The Business

Kim Masters and Matt Belloni report on the latest in the Disney proxy battle, and the banter partners examine the outrage of NBC staff following the brief, yet confounding, hiring of former RNC chair Ronna McDaniel. Plus, Masters speaks to writers Justin Marks and Rachel Kondo about their FX limited series, Shōgun. The husband and wife creative team talk about how they’ve been granted more control writing for television over feature films. They also explain why the risk FX took on their very expensive—and heavily subtitled—period epic tops any hurdles they experienced on the show’s massive production.

Matt Belloni and Lucas Shaw examine four Disney executives poised to take the throne in 2026 following CEO Bob Iger’s proposed retirement.  Plus, we revisit our conversation with Steven Yeun, who joined Kim Masters to talk about his Emmy winning limited series, Beef. The actor talks about his initial fears of not living up to expectations after being cast in what would become an Academy Award-nominated performance for Minari, why he and his Beef co-star Ali Wong broke out in hives after production wrapped, and how Netflix approached the A24 limited series with an offer that was too good to turn down.

Kim Masters and Matt Belloni discuss the alleged years of abuse and inappropriate behavior on Nickelodeon sets as shown in ID’s new docuseries, Quiet on Set: The Dark Side of Kids TV.  Plus, Eric Deggans talks to actors Andrew Lincoln and Danai Gurira about reprising their breakout roles as Rick and Michonne Grimes on The Walking Dead: The Ones Who Live. Gurira shares why writing an episode of the new spinoff series opened her eyes to the challenges of writing for television, and co-star Lincoln talks about how streaming affected the flagship show’s viewership over the years.  

Kim Masters and Matt Belloni examine the latest developments in the Disney proxy fight. They also take a look at a peculiar lawsuit filed against CBS Studios and Paramount. Plus, Masters speaks to writer Tony McNamara about his Academy Award-nominated screenplay for the Yorgos Lanthimos film, Poor Things. He talks about how he and Lanthimos managed to take a book about Scottish nationalism and turn it into their film, which is nominated for 11 Academy Awards this weekend. He also shares why he likes splitting his time between film and TV, and why the voices he hears in his head dictate how he writes a screenplay.

Kim Masters and Matt Belloni break down the latest executive hires at Netflix and Disney. They also take a look at Kevin Costner’s ambitious plans to theatrically release a four-part film saga set in the Old West.  Plus, NPR contributor Jeff Lunden speaks to composer Laura Karpman about her work on two vastly different 2023 films: the Disney juggernaut The Marvels, and Cord Jefferson’s sharp comedy-drama, American Fiction, which led to her first Academy Award nomination.

Writer Tony McNamara discusses adapting 'Poor Things' into a film, including changing setting to London, societal themes, and collaborative character development. He also shares how his toddler inspired Emma Stone's favorite line in the screenplay.

Topics include FuboTV's lawsuit against major media companies in sports streaming, Sony's struggles with Marvel films, and filmmaker Mstyslav Chernov discussing his documentary on war-torn Ukraine. The importance of documenting tragedies and the challenges of reporting in conflict zones are highlighted.

Christopher Nolan and Kai Bird discuss adapting 'American Prometheus' into a blockbuster hit. Disney's battle with shareholders and the predicted end of 'peak TV' are explored. The decline in Hollywood content and the journey of 'American Prometheus' are discussed. J. Robert Oppenheimer's passion for New Mexico and quantum physics is explored. The process of adapting the book into a film and the discussion on nuclear weapons and non-proliferation efforts are highlighted.

Writer-director Ed Zwick shares lessons from his decades in Hollywood, including stories from the making of 'Glory' and his near direction of 'Shakespeare in Love'. The podcast also discusses surprises from Disney's Q1 earnings call and the potential impact of a new sports streaming app. They explore challenges faced in Hollywood, lack of originality, and means of production and storytelling in filmmaking.

Exploring the potential sale of Paramount, the Netflix-WWE deal, and allegations surrounding UFC and WWE. Discussion on the controversy and eligibility of Best Picture at the 2024 Oscars. Highlighting the impact of the documentary branch on Best Documentary Feature nominations.