The Business

After selling out stadiums in India, comedian and actor Vir Das is looking to break through in the US with his new Netflix special, Vir Das: Abroad Understanding. He tells us about making the jump from Bollywood to Hollywood and how he hopes his pointed humor can redefine expectations in India and America.

Author Margaret Atwood realizes that Hulu's adaptation of her Dystopian 1985 novel The Handmaid's Tale has gotten a huge PR boost, thanks to a turn of events that hardly seemed possible when work on the series was underway. Atwood and showrunner Bruce Miller talk about adapting the story for television and the eerie timeliness of the new series. 

Kitty Green's new film, Casting JonBenet, is an experiment in nonfiction storytelling. The documentary shows a series of people from Boulder, Colorado, auditioning for roles in a movie about the infamous 1996 murder. Green never really intended to film a reenactment of the crime, but it was hard to explain to the actors what she did intend. She tells us how she got people on board and speculates on the reasons behind the country's continued fascination with the still unsolved murder.

British filmmaker Ben Wheatley has built up a cult following with his hyper-violent, darkly funny movies. His newest film Free Fire is an action comedy starring Brie Larson, Armie Hammer, and a whole lot of guns. The movie has the broadest commercial appeal of any of his work to date, but it's still a Ben Wheatley film, which means, spoiler alert...a lot of people die.

Known as the "Jon Stewart of Egypt," Bassem Youssef hosted a satirical news show that was the first of its kind in the Middle East. The show was immensely popular, until the military-backed government forced Youssef off the air and out of the country. Youssef and director Sara Taksler tell us about their documentary Tickling Giants, which profiles Youssef’s leap from heart surgeon to super star satirist. 

Writer-producer Damon Lindelof wrapped up the hit series Lost in 2010, and he still gets lashed by fans who hated the ambiguous ending. Now as Lindelof launches the final season of The Leftovers on HBO -- another series that revolves around a mystery -- he still cares what people think of his work, but this time, he's stay far away from Twitter.

TV writer-producer Rob Long was brought in on short notice to run the faltering CBS sitcom Kevin Can Wait. Long talks about getting the sitcom back on track, why he hopes there's not a writers' strike, and what itPs like to be one of the few outspoken conservatives in Hollywood.

Beauty and the Beast director Bill Condon is no stranger to musicals -- he wrote the screenplay for movie versions of Chicago and Dreamgirls -- the latter of which he directed as well. But when Disney approached him about making a live-action adaptation of its famous animated classic he was initially hesitant to take it on. He talks about what changed his mind and how he set about making the movie his own.

Filmmaker James Mangold has been making character-driven dramas for more than 20 years, but lately, he's been in the X-Men superhero business. In his latest film, Logan, Hugh Jackman plays the slashing Marvel mutant one last time, so Mangold wanted to make something more nuanced than the usual comic-book movie.  

Ryan Murphy oversees a small TV empire on FX, with series including American Horror Story, American Crime Story and his latest effort, Feud. The first cycle of that show focuses on the rivalry between movie icons Joan Crawford and Bette Davis. On all his shows, Murphy now has a strict rule: at least half of the directors and crew members must be women or minorities.