New Books in Popular Culture

It’s the UConn Popcast, and Purple Rain, Prince’s semi-autobiographical, semi-concert film, hit cinemas 40 years ago this week. The movie followed the album of the same name by a few short weeks. While the album is considered a defining musical achievement, the movie met a mixed reception at the time, and later critics have been both troubled by its misogyny and perplexed by its surreal qualities and uneven acting.We consider the movie and the music at the four-decade mark, centering our discussion on the figure of Prince (who plays a character called “The Kid” in the movie) as a set of shifting signifiers allowing, and perhaps demanding, an active reading by audiences interested in gender, race, musical genre, performance, and more.Mentioned in this episode: Jack Hamilton, “Baby I’m a Star”: Prince, Purple Rain, and the Audiovisual Remaking of the Black Rock Star” in Black Camera (2022) Vol. 14, No. 1. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his new book, We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America (Oxford UP, 2020), Kevin Mattson documents punk rock in the early 1980s through a comprehensive look into the music, zines, films, bands, and punk Do-It-Yourself (DIY) tactics. He shows how widespread the punk movement was in creating a counterculture that challenged the conservative narrative of 1980s America. Mattson places the punk countercultural movement into the wider context of Reagan’s America and the cultural war that his presidency created. In opposition to Reagan’s panic narratives of nuclear wars, his tax cuts for the rich, and cuts to public education and other social services, punks saw themselves as everything they rejected about the US. Mattson’s extensive archival research into the punk counterculture makes for an informative and captivating read into the larger ways in which punk impacted American cultural identities and challenged 1980s conservativism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Burn It Down: Feminist Manifestos for the Revolution (Verso, 2020), Breanne Fahs has curated a comprehensive collection of feminist manifestos from the nineteenth century to today. Fahs collected over seventy-five manifestos from around the world, calling on feminists to act, be defiant and show their rage. This thought-provoking and timely collection includes not only popular manifestos often taught in women and gender studies courses, but also introduces readers to works from feminist activists who are often placed on the margins. The eight sections of the book cover manifestos from a wide range of feminist activist spectrums: queer/trans, anticapitalist/anarchist, angry/violent, indigenous/women of color, sex/body, hacker/cyborg, trashy/punk, and witchy/bitchy. Fahs has put together a collection that has something for everyone and that is a must-need on every feminist bookshelf.Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Videogames have always depicted representations of American culture, but how exactly they feed back into this culture is less obvious. Advocating an action-based understanding of both videogames and culture, this book delineates how aspects of American culture are reproduced transnationally through popular open-world videogames. Playing American: Open-World Videogames and the Reproduction of American Culture (De Gruyter, 2023) proposes an analytic focus on open-world videogames' "ambient operations" and traces practices of "playing American" through the stages of videogame development, gameplay, and reception. Three case studies - concentrating on the Grand Theft Auto, Watch Dogs, and Red Dead Redemption franchises, respectively - highlight different figurations of "playing American." Thematic foci range from public discourses on systemic racism and neoliberal capitalism to the justification of real-world surveillance practices and to the reconfiguration of the Western in the digital age. Playing American provides those interested in either videogames or American culture with a fresh angle and new concepts regarding its subject matters. It demonstrates that videogames are agents of cultural reproduction that do distinct cultural work for American culture in the twenty-first century.Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

"A woman in trouble"In her monograph Inland Empire (Fireflies Press, 2021), film critic Melissa Anderson explores meaning (or the impossibility thereof) in the David Lynch film of the same title. We talk everything from Laura Dern (a LOT of Laura Dern), to the Hollywood nightmare of trying to "make it in the movies," to the contradictions of film criticism, to the (a)political legacy of Lynch's work.Melissa Anderson is the film editor of 4Columns. From 2015 to 2017, she was the senior film critic for the Village Voice. She is also a frequent contributor to Artforum and Bookforum.Tyler Thier is a faculty member and administrator in the Department of Writing Studies & Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, and his scholarship is concerned with malicious rhetoric and dangerous media—specifically, extremist manifestos. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In The Meaning of Soul: Black Music and Resilience Since the 1960s (Duke University Press 2020), Emily J. Lordi takes on the challenge of explaining “soul,” through a book that zooms in and out between sweeping ideas about suffering and resilience in Black culture and fine-grained, close readings of individual performances by soul musicians. Rather than centering big musical gestures and major popular hits, Lordi pays close attention to musical practices like falsetto, ad-libs, and false endings to ground her analysis. She focuses on artists that are some of the most recognizable Black singers in the United States such as Aretha Franklin, Nina Simone, and James Brown, but she also spends a lot of time with more obscure figures including Donny Hathaway and Minnie Riperton. She ends the book with a powerful contemplation of how the logic of soul, born in the political and social tumult of the late 1960s, still resonates with some of today’s most popular women singers.Emily J. Lordi is an Associate Professor of English at Vanderbilt University. The Meaning of Soul is her third book. In addition to her scholarly work, she is an active cultural critic and music journalist published in venues such as Billboard, The Atlantic, and NPR.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kristin J. Jacobson In her new book, The American Adrenaline Narrative (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's Into Thin Air and Aron Ralston's Between a Rock and a Hard Place. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.Kristin Jacobson is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Before 2010, there were no Israeli horror films. Then distinctly Israeli serial killers, zombies, vampires, and ghosts invaded local screens. The next decade saw a blossoming of the genre by young Israeli filmmakers. New Israeli Horror: Local Cinema, Global Genre (Rutgers UP, 2024) is the first book to tell their story. Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception. She shows how these films challenge traditional representations of Israel and its people, while also appealing to audiences around the world.Gershenson introduces an innovative conceptual framework of adaptation, which explains how filmmakers adapt global genre tropes to local reality. It illuminates the ways in which Israeli horror borrows and diverges from its international models. New Israeli Horror offers an exciting and original contribution to our understanding of both Israeli cinema and the horror genre.A companion website to this book is available at here. A book trailer is available here.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The mainstream news media struggles to understand the power of social media. In contrast, conspiracy advocates, malicious political movements, and even foreign governments have long understood how to harness the power of fear and the fear of power into lucrative outlets for outrage and money. But what happens when the messengers of “inside knowledge” go too far?Author Tea Krulos tells the story of one man, Richard McCaslin, whose fractured thinking made him the ideal consumer of even the most arcane of conspiracy theories. Acting on the daily rants of Alex Jones and his ilk, McCaslin takes matters into his own hands to stop the unseen powers behind the world’s disasters who congregate at conspiracy world’s Mecca—The Bohemian Grove. It all goes wrong with terrible consequences for the man who styled himself The Phantom Patriot.McCaslin is not alone, as conspiracy-driven political action has bubbled its way up from the margins of society to the White House. It’s no longer a lone deranged kook convinced of getting secret messages from a cereal box; now, it’s slick videos and well-funded outrage campaigns ready to peddle the latest innuendos and lies in hopes of harnessing the chaos for political gain. What is the long-term effect on people who believe these barely believable stories? Who benefits, and who pays the price?In American Madness: The Story of the Phantom Patriot and How Conspiracy Theories Hijacked American Consciousness (Feral House, 2020), Krulos investigates and explains the power of conspiracy, and the shared madness it brings on the American psyche.Tea Krulos is a freelance journalist and author from Milwaukee, WI. Some of his favorite subjects to explore include subcultures and social movements, weird news, the paranormal, and strange personalities. He also writes about local art and entertainment, lifestyle, and food/drink for publications like Milwaukee Magazine, Shepherd Express, and Milwaukee Record. His five non-fiction books are American Madness, Wisconsin Legends & Lore, Apocalypse Any Day Now, Monster Hunters, and Heroes in the Night. He’s also been published in places like Atlas Obscura, Fortean Times, and Scandinavian Traveler and writes a weekly column called “Tea’s Weird Week” at teakrulos.com.Tyler Thier is a faculty member and administrator in the Department of Writing Studies & Rhetoric at Hofstra University. He regularly writes and teaches cultural criticism, and his scholarship is concerned with malicious rhetoric and dangerous media—specifically, extremist manifestos. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism (Lexington Books, 2022), Danielle Antoinette Hidalgo examines the production of physical and digital spaces in dance music, and how the players—clubs, clubbers, and DJs—use authenticity, branding, and commercialism to navigate them. An in-depth study into three women DJs—The Blessed Madonna, Honey Dijon, and Peggy Gou—reveals a new concept, “authenticity maneuvering.” In it Danielle Hidalgo exposes how the strategic use of a rave ethos both bolsters acceptance in dance music spaces and hides often problematic commercial practices. This timely, thoughtful, and deeply personal book presents a compelling analysis of the complicated interplay between dancing bodies, digital practices, and spatial offerings in contemporary dance music.Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is in the areas of social construction of experience, identity, and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by employees of bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture