New Books in Art

In The Phantom Unmasked: America’s First Superhero (University of Iowa Press, 2017), Kevin Patrick examines the history of The Phantom—an American comic strip superhero that made his debut in 1936. Although not popular in the United States, The Phantom knows a long history and popularity in Australia, Sweden, and India. In The Phantom Unmasked, Patrick explores this history. By tracing the publication history of The Phantom and connecting its success to the media licensing industries starting in the 1930s and 40s, Patrick presents an under-explored history to show the role of this comic in international markets and its importance for understanding how international markets worked. In The Phantom, Patrick assesses how historical, cultural, political, and economic conditions impacted The Phantom’s rise in popularity in Australia, Sweden, and India. In addition, he surveys Phans in order to explain how they have come to love the superhero. Well researched and informative, The Phantom Unmasked adds to the burgeoning comic history. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Is making art a job? This question is central to The Work of Art: Value in Creative Careers (Stanford University Press, 2017), the new book by Alison Gerber, a postdoctoral fellow in the Department of Sociology at Lund University. The book explores the working lives of artists by thinking through the idea of value in their work. At the heart of this exploration are four accounts of being an artist; four accounts of value; and four accounts of the occupation. These four accounts—pecuniary, credentialising, vocational, and relational—connect and conflict with each other to explain the place of both art and the artist in contemporary society. Using rich and detailed interview and ethnographic data, the book is essential reading for its contribution to contemporary sociology of culture and its insights into the art world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Tom Mullaney’s new book The Chinese Typewriter: A History (MIT Press, 2017) provides a fascinating first look at the development of modern Chinese information technology. Spanning 150 years from the origins of telegraphy in the early 1800s to the advent of computing in the 1950s – the book explores the at times fraught relationship between Chinese writing and global modernity. It covers some of the earliest and varied attempts to make the Chinese script fit for Western communication systems, taking the reader on a journey through Chinese telegraphy, Morse code, typewriters and early computing. In addition, Mullaney includes reference to the many failed attempts, ideas and approaches in the history of Chinese information technology through a series of lively and insightful stories and people. Perhaps most interestingly, Mullaney covers how various inbuilt linguistic inequalities in turn eventually led to the evolution of innovative strategies and technologies, including input method and predictive text. Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin – Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This is the third in a series of podcasts from Zoe Kontes’ terrific “Looted.” There’s nothing like a full-bodied ancient Greek bronze nude to get the crowds to a museum. A visitor might even fall in love (speaking from personal experience Riace Bronzes, here’s looking at you). We’ll focus on two of these very rare figures, found in US museums, but currently the subject of great debates of identification and international ownership. On Looted: The Podcast, we uncover the hidden stories of ancient artifacts and their journeys in the illicit antiquities trade. I’m Zoe Kontes, and I’m an archaeologist. When we archaeologists dig, we carefully record what we find so we can make the best sense of the evidence. But go to any museum, auction house, or dealer with an antiquities collection—Ebay even—and you’ll be sure to find objects that have been removed from the ground without this kind of proper excavation. Looting destroys the context of artifacts, and while they may look beautiful in a display case, we lose any information about their significance or function in the culture that made them. This is a loss of our common human history, and it affects us all. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The Syrian Revolution, which began in March 2011, has since resulted in what can be described as a civil war, the deaths of hundreds of thousands of people, and the forced migrations of millions of Syrians. This story has been told countless times in news media. However, less known is the story of the Syrian artists who have portrayed the revolution with all of its nuances. miriam cooke’s Dancing in Damascus: Creativity, Resilience and the Syrian Revolution (Routledge, 2017) tells that story, beginning before the revolution and continuing until the present. Through cooke’s work, we see how oppression can beget creativity and how art in the Syrian context can create public memory. cooke brings together different mediums to show how different conversations cut through the Syrian artistic community and how Syrians relate to one another. Dancing in Damascus is comprehensive, provocative, and hopeful. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In his new book, Stan Lee: The Man Behind Marvel (Rowman and Littlefield, 2017), cultural historian and biographer Bob Batchelor examines the life of Marvel’s Stan Lee one of the most iconic figures in comic book history. Batchelor has written the first biography of Stan Lee. Starting with his childhood as a Depression-era New Yorker born to immigrant parents, Batchelor follows Lee’s career as a teenage editor at Marvel Comics, his stint as a playwright for the United States Army during World War II, and his unrelenting work ethic and drive that transformed the comic book industry and brought characters such as Spider Man, the Hulk, Iron Man, the Fantastic Four, the Avengers, and the X-Men to life. Batchelor explores the larger place in popular and American cultural history that Stan Lee has played over the past 70 years from comics to television to film, reflecting on the role of the superhero in the American experience. Well researched, Stan Lee: The Man Behind Marvel gives insight not only into well-known aspects of Lee’s life, but also presents readers with little known background into Lee’s past and what has made him the icon he is today. Batchelor’s book is a must read for Marvel and comic books fans. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

John Neel’s Focus in Photography: Master the Advanced Techniques That Will Change Your Photography Forever (Ilex Press, 2016) is both instructional manual and analysis on why focus is such an important artistic tool for photographers. Neel uses his own images to illustrate how focus works to directs viewers into and around an image. In his book Neel creates the first serious treatment of the topic in the digital age, by showing how mastery of the lens will greatly enhance the quality and “wow” factor of photographs. John Neel is a graduate of the University of South Florida, School of Fine Arts and has an MFA from the Visual Studies Workshop SUNY. He has an interest in merging photography, design and illustration. Recently he has become interested in the relationship of synthesized sound and electronic images and became a member of the electronic band uforkestra as the group’s visual musician. His work is held in public and private galleries in both the US and Canada, including the George Eastman House, the Art Gallery of Ontario. In the 1990s John worked at Kodak Research Labs where he developed skills and knowledge on such subjects as stereo and immersive imaging, as well as new human interface technologies (such as haptic), augmented reality and experimental media. Besides his artistic pursuits and accomplishments, John holds numerous patents and patent applications regarding digital imaging. Focus in Photography is available online at Ilex Press and through Amazon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Horace Poolaw, Photographer of American Indian Modernity (University of Nebraska Press, 2016), Laura E. Smith, Assistant Professor of Art History at Michigan State University, unravels the compelling life story of Kiowa photographer Horace Poolaw (1906-84), one of the first professional Native American photographers. Born on the Kiowa reservation in Anadarko, Oklahoma, Poolaw bought his first camera at the age of fifteen and began taking photos of family, friends, and noted leaders in the Kiowa community, also capturing successive years of powwows and pageants at various fairs, expositions, and other events. Though Poolaw earned some income as a professional photographer, he farmed, raised livestock, and took other jobs to help fund his passion for documenting his community. Smith examines the cultural and artistic significance of Poolaw’s life in professional photography from 1925 to 1945 in light of European and modernist discourses on photography, portraiture, the function of art, Native American identity, and American Indian religious and political activism. Rather than through the lens of Native people’s inevitable extinction or within a discourse of artistic modernism, Smith evaluates Poolaw’s photography within art history and Native American history, simultaneously questioning the category of fine artist in relation to the creative lives of Native peoples. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This is the second in a series of podcasts from Zoe Kontes’ terrific “Looted.” Marble figurines made ca. 5,000 years ago in the Cycladic Islands of the Aegean became all the rage for collectors, and a great influence in Modernist Art. Easily looted and almost as easily faked, these objects have a unique role in the modern world. The question is, what was their role in the ancient world? More to see, read and hear: Gill, D. W. J., and C. Chippindale. “Material and intellectual consequences of esteem for Cycladic figures.” American Journal of Archaeology 97 (1993): 601-59. Chippindale, C., and D. W. J. Gill. “Cycladic figurines: art versus archaeology?” In Antiquities: trade or betrayed. Legal, ethical and conservation issues, edited by K. W. Tubb (1993): 131-42. Review: A Seductive and Troubling Work. Reviewed Work:The Cycladic Spirit: Masterpieces from the Nicholas P. Goulandris Collectionby Colin Renfrew, Christos Doumas. Review by: Ricardo J. Elia,Archaeology. Vol. 46, No. 1 (JANUARY/FEBRUARY 1993), pp. 64, 66-69 http://www.jstor.org/stable/41766251 Renfrew, C. “Keros: Rethinking the Cycladic Early Bronze Age,” Penn Museum lecture: https://www.youtube.com/watch?v=epwk71maFRc On Looted: The Podcast, we uncover the hidden stories of ancient artifacts and their journeys in the illicit antiquities trade. I’m Zoe Kontes, and I’m an archaeologist. When we archaeologists dig, we carefully record what we find so we can make the best sense of the evidence. But go to any museum, auction house, or dealer with an antiquities collection—Ebay even—and you’ll be sure to find objects that have been removed from the ground without this kind of proper excavation. Looting destroys the context of artifacts, and while they may look beautiful in a display case, we lose any information about their significance or function in the culture that made them. This is a loss of our common human history, and it affects us all. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Just after World War II, West Indians began moving to London in large numbers. The artists, writers, and musicians among them found a place to create, and they found ways to express their complex notions of belonging to both the Caribbean and to the British Empire. Amanda Bidnall‘s The West Indian Generation: Remaking British Culture in London, 1945-1965 (Liverpool University Press, 2017) traces their paths and their fortunes, their successes and their troubles. Bidnall writes against a prevailing interpretation of immigrant London as torn apart with racial divisions. While this generation may have encountered degrees of racial animosity, they were at also intent on participating in and contributing to a burgeoning scene that welcomed them as newcomers.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art