Headliner Radio

Recording and mix engineer Olga Fitzroy talks about her role as the executive producer of The MPG and the organisation’s recent efforts to increase diversity. She reflects on her start in the industry at AIR, engineering on Coldplay’s Ghost Stories, assisting Sir George Martin on the last ever Beatles recording for the 2006 album, Love, working on season four of The Crown, and reveals how Neve consoles are essential to her workflow.

Max Aruj is a graduate of Hans Zimmer's Remote Control Studios, where he perfected his craft under one of the best mentors you could ask for, Lorne Balfe. He talks about his work for films such as Crawl, and most recently the Liam Neeson-starring The Ice Road for Netflix, plus how he still makes sure to work with Balfe on such massive blockbusters as Marvel's Black Widow. 

Danish artist Sitrekin is joined by Grammy-winning sound engineer and producer Dyre Gormsen to talk about Sitrekin’s single, Open Chest, the first track ever to be released exclusively in Dolby Atmos on Apple Music. Sitrekin explains why this is a new chapter for her away from Blue Foundation, and reflects on being the voice behind the Twilight Saga soundtrack hit song, Eyes on Fire.

Jenn Wasner, one half of the shape shifting US alt. indie due Wye Oak, reflects on 10 years of their breakthrough record, Civilian and the experiences that shaped its creation. 

Producer, audio engineer, guitarist and songwriter, Tim Palmer, reflects on getting his start by mixing (I Just) Died in Your Arms for Cutting Crew, producing David Bowie's debut LP with Tin Machine in 1989, why patience paid off when working with Ozzy Osbourne, and reveals why he recently upgraded to Genelec 8341A monitors.

Musician Tom Bright reveals the inspiration behind his track, Down The Line, a single taken from his upcoming album, Legacy. He talks about being compared to Rod Stewart, how he utilised Spotify to obtain a monthly listenership of up to 100,000, and reveals what fans can expect from his new album release.

In this OLLO Chat Podcast, OLLO Audio CEO Rok Gulič speaks to Berklee College of Music’s John Escobar and acclaimed engineer and producer Matteo Marciano about best practice production techniques, immersive mixing in Dolby Atmos and how to ensure your studio skills are future-ready.Check out the video podcast here: https://bit.ly/3ioDOyv#olloaudio #headlinerradio #podcast #dolbyatmos

Three-time Grammy Award-winning recording and mix engineer, Geoff Foster, delves into how he recorded the orchestra for Billie Eilish’s Bond theme, No Time To Die with Hans Zimmer at London's Air Studios for the much anticipated new Bond film, for which he is also the score engineer. Foster reveals what it takes to capture the quintessential Bond sound, and how he achieved this using a Neve 88R console.

As a producer, engineer and songwriter, Julian Kindred has made numerous records with a wide and varied range of artists for over two decades. Here he reflects on his time spent recording in many of Music City’s legendary rooms, the hybrid setup in his UK-based studio, and the interesting ways he uses oeksound plugins throughout his workflow.

Miles Hankins describes how himself and Marco Beltrami composed the music for the new must-watch Hulu series, Nine Perfect Strangers, starring Nicole Kidman and Melissa McCarthy.