New Books in African Studies

In Healthcare Policy In Africa: Institutions and Politics from Colonialism to the Present (Rowman and Littlefield, 2016), Jean-Germain Gros argues that healthcare policy should be the black box rather than the black hole of African Studies. By this he means that policy should be decoded so its secrets can be laid bare, rather than treated as an impenetrable mystery. To this end, in the book, as well as in the interview, Gros uses a variety of methodological approaches to explain/explicate the relative roles of agency and institutions in the history of healthcare policy in Africa. The book’s central thesis is that healthcare policy does not take place in a vacuum and it fills an important gap in the scholarship by examining the impact of factors including debt relief, conflict, humanitarianism, brain drain and globalization on policy affecting and affected by the health and wealth of Africans. Mireille Djenno is the African Studies Librarian at Indiana University. She can be reached at mdjenno@indiana.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Supermodel Georgie Badiel grew up in a small village in Burkina Faso where the closest source of water was many miles from home. After launching her successful modeling career, she began to speak out about the vital importance clean water can have on a community, drawing on her personal experience to educate others. Author Susan Verde and New York Times bestselling illustrator Peter H. Reynolds were inspired by Georgie’s story, and together all three have crafted a poignant picture book called, The Water Princess (G.P. Putnam’s Sons Books for Young Readers, 2016). Perfect for classroom teaching and for bedtime reading, The Water Princess illustrates one girl’s dream of helping her community, while educating readers on this important global issue. A percentage of the proceeds are being donated to the Ryan’s Well Foundation and to the Georgie Badiel Foundation. Susan Verde writes children’s books and teaches kid’s yoga and mindfulness. She is also the author of the picture books The Museum, and You and Me, I Am Yoga. Learn more at: http://www.susanverde.com. Susan Raab is president of Raab Associates, an internationally recognized agency that specializes in marketing literature, products and initiatives that help improve the lives of young people. Clients have included National Geographic, Scholastic, the International Board on Books for Young People, and bestselling authors and illustrators. Susan is marketing advisor for the Society of Children’s Book Writers and Illustrators (SCBWI). She’s also a journalist reporting on publishing, education and human rights. Her work as a broadcast correspondent has been hosted by the University of Connecticut, and by the University of Floridas Recess Radio, a program syndicated to 500 public radio stations. Her many interviews, including with Art Spiegelman, Jon Scieszka, Norton Juster, Laurie Halse Anderson and many others talking about art and literature can be heard here. Follow Susan at: https://twitter.com/sraab18 Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana (Ohio University Press, 2015), Carina E. Ray interrogates the intersections of race, marriage, gender and empire in this thought-provoking study that challenges the notion of identity and the politics that surround it. Ray plumbs the depth of an array of archival material, which includes travel narratives, visual sources, administrative records, wills, and personal and official correspondence. She also conducted interviews to further piece together the inner lives of Africans and Europeans to show how interracial marriages and relationships evolved in Ghana. In a very compelling way, Ray deconstructs intersexual economies to show their linkages to the slave trade and beyond. Her opening vignette not only sets the stage for the themes she addresses to illustrate how Africans had agency even when it came to marrying across the color line. Shortlisted for the United Kingdom’s Fage and Oliver Prize and the winner of the American Historical Associations’s Wesley-Logan Prize for African Diaspora History, this groundbreaking book has set new standards for understanding race, its implementation and its interpretation not only in Africa but also around the world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In The Burdens of Brotherhood: Jews and Muslims from North Africa to France (Harvard University Press, 2015), Ethan Katz examines and interrogates Jewish-Muslim relations from 1914 to the present. Arguing that interactions between Jews and Muslims must be understood in and through the respective, changing statuses and relationships of both communities to the French state, The Burdens of Brotherhood pursues the history of this “triangular affair.” Drawing on a range of archival, press and media sources, as well as oral interviews, the book emphasizes everyday lives and mutual perceptions in and between spaces private and public, local and transnational. Its chapters move from the diversity and legacies of wartime experiences, to family and community gathering places in three different French cities (Paris, Strasbourg, and Marseille), to the routes and mobilities of people, cultures, and politics across the Mediterranean. The Burdens of Brotherhood revisits the First World War, the interwar years, the period of Vichy and the Occupation, the French-Algerian War, and the final decades of the twentieth century. It also traces the impact of international movements and politics on ethno-religious communities and identities in the French context, from forms of Zionism and anti-imperialism to the vicissitudes of the Arab-Israeli conflict since 1948. Towards the end of our conversation, Ethan and I had a chance to speak about the recent French past, including the events of January 2015 that he addresses in the book’s conclusion. Written with the present in mind, The Burdens of Brotherhood offers vital historical perspective and insight on issues of urgent concern with important implications for the future. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In A Splendid Savage: The Restless Life of Frederick Russell Burnham (W. W. Norton, 2016), freelance journalist Steve Kemper details the adventurous, wandering life of the man who later inspired the creation of the Boy Scouts. Tracking Burnham’s journeys from the American frontier all the way to Africa, Kemper vividly unpacks this story of this exciting life, setting it in historical context and analyzing its ambiguities. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Michael F. Robinson‘s new book is such a pleasure to read, I cant even. It’s not just because you get to say Gambaragara over and over again if you read it aloud. (I recommend doing this, even if just with that one word.) It’s not just because its a beautifully crafted work of prose. And it’s not just because its quite literally a page-turner. The Lost White Tribe: Explorers, Scientists, and the Theory that Changed a Continent (Oxford University Press, 2016) is also a masterful biography of an idea: the life story of the Hamitic hypothesis and its relationship to to the histories of exploration, science, ideas of human origins, and much much more. Robinson’s book opens with an account of reporter David Ker going to the London mansion of Henry Morton Stanley in 1885 to interview the man who was at that point the world’s most famous explorer. (As Robinson puts it, Stanley resided in London, but in truth he lived nowhere.) As the story unfolds we learn about Stanley’s encounter with the white race of Gambaragara and its imbrication with a set of larger questions (Where did the human species originate? Why had it split into separate races? And how had these races come to settle the different regions of the planet?) as we meet some fascinating and compelling figures. The Lost White Tribe also has mummies, ruins, skulls, adventure fiction, and Freud. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Most scholars of popular music use songs, artists, and clubs as the key texts and sites in their exploration of the social, cultural, political, and economic effects of music. Laurent Dubois‘ new book looks at the history of an instrument, the banjo, to help us better understand American history and culture. Dubois also helps readers understand the banjo as part of an Afro-Atlantic musical heritage. In The Banjo: Americas African Instrument (Harvard University Press, 2015), Dubois examines how the banjo came into existence in the Americas and what it reveals about debates about American culture. Dubois book starts in Africa with a wide range of instruments that shaped the banjo. He then follows these instruments as they cross the Atlantic in the Middle Passage, winding up in the Caribbean and in North America. Sifting through travelers accounts and documents in archives, Dubois shows how the banjo brought together African peoples in the Americas, creating a familiar but new instrument and sound. He describes the banjo as the product of parallel development in which many enslaved musicians deployed similar instrument-making strategies to create what we now know as the banjo. The story, however, does not stop there. The banjo came to represent authentic Africa American and American culture and became a key symbol in abolitionist rhetoric and minstrelsy. As a result, the banjo was not simply an instrument but a powerful marker of identity within American culture. Dubois traces how the banjo played a significant role in jazz, country, bluegrass, and folk music, symbolizing a diverse set of values and politics. From the minstrel Joel Walker Sweeney to the political activist Pete Seeger, the history of the banjo is the history of American popular culture. Laurent Dubois is Marcello Lotti Professor of Romance Studies and History at Duke University. He is also the author of Avengers of the New World: The Story of the Haitian Revolution and Haiti: The Aftershocks of History. More information about his work on the banjo can be found at Banjology and Musical Passage. Richard Schur, Professor of English at Drury University, is the host for this podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Anthropologist Birgit Meyer‘s most recent book, Sensational Movies: Video, Vision, and Christianity in Ghana (University of California Press, 2015), explores the dynamic process of popular video filmmaking in Ghana as a new medium for the imagination that interweaves technological, economic, social, cultural, and religious aspects. Stepping into the void left by the defunct state film industry, video movies negotiate the imaginaries deployed by state cinema on the one hand and Pentecostal Christianity on the other. More specifically, Sensational Movies shows the affinity between cinematic and Christian modes of looking and showcases the transgressive potential haunting figurations of the occult. In this in depth account, more than two decades in the making, Meyer takes us into the nexus of imagination, imaginaries, and images in contemporary Ghana. Birgit Meyer is Professor of Religious Studies at Utrecht University in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Allison Drew‘s We Are No Longer in France: Communists in Colonial Algeria (Manchester University Press, 2014) traces the long, complex history of communism in Algeria throughout the colonial period. Rethinking the “narratives of failure” that have hitherto dominated studies of the Communist Party of Algeria (PCA), the book looks at the movement “on its own terms,” rather than as a mere political subsidiary of the French Communist Party (PCF). Examining the role of the French state in suppressing communism in Algeria prior to 1962, the book also looks closely at the tensions between communism and nationalism as the struggle for independence developed over the course of the twentieth century. Inclusive of both urban and rural populations, and flexible with respect to religious and nationalist beliefs and ideals, the PCA opened up “political space” in ways that other left movements/parties in France and elsewhere were either unwilling or unable to do. Drawing on a range of materials that include archival sources from France and Algeria, as well as the records of the British Consulate, the Comintern, and the South African left, We Are No Longer in France looks at perceptions of Algerian communism within and outside of the French/colonial context. It also makes a contribution to our understanding of the plural nature of the struggle for Algerian independence, a political diversity that was shut down under the one-party state that emerged after 1962. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice (Duke University Press, 2015) is a gorgeous book. It’s about light and the practices of self representation in diasporic and Caribbean communities. Krista A. Thompson looks carefully and sees in the glittery surfaces of contemporary art, photographic and video practices in proms and dancehalls, and the visual culture of hip-hop the generative power of alternative modalities of being. Taking us to New Orleans, Jamaica, the Bahamas and on the global hip-hop circuit, this book engages with the discourses of art history and dissolves its Eurocentric bearings.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies