New Books in Popular Culture

This episode and the next look back at films that came out in the 1980s, a decade when Hollywood seemed to cater to teenage audiences like never before. So it makes sense that the geo-political structure that shaped and influenced so much of global political action - the Cold War - would show up in movies targeting teen audiences. In the broader media landscape, the question was being asked: Could these post-Vietnam teenagers hack the reality of conflict like their dads and granddads had to? We break down two films about teenagers as soldiers - Taps, released in 1981, and Red Dawn, released in 1984. In both cases, what we see is a conversation about American military culture, whether it can still be counted on when times get tough. And if it can’t, if America’s youth reject it, is that a good thing or a bad thing?Lia Paradis is a professor of history at Slippery Rock University. Brian Crim is a professor of history at the University of Lynchburg. For more on Lies Agreed Upon, go here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In 1910, the future of California wine looked dim. Beset by crises ranging from earthquakes to insect infestations, and with momentum moving toward prohibition, the nascent industry seemed dead on the vine. How then, a mere sixty years later, did a blind taste test from some of France's toughest sommeliers judge California wines superior to their French counterparts? In Crush: The Triumph of California Wine (University of Nevada Press, 2018), writer, lawyer, and University of California Berkeley Distinguished Fellow John Briscoe explains who rescued the California wineries and how they accomplished the task. This is a global story two hundred years in the making, full of fascinating stories and larger than life characters. As California wines face an uncertain, climate-changed, future, Briscoe argues we should look to the past to understand how the state's viticulture has weathered difficult storms in its long and fascinating history.Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For many, the Beatles offered a delightful alternative to the dull and the staid, while for others, the mop-top haircuts, the unsettling music, and the hysterical girls that greeted the British imports wherever they went were a symbol of unwelcome social and cultural change. This opposition to the group--more widespread and deeper rooted in Chicago than in any other major American city--increased as the decade wore on, especially when the Beatles adopted more extreme countercultural values.At the center of this book is a cast of characters engulfed by the whirlwind of Beatlemania, including the unyielding figure of Mayor Richard J. Daley who deemed the Beatles a threat to the well-being of his city; the Chicago Tribune editor who first warned the nation about the Beatle menace; George Harrison's sister, Louise, who became a regular presence on Chicago radio; the socialist revolutionary who staged all of the Beatles' concerts in the city and used much of the profits from the shows to fund left-wing causes; the African-American girl who braved an intimidating environment to see the Beatles in concert; a fan club founder who disbelievingly found herself occupying a room opposite her heroes when they stayed at her father's hotel; the University of Chicago medical student who spent his summer vacation playing in a group that opened for the Beatles' on their last tour; and the suburban record store owner who opened a teen club modeled on the Cavern in Liverpool that hosted some of the biggest bands in the world.Drawing on historical and contemporary accounts, Joy and Fear: The Beatles, Chicago and the 1960s (Permuted Press, 2020) brings to life the frenzied excitement of Beatlemania in 1960s Chicago, while also illustrating the deep-seated hostility from the establishment toward the Beatles.John F. Lyons is a Professor of History at Joliet Junior College in Illinois where he teaches classes in British and American history. John on Twitter.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

There has been no greater surge in global fashion trends and expressions of personal style than in the contemporary era of social media fashion influencers. But what constitutes “being in fashion” amongst this multiplicity of interpretations?In this episode of Humanities Matter, Dr. Laura Petican, Professor of Sociology at the National University, San Diego, and Dr. Jacque Lynn Foltyn, Associate Professor and Director of University Galleries at Texas A&M University-Corpus Christi, explore various disciplinary, professional, and creative perspectives to expand their proposition that fashion is about self-presentation. In Fashion: Culture, Commerce, Craft, and Identity, published by Brill and edited by Drs. Petican and Foltyn, is a deep exploration of fashion representations; being fashionable, shopping, luxury, and vintage; fashion materials, craft, industry, and innovation; museum-worthy fashion; and fashioning cultural identities.Summary: A conversation on the cultural, commercial, and creative perspectives of what it means to be ‘in fashion’ in the modern world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From Erin Keane, editor in chief at Salon, comes Runaway: Notes in the Myths that Made Me (Belt Publishing, 2022), a touching memoir about the search for truths in the stories families tell. In 1970, Erin Keane's mother ran away from home for the first time. She was thirteen years old. Over the next several years, and under two assumed identities, she hitchhiked her way across America, experiencing freedom, hardship, and tragedy. At fifteen, she met a man in New York City and married him. He was thirty-six. Though a deft balance of journalistic digging, cultural criticism, and poetic reimagining, Keane pieces together the true story of her mother's teenage years, questioning almost everything she's been told about her parents and their relationship. Along the way, she also considers how pop culture has kept similar narratives alive in her. At stake are some of the most profound questions we can ask ourselves: What's true? What gets remembered? Who gets to tell the stories that make us who we are? Whether it's talking about painful family history, #MeToo, Star Wars, true crime forensics, or The Gilmore Girls, Runaway is an unforgettable look at all the different ways the stories we tell--both personal and pop cultural--create us. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Hollywood fantasy cinema is responsible for some of the most lucrative franchises produced over the past two decades, yet it remains difficult to find popular or critical consensus on what the experience of watching fantasy cinema actually entails. What makes something a fantasy film, and what unique pleasures does the genre offer? In Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema (SUNY Press, 2021) Alexander Sergeant solves the riddle of the fantasy film by theorizing the underlying experience of imagination alluded to in scholarly discussions of the genre. Drawing principally on the psychoanalysis of Melanie Klein and D. W. Winnicott, Sergeant considers the way in which fantasy cinema rejects Hollywood's typically naturalistic mode of address to generate an alternative experience that Sergeant refers to as the fantastic, a way of approaching cinema that embraces the illusory nature of the medium as part of the pleasure of the experience. Analyzing such canonical Hollywood fantasy films as The Wizard of Oz, It's a Wonderful Life, Mary Poppins, Conan the Barbarian, and The Lord of the Rings movies, Sergeant theorizes how fantasy cinema provides a unique film experience throughout its ubiquitous presence in the history of Hollywood film production.Encountering the Impossible has been shortlisted for the 2022 Best First Monograph Award presented by the British Association of Film, Television and Screen StudiesAlexander Sergeant is Lecturer in Film and Media Studies at the University of Portsmouth. He is the coeditor (with Christopher Holliday) of Fantasy/Animation: Connections Between Media, Mediums and Genres, which was Runner Up for Best Collection at the 2019 BAFTSS (British Association for Television & Screen Studies) awards. He is the founder of Fantasy-Animation.org and co-host of the Fantasy/Animation podcast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Ramzi Fawaz, Professor of English at the University of Wisconsin-Madison, has a new book that weaves together the more contemporary history of feminism and women’s liberation, the gay liberation movement, feminist and queer theory, and iconic popular culture artifacts in order to understand gendered and sexual forms in context of gender and sexual fluidity. This is a brilliant book, interdisciplinary in scope and approach, taking the reader on a journey through theoretical frameworks and interpretive understandings of where we often see queer forms, and what we think about those forms. Fawaz notes that he is working to tell a story, interpreting cultural artifacts to forefront the ideas from feminist and queer theory, knitting these approaches together to guide us through a fascinating understanding of what we see when we watch films, or television, or read comics, or enjoy Broadway performances. These interpretations provide us with ways of seeing identity and shape within narrative forms and creative storytelling. But Fawaz is also pushing against an excess of thinking that all identities and forms are fluid—instead, Queer Forms (NYU Press, 2022) examines the capacity of identity and forms to, essentially, shapeshift, which is not the same as being fluid, since shapeshifting is an adaption, and thus is not without form itself. Form has little meaning until or unless they are/it is interpreted by others.The thrust of the work that Fawaz is doing in Queer Forms ultimately is about freedom and how we can each exist as free individuals, especially when there are often social and legal rules that constrain us as individuals with distinct identities that traverse a host of markers and qualities. Popular culture artifacts can provide the room and opportunity to imagine identities in different forms and contexts. Queer Forms provides the reader with an archive of culture forms as a kind of gift, helping us to see and understand how we might interpret or reinterpret the queer and feminist past so that we approach our daily contemporary life with that understanding. Fawaz explains the variegated theories that frame these interpretations and gets at this historical foundation—especially of the liberation movements in the 1960s and 1970s—in order to engage in a valuable consideration of freedom.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Is the Bible the unembellished Word of God or the product of human agency? There are different answers to that question. And they lie at the heart of this book's powerful exploration of the fraught ways in which money, race and power shape the story of Christianity in American public life. The authors' subject is the Museum of the Bible in Washington, DC: arguably the latest example of a long line of white evangelical institutions aiming to amplify and promote a religious, political, and moral agenda of their own. In Does Scripture Speak for Itself?: The Museum of the Bible and the Politics of Interpretation (Cambridge UP, 2022), Jill Hicks-Keeton and Cavan Concannon disclose the ways in which the Museum's exhibits reinforce a particularized and partial interpretation of the Bible's meaning. Bringing to light the Museum's implicit messaging about scriptural provenance and audience, the authors reveal how the MOTB produces a version of the Bible that in essence authorizes a certain sort of white evangelical privilege; promotes a view of history aligned with that same evangelical aspiration; and above all protects a cohort of white evangelicals from critique. They show too how the Museum collapses vital conceptual distinctions between its own conservative vision of the Bible and 'The Bible' as a cultural icon. This revelatory volume above all confirms that scripture – for all the claims made for it that it speaks only divine truth – can in the end never be separated from human politics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Dining out used to be considered exceptional. However, the Food Standards Authority reported that in 2014, one meal in six was eaten away from home in Britain. Previously considered a necessary substitute for an inability to obtain a meal in a family home, dining out has become a popular recreational activity for a majority of the population, offering pleasure as well as refreshment.The Social Significance of Dining Out: A Study of Continuity and Change (Manchester UP, 2020) draws on a major mixed-methods research project by Dr. Alan Warde, Dr. Jessica Paddock and Dr. Jennifer Whillans about dining out in England. The book offers a unique comparison of the social differences between London, Bristol and Preston from 1995 to 2015, charting the dynamic relationship between eating in and eating out. Addressing topics such as the changing domestic divisions of labour around food preparation, the variety of culinary experience for different sections of the population, and class differences in taste and the pleasures and satisfactions associated with dining out, the authors explore how the practice has evolved across the three cities.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

On any given night, hundreds of guests walk the darkened streets of Colonial Williamsburg looking for ghosts. Since the early 2000s, both the museum and private companies have facilitated these hunts, offering year-round ghost tours. Critics have called these excursions a cash grab, but in truth, ghosts and hauntings have long been at the center of the Colonial Williamsburg project. The Spirit of Colonial Williamsburg: Ghosts and Interpreting the Recreated Past (U Massachusetts Press, 2022) examines how the past comes alive at this living-history museum. In the early twentieth century, local stories about the ghosts of former residents--among them Revolutionary War soldiers and nurses, tavern owners and prominent attorneys, and enslaved African Americans--helped to turn Williamsburg into a desirable site for historical restoration. But, for much of the twentieth century, the museum tried diligently to avoid any discussion of ghosts, considering them frivolous and lowbrow. Alena Pirok explores why historic sites have begun to embrace their spectral residents in recent decades, arguing that through them, patrons experience an emotional connection to place and a palpable understanding of the past through its people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture