The Book Club

In this week’s books podcast, Sam talks to Sebastian Faulks about his brilliant new novel Paris Echo, which describes the twined stories of a Moroccan teenager and an American academic in the French capital – and the way that the ghosts of the past, from the Occupation to the decolonisation of North Africa, still play out in the present. Sam and Sebastian talk about whether writing from the point of view of a 19-year-old Moroccan means he’s going to be chucked in the Lionel Shriver High Security Prison for “cultural appropriation”, whether Paris Echo is an excursion into Magic Realism, how his serious literary novels coexist with his writing James Bond or Jeeves and Wooster — and about this book’s very unusual dedicatee…Presented by Sam Leith.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this week’s books podcast, Sam Leith talks to Sir Ian Kershaw about his new book Rollercoaster: Europe 1950-2017. Here from one of our most distinguished historians, is a history of Europe that goes from the postwar period right up to the present. Is he aiming at a moving target? How can you meaningfully speak about “Europe” as one thing when for much of the period under discussion half of it was behind the iron curtain? Were the machinations of powerful individuals, or sheer chance, the great drivers of our history? And how was the raising of the Berlin Wall — from some perspectives — a good thing?Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

How are the subprime collapse in the US and the Eurozone crisis that came after linked? Why did a cartel of mega-wealthy businessmen do a good job at rescuing the US from disaster, and a group of well-intentioned political technocrats make such a hash of it in Europe? And how is the Balance of Financial Terror between the US and China holding up these days? Adam Tooze, author of 'Crashed: How A Decade of Financial Crises Changed The World', joins Sam LeithBecome a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Among the biggest surprises of this year’s Man Booker Prize longlist was the inclusion, for the first time in the prize’s 50-year history, of a “graphic novel”. Nick Drnaso’s Sabrina — a chillingly claustrophobic account of the aftermath of a murder in post-truth America — is undoubtedly a brilliant example of its form. But does a comic belong in contention for a fiction prize? Sam didn’t think so (and wrote as much in the FT. In this week’s Books Podcast the Man Booker Prize’s Literary Director, Gaby Wood, argues otherwise — and raises in the process the possibility that, one day, the Man Booker prize could be won by a book that doesn’t contain any words at all. Presented by Sam Leith.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this summer rewind, Sam Leith talks to the journalist and historian Simon Heffer, originally released in October 2017.He is the author of the magisterial The Age of Decadence: Britain 1880-1914. The second part in his trilogy of books about the Victorian and Edwardian ages, it works to explode the myth that the pre-war years were an endless Merchant Ivory Summer’s afternoon. They talk about imperial decline, savage industrial unrest and aristocratic complacency… and how one writes a history of the years before 1914 without talking about the roots of the First World War.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this summer rewind, hear Sam Leith talk to Times columnist and former speechwriter for Tony Blair, Philip Collins, originally released last October.His book When They Go Low, We Go High is a fascinating look at political oratory from Pericles to (Michelle) Obama, and a vigorous argument for politics itself as a bulwark against the false promises of populism. We talk about what it was like writing for Blair, the greatest speech he wrote that was never delivered, how a speechwriter can trick a Prime Minister into announcing a policy he didn’t expect to announce – and why he’s proud to be a “Centrist Dad”.Presented by Sam Leith.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Adam Smith is the most quoted and misquoted economist of all time. Sam Leith talks to Jesse Norman, author of the new Adam Smith: What He Thought and Why It Matters (reviewed in last week’s Spectator by Simon Heffer). Norman argues that we can only understand Smith in the round by reading his Theory of Moral Sentiments as well as the Wealth of Nations; and by putting him in the context of the Scottish Enlightenment and the thinkers such as Hume who surrounded and influenced him. But he also says that a proper appreciation of Smith’s thought has relevance for us right to the present day. And he even ventures a thought on what the Sage of Kirkcaldy would have made of Brexit.Presented by Sam Leith.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

In this week’s Spectator Books, Sam talks to a man who has spent more time on Air Force One than even Piers Morgan: President Obama’s former foreign policy speechwriter and deputy national security adviser Ben Rhodes, author of new memoir The World As It Is: Inside the Obama White House. What is it really like writing speeches for Obama — and when did the President insist on writing his own words? How did Obama really greet the election of Donald Trump, away from the public magnanimity? And why is the Presidential plane, actually, a bit 1980s?Presented by Sam Leith.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

This week’s episode sees Sam Leith joined by Margo Jefferson, author of 'On Michael Jackson' and the memoir Negroland, to moonwalk back to the glory days of Michael Jackson. Jackson was one of the central figures in pop culture, but what was it that made him so captivating? And can his artistic legacy ever be disentangled from the gruesome murk of the last years?Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Sam talks to the distinguished scholar of Japanese literature Jay Rubin, editor of the new Penguin Book of Japanese Short Stories. Many of us in the West know little of Japanese literature beyond, perhaps, Haruki Murakami, Yukio Mishima and perhaps Banana Yoshimoto and Kenzaburo Oe. Jay fills in the blanks. Did you know the Japanese novel got going centuries before Don Quixote? That Japanese novelists were producing pitiless self-portraits decades before Knausgaard's voguish 'auto-fictions'? All this, plus the story of Japanese women's writing and the place of manga in the culture.Produced by Connor O'Hara.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.