New Books in Popular Culture

In The Blue Series: The Story Behind the Color (Third Man Books, 2017), Ben Blackwell invites readers behind the scenes for the making of Third Man Records’ 7-inch single Blue Series. Founded in 2009 in Nashville by songwriter, musician, and producer Jack White—formerly of the White Stripes—TMR has released dozens of Blue Series singles by an eclectic group of artists, including Beck, Dwight Yoakam, Wanda Jackson, Stephen Colbert, Insane Clown Posse, and Tom Jones. Beginning with a foreword by Rolling Stone senior writer David Fricke, and an interview with White, Blackwell includes artist accounts, biographical information, and recording credits for 40 7-inch singles. The Blue Series also features an interview with Jo McCaughey who shot the photos for each release, as well as the recollections of some of the songs’ key session players. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Ever go backpacking through Europe? In Backpack Ambassadors: How Youth Travel Integrated Europe (University of Chicago Press, 2017), Richard Ivan Jobs traces the postwar cultural history of the making of Europe through the stories and perspectives of the young people who moved across the continent’s borders. A history of European integration from the end of the Second World War to the 1992 Treaty of Maastricht, the book emphasizes the roles that young people played in postwar recovery and reconciliation efforts, their participation in Europeanization, the upheavals of 1968, and the ways that young people’s movements were circumscribed by the Cold War and transformed by its end. Backpack Ambassadors examines the emergence of a “community of practice” defined by young people themselves, a community complicated by gender, class, race, and other differences. While youth are the key agents in this history, the book also considers the policies, programs, and regulations of the states that sought to encourage and manage the movement of young travelers across Europe in various ways. Transnational in subject and method, the chapters of the book draw on multiple archives and sources from several countries, including interviews with former backpackers and the experiences of the author himself. Absorbing in its myriad stories and compelling in its analysis, Backpack Ambassadors is a must-read for anyone interested in research and writing that connects culture and politics while pushing past the limits of national history. Highly readable and human in its approach, the book is also a fantastic resource for those teaching European integration at the undergraduate or graduate levels. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Did you catch that look? The theory of fabulousness is on the move. In his new book, Fabulous: the Rise of the Beautiful Eccentric (Yale UP, 2018), madison moore explores some of the sites where fabulousness is highly valued, such as the street, the catwalk, the club (including the line to get in), and the body itself. Our hour-long conversation references many personal experiences that capture the ephemeral quality of fabulousness, which can appear in any place, at any time, through any body. madison also speaks of his participation in and organization of the worlds that his scholarship extends. A running theme of our conversation is that fabulousness is never without risk. As he writes, “You can’t understand fabulousness unless you get that it emerges from trauma, duress, exclusion, exhaustion, and depression, and that in some ways being fabulous is the only thing that can get us out of bed in the morning.” There are, of course, groups of people who actively police fabulousness. But its self-making potential resides in all bodies. It is a confidence, and a gift to be shared. You just have to look—and listen—for yourself. madison moore is a dj, cultural critic, and assistant professor of gender, sexuality and women’s studies. He is also creative director and resident dj at OPULENCE, an art-collective and queer techno party. He has home bases in New York, London, and Berlin. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: A History of the “Peculiar and Rarest Intimacy” of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He will be a Researcher at the Center for the History of Emotions in Berlin beginning this fall. He is the author, with Michael Bronski and Ann Pellegrini, of You Can Tell Just by Looking: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How should we understand our new golden age of television? In New Television: The Aesthetics and Politics of a Genre (University of Chicago Press, 2017), Martin Shuster, Director of Judaic Studies and Assistant Professor at Goucher College, interrogates New Television and offers both a defense and critique. Drawing on the work of the late Stanley Cavell, along with others including Hannah Arendt, the book explores the ontology of New Television, the medium of the screen, and the nature of storytelling. New Television has a vast range of examples, including chapters specifically focused on The Wire, Weeds and Justified. Along with detailed aesthetic philosophical discussion of each program, the book ultimately poses the problem of the politics of New Television, questioning the extent to which it offers critical, emancipatory, or regressive contributions to our understanding of modern life. The book is essential reading for anyone watching television, and also those who are not! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The 1960s and 1970s saw the rise of a new type of humor, based on sarcasm, improvisation and drugs. From The National Lampoon to Saturday Night Live, many new stars appeared, both as performers and writers. In his book, Caddyshack: The Making of a Cinderella Story (Flatiron Books, 2018), Entertainment Weekly film critic Chris Nashawaty tells the story of one of the best films to come out of that period. From its development by National Lampoon alumni to its cast of crazy comedians alongside of regular actors, the film has become one of the favorite examples of the time. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Diet books are a multi-billion dollar industry and in Diet and the Disease of Civilization (Rutgers University Press, 2018), Adrienne Rose Bitar explores the narratives of those books. Bitar looks at the ways in which diet books not only present American’s with dieting advice, but also create cultural narratives about how we should live. Through the exploration of hundreds of diet books over the past century (and sometimes more), Bitar examines four popular diets, viewing them as narratives for American culture. She looks at the Paleo Diet, the Garden of Eden Diet, The Pacific Island Diet and the Detox Diet as larger myths about American culture and social movements. Bitar’s work explores how diet books call for a healthier society by urging readers to create what they believe to be a more perfect world. She argues that diet books criticize excess, addiction, alienation, and the disruption and disappearance of traditional lifeways showing readers how to return to conditions that create optimal health and a more “natural” way of eating and existing in our world. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Firesign Theatre co-founder Phil Proctor shares stories from his life and career in his new memoir, Where’s My Fortune Cookie? (Blurb, 2017) co-written with Brad Shreiber. In Where’s My Fortune Cookie? Proctor shares the history of his work with Firesign Theatre and other comedy recordings in addition to his work on stage, film, and television. The book contains over 120 photographs documenting Phil’s life and career. Proctor’s early life as well as his 65-year career is documented in his new memoir that is told through stories of his professional and personal adventures. Proctor documents his experiences and at time psychic connections throughout his extraordinary life. In this podcast, Proctor describes the Firesign Theatre, a comedy group that created counter-culture comedy and records starting in the 1960s. Through this work, the group worked alongside other psychedelic new age artists and activists to make a cultural difference. Firesign Theatre was responsible for reshaping comedy and culture and Phil shares some of these stories in his book. In addition, you can learn more about his book and his work on his new podcast, The Proctor Podcast, where he reads from his book and share his comedy genius with music, audio bytes and sound effects. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his new book, Through the Lion Gate: A History of the Berlin Zoo (Oxford University Press, 2017), Gary Bruce, professor of history at the University of Waterloo, provides the first English-language history of the Berlin Zoo from its inception in 1844 until German reunification in 1990. Bruce demonstrates how the Berlin Zoo was a critical facet of Berlin’s social and cultural life. The zoo was also used by those in political power throughout German history to communicate messages to the larger public. According to Bruce the zoo remained popular throughout its history, even in Berlin’s darkest times. It allowed ordinary Germans to escape the difficulties of modern urban life for an afternoon, letting them dream of far flung places.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Heaven Was Detroit: From Jazz to Hip-Hop and Beyond (Wayne State University Press, 2016), M. L. Liebler curates an exhaustive collection of essays about Detroit music by a diverse group of music scholars, journalists, and musicians. Instead of relying on familiar narratives about Motown and rock and roll, this anthology engages a vast array of musical genres and sub-genres, while sharing the oft-surprising hidden histories of artists, institutions, and communities integral to Detroit’s unique sound. Heaven Was Detroit begins with former California Poet Laureate Al Young’s meditation on his childhood obsession with early to mid-20th-century Detroit jazz and ends with an essay by Jarrett Koral about Jett Plastic Recordings, the 21st-century vinyl-only record label he runs out of his parents’ basement. In between are a mix of new and classic essays about Detroit jazz, blues, pre-Motown soul, Motown, rock, hip-hop, techno, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture