New Books in African Studies

In the space of a few months in 1975, more than 500,000 Portuguese settlers fled their homes in Angola, Mozambique, Guinea-Bissau, Sao Tomé and Principe, and East Timor and “returned” to Portugal. These so-called retornados led to a 5-9% population surge during the tumult of the Carnation Revolution. How did Portugal, with its weak economy, handle this influx as its transitioned out of decades of dictatorship under the Estado Novo? Christoph Kalter’s Postcolonial People: The Return from Africa and the Remaking of Portugal (Cambridge University Press, 2022) analyzes this previously neglected chapter in the history of decolonization. Postcolonial People explores how European nations were remade by the end of empire, through the history of 'returning' settlers from Portuguese Africa.Christoph Kalter is a historian of modern Western Europe in its global contexts. Currently Professor of Modern History at the University of Agder, Norway. He holds a PhD (2010) and a venia legendi (2019) in Modern History from the Freie Universität Berlin where he taught and conducted research from 2011 to 2020. His first book is The Discovery of the Third World: Decolonization and the Rise of the New Left in France, c. 1950-1976 (CUP 2016), originally published in German in 2011. Postcolonial People: The Return from Africa and the Remaking of Portugal is his second book. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Droughts, Floods, and Global Climatic Anomalies in the Indian Ocean World (Palgrave Macmillan, 2022) explores histories of droughts and floods in the Indian Ocean World, and their connections to broader global climatic anomalies. It deploys an interdisciplinary approach rooted in the emerging field of climate history to investigate the multifaceted effects of global climatic anomalies on regions affected by the Indian Ocean Monsoon System – regularly conceived of as the macro-region’s ‘deep structure.’ Case studies explore how droughts and floods related to anomalous climatic conditions have historically affected states, societies, and ecologies across the Indian Ocean World, including in relation to food security, epidemic diseases, political (in)stability, economic change, infrastructural development, colonialism, capitalism, and scientific knowledge. Tracing longue durée patterns from the twelfth to the early twentieth centuries, this book makes a significant contribution to our understanding of global climatic events and their effects on the Indian Ocean World. It highlights essential historical case studies for contextualizing the potential effects of global warming on the macro-region in the present and future.Philip Gooding is a Postdoctoral Fellow at the Indian Ocean World Centre, McGill University, Montreal, Canada.Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

How does the art market work? In Contemporary Art from Nigeria in the Global Markets: Trending in the Margins (Palgrave Macmillan, 2022), Jonathan Adeyemi, who holds a PhD from, and was formerly Associate Lecturer in Arts Management and Cultural Policy at, Queen’s University Belfast, explores the unequal power dynamics of contemporary at by focusing on the case study of Nigeria. The book draws on a wealth of historical and theoretical knowledge, alongside detailed engagements with art history, sociology, and cultural policy themes, to show how and why contemporary artists from Nigeria are not afforded the same status as their western counterparts. An important addition across a range of academic fields, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in art today.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Touts: Recruiting Indentured Labor in the Gulf of Guinea (de Gruyter, 2022) is a historical account of the troubled formation of a colonial labor market in the Gulf of Guinea and a major contribution to the historiography of indentured labor, which has relatively few reference points in Africa. The setting is West Africa’s largest island, Fernando Po or Bioko in today’s Equatorial Guinea, 100 kilometers off the coast of Nigeria. The Spanish ruled this often-ignored island from the mid-nineteenth century until 1968. A booming plantation economy led to the arrival of several hundred thousand West African, principally Nigerian, contract workers on steamships and canoes. In Touts, Enrique Martino traces the confusing transition from slavery to other labor regimes, paying particular attention to the labor brokers and their financial, logistical, and clandestine techniques for bringing workers to the island.Martino combines multi-sited archival research with the concept of touts as "lumpen-brokers" to offer a detailed study of how commercial labor relations could develop, shift and collapse through the recruiters’ own techniques, such as large wage advances and elaborate deceptions. The result is a pathbreaking reconnection of labor mobility, contract law, informal credit structures and exchange practices in African history.Dr. Enrique Martino is currently a faculty member at the Complutense University of Madrid, and was previously a fellow at the Freiburg Institute for Advanced Studies.Dr. Sara Katz is a Postdoctoral Associate in the History Department at Duke University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In this episode of International Horizons, RBI's director, John Torpey interviewed Laetitia Bucaille about the factors that explain variation in resentment and grievances in former colonies drawing from the cases of Algeria and South Africa. Bucaille delves deeper into the case of Algeria and the affected populations whose identities were crossed cut by institutions and personal experiences as a former colony. Moreover, she explains how Algeria, considered not a colony but a French territory, still implemented discriminating laws against native Algerians who were deemed as second-class citizens. Finally, the author discusses the long-lasting consequences of this decolonization process and how it gets intertwined with politics and anti-Islam narratives in France. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In The Briny South: Displacement and Sentiment in the Indian Ocean World (Duke University Press, 2023), Nienke Boer examines the legal and literary narratives of enslaved, indentured, and imprisoned individuals crossing the Indian Ocean to analyze the formation of racialized identities in the imperial world. Drawing on court records, ledgers, pamphlets, censors' reports, newsletters, folk songs, memoirs, and South African and South Asian works of fiction and autobiography, Boer theorizes the role of sentiment and the depiction of emotions to the construction of identities of displaced peoples across the Indian Ocean. From Dutch East India Company rule in the seventeenth and eighteenth centuries to early apartheid South Africa, Boer shows how colonial powers and settler states mediated and manipulated subaltern expressions of emotion as a way to silence racialized subjects and portray them as inarticulately suffering. In this way, sentiment operated in favor of the powerful rather than as an oppositional weapon of the subaltern. By tracing the entwinement of displacement, race, and sentiment, Boer frames the Indian Ocean as a site of subjectification with a long history of transnational connection and exploitation.Nienke Boer is a Lecturer in World Literatures in English at the University of Sydney.Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Landlocked and surrounded by South Africa on all sides, the mountain kingdom of Lesotho became the world's first "water-exporting country" when it signed a 1986 treaty with its powerful neighbor. An elaborate network of dams and tunnels now carries water to Johannesburg, the subcontinent's water-stressed economic epicenter. Hopes that receipts from water sales could improve Lesotho's fortunes, however, have clashed with fears that soil erosion from overgrazing livestock could fill its reservoirs with sediment. In The Fluvial Imagination: On Lesotho’s Water-Export Economy (U California Press, 2022), Colin Hoag shows how producing water commodities incites a fluvial imagination. Engineering water security for urban South Africa draws attention ever further into Lesotho's rural upstream catchments: from reservoirs to the soils and vegetation above them, and even to the social lives of herders at remote livestock posts. As we enter our planet's water-export era, Lesotho exposes the possibilities and perils ahead.The book is available open access.Colin Hoag is Assistant Professor of Anthropology at Smith College.Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban anthropology, futurity, care, and migration. Her work has been featured in Environment and Planning D, Current Anthropology, and City & Society, among other journals and public-facing platforms. You can find her on Twitter @alizearican. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In the decade before and after independence, Nigerians not only adopted the novel but reinvented the genre. Nigerian novels imagined the new state, with its ideals of the rule of law, state sovereignty, and a centralized administration. Neil Ten Kortenaar's book Debt, Law, Realism: Nigerian Writers Imagine the State at Independence (McGill-Queen's UP, 2021) argues that Nigerian novels were not written for a Western audience, as often stated, but to teach fellow citizens how to envision the state. The first Nigerian novels were overwhelmingly realist because realism was a way to convey the understanding shared by all subject to the rule of law. Debt was an important theme used to illustrate the social trust needed to live with strangers. But the novelists felt an ambivalence towards the state, which had been imposed by colonial military might. Even as they embraced the ideal of the rule of law, they kept alive a memory of other ways of governing themselves. Many of the first novelists - including Chinua Achebe - were Igbos, a people who had been historically stateless, and for whom justice had been a matter of interpersonal relations, consensus, and reciprocity, rather than a citizen's subordination to a higher authority. Debt, Law, Realism reads African novels as political philosophy, offering important lessons about the foundations of social trust, the principle of succession, and the nature of sovereignty, authority, and law.Prof. Neil ten Kortenaar teaches at the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Brian Valente-Quinn is an Associate Professor of Francophone African studies at the University of Colorado Boulder. His book, Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa, was published at Northwestern University Press in 2021. Senegalese Stagecraft explores the theatrical stage in Senegal as a site of poetic expression, political activism, and community engagement. In their responses to the country’s colonial heritage, as well as through their innovations on the craft of theater‑making, Senegalese performers have created an array of decolonizing stage spaces that have shaped the country’s theater history. Their work has also addressed a global audience, experimenting with international performance practices while proposing new visions of the role of culture and stagecraft in society.Through a study of the innovative work of Senegalese theater-makers from the 1930s onward, Senegalese Stagecraft explores a wide range of historical contexts and themes, including French colonial education, cultural Pan‑Africanism, West African Sufism, uses of television and mass media, and popular theater and activism. Using a multidisciplinary approach that includes field, archival, and literary methods, Valente‑Quinn offers a fresh look at performance cultures of West Africa and the Global South in a book that will interest students and scholars in African, Francophone, and performance studies.Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Today I had the pleasure of talking to Jay Ke-Schutte on his just released book, Angloscene: Compromised Personhood in Afro-Chinese Translations (U California Press, 2023). Angloscene examines Afro-Chinese interactions within Beijing's aspirationally cosmopolitan student class. Jay Ke-Schutte explores the ways in which many contemporary interactions between Chinese and African university students are mediated through complex intersectional relationships with whiteness, the English language, and cosmopolitan aspiration. At the heart of these tensions, a question persistently emerges: How does English become more than a language—and whiteness more than a race? Engaging in this inquiry, Ke-Schutte explores twenty-first century Afro-Chinese encounters as translational events that diagram the discursive contours of a changing transnational political order—one that will certainly be shaped by African and Chinese relations.A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies