. Never had so many political parties committed to representing the working class been in power simultaneously across the continent. New forms of mobilisation led by female, immigrant, and young wage-earners seemed to reflect the growing strength of the workers' movement rather than its pending obsolescence. Parties and trade unions grew rapidly as a diverse new generation entered the ranks. Why did the left's forward march halt so abruptly?  The Halted March of the European Left: The Working Class in Britain, France, and Italy, 1968-1989 (Oxford UP, 2025)shows how the left's defeats after the mid-1970s were not the inevitable result of de-industrialisation or, more precisely, the transition to a globalised and post-Fordist world that abolished the working class as a great historical actor. Choices that were made during a concentrated but decisive moment contributed to the left's lost battles. The British, French, and Italian left managed the shift to a new era by marginalising those groups of workers who had invested it with hopes of social and political transformation. Communist, socialist, and social democratic parties helped disempower the new components of the working class in workplaces, in society, in the political system, and successfully disciplined their traditional working-class supporters. The left encountered a crisis of purpose and identity, a sense of both defeat and lost opportunities, and the dissolution of the idea of a community of fate amongst workers. This book provides a comparative analysis of the left's fragmenting relationship with the working class and a 'feel' for the culture of three leading industrial countries during a traumatic transition of late twentieth-century history. It concludes that decisions taken by the left during the 1970s contributed to the tragic inversion of the expected outcome of that hopeful decade. Matt Myers is a Lecturer in Modern European History at the University of Oxford Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel here Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Lady Charlotte Schreiber, Extraordinary Art Collector (Lund Humphries, 2025) emphasises Lady Charlotte Schreiber (1812-1895) — also known as Lady Charlotte Guest, née Bertie — as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte’s contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks. Charting Charlotte’s eventful life, Dr. Caroline McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Following the British conquest of Ottoman Palestine, Jews across the British Empire—from Jerusalem to Johannesburg, London to Calcutta—found themselves at the heart of global Jewish political discourse. As these intellectuals, politicians, activists, and communal elites navigated shifting political landscapes, some envisioned Palestine as a British dominion, leveraging imperial power for Jewish state-building, while others fostered ties with anticolonial movements, contemplating independent national aspirations. Uncertain Empire: Jews, Nationalism, and the Fate of British Imperialism (Stanford University Press, 2025)Context considers this intricate interplay between British imperialism, Zionism, and anticolonial movements from the 1917 British conquest of Palestine to the establishment of the state of Israel in 1948. Elizabeth Imber highlights diverse and sometimes conflicting visions of Jewish political futures, offering detailed case studies of key figures including Chaim Arlosoroff, Moshe Shertok, Helen Bentwich, Rachel Ezra, and Hermann Kallenbach. She explores a "politics of uncertainty" in which Jews engaged with both imperial stability and the rise of anticolonial mobilization, when many were likewise forced to reconsider Palestine as a viable refuge and political solution. Ultimately, this book provides a nuanced understanding of how the British Empire's fate became central to Zionist and broader Jewish political thought, revealing the complex intersections of empire, state power, and Jewish politics during a time marked by profound urgency and exigency. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies