New Books in Popular Culture

Though not a figure in the public imagination today, William Fox is a man whose legacy is visible in the numerous media enterprises that bear his name. Vanda Krefft‘s biography The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox (Harper, 2017) leads readers through the remarkable arc of Fox’s life, one that took him from the slums of New York City to the glittering lights of Hollywood. The immigrant son of Hungarian Jews, Fox got his start in the entertainment industry in 1904 as an exhibitor. Enjoying success but chafing under the restrictive terms of film distributors, in 1915 he expanded into production, creating the Fox Film Corporation. As Krefft explains, Fox favored a director-centric approach to film making, working with such legendary figures as John Ford and F. W. Murnau to produce some of the greatest films of the silent era. By the late 1920s he had built a vast entertainment empire, only to lose first his fortune and then his company in the economic collapse at the end of the decade, which left him to watch as others turned his studio into 20th Century Fox, one of the big six studios in Hollywood today. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Richard Power Sayeed’s book, 1997: The Future that Never Happened (Zed Books, 2017), is a brilliant and exhaustively researched account of the late 1990s. The subject matter covered is broad. From music to politics, from feminism to the media, it paints a picture of an era in which those living and invested in British society never had it so good. The outlook was sunny, yet this positive future never materialised. Richard Power Sayeed is a writer and documentary maker based in London. 1997: The Future that Never Happened his first book, and he has somehow managed to finish it without losing his love for the minutiae of nineties Britain. Stephen Lee Naish is a writer and author of several books on the subjects of film and popular culture. He lives in Ontario, Canada. Follow him on Twitter @riffsandmeaning. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In A Vulgar Art: A New Approach to Stand-Up Comedy (The University Press of Mississippi, 2014), Ian Brodie, an associate professor of folklore at Cape Breton University, brings a folkloristic approach to the study of stand-up comedy. By focusing on comedic performance, Brodie shows stand-up comedy to be a collaborative act between comedian and audience similar to folk performance around the world, even as mediatization sees professional comedians transcend the initial performance to reach mass audiences. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kathryn Lofton is a professor of religious studies and history at Yale University. Her book Consuming Religion (University of Chicago Press, 2017) offers a collection of eleven essays of cultural critique that reflect on the connections between religion, consumer culture, celebrity and the corporation. Her definition of religion is capacious and founded on Durkheim’s understanding of it as a form of social organization that determines who we are. In contemporary culture religion is an attempt to mass-produce relations of value and generate both control and freedom. Applying this definition to popular culture, she examines binge watching, the cubicle of the Action Office of Herman Miller, Purity Balls, Hotel Preston’s innovation in the Spiritual Menu offerings, and the fascination with the Kardashians. In an ethnographic study of the Wall Street firm Goldman Sachs, she demonstrates how the idea of corporate culture becomes a form of religion. Lofton challenges us to see religion everywhere in our construction of meaning and values. This episode of New Books in American Studies was produced in cooperation with the Society for U.S. Intellectual History. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is tentatively entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation is forthcoming from Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In her new book, Beyond the Silver Screen: A History of Women, Filmmaking and Film Culture in Australia, 1920-1990 (Melbourne University Publishing, 2017), Mary Tomsic, an ARC Postdoctoral Research Associate at the University of Melbourne, explores the history of women’s engagement with filmmaking and film culture in Australia. From early women in film, like Lottie Lyell, to feminist filmmakers of the 1970s, Tomsic charts women’s involvement with film as political and cultural action.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Adam J. Criblez, author of the book Tall Tales and Short Shorts: Dr. J, Pistol Pete, and The Birth of the Modern NBA (Rowman & Littlefield, 2017). In his second book, Criblez tells the story of the most maligned decade of professional basketball the 1970s. Tall Tales and Short Shorts takes the reader from the retirement of Bill Russell in 1969, which ended the great dynasty of the Boston Celtics, to the emergence of Magic Johnson and Larry Bird in the late 1970s. During the 1970s, professional basketball dealt with expansion, the merger of the National Basketball Association and the American Basketball Association, illicit drug use, violence on the court and rising player salaries. The 1970s were a turbulent period in American history, as the Vietnam War ended ingloriously, Richard Nixon’s presidency was destroyed by the Watergate scandal, and the price of gasoline soared while public confidence waned. Basketball in the 1970s would be defined by stars such as Julius Erving, Kareem Abdul-Jabbar, Pete Maravich and Rick Barry; Criblez shines new light on the “Dark Ages” of the NBA, blending pro basketball with popular culture. Bob D’Angelo is working on his masters degree in history at Southern New Hampshire University. He earned his bachelors degree in journalism from the University of Florida and spent more than three decades as a sportswriter and sports copy editor, including 28 years on the sports copy desk at The Tampa (Fla.) Tribune. He can be reached at bdangelo57@gmail.com. For more information, visit Bob D’Angelos Books and Blogs. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In her book, Death Makes the News: How the Media Censor and Display the Dead (NYU Press, 2017), Jessica M. Fishman examines how death is presented in the media. Researching how media outlets present images of death over the past 30 years, Fishman explores the controversial practice of picturing the dead. Fishman presents the varying ways the press selects the images they choose to use, the way they make decisions of what images they use, and why. Her research reveals that much of what we think we know about how dead bodies are, or are not, shown in the media is wrong. The tabloid press is less likely to show a dead body, media show dead foreign bodies more often than they show dead American bodies, and the exceptions to the rules the media uses to portray the dead are not often altered. Well researched, with knowledge from editors and photojournalists about the decisions made around images of death, Jessica Fishman’s work gives readers new ways to think about the ways death does, and does not, make the news. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Material success and prosperity are the aspirational goal for many Americans. The myth of meritocracy embedded in this national ethos has made this dream a civil religion. In Profane Parables: Film and the American Dream (Baylor University Press, 2016), Matthew S. Rindge, Associate Professor of Religious Studies at Gonzaga University, explores critiques of this vision of contemporary America in popular cinema. Through a close investigation of the films Fight Club (1999), American Beauty (1999), and About Schmidt (2002) Rindge dissects constructions of the relationship between national success and the accompanying denial of death. Myth has long been a central motif in the study of religion so he frames film as parables that dismantle orthodox myths. Putting these films in conversation with biblical texts Rindge demonstrates how cinema can be situated as both myth-maker and myth deconstruction. In our conversation we discussed the prosperity gospel of American nationalism, creating a meaningful life, the denial of human fragility, biblical laments, and the field of religion and film. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Often, poetry and punk rock are seen as distinct activities that occur in different locations with separate audiences. Many would also ascribe to them varying levels of cultural and political capital. Daniel Kane, the author of Do You Have a Band?: Poetry and Punk Rock in New York City (Columbia University Press, 2017) challenges these notions and explores the interaction between the New York Schools of Poetry and early punk music. In this podcast, we discuss how poets, such as Frank O’Hara, Ted Berrigan, and Anne Waldman, affected the writing and careers of Lou Reed, Patti Smith, and Richard Hell. We also explore how punk rock, in turn, shaped the work of Elaine Myles and Dennis Cooper. Kane’s work helps re-map the relationships between poetry and punk rock. Daniel Kane is Professor in English and American literature at the University of Sussex in Brighton. His books include We Saw the Light: Conversations Between the New American Cinema and Poetry (2009) and All Poets Welcome: The Lower East Side Poetry Scene in the 1960s (2003). The host for this episode is Richard Schur, Professor of English at Drury University. He is the author of Parodies of Ownership: Hip Hop Aesthetics and Intellectual Property Law and the co-editor of African American Culture and Legal Discourse. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his new book, The Origins of Cool in Postwar America (University of Chicago Press, 2017), Cultural Studies scholar Joel Dinerstein explores the cultural history of cool and the codes that defined the style and attitude of this relatively new concept. Using cultural icons such as Lester Young, Humphrey Bogart, Albert Camus, Billie Holiday, Jack Kerouac, Marlon Brando, Miles Davis, and Lorraine Hansberry to name a few, Dinerstein weaves an image of cool in the 1940s and 1950s as it intersects jazz, film noir, literature, and existentialism. Well researched and compellingly written, The Origins of Cool in Postwar America examines the ways in which popular culture works to define cool throughout the Cold War. Dinerstein’s work interrogates cool, presenting the way in which individuals show how cool is a way of rebellion and resistance against racism or other cultural and social norms. Cool brings a hope to individuals during cultural shifts that Dinerstein presents in this thorough and thoughtful exploration into cool and the icons who exuded the term. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture