The Media Show

What is the relationship between journalists and their audiences? Reporters covering the Omicron variant say they’ve received abuse from people angry about the government’s response – and blaming the journalists. One newspaper group announced they’ve had to disable reader comments altogether on their coverage of the tragedy in the English Channel. So are the trolls making it impossible to have a healthy debate between reader and reporter? Plus, Jack Dorsey, founder of Twitter, is stepping away from the company. What are the big tasks facing new CEO Parag Agrawal?Guests: John Thornhill, Innovation Editor and Tech Columnist at the Financial Times; Rizwana Hamid, Director of the Centre for Media Monitoring; Isobel Asher Hamilton, Senior Tech Reporter at Insider; Ian Carter, Editorial Director at Iliffe Media; Rebecca Whittington, Online Safety Editor at Reach. Studio engineer; John BolandProducer: Hannah SanderPresenter: Katie Razzall

A faltering speech by Boris Johnson has Westminster journalists in a spin. The government changed its stance on lobbying following attacks in the Daily Mail and other bits of the media. And a BBC interview with Alexander Lukashenko, the President of Belarus, has made headlines. But how much do political stories like these actually cut through with the public?Guests: Anushka Asthana, Deputy Political Editor at ITV News; Chris Williams, Business Editor at The Telegraph; Joe Twyman, Director at DeltaPoll; Steve Rosenberg, BBC Moscow Correspondent.Studio engineer: Nigel DixProducer: Hannah SanderPresenter: Ros Atkins

Nadine Dorries was made Secretary of State for Culture, Media and Sport in September. In this interview, her first sit-down discussion with the BBC since she started her role, Dorries speaks to Katie Razzall about arts and media in schools, cancel culture, social media harms, and the future of the BBC.

After Sunday’s attack in Liverpool, journalists are questioning the right way to report responsibly on these types of incident. When should the words "terror attack" be used on a front page? And is it morally wrong to "door-step" victims and members of the public caught up in an attack? Also in the programme, Sky in the UK have launched a new streaming service, Peacock, in the week that Netflix says it will double its studio space in the UK. Can the traditional TV giants claw back an audience from the likes of Netflix and Disney? Guests: Maria Breslin, Editor at the Liverpool Echo; Kamal Ahmed, Editor-in-Chief at The News Movement; Julia Alexander, Senior Strategy Analyst at Parrot Analytics; Simon Walker, Chief Executive at Marquee TV.Studio engineer: Nigel DixProducer: Hannah SanderPresenter: Katie Razzall

The UK has become a production hub, with giant companies like Amazon and Netflix filming on our shores - and driving up the cost of shoots. But how easy is it to build up a thriving TV industry in a new part of the country? And faced with an influx of US programmes, should the government lay down legal requirements for ‘Britishness' on TV?Guests: Sarah Doole, Chief Executive of Red Production Company; Tony Wood, Chief Executive of Buccaneer Media; Sir Phil Redmond, creator of Grange Hill, Hollyoaks and Brookside; Chris Curtis, Editor of Broadcast.Studio engineer: Donald MacDonaldProducer: Hannah SanderPresenter: Ros Atkins

This has been a nervy week in the media world, as radio stations finally found out what happened to listening habits. Audience data was suspended during the pandemic and has only just returned. So what did the RAJARS (Radio Joint Audience Research) reveal about audiences? Who were the big winners and losers? And can broadcast radio stand up against the giants of Silicon Valley with their well funded podcast plans? Guests: Dick Stone, Chief Content Officer at Jack Media; Miranda Sawyer, Radio Critic at The Observer; Ashley Carman, Senior Reporter at The Verge and lead writer at Hot Pod; Matt Deegan, Creative Director at Folder Media.Studio engineer: Duncan HannantProducer: Hannah SanderPresenter: Datshiane Navanayagam

It's been another tough week for Facebook, as the world's biggest news brands publish co-ordinated and critical stories, all based on whistle-blower Frances Haugen and her trove of documents. How did Haugen, a former Facebook Product Manager, come to have such strong media and PR support? Facing difficulties in the real-world, Facebook are investing heavily in alternative-reality. But what exactly is the "metaverse" - and how soon before we all live in it?Guests: Emily Birnbaum, Tech Lobbying Reporter at Politico; Madhumita Murgia, European Tech Correspondent at The Financial Times; Nicola Millard, Principal Innovation Partner at BT; Lauren Goode, Senior Writer at Wired.Studio engineer: Steve GreenwoodProducer: Hannah SanderPresenter: Datshiane Navanayagam

Heat pumps, net zero, decarbonisation, the Paris agreement. With less than 2 weeks to go until Cop26, we’re being deluged with detail and jargon. But how much do you actually understand about climate change? Do you even know what COP actually stands for? (It’s Conference of the Parties if you don’t). Katie Razzall asks what role the media has in educating us about climate change. Maybe you feel hectored rather than informed? Or maybe you think the media isn’t going far enough; if we now face an existential crisis, should journalists dispense with the notion of objectivity and become activists in the fight to save the planet? Guests: Daniela Chiaretti, environment reporter at Brazil’s biggest financial newspaper Valor Econômico, Natasha Clark, environment correspondent for The Sun, Tom Chivers, science editor for UnHerd, and Wolfgang Blau, co-founder of the Oxford Climate Journalism Network.Presenter: Katie RazzallStudio engineer: Tim HefferProducer: Richard Hooper

The Saudi Arabian purchase of Newcastle football club has been a huge news story. But football isn't the only area of British public life in which the Saudis play a part. The Evening Standard and The Independent can both trace their ownership back to Saudi Arabia, while in the US, media giants including Disney and Netflix have large Saudi investments. But does this actually affect the journalism we read or the television we watch? Also in the programme, the classic American music magazine Rolling Stone has launched in the UK. So why – when so many publications are shrinking – was this the right moment to launch? Guests: Vivienne Walt, correspondent at Fortune, Areeb Ullah, journalist at Middle East Eye, Sanam Vakil, Deputy Director of the Middle East and North Africa Programme at Chatham House, Jim Waterson, Media Editor at The Guardian and Darren Styles, Managing Director of Rolling Stone UK.Studio engineer: Giles AspenProducer: Hannah SanderPresenter: Katie Razzall

A global investigation and the largest leak of offshore data in history has produced the Pandora Papers. Journalists around the world have had front-page splashes on alleged corruption and money-laundering. Meanwhile in the US, a whistle-blowing former Facebook employee has appeared before Congress, accusing the company of harming democracy. And a piece in The New York Times seems to have brought down a wunderkind news organisation.But how interested are the public in these public interest stories? Is there a trick to keeping stories of this size at the top of the bulletins? And can public interest journalism still have an impact on the world?Guests: Juliette Garside, Deputy Business Editor at The Guardian; Margot Gibbs, Investigative Reporter at the International Consortium of Investigative Journalists; Ben Smith, Media Columnist at The New York Times, Alexandra Suich Bass, Senior Columnist at The Economist.Studio engineer: Donald MacDonaldProducer: Hannah SanderPresenter: Rajan Datar(Picture credit: Facebook whistle-blower Frances Haugen speaks to the US Congress. Getty Images)