Tech, Innovation & Society - The Creative Process: Technology, AI, Software, Future, Economy, Science, Engineering & Robotics Interviews

The planet’s well-being unites us all, from ecosystems to societies, global systems to individual health. How is planetary health linked to mental health? Charlie Hertzog Young is a researcher, writer and award-winning activist. He identifies as a “proudly mad bipolar double amputee” and has worked for the New Economics Foundation, the Royal Society of Arts, the Good Law Project, the Four Day Week Campaign and the Centre for Progressive Change, as well as the UK Labour Party under three consecutive leaders. Charlie has spoken at the LSE, the UN and the World Economic Forum. He studied at Harvard, SOAS and Schumacher College and has written for The Ecologist, The Independent, Novara Media, Open Democracy and The Guardian. He is the author of Spinning Out: Climate Change, Mental Health and Fighting for a Better Future.https://charliehertzogyoung.mehttps://footnotepress.com/books/spinning-out/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

RICHARD BLACK, an expert in clean energy, discusses China's leading role in clean energy production and the global shift towards a clean energy future. He highlights the challenges and opportunities in transitioning to renewable energy sources like battery storage, electric vehicles, and hydrogen. The podcast also explores self-sufficiency through renewable energy and battery innovation, emphasizing the ethical implications and societal needs. Additionally, the importance of storytelling in climate change discourse and the impact of literature on personal growth are discussed.

Richard Black, former BBC Environment Correspondent and Director at Ember, discusses the global shift towards clean energy led by China. The podcast explores the rise of wind and solar energy, challenges faced by fossil fuel companies, and misconceptions about the Gilets Jaunes movement in France. It also emphasizes the importance of transitioning to renewable energy sources for a sustainable future.

“I think it's very early for us to see how AI is going to impact us all, especially documentary filmmakers. And so I embrace technology, and I encourage everyone as filmmakers to do so. We're looking at how AI is facilitating filmmakers to tell stories, create more visual worlds. I think that right now we're in the play phase of AI, where there's a lot of new tools and you're playing in a sandbox with them to see how they will develop.I don't think that AI has developed to the extent that it is in some way dramatically changing the film industry as we speak, but in the next two years, it will. We have yet to see how it will. As someone who creates films, I always experiment, and then I see what it is that I'd like to take from that technology as I move forward.”Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism.“I think it's very early for us to see how AI is going to impact us all, especially documentary filmmakers. And so I embrace technology, and I encourage everyone as filmmakers to do so. We're looking at how AI is facilitating filmmakers to tell stories, create more visual worlds. I think that right now we're in the play phase of AI, where there's a lot of new tools and you're playing in a sandbox with them to see how they will develop.I don't think that AI has developed to the extent that it is in some way dramatically changing the film industry as we speak, but in the next two years, it will. We have yet to see how it will. As someone who creates films, I always experiment, and then I see what it is that I'd like to take from that technology as I move forward.”www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6https://socfilms.comwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“There's something raw about The Architecture of Oppression, both part one and part two. There's a raw realness and authenticity in those songs that AI can't create. There's a lived experience that AI won't understand, and there's a feeling in those songs. And it's not just in the words from the spoken word artists, if it's not in the instruments that are being played. It's in the voice that you hear. You hear the pain, you hear the struggle, you hear the joy, you hear all of those emotions in all of those songs. And that's something that AI can't make up or create.”Jake Ferguson is an award-winning musician known for his work with The Heliocentrics and as a solo artist under the name The Brkn Record. Alongside legendary drummer Malcolm Catto, Ferguson has composed two film scores and over 10 albums, collaborating with icons like Archie Shepp, Mulatu Astatke, and Melvin Van Peebles. His latest album is The Architecture of Oppression Part 2. The album also features singer and political activist Jermain Jackman, a former winner of The Voice (2014) and the T.S. Eliot Prize winning poet and musician, Anthony Joseph.“I think as humans, we forget. We are often limited by our own stereotypes, and we don't see that in everyone there's the potential for beauty and love and all these things. And I think The Architecture of Oppression, both parts one and two, are really a reflection of all the community and civil rights work that I've been doing for the same amount of time, really - 25 years. And I wanted to try and mix my day job and my music side, so bringing those two sides of my life together. I wanted to create a platform for black artists, black singers, and poets who I really admire. Jermain is somebody I've worked with for probably about six, seven years now. He's also in the trenches of the black civil rights struggle. We worked together on a number of projects, but it was very interesting to then work with Jemain in a purely artistic capacity. And it was a no-brainer to give Anthony a call for this second album because I know of his pedigree, and he's much more able to put ideas and thoughts on paper than I would be able to.”www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“Having worked in this space for seven years, really since the inception of DeepFakes in late 2017, for some time, it was possible with just a few hours a day to really be on top of the key kind of technical developments. It's now truly global. AI-generated media have really exploded, particularly the last 18 months, but they've been bubbling under the surface for some time in various different use cases. The disinformation and deepfakes in the political sphere really matches some of the fears held five, six years ago, but at the time were more speculative. The fears around how deepfakes could be used in propaganda efforts, in attempts to destabilize democratic processes, to try and influence elections have really kind of reached a fever pitch  Up until this year, I've always really said, “Well, look, we've got some fairly narrow examples of deepfakes and AI-generated content being deployed, but it's nowhere near on the scale or the effectiveness required to actually have that kind of massive impact.” This year, it's no longer a question of are deepfakes going to be used, it's now how effective are they actually going to be? I'm worried. I think a lot of the discourse around gen AI and so on is very much you're either an AI zoomer or an AI doomer, right? But for me, I don't think we need to have this kind of mutually exclusive attitude. I think we can kind of look at different use cases. There are really powerful and quite amazing use cases, but those very same baseline technologies can be weaponized if they're not developed responsibly with the appropriate safety measures, guardrails, and understanding from people using and developing them. So it is really about that balancing act for me. And a lot of my research over the years has been focused on mapping the evolution of AI generated content as a malicious tool.”Henry Ajder is an advisor, speaker, and broadcaster working at the frontier of the generative AI and the synthetic media revolution. He advises organizations on the opportunities and challenges these technologies present, including Adobe, Meta, The European Commission, BBC, The Partnership on AI, and The House of Lords. Previously, Henry led Synthetic Futures, the first initiative dedicated to ethical generative AI and metaverse technologies, bringing together over 50 industry-leading organizations. Henry presented the BBC documentary series, The Future Will be Synthesised.www.henryajder.comwww.bbc.co.uk/programmes/m0017cgrwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How is artificial intelligence redefining our perception of reality and truth? Can AI be creative? And how is it changing art and innovation? Does AI-generated perfection detach us from reality and genuine human connection?Henry Ajder is an advisor, speaker, and broadcaster working at the frontier of the generative AI and the synthetic media revolution. He advises organizations on the opportunities and challenges these technologies present, including Adobe, Meta, The European Commission, BBC, The Partnership on AI, and The House of Lords. Previously, Henry led Synthetic Futures, the first initiative dedicated to ethical generative AI and metaverse technologies, bringing together over 50 industry-leading organizations. Henry presented the BBC documentary series, The Future Will be Synthesised.“Having worked in this space for seven years, really since the inception of DeepFakes in late 2017, for some time, it was possible with just a few hours a day to really be on top of the key kind of technical developments. It's now truly global. AI-generated media have really exploded, particularly the last 18 months, but they've been bubbling under the surface for some time in various different use cases. The disinformation and deepfakes in the political sphere really matches some of the fears held five, six years ago, but at the time were more speculative. The fears around how deepfakes could be used in propaganda efforts, in attempts to destabilize democratic processes, to try and influence elections have really kind of reached a fever pitch  Up until this year, I've always really said, “Well, look, we've got some fairly narrow examples of deepfakes and AI-generated content being deployed, but it's nowhere near on the scale or the effectiveness required to actually have that kind of massive impact.” This year, it's no longer a question of are deepfakes going to be used, it's now how effective are they actually going to be? I'm worried. I think a lot of the discourse around gen AI and so on is very much you're either an AI zoomer or an AI doomer, right? But for me, I don't think we need to have this kind of mutually exclusive attitude. I think we can kind of look at different use cases. There are really powerful and quite amazing use cases, but those very same baseline technologies can be weaponized if they're not developed responsibly with the appropriate safety measures, guardrails, and understanding from people using and developing them. So it is really about that balancing act for me. And a lot of my research over the years has been focused on mapping the evolution of AI generated content as a malicious tool.”www.henryajder.comwww.bbc.co.uk/programmes/m0017cgrwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

In this episode of the Speaking Out of Place podcast Professor David Palumbo-Liu talks with acclaimed author and activist, and San Francisco legend, Chris Carlsson about his new novel, When Shells Crumble. It begins in December 2024, when the US Supreme Court nullifies the popular vote in the Presidential election and awards the presidency to an authoritarian Republican, who proceeds to demolish democracy and install a fascistic state that hastens ecological havoc. The novel is much more than your usual dystopian tale—it focuses on how to resist political cynicism and defeatism, and rebuild on planetary wreckage. It is a world-building project filled with wisdom, sadness, and joy. We specifically put this fictional text in conservation with his brilliant non-fiction work, Nowtopia, which offers a radical redefinition of “work” that restores dignity and value to their proper places.Chris Carlsson, co-director of the “history from below” project Shaping San Francisco, is a writer, publisher, editor, photographer, public speaker, and occasional professor. He was one of the founders in 1981 of the seminal and infamous underground San Francisco magazine Processed World. In 1992 Carlsson co-founded Critical Mass in San Francisco, which both led to a local bicycling boom and helped to incubate transformative urban movements in hundreds of cities, large and small, worldwide. In 1995 work began on “Shaping San Francisco;” since then the project has morphed into an incomparable archive of San Francisco history at Foundsf.org, award-winning bicycle and walking tours, and almost two decades of Public Talks covering history, politics, ecology, art, and more (see shapingsf.org). Beginning in Spring 2020, Carlsson has hosted Bay Cruises along the San Francisco shoreline.His latest novel, When Shells Crumble was published by Spuyten Duyvil in Brooklyn, NY at the end of 2023. At the dawn of the pandemic, he published a detailed historical guidebook of the city, Hidden San Francisco: A Guide to Lost Landscapes, Unsung Heroes, and Radical Histories (Pluto Press: 2020). His full-length nonfiction work Nowtopia(AK Press: 2008), offers a groundbreaking look at class and work while uniquely examining how hard and pleasantly we work when we’re not at our official jobs. He published his first novel, After The Deluge, in 2004, a story of post-economic utopian San Francisco in the year 2157. He has edited six books, including three “Reclaiming San Francisco” collections with the venerable City Lights Books. He redesigned and co-authored an expanded Vanished Waters: A History of San Francisco’s Mission Bay after which he joined the board of the Mission Creek Conservancy. He has given hundreds of public presentations based on Shaping San Francisco, Critical Mass, Nowtopia, Vanished Waters, and his “Reclaiming San Francisco” history anthologies since the late 1990s, and has appeared dozens of times in radio, television and on the internet.www.palumbo-liu.comhttps://speakingoutofplace.comhttps://twitter.com/palumboliu?s=20www.instagram.com/speaking_out_of_place

“When AI takes over with our information sources and pollutes it to a certain point, we'll stop believing that there is any such thing as truth anymore. ‘We now live in an era in which the truth is behind a paywall  and the lies are free.’ One thing people don't realize is that the goal of disinformation is not simply to get you to believe a falsehood. It's to demoralize you into giving up on the idea of truth, to polarize us around factual issues, to get us to distrust people who don't believe the same lie. And even if somebody doesn't believe the lie, it can still make them cynical. I mean, we've all had friends who don't even watch the news anymore. There's a chilling quotation from Holocaust historian Hannah Arendt about how when you always lie to someone, the consequence is not necessarily that they believe the lie, but that they begin to lose their critical faculties, that they begin to give up on the idea of truth, and so they can't judge for themselves what's true and what's false anymore. That's the scary part, the nexus between post-truth and autocracy. That's what the authoritarian wants. Not necessarily to get you to believe the lie. But to give up on truth, because when you give up on truth, then there's no blame, no accountability, and they can just assert their power. There's a connection between disinformation and denial.”Lee McIntyre is a Research Fellow at the Center for Philosophy and History of Science at Boston University and a Senior Advisor for Public Trust in Science at the Aspen Institute. He holds a B.A. from Wesleyan University and a Ph.D. in Philosophy from the University of Michigan. He has taught philosophy at Colgate University, Boston University, Tufts Experimental College, Simmons College, and Harvard Extension School (where he received the Dean’s Letter of Commendation for Distinguished Teaching). Formerly Executive Director of the Institute for Quantitative Social Science at Harvard University, he has also served as a policy advisor to the Executive Dean of the Faculty of Arts and Sciences at Harvard and as Associate Editor in the Research Department of the Federal Reserve Bank of Boston. His books include On Disinformation and How to Talk to a Science Denier and the novels The Art of Good and Evil and The Sin Eater.https://leemcintyrebooks.comwww.penguinrandomhouse.com/books/730833/on-disinformation-by-lee-mcintyrehttps://mitpress.mit.edu/9780262545051/https://leemcintyrebooks.com/books/the-art-of-good-and-evil/https://leemcintyrebooks.com/books/the-sin-eater/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

How do we fight for truth and protect democracy in a post-truth world? How does bias affect our understanding of facts?Lee McIntyre is a Research Fellow at the Center for Philosophy and History of Science at Boston University and a Senior Advisor for Public Trust in Science at the Aspen Institute. He holds a B.A. from Wesleyan University and a Ph.D. in Philosophy from the University of Michigan. He has taught philosophy at Colgate University, Boston University, Tufts Experimental College, Simmons College, and Harvard Extension School (where he received the Dean’s Letter of Commendation for Distinguished Teaching). Formerly Executive Director of the Institute for Quantitative Social Science at Harvard University, he has also served as a policy advisor to the Executive Dean of the Faculty of Arts and Sciences at Harvard and as Associate Editor in the Research Department of the Federal Reserve Bank of Boston. His books include On Disinformation and How to Talk to a Science Denier and the novels The Art of Good and Evil and The Sin Eater.“When AI takes over with our information sources and pollutes it to a certain point, we'll stop believing that there is any such thing as truth anymore. ‘We now live in an era in which the truth is behind a paywall  and the lies are free.’ One thing people don't realize is that the goal of disinformation is not simply to get you to believe a falsehood. It's to demoralize you into giving up on the idea of truth, to polarize us around factual issues, to get us to distrust people who don't believe the same lie. And even if somebody doesn't believe the lie, it can still make them cynical. I mean, we've all had friends who don't even watch the news anymore. There's a chilling quotation from Holocaust historian Hannah Arendt about how when you always lie to someone, the consequence is not necessarily that they believe the lie, but that they begin to lose their critical faculties, that they begin to give up on the idea of truth, and so they can't judge for themselves what's true and what's false anymore. That's the scary part, the nexus between post-truth and autocracy. That's what the authoritarian wants. Not necessarily to get you to believe the lie. But to give up on truth, because when you give up on truth, then there's no blame, no accountability, and they can just assert their power. There's a connection between disinformation and denial.”https://leemcintyrebooks.comwww.penguinrandomhouse.com/books/730833/on-disinformation-by-lee-mcintyrehttps://mitpress.mit.edu/9780262545051/https://leemcintyrebooks.com/books/the-art-of-good-and-evil/https://leemcintyrebooks.com/books/the-sin-eater/www.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast