New Books in Popular Culture

Have you ever watched a futuristic movie and wondered if there will actually be any black people in the future? Have you ever been surprised, disappointed, or concerned with the lack of diversity demonstrated in many science fiction stories? In Speculative Blackness: The Future of Race in Science Fiction (University of Minnesota Press, 2016) the author analyzes the highly racialized genre of speculative fiction including science fiction, fantasy, and utopian works, along with their fan culture to illustrate the relationship between genre conventions in media and the meanings ascribed to blackness in the popular imagination. Speculative Blackness: The Future of Race in Science reveals new understandings of the significance of blackness in twentieth-century American literature and culture and interrogates the meanings of race and genre through studies of science fiction, fanzines, comics, film and television, and other speculative fiction texts. Author and professor Andre Carrington earned his bachelors degree in African American Studies from Macalester College and a Ph.D. in American Studies from New York University. He is now an assistant professor of English at Drexel University, where he teaches courses on African American Literature, Comics & Graphic Novels, LGBT Literature and Culture, Global Black Literature and Literary Theory. His research focuses on the cultural politics of race, gender, and genre in 20th century Black and American literature and the arts. Carrington has devoted particular attention to considerations of cultural production and identity, especially those articulated in feminist criticism, critical race theory, performance studies and Marxism. In addition to his book Speculative Blackness: The Future of Race in Science Fiction, Dr. Carringtons writings have appeared in the journals Present Tense, Sounding Out!, Callaloo, and African & Black Diaspora. In 2015, he organized the first international Queers & Comics conference through CLAGS: The Center for LGBTQ Studies in New York. His current research project, “Audiofuturism,” explores literary adaptation and sound studies through the analysis of science fiction radio plays based on the work of black authors. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Stanley Kubrick is justly considered one of the greatest filmmakers, even with his limited output over his career. The first film he both produced and directed was Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, released in 1964. Mick Broderick has written an extensive overview of the film in his book Reconstructing Strangelove: Inside Stanley Kubrick’s ‘Nightmare Comedy’ (Wallflower Press, 2016). In addition to reviewing the creative, scientific, and political background of the screenplay, he also presents other interesting details, many of them based on his review of Stanley Kubrick’s private archives. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Ponyville Confidential: The History and Culture of My Little Pony, 1981-2016 (McFarland, 2017), Sherilyn Connelly examines the long and complex history of Hasbro’s My Little Pony franchise. Since it debuted in the early 1980s, controversy has surrounded My Little Pony. Dismissed as solely toy advertisements and not serious enough, the series has been critiqued since its inception. In her new book, Connelly explores the history of the franchise through four generations of ponies, comparing it to cartoons geared towards boys such as Transformers which, despite their similarity, were largely spared the criticism the ponies generated. The book is a comprehensive examination of the series through Season 5 -Friendship is Magic as well as first three Equestria Girls films. Connelly uses archival research into popular media’s response to the series as well as fan response through listservs, petitions, and fan pages to present a wide-range of information examining the My Little Pony phenomena. In addition to its discussion of My Little Pony, Connelly’s book serves as an examination into how children’s television is mediated, discussed and gendered. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

While there are many books that assist the viewer in learning how feature films are made, Bob Moss’s Vibes from the Screen: Getting Greater Enjoyment from Films (MCP Books, 2016) is particularly good at showing the artistry of filmmakers by presenting detailed examples from the best writers, directors, cinematographers, editors, and actors. In this handy guide, Moss draws from his extensive experience in teaching others, teachingseasoned cinephiles and casual viewers alike how to get the most out of the movie experience. Checkout the book’s companion website at www.VibesfromtheScreen.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Mozlandia: Morrissey Fans in the Borderlands (Headpress, 2016), Melissa Hidalgo examines the world of Morrissey fandom in US-Mexico borderlands. As the frontman of The Smiths, Morrissey is regarded as one of the most influential and iconic musical performers to come out of the Manchester music scene. Yet, for the past three decades, Morrissey has made a name for himself as a solo performer, with committed and passionate fans across the world. As a solo performer, Morrissey has a larger fan base in borderland cities such as Los Angeles, the focus of Hidalgo’s work. In Mozlandia, Hidalgo deftly unpacks fandom, specifically as it plays out with Chicano/a, Latino/a, and Mexican fans. Hidalgo presents the ways in which fans contribute to the Morrissey community through MorrisseyOke, tribute bands, radio shows, plays and other literary tributes. By situating her work in the borderland city of Los Angeles, Hidalgo is able to present what a fan community looks like and the variety of ways fan culture is enacted. A fan of Morrissey herself, Hidalgo effectively weaves an academic lens with a true tribute book to Morrissey and his fan. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Calamity Jane was a celebrity of the 19th century American West, yet the woman portrayed in the newspapers and dime novels was one very different from the actual person. In The Life and Legends of Calamity Jane (University of Oklahoma Press, 2014), Richard Etulain sorts through over a century of fiction and half-truths to uncover who Calamity Jane was in real life. Born Martha Canary, she was orphaned at a young age and left to provide for her siblings. Working a variety of jobs, she came to Deadwood in 1876, where she soon received national press attention both for her unusual persona and her brief association with “Wild Bill” Hickok. Yet these accounts were usually more fabrication than fact, and often did not reflect the difficult circumstances of her life. Suffering from alcoholism, she lived an itinerant and unstable existence, one in which her drinking impeded her efforts to provide for herself and her daughter and led to her early death. Etulain’s biography gets to the truth of Calamity Jane’s life, as well as the development of her posthumous reputation in print, in movies, and on television. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For more than 50 years, Huntsville prison put on an annual rodeo throughout the month of October to entertain prisoners, locals, and visitors from across the nation. In his new book Convict Cowboys: The Untold History of the Texas Prison Rodeo (University of North Texas Press, 2016), Sam Houston State University criminal justice and criminology professor Mitchel Roth explores the history of the rodeo. The Texas Prison Rodeo began as a small event intended to serve essentially as recreation for prisoners, but grew into an important fundraiser and a nationally known show. It included a range of traditional rodeo events and contests, but also added other acts drawn from various forms of American popular entertainment as cultural sensibilities and prisoner interests changed. The rodeo was, in some ways, one of the more positive aspects of an otherwise brutal and underfunded prison system. Inmates were able to win prizes and interact with the free world, and the proceeds from the rodeo helped provide services the legislature refused to fund. The rodeo was also dangerous, however, and developed against the background of a prison system based on forced labor and corporal punishment. In this episode of New Books in History, Roth discusses his new book. He tells listeners about the origins of the rodeo, its development over the decades, and its demise. Throughout its life, the racial and gender dynamics of the rodeo changed with time as did its main events. Its popularity grew to a height with Western nostalgia in the 1950s, but by the 1980s, changing prison populations and changing cultural norms surrounding issues like the treatment of animals brought the rodeo’s run to an end. In addition to discussing the life of the rodeo, Roth also discusses controversies surrounding it, the research he completed for the book, and his current project in this episode. Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The original script was sold to a major Hollywood studio virtually overnight; the screenwriter was working as a pool boy and driver for the producer; the director was considered an acid freak by the studio heads; the star was a 74-year-old actress who didn’t know how to drive a car. The film flopped upon release but later became one of the great cult successes of all time. The unlikely creation of Harold and Maude, shot guerrilla-style in the San Francisco Bay Area by a crew of “New Hollywood” filmmakers in the winter of 1971, is the subject of James A. Davidson’s Hal Ashby and the Making of Harold and Maude (McFarland, 2016). James A. Davidson has written a number of articles for Images Film Journal and Taste of Cinema and is co-owner of Second Sight Video & Multimedia. He lives in Reno, Nevada. Jasun Horsley is the author of Seen & Not Seen: Confessions of a Movie Autist and several other books on “extra-consensual perceptions.” He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to http://auticulture.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Nerd Ecology: Defending the Earth with Unpopular Culture (Bloomsbury Academic, 2016), Anthony Lioi examines literature, film, television, and comics through an ecocritical study of nerd culture. Lioi explores Star Trek, The Hunger Games, The Matrix, Lord of the Rings, Buffy the Vampire Slayer, Firefly, Green Lantern, and X-Men, among others to trace the history of nerd culture and how it intersects with ecocritical themes. Lioi’s work seeks to define and situate the nerd in the current landscape of popular culture and the refuge of science fiction for nerds. Through an ecocritical and postmodern lens, Lioi notes the importance of popular cultural texts in creating nerd alliances and the importance of the stories of nerd culture to embody planetary defenders. Well-researched and strongly theoretically-based, Nerd Ecology is a new take on examining the world of the nerd and popular culture as ethical and moral spaces to examine ecology. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kevin Smokler’s new book, Brat Pack America: A Love Letter to 80s Teen Movies (Rare Bird Books, 2016)is what everyone in their 40s who loved watching movies as they were growing up wants it to be. In Brat Pack America, Smokler takes readers on a journey through the fictional and sometimes not so fictional towns created throughout the teen movies of the 80s. Smokler gives readers a tour through America and the important locations that have endured over time in the hearts and minds of movie fans. Smokler looks at John Hughes America and Shermer, Illinois as well as memorable places such as Hill Valley, California and Astoria, Oregon. Brat Pack America is full of facts about 80s teen movies and the locations fans have come to know and love. But, Smokler also pushes beyond fandom, examining why these places have become so important to the fans of these films of this decade. Well researched and engagingly written, Brat Pack America is a book that brings back memories of those films we know and love. Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digitalin peoples lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture