Tech, Innovation & Society - The Creative Process: Technology, AI, Software, Future, Economy, Science, Engineering & Robotics Interviews

“I am the editor-in-chief of the Journal of Conservation Biology. It is the original journal for the Society for Conservation Biology, which was established in the United States in the 1980s. And the journal was created to provide a home with substantive scientific advances that form the basis for the underpinnings of action and conservation science. So we try and provide the techniques, the procedures, and the scientific experiments that underpin the actions we take to conserve biodiversity globally. It's been running since June 1985, and I've been the editor for 12 years. We receive between 900 and 1,000 papers a year. We publish about 150 or 200 of those. The topics are tremendously variable. They range from straight ecology through mathematical modeling to the psychology of human behavior and the ethics of trophy hunting, and everything in between. And so, it's a wonderfully diverse and interesting journal to read.”Mark Burgman is Director of the Centre for Environmental Policy at Imperial College London and Editor-in-Chief of the journal Conservation Biology.  He is author of Trusting Judgments: How to Get the Best Out of Experts. Previously, he was Adrienne Clarke Chair of Botany at the University of Melbourne, Australia. He works on expert judgement, ecological modelling, conservation biology and risk assessment.  He has written models for biosecurity, medicine regulation, marine fisheries, forestry, irrigation, electrical power utilities, mining, and national park planning.  He received a BSc from the University of New South Wales, an MSc from Macquarie University, Sydney, and a PhD from the State University of New York at Stony Brook. He worked as a consultant ecologist and research scientist in Australia, the United States and Switzerland during the 1980’s before joining the University of Melbourne in 1990. He joined CEP in February, 2017. He has published over two hundred and fifty refereed papers and book chapters and seven authored books. He was elected to the Australian Academy of Science in 2006.www.imperial.ac.uk/environmental-policy www.conbio.orgwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Mark Burgman is Director of the Centre for Environmental Policy at Imperial College London and Editor-in-Chief of the journal Conservation Biology.  He is author of Trusting Judgments: How to Get the Best Out of Experts. Previously, he was Adrienne Clarke Chair of Botany at the University of Melbourne, Australia. He works on expert judgement, ecological modelling, conservation biology and risk assessment.  He has written models for biosecurity, medicine regulation, marine fisheries, forestry, irrigation, electrical power utilities, mining, and national park planning.  He received a BSc from the University of New South Wales, an MSc from Macquarie University, Sydney, and a PhD from the State University of New York at Stony Brook. He worked as a consultant ecologist and research scientist in Australia, the United States and Switzerland during the 1980’s before joining the University of Melbourne in 1990. He joined CEP in February, 2017. He has published over two hundred and fifty refereed papers and book chapters and seven authored books. He was elected to the Australian Academy of Science in 2006.“I am the editor-in-chief of the Journal of Conservation Biology. It is the original journal for the Society for Conservation Biology, which was established in the United States in the 1980s. And the journal was created to provide a home with substantive scientific advances that form the basis for the underpinnings of action and conservation science. So we try and provide the techniques, the procedures, and the scientific experiments that underpin the actions we take to conserve biodiversity globally. It's been running since June 1985, and I've been the editor for 12 years. We receive between 900 and 1,000 papers a year. We publish about 150 or 200 of those. The topics are tremendously variable. They range from straight ecology through mathematical modeling to the psychology of human behavior and the ethics of trophy hunting, and everything in between. And so, it's a wonderfully diverse and interesting journal to read.”www.imperial.ac.uk/environmental-policy www.conbio.orgwww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"Are we looking at intelligence wrong? There are an awful lot of people who have graduated from top schools who become leaders who are worse than incompetent. They make their countries worse rather than better. And the conclusion I came to is that we made a mistake, in that intelligence was originally defined by the founders of the field Alfred Binet, David Wechsler, and others, as the ability to adapt to the environment a requirement. And answering a vocabulary problem for an obscure word is not about adapting to the environment. So I began to wonder where we lost the train of thought. And the conclusion I came to is that colleges just forgot the original message of the founders of the field, and so we got immersed in these numbers that turn out not to mean that much. So I wrote about intelligence as the ability to get along in the world and hopefully make the world a little bit better. And what I argue in the book is that we not only need to develop this kind of intelligence, we need to recognize that it's important, that getting A's in school and top scores on standardized tests, that's not what intelligence is about. So there are people who make serious efforts to make the world better, who fight pollution, who try to be good at what they do, you know, as judges or lawyers or as cleaning people or car mechanics, or doctors, but those aren't the ones you hear about. The ones you hear about are often those who have prestigious degrees and can't seem to do much with them.”Robert J. Sternberg is Professor of Human Development at Cornell University and Honorary Professor of Psychology at the University of Heidelberg, Germany. He is a past winner of the Grawemeyer Award in Psychology, and the William James and James McKeen Cattell Awards of the Association for Psychological Science. Sternberg has served as President of the American Psychological Association, and the Federation of Associations in Behavioral and Brain Sciences. His latest book is Adaptive Intelligence: Surviving and Thriving in Times of Uncertainty.www.robertjsternberg.comwww.cambridge.org/fr/academic/subjects/psychology/cognition/adaptive-intelligence-surviving-and-thriving-times-uncertainty?format=HB&isbn=9781107154384#bookPeoplewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Robert J. Sternberg is Professor of Human Development at Cornell University and Honorary Professor of Psychology at the University of Heidelberg, Germany. He is a past winner of the Grawemeyer Award in Psychology, and the William James and James McKeen Cattell Awards of the Association for Psychological Science. Sternberg has served as President of the American Psychological Association, and the Federation of Associations in Behavioral and Brain Sciences. His latest book is Adaptive Intelligence: Surviving and Thriving in Times of Uncertainty."Are we looking at intelligence wrong? There are an awful lot of people who have graduated from top schools who become leaders who are worse than incompetent. They make their countries worse rather than better. And the conclusion I came to is that we made a mistake, in that intelligence was originally defined by the founders of the field Alfred Binet, David Wechsler, and others, as the ability to adapt to the environment a requirement. And answering a vocabulary problem for an obscure word is not about adapting to the environment. So I began to wonder where we lost the train of thought. And the conclusion I came to is that colleges just forgot the original message of the founders of the field, and so we got immersed in these numbers that turn out not to mean that much. So I wrote about intelligence as the ability to get along in the world and hopefully make the world a little bit better. And what I argue in the book is that we not only need to develop this kind of intelligence, we need to recognize that it's important, that getting A's in school and top scores on standardized tests, that's not what intelligence is about. So there are people who make serious efforts to make the world better, who fight pollution, who try to be good at what they do, you know, as judges or lawyers or as cleaning people or car mechanics, or doctors, but those aren't the ones you hear about. The ones you hear about are often those who have prestigious degrees and can't seem to do much with them.”www.robertjsternberg.comwww.cambridge.org/fr/academic/subjects/psychology/cognition/adaptive-intelligence-surviving-and-thriving-times-uncertainty?format=HB&isbn=9781107154384#bookPeoplewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Today's complex problems demand a radically new way of thinking — one in which art, technology, and science converge to expand our creativity and augment our insight. Creativity must be combined with the ability to execute; the leaders and innovators of the future will have to understand this balance and manage such complexities as climate change and pandemics. The place of this convergence is THE NEXUS. In this provocative and visually striking book, Julio Mario Ottino and Bruce Mau offer a guide for navigating the intersections of art, technology, and science.Julio Ottino is an artist, researcher, author, and educator at Northwestern University. He is the author, with Bruce Mau, of The Nexus: Augmented Thinking for a Complex World - The New Convergence of Art, Technology, and Science. He was the founding co-director of the Northwestern Institute on Complex Systems. In 2008, he was listed in the “One Hundred Engineers of the Modern Era”. In 2017, he was awarded the Bernard M. Gordon Prize for Innovation in Engineering and Technology Education from the National Academy of Engineering.www.juliomarioottino.comwww.thenexusbook.comwww.mccormick.northwestern.edu/about/leadership/profiles/ottino-julio.html

Julio Ottino is an artist, researcher, author, and educator at Northwestern University. He is the author, with Bruce Mau, of The Nexus: Augmented Thinking for a Complex World - The New Convergence of Art, Technology, and Science. He was the founding co-director of the Northwestern Institute on Complex Systems. In 2008, he was listed in the “One Hundred Engineers of the Modern Era”. In 2017, he was awarded the Bernard M. Gordon Prize for Innovation in Engineering and Technology Education from the National Academy of Engineering.Today's complex problems demand a radically new way of thinking — one in which art, technology, and science converge to expand our creativity and augment our insight. Creativity must be combined with the ability to execute; the leaders and innovators of the future will have to understand this balance and manage such complexities as climate change and pandemics. The place of this convergence is THE NEXUS. In this provocative and visually striking book, Julio Mario Ottino and Bruce Mau offer a guide for navigating the intersections of art, technology, and science.www.juliomarioottino.comwww.thenexusbook.comwww.mccormick.northwestern.edu/about/leadership/profiles/ottino-julio.html

"Technology has very much changed the way we read and take in information and shortened it into quick bursts and attention spans. We're living in a new world, for sure. And how do we communicate in this new world? Not just in a way that gets the reach, because there are whole industries aimed at what do I do to get the most likes or the most attention, and all of that, which I don't think is very fulfilling as artists.It's sort of a diminishing of our art form to try and play the game because then we're getting the attention and getting the hits, as opposed to what do I really want to create? How do I really want to create it? How do I want to display this? And can I do it in a way that breaks through so that if I do it my way, it's still going to get the attention, great. But if it doesn't, can I be cool with that? And can I be okay creating what I want to create, knowing that that's what it's about. It's about sharing in an honest, authentic way what I want to express without letting the tentacles of social media drip into my brain and take over why I'm literally doing the things that I'm doing."Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests.www.wordsthatmove.com/www.instagram.com/maxstossel/www.humanetech.com https://vimeo.com/690354718/54614a2318www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Max Stossel is an Award-winning poet, filmmaker, and speaker, named by Forbes as one of the best storytellers of the year. His Stand-Up Poetry Special Words That Move takes the audience through a variety of different perspectives, inviting us to see the world through different eyes together. Taking on topics like heartbreak, consciousness, social media, politics, the emotional state of our world, and even how dogs probably (most certainly) talk, Max uses rhyme and rhythm to make these topics digestible and playful. Words That Move articulates the deep-seated kernels of truth that we so often struggle to find words for ourselves. Max has performed on five continents, from Lincoln Center in NY to the Hordern Pavilion in Sydney. He is also the Youth & Education Advisor for the Center for Humane Technology, an organization of former tech insiders dedicated to realigning technology with humanity’s best interests."Technology has very much changed the way we read and take in information and shortened it into quick bursts and attention spans. We're living in a new world, for sure. And how do we communicate in this new world? Not just in a way that gets the reach, because there are whole industries aimed at what do I do to get the most likes or the most attention, and all of that, which I don't think is very fulfilling as artists.It's sort of a diminishing of our art form to try and play the game because then we're getting the attention and getting the hits, as opposed to what do I really want to create? How do I really want to create it? How do I want to display this? And can I do it in a way that breaks through so that if I do it my way, it's still going to get the attention, great. But if it doesn't, can I be cool with that? And can I be okay creating what I want to create, knowing that that's what it's about. It's about sharing in an honest, authentic way what I want to express without letting the tentacles of social media drip into my brain and take over why I'm literally doing the things that I'm doing."www.wordsthatmove.com/www.instagram.com/maxstossel/www.humanetech.com https://vimeo.com/690354718/54614a2318www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I'm so happy that I did not grow up with a phone. I talk about this all the time. I did not have a cellphone growing up. We did not have the internet. I feel for children going through that. I think it's a really challenging time. Technology. I struggle with it now, people having so much access to us. People expecting, because I have a phone right next to me, that I'm going to respond to them.When you're running a TV show, there's a little bit of an unwritten expectation of your availability during off hours and the weekends, and in a workplace, you really need to have your work-life boundaries. We try to be very cognizant of that within the writer's room and not working too late. We worked like 10-to-5 in season two, like maybe 5:30 with an hour-and-a-half lunch break during the Zoom room and COVID because it's just so important to not be staring at these screens all day. And even with the kids, like if someone needed some time off for a doctor's appointment, we try to really honor that and give that to them."Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia.  Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra’s first time in the showrunner’s seat.  Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives.www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia.  Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra’s first time in the showrunner’s seat.  Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives."I'm so happy that I did not grow up with a phone. I talk about this all the time. I did not have a cellphone growing up. We did not have the internet. I feel for children going through that. I think it's a really challenging time. Technology. I struggle with it now, people having so much access to us. People expecting, because I have a phone right next to me, that I'm going to respond to them.When you're running a TV show, there's a little bit of an unwritten expectation of your availability during off hours and the weekends, and in a workplace, you really need to have your work-life boundaries. We try to be very cognizant of that within the writer's room and not working too late. We worked like 10-to-5 in season two, like maybe 5:30 with an hour-and-a-half lunch break during the Zoom room and COVID because it's just so important to not be staring at these screens all day. And even with the kids, like if someone needed some time off for a doctor's appointment, we try to really honor that and give that to them."www.instagram.com/debrajfisher www.tiktok.com/@debrajfisherwww.netflix.com/tudum/articles/ginny-and-georgia-season-2-release-datewww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast