The Business

Director Leslee Udwin was in India as a court blocked the broadcast of her documentary about an infamous gang rape and murder in that country. Her film, India's Daughter, remains banned in India to this day. She tells us about putting herself at risk and in debt to make the film. 

Director Lenny Abrahamson didn’t expect author Emma Donoghue would choose him to make a film based on her bestselling novel Room. Abrahamson tells us how he made his pitch to Donoghue, and she explains why it worked.

Early in his career, Oscar-winning director Davis Guggenheim declared he would never make documentaries. He tells us about the bad experience in Hollywood that made him have a change of heart, and talks about his newest film, He Named Me Malala, which profiles activist Malala Yousafzai and her family.

The German thriller Victoria follows a bank heist in Berlin in real time. Director Sebastian Schipper shot the entire film in one long take. Schipper and actress Laia Costa tell us how you make a movie without ever saying "cut!"

With her new film Prophet's Prey, documentarian Amy Berg takes on the polygamous, fundamentalist arm of the Mormon Church. She tells us about encountering unwilling subjects and also addresses her Hollywood child sex abuse doc, An Open Secret.

Filmmaker Anna Muylaert has won acclaim at home and abroad for The Second Mother, which is Brazil's Oscar entry this year. But even with all the success, Muylaert's found that she's still not taken seriously within an industry dominated by men.

It may seem strange for the head of a cable network that's gone from two to 20 shows in the last decade to say there's officially too much TV, but that's exactly what FX's John Landgraf declared at this summer's TCA gathering. He breaks down his thinking for us.

The 1997 movie Seven Years in Tibet was banned in China, and its director Jean-Jacques Annaud barred from entering the country. A decade later, China came to Annaud and asked him to direct Wolf Totem, an epic Chinese movie. Annaud tells us what changed.

Television icon Norman Lear wrote sitcoms that tackled real issues, like rape, abortion and race relations. This Labor Day, we revisit Lear's conversation with Kim Masters about the lifetimes worth of adventures in film and television chronicled in his memoir.

For years, Bobcat Goldthwait wanted to make a movie about his mentor, Barry Crimmins. A stand-up comic with a taste for sharp political satire, Crimmins became an activist who testified before Congress, taking on AOL over the proliferation of child pornography on the Internet. Goldthwait tells how the film came together with help from his best friend Robin Williams.