Talkhouse Podcast

Alison Mosshart (The Kills, The Dead Weather) has been painting with remote control cars; Devendra Banhart's been obsessively pondering Christian Slater's '89 skater flick Gleaming The Cube. To celebrate Alison's new art book about cars — Car Ma — and Devendra's LP Ma, the two got together over salted egg brainless shrimp heads to discuss the above as well as skateboarding as a gateway drug to dope music, the multi-hyphenate magic of Captain Beefheart, how Guns N' Roses' November Rain video shaped Devendra's idea of Americans, and so much more. Check it out! Today’s show was recorded by Michael Harris at Electro-Vox Studios in Los Angeles, and Mark Yoshizumi at Hook and Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Brian Wilson and The Zombies are touring together!!! I repeat, head Beach Boy Brian Wilson and recent Rock & Roll Hall of Fame inductees The Zombies are touring America together right now! To celebrate these legendary artists sharing the stage, we got 'em together at the first gig of the run for a Talkhouse Podcast conversation. The Zombies’ songwriter/keyboardist Rod Argent and singer Colin Blunstone roundtable some wonderful ideas with Wilson, fellow Beach Boys founder Al Jardine, 1970s Beach Boys addition Blondie Chaplin (who also plays with The Rolling Stones), and Darian Sahanaja, who’s played with Brian for two decades and was key in the making of the fantastic Smile LP. Their talk takes in the early days of The Beach Boys and The Zombies, and the bands' love of each other's music; challenges in playing songs you haven’t played in 50 years; recording Friends in Brian’s living room; and "balls out" Hammond B3 organ that'd make Argent proud. Check it out, and stay tuned after the featured conversation for clips of our favorite Brian Wilson and Zombies appearances on the show from 2016, including Brian and Carly Rae Jepsen in a "one-question wonder" chat from Pitchfork Music Festival, and The Zombies chatting with Hollis Brown at the Samsung store in NYC. Catch Brian Wilson and The Zombies on tour: 9/12: Los Angeles, CA — Greek Theatre 9/13: Oakland, CA — Fox Theater 9/16: Seattle, WA — Paramount Theatre 9/17: Portland, OR — Arlene Schnitzer Concert Hall 9/19: Sandy, UT — Sandy Amphitheater 9/20: Denver, CO — Paramount Theatre 9/22: Milwaukee, WI — The Riverside Theater 9/23: Cincinnati, OH — Taft Theatre 9/24: Detroit, MI — Masonic Temple 9/26: New York, NY — Beacon Theatre 9/27: Waterbury, CT — Palace Theater 9/28: Upper Darby, PA — Tower Theater Today's show was recorded by Malcolm Harrison of National Southwestern in Las Vegas, and Mark Yoshizumi at Hook and Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast’s theme song was composed and performed by The Range.

As I learned from today's episode, comedian Chris Gethard and singer-songwriter Mal Blum are "self-deprecating sad boys from Jersey" who are attracted to “erratic or controlling people who will blow your life up.” What I already knew going in is that the two are old friends, occasional collaborators, and incredibly talented at their art. Gethard and Blum joined us on the Talkhouse Podcast to celebrate the release of Blum's excellent new LP Pity Boy, and their conversation is predictably openhearted, neurotic, and fucking hilarious. Tune in to hear them consider going to a Love Addicts 12-step meeting, share their writing processes (Gethard even opens up his joke notebook and shares some new ideas!), unpack Mal's lack of boundaries, and learn why Gethard wants to wind up his career. Today’s episode was co-produced and recorded by Mark Yoshizumi. It was cut at Hook and Fade Studios in Brooklyn. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range. With this week's episode, Chris Gethard has joined the (sort of) rare and (moderately) coveted Talkhouse Podcast Hat Trick Club! Check out his previous appearances, talking with Todd Barry and Tim Heidecker.

Our latest installment of the Talkhouse Podcast at FORM Fest 2019 is a love letter to Chicago's post-rock, punk and emo scenes from the '00s to today. Windy City music legends — and old friends — Trevor de Brauw (Pelican, RLYR, TUSK) and Nate Kinsella (American Football, Joan of Arc, Make Believe) caught up backstage for a warm and hilarious convo, as well as a rad improvised ambient musical collaboration. The guys' talk takes in a lot: playing in bands with family members; having your musician father hate on your experimental work; and balancing parenthood and tour life. Oh and, of course: tone clusters, alternate tunings, death metal, and odd time signatures. This Talkhouse Podcast episode was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a dope backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend. You can also check out the other episodes in this series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley, Julianna Barwick & Mary Lattimore, and Kelsey Lu with Yrsa Daley-Ward. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton, and Ian Jones. Research assistance was provided by Madalyn Feltus. The performance includes Trevor de Brauw on guitar and Nate Kinsella playing the drums. The Talkhouse Podcast’s theme song was composed and performed by The Range.

On the latest episode of the Talkhouse Podcast, Lulu Wang — writer-director of the summer indie hit The Farewell — chats with one of her favorite directors, Ruben Östlund, the award-winning Swedish director of such acclaimed films as The Square and Force Majeure. Talking from New York City and Gothenburg, respectively, the two filmmakers have a profound and highly entertaining conversation that touches on everything from the crucial role cinema plays in society and the importance of making films from lived experience, to how the internet turns us into shitty people and what Lulu and her boyfriend Barry Jenkins watch when they just want to relax. Special thanks to Katey Rich from Vanity Fair for collaborating on this special conversation, and for joining us on the podcast. Check out today's episode of Vanity Fair's awards podcast Little Gold Men for more from Lulu and Ruben. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast.

For our fifth consecutive year there, the Talkhouse Podcast squad rolled out to the fantastic Pitchfork Music Festival in Chicago last month to record artists in conversation backstage. Over the years, this series has featured talks between Brian Wilson & Carly Rae Jepsen, Kamasi Washington & Thundercat, HAIM and Chvrches, and many more. This week's show features two young Chicago singer-songwriters who are both blowing up fast: Tasha and Lala Lala's Lillie West. The two chopped it up on how much they're learning all the time as their careers explode (including adjusting to having teams working around them); dealing with impostor syndrome; and the perils of making jokes onstage. Their talk also took in Jack White's technophobia, the pluses and minuses of freeing the nipple onstage, and Marie Kondo-ing your Instagram. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. — Elia Einhorn, Talkhouse Podcast host and producer This episode was recorded by Joe Darnaby and Mark Yoshizumi, and co-produced by Mark Yoshizumi, Annie Fell, and Elia Einhorn. Big thanks to Pitchfork Music Festival for hosting Talkhouse.

In honor of the release of Tiny Changes: A Celebration of Frightened Rabbit’s ‘The Midnight Organ Fight’, Talkhouse paired three notable Frightened Rabbit collaborators and friends for a live conversation at Rough Trade NYC. Craig Finn (The Hold Steady), Katie Harkin (Sleater-Kinney, HARKIN), and Grammy-winning producer Peter Katis joined Talkhouse’s Executive Editor Josh Modell — a friend and fan of the band — to share favorite stories about the making of The Midnight Organ Fight, and Scott Hutchison’s life and legacy. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was produced by Mark Yoshizumi, Josh Modell, and Elia Einhorn. It was recorded at Rough Trade NYC, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi. Front of house engineering at Rough Trade was by Alex Payne. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.

Our latest installment of the Talkhouse Podcast at FORM Fest 2019 pairs the brilliant poet/actress Yrsa Daley-Ward with avant-pop singer/songwriter/cellist Kelsey Lu in powerful conversation and musical collaboration. Their talk takes in a lot, including just how much effort is the right amount to put into a piece of art; how to make spaces your own when on the road; and how important the right clothes and hair are to each of their attitudes. They also touch on what it’s like to date a taurus (comfy!), and the devilish fun of writing disco revenge tracks. This Talkhouse Podcast episode was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: — American Football & Pelican — L’Rain & Melanie Faye You can also check out the first three episodes in this series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley, and Julianna Barwick & Mary Lattimore. For their performance, Lu and Daley-Ward are joined by Max André Rademacher. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.

For today’s show, legendary record producer and Garbage drummer Butch Vig and Silversun Pickups frontman Brian Aubert sat down for some deep musical shop talk. The occasion was the release of Widow’s Weeds, the new album by Silversun Pickups that Vig produced. Their convo takes in the nitty gritty of writing, recording, doing press, and touring. To that end, we hear about: a German journalist being a bit too honest; Butch’s psychic connection with his crack engineer; Brian’s reason for having lots of guests in studio; advice on how to keep your band together for the long haul; and so much more. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded in LA by Butch Vig (yes, that Butch Vig), and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi.Research assistance was provided by Madalyn Feltus.The Talkhouse Podcast’s theme song was composed and performed by The Range.

Julianna Barwick and Mary Lattimore are two of ambient music's most brilliant artists working today. On our third Talkhouse Podcast episode recorded backstage at FORM Fest, the two sit down for an in-depth conversation, as well as a wonderful improvised musical collaboration. Their talk takes in a lot, including making up stories about your art for the press; creating a 24-hour long score; hanging with an oracle friend of Grouper’s; and a “dead corpse” putting babies to sleep. This Talkhouse Podcast — and video of the performance element of today's show — was recorded in the Conservatory backstage at FORM Fest in Arcosanti, Arizona. Pulp Arts and Patreon teamed up to co-present The Conservatory, a rad backstage visual arts installation and recording studio. Talkhouse recorded six episodes there throughout the weekend, so subscribe to make sure to catch upcoming shows, including: — Kelsey Lu & Yrsa Daley-Ward — American Football & Pelican — L’Rain & Melanie Faye You can also check out the first two episodes in the series, including Snail Mail with Fred Armisen & Mary Lynn Rajskub, and Robert Glasper & Vieux Farka Touré with special guest Lonnie Holley. —Elia Einhorn, Talkhouse Podcast host and producer Today’s episode was co-produced by Mark Yoshizumi. It was recorded at FORM Festival in Arcosanti, Arizona, and at Hook and Fade Studios in Brooklyn by Mark Yoshizumi, Danny Clifton and Ian Jones. Research assistance was provided by Madalyn Feltus. The Talkhouse Podcast’s theme song was composed and performed by The Range.