New Books in Popular Culture

Melissa Auf der Maur, Canadian bassist, photographer, and author who played with Hole and The Smashing Pumpkins, discusses her new '90s rock memoir. She recalls Montreal’s countercultural roots and serendipitous analog moments that launched her career. Conversations cover joining big bands amid grief, reframing Courtney Love, preserving analog creativity, and curating a vast photographic archive.

The Gastronomica podcast returns to the air, bringing listeners new interviews with authors from the latest issues of Gastronomica: The Journal for Food Studies. In this episode, Alyssa James of Gastronomica’s Editorial Collective hosts award-winning writer and historian Camille Bégin for a discussion of “Chiang Mai 2015,” a creative nonfiction account of a family trip and a search for sustenance that becomes entangled with questions of illness, climate, and care. In her memoir of failed culinary tourism, a story set against the smoky skies of northern Thailand, Camille asks what it means to travel, to look for meaning, and to eat ethically. In conversation with Alyssa, Camille talks about how the haze shapes her story, reflects on the politics of culinary tourism, and shows how food can become a small anchor in times of crisis. “Chiang Mai 2015” was published in the Spring 2025 issue of Gastronomica (25.1) and is available online here. Camille Bégin is the author of Taste of the Nation: The New Deal Search for America’s Food (University of Illinois Press, 2016). Her personal essays have appeared in Gastronomica, Adelaide Magazine, and the scientific journal, Brain. She is currently writing a food memoir called Crumbs: A Trail of Taste and Illness. Website here Alyssa A. L. James is an anthropologist and postdoctoral scholar at the USC Society of Fellows. Her current book project, Revival Grounds, examines coffee, heritage, and temporality in Martinique. Learn more here Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica’s podcast feed to stay updated on the newest episodes. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Explore resilience from personal, organizational, and national perspectives with expert Robert Hall in this discussion of his book Building Resilient Futures (Austin Macauley, 2023). Discover case studies from COVID-19, the Winter War, and more, highlighting how resilience can be cultivated and applied. Types of resilience: personal, social, urban, national Case studies: COVID-19, Winter War, Ladbroke Grove disaster The importance of community and social bonds in resilience The paradox of preparedness and resource redundancy Lessons from history: Shackleton, Finnish resilience, and more Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

It’s the Pop Culture Professors, and in this show we conclude our series on the films of Michael Mann. Structured as a knock-out tournament, we have set his eight most highly regarded movies in single-elimination competition. Today, we consider Heat (1995) and Collateral (2004). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work. And we conclude the series by ranking the top Michael Mann movies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jeffrey Wasserstrom, Chancellor's Professor of History at UC Irvine and an expert on modern China, answers pressing questions about the PRC. He explores personality cults, Confucian revival, censorship tactics like the "three Fs," music and protest from Tiananmen to today, soft power and Hong Kong’s cultural fallout, and how scholars can better communicate China’s complexities.

Cinema Before the World: The Global Routes of the Lumière Brothers (Fordham UP, 2026) investigates the transnational origins of filmmaking by focusing on a case study in world cinema—the 1896-1897 voyage of one of the Lumière Brothers camera operators, Alexandre Promio, across North Africa and the Middle East. The book shows how the sites in these early films are not simply backdrops, but integral to film form and its global history. Connecting a series of filmic principles (framing, tracking shots, close-ups) to the sites where they are made visible (a rooftop in Algiers, a train station and the Jaffa Gate in Jerusalem), Allan unsettles a familiar narrative of imperial vision. In the interplay of local history and global media, he highlights tensions between ethnography, observation, and visual capture, revealing how the Lumière Brothers films persist as living archives. The book evokes a formative moment when cinema stood before the world—both as a technological marvel and as a medium that shaped how space and time were perceived. Tracing a journey from Algeria to Egypt and Palestine, and moving across media from lithography to photography and panoramas, Allan shows how in the hands of later filmmakers, such as Egyptian director Youssef Chahine and the Syrian collective Abounaddara, the Lumière films continue to enrich and inform visions of what cinema—and the world—can be. Cinema before the World offers a critical historical intervention in the global story of the cinematograph and a visionary method for film scholarship grounded in transnational analysis across languages, regions, and media. Michael Allan is Associate Professor of Comparative Literature and Cinema Studies at the University of Oregon. He is the author of In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton, 2016, winner, MLA First Book Prize) and serves as editor of the journal Comparative Literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ali (2001) and The Last of the Mohicans (1992). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Work Won’t Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone (Bold Type Books, 2021), Sarah Jaffe argues that modern culture encourages workers to see their jobs as a “labor of love.” This idea tells people that passion and dedication should motivate them more than pay or working conditions. Jaffe shows that this belief often allows employers to justify low wages, long hours, and poor treatment. Through stories of workers across many fields, such as teachers, domestic workers, nonprofit employees, artists, athletes, and tech workers, the book demonstrates how devotion to work is used to normalize exploitation. Jaffe calls for a reevaluation of the relationship between work, identity, and personal fulfillment, suggesting that workers should organize collectively and demand fair compensation and conditions instead of relying on passion alone. Sarah Jaffe is a journalist and labor reporter who writes about work, inequality, and social movements. Her work has appeared in major publications such as The Nation, The Washington Post, and The Guardian. Jaffe has long reported on labor struggles and worker organizing, including movements like Occupy Wall Street and the Fight for $15 campaign. She is also the author of Necessary Trouble and most recently From the Ashes: Grief and Revolution in A World on Fire. She is co-host of the labor podcast Belabored. Her writing focuses on how economic systems shape everyday life and workers’ experiences. My co-producer on this episode is Kelly Knight, a graduate student in the MA program in Communication at Oakland University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Alan McDougall, Professor of History at the University of Guelph, and the author of Dreams and Songs To Sing: A People’s History of Liverpool F.C. From Shankly to Klopp (Cambridge: Cambridge University Press, 2025). In our conversation, we discussed the rise of Liverpool as a global football club, the crises that beset the club during the Heysel and Hillsborough disasters, and the necessity of inherent optimism of fandom in contemporary sports. In Dreams and Songs to Sing, McDougall writes the history of Liverpool FC from Shankly to Klopp in a register that will appeal to both popular and scholarly readers. McDougall is a lifelong Liverpool supporter, and he is careful to point out where his connections to the club and its fandom might shade his examination, but he also shows how those same affective connections allow him to a unique entry point into issues only visible to fans and that supports can be even more critical than a detached observer. This is especially true in his investigation of Heysel and Hillsborough. The book proceeds roughly chronologically. The book’s early chapters examine the club’s connection to Liverpool’s working-class district 4 and to their Anfield home ground. He pays special attention to the supporter’s end - the notorious Kop. Using oral history interviews, McDougall illustrates the exceptional pull of the stadium to both local and global fans. The heart of the book is its engaging, thick description of the club’s history during the Shankly era. McDougall shows that not only was Shankly a very successful manager, and quite funny, but that he ran the club with a sense of Liverpool’s local identity. A man who arrived at the right time – he benefitted from Liverpool’s growing global reputation; Beatlemania gave the city a sound but players and fans rubbed shoulders with comics, musicians, and poets. Shankly embodied the very local socialist, working-class attitudes of the majority of club supporters. His retirement shook the whole city. McDougall uses a family repository of letters to show how people from around the city, the country, and the world wrote to him to express sadness at him leaving and to wish him luck. McDougall’s account might be from an insider, but his analysis does not shy away from shining a light on the difficult social politics that accompanied the club’s enormous success on the field. European Cup victories sit alongside the deadly hooligan violence at Heysel. Black players like Howard Gayle and John Barnes face racism from the club’s supporters. The club first ignores and then undervalues the rise of women’s football. McDougall’s history ends in the Klopp era – perhaps a mercy to Liverpool fans! He shows how the contemporary club embodies the idea of a global club with a local heart. The international ownership of the club has successfully navigated the rise of the Premier League and the increasing commercialization of European football, but local supporters have been innovative at creating a culture of resistance to changes that could undermine the glocal identity of Liverpool. Klopp symbolized this new football club: cosmopolitan, emotional, forward, successful. Compelling and hard to put down, McDougall’s Dreams and Songs to Sing will appeal to all readers of sports history. It will be of particular interest to Liverpool supporters and football fanatics. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

A lively matchup pits Ferrari's glossy visuals and family archetypes against Manhunter's moody synth score and tight psychological tension. They debate craftsmanship versus mass culture, the emotional distance in racing scenes, and Mann's fascination with seeing and doubling. The conversation culminates in a clear verdict and teases the rest of the tournament.