Weird Studies

In his short story "Mrs. Rinaldi's Angel," contemporary horror author Thomas Ligotti contrasts the chaotic monstrosity of dreams with the cold, indifferent, and no less monstrous purity of angels. It is the story of a boy whose vivid dream life is sapping his vital force, and who resorts to esoteric measures to rectify the situation. In this episode, Phil and JF discuss the beauty and horror of dreams, the metaphysical signifiance of angels and demons, and the potential dangers of seeking the peace of absolute "purity" in the wondrous flux of lived experience. REFERENCES Thomas Ligotti, "Mrs. Rinaldi's Angel" (read by Jon Padgett) Roger Scruton, The Face of God Thomas Ligotti, Songs of a Dead Dreamer Thomas Ligotti, "The Last Feast of Harlequin" in Grimscribe: His Lives and Works Robert Aickman, English author H. P. Lovecraft, American author H. R. Giger, Swiss artist Jean Giraud a.k.a. Moebius, French comic book artist Donald Barthelme, American author Pierre Soulages, French artist Bruno Schulz, Polish author Thomas Bernhard, Austrian author Edgar Allan Poe, American author J. F. Martel, "The Beautiful Madness: Primacy of Wonder in the Works of Thomas Ligotti" (Forthcoming in James Curcio (ed.), Masks: Bowie and the Artists of Artifice from Intellect Books) Algernon Blackwood, "The Wendigo" Thomas Ligotti, "The Dark Beauty of Unheard of Horrors" in The Thomas Ligotti Reader: Essays and Explorations Dogen Zenji, Zen master Manichaeism Spencer Brown, The Laws of Form Ramsey Dukes, Words Made Flesh: Information In Formation Deleuze, Essays Critical and Clinical Thomas Ligotti, "Purity," in Teatro Grottesco James Joyce, Ulysses Advaita Vedanta Joshua Ramey, The Hermetic Deleuze: Philosophy and Spiritual Ordeal Lewis Carroll, Alice's Adventures in Wonderland and Through the Looking Glass James Hillman, The Dream and the Underworld P. J. O’Rourke, political satirist Learn more about your ad choices. Visit megaphone.fm/adchoices

"May the present 'you' not survive this little book," Jeffrey Kripal writes in the prologue to The Flip. "May you be flipped in dramatic or quiet ways." Indeed, Kripal's latest is a kind of manifesto, a call to embrace the metaphysical expanses that reveal themselves to many who dare dip a toe outside the materialist lifeboat we've been rowing away in for a couple of centuries now. In this conversation, Phil and JF talk to the eminent scholar of religion about the life-changing epiphanies that have convinced many a hardboiled materialist that bouncing billiard balls is probably not the best metaphor for what is actually going on in the universe. In essence, this is a conversation about stories, about the fictions we tell ourselves to make sense -- or nonsense -- of our world. REFERENCES Jeffrey J. Kripal, The Flip: Epiphanies of Mind and the Future of Knowledge Henri Bergson, The Two Sources of Morality and Religion Sigmund Freud, Civilization and its Discontents Weird Studies, Episode 37: Entities, with Stuart DavisSpecial Guest: Jeffrey J. Kripal. Learn more about your ad choices. Visit megaphone.fm/adchoices

The great American thinker William James knew well that no intellectual pursuit is purely intellectual. His interest in the "supernormal," whether it take the form of spiritual apparition or extrasensory perception, was rooted in a personal desire to uncover the miraculous in the mundane. Indeed, the early members of the British Society for Psychical Research and its American counterpart (which James co-founded in 1884) were united in this conviction that certain phenomena which most scientists of their day considered unworthy of their attention were in fact the frontier of a new world, an avenue for humanity's deepest aspirations. In this episode, JF and Phil discuss two papers that James wrote about the first phase in the history of these research societies. James lays bare his conclusions about the reality of psychical phenomena and its scientific significance. The bizarre fact that psychical research has made little progress since its inception lays the ground for an engaging discussion on the limits of the knowable. REFERENCES Fyodor Dostoevsky, Crime and Punishment Frederic W. H. Myers, theorist of the "subliminal self" Weird Studies, Episode 37: Entities Thomas Henry Huxley, aka "Darwin's Bulldog" Patrick Harpur, Daimonic Reality: A Field Guide to the Otherworld Mervyn Peake, The Gormenghast Trilogy Thomas Kuhn, The Structure of Scientific Revolutions James Randi, professional skeptic Dean Radin, Real Magic Eric Wargo, Time Loops: Precognition, Retrocausation, and the Unconscious Lionel Snell a.k.a. Ramsey Dukes, British magician Changeling: The Lost tabletop roleplaying game Rupert Sheldrake's morphic resonance Quentin Meillassoux, After Finitude: An Essay on the Necessity of Contingency Joshua Ramey, "[Contingency Without Unreason: Speculation After Meillassoux]("Contingency Without Unreason: Speculation After Meillassoux")" C.G. Jung, Synchronicity: An Acausal Connecting Principle Learn more about your ad choices. Visit megaphone.fm/adchoices

Shirley Jackson's stories and novels rank among the greatest weird works produced in America during the 20th century. However, unlike authors such as Philip K. Dick and H.P. Lovecraft, Jackson didn't cut her teeth in the pulps but among the slick pages of such illustrious publications as The New Yorker. On the other hand, whether because her most famous novel uses the traditional ghost story form or because she was a woman, Jackson only rarely appears in the litanies of weird literature, where she most definitely belongs. In this episode, Phil and JF discuss two of Jackson's short works, "The Lottery" and "The Summer People." The conversation touches on such cheerful topics as human sacrifice, the use of tradition to license evil, and the alienness that can infect even the most familiar things ... when the stars are right. Header image by Hussein Twabi, Wikimedia Commons REFERENCES The Weird Studies Patreon Shirley Jackson Zoë Heller, “The Haunted Mind of Shirley Jackson,” review of Ruth Franklin, Shirley Jackson: A Rather Haunted Life American writer Mitch Horowitz Rhonda Byrne, The Secret Stuart Wilde, The Trick to Money is Having Some Seymour Ginsburg, Gurdjieff Unveiled Randall Collins, Violence: A Microsociological Theory James Hillman, A Terrible Love of War Homer, The Iliad Phil & JF at Octopus Books in Ottawa, 2015 Marcus Aurelius, Meditations “Whatever happens to you has been waiting to happen since the beginning of time. The twining strands of fate wove both of them together: your own existence and the things that happen to you.” David Lynch, Blue Velvet Learn more about your ad choices. Visit megaphone.fm/adchoices

In the mid-1960s, Pauline Oliveros was a composer of experimental electronic music. But at the end of the 1960s, shocked by the political violence around her, she turned away from electronic technology and towards to a different kind of experimentation, which Dr. Kerry O'Brien calls "experimentalisms of the self." The immediate result of this turn was Oliveros's Sonic Meditations, a series of instructions for group bodymind practice. This work became the seed of Deep Listening, a sort of musical yoga Oliveros developed throughout the rest of her long career. Dr. O'Brien joins JF and Phil for a conversation on practice, "gaining mind," the ritual value of art, the wisdom of the body, and whether Deep Listening is really best understood as art at all. REFERENCES Kerry O'Brien, "Listening as Activism: The 'Sonic Meditations' of Pauline Oliveros" Pauline Oliveros, American composer John Cage, 4'33" Dead Territory performing Cage's 4'33" Alvin Lucier, "Music for a Solo Performer" Peter Sloterdijk, You Must Change Your Life Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction" Lawrence Weschler, Seeing is Forgetting the Name of the Thing One SeesSpecial Guest: Kerry O'Brien. Learn more about your ad choices. Visit megaphone.fm/adchoices

Neil Gaiman wrote, "If literature is the world, then fantasy and horror are twin cities, divided by a river of black water." Flame Tree Publishing underwrites this claim with their recent publication, The Astounding Illustrated History of Fantasy and Horror. The book is a veritable gazetteer of these two cities in the heartland of the imaginal world. Writer and scholar Matt Cardin, founding editor of the marvellous [Teeming Brain](www.teemingbrain.com), wrote a chapter for the book focusing on the books and films of the Sixties and Seventies. In this episode, he joins JF and Phil to discuss the kinship of horror and fantasy, the modern ghettoization of mythopoeic art, the prophetic reach of speculative fiction, and the "cauldron of cultural transformation" that was the Sixties and Seventies. Header Image by Moralist, Wikimedia Commons REFERENCES The Astounding Illustrated History of Fantasy and Horror Matt Cardin's website The Teeming Brain American literary critic S. T. Joshi British writer and scholar Roger Luckhurst Neil Gaiman, introduction to The Dream Cycle of H. P. Lovecraft: Dreams of Terror and Death The concept of "folk psychology" H. P. Lovecraft, "The Dream Quest of Unknown Kadath" H. P. Lovecraft, "Through the Gates of the Silver Key" James Curcio, Masks: Bowie and the Artists of Artifice (forthcoming) American author Thomas Ligotti British author Arthur Machen Mary Shelley, Frankenstein Ian McEwen, Enduring Love Weird Studies, Episode 36: On Hyperstition J. R. R. Tolkien, The Silmarillion Terry Brooks, The Sword of Shannara Stephen R. Donaldson, The Chronicles of Thomas Covenant, the Unbeliever Night of the Living Dead (George A. Romero, 1968) The Lord of the Rings animated film (Ralph Bakshi, 1978) Lloyd Alexander, The Chronicles of Prydain Madeleine L'Engle, A Wrinkle in Time The Call of Cthulhu Role-Playing Game (Chaosium) Ray Bradbury, Something Wicked This Way Comes Invasion of the Body Snatchers (Philip Kaufman, 1978) William Irwin Thompson, At the Edge of History Interview with Twilight Zone luminary George Clayton Johnson The Wicker Man (Robin Hardy, 1973) The Omen (Richard Donner, 1976) Stephen King, Salem's LotSpecial Guest: Matt Cardin. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Jonathan Glazer's loose screen adaptation of Michel Faber's novel Under the Skin, a creature of mysterious origin drives around Scotland in a white van, collecting lonely men and spiriting them away to an otherworld where they are turned into food.... or something. Drawing on a deep well of literary, visual, and musical tradition, Glazer (with help from his score composer Mica Levi) create a vivid work of tragedy and horror, masterfully executed for maximal weirdness and unwaveringly true to the auteur's intent to reveal our world from an "alien perspective." In this episode, Phil and JF discuss some themes and ideas they've pried from this exquisite tangle of image and sound. Along the way, they discuss the role that serendipity, coincidence, and fate play in both art-making and scholarship. REFERENCES Under the Skin (Jonathan Glazer, 2013) Other films by Glazer: Sexy Beast (2000), Birth (2004) Barry Lyndon (Stanley Kubrick, 1975) Iannis Xenakis, Greek composer Twin Peaks: The Return (David Lynch, 2017) Ligeti, Atmosphères Stranger Things (The Duffer Brothers, 2016) Screen shot of "Space Invader" Easter egg in Under the Skin Weird Studies Episode 37: Entities, with Stuart Davis John August, American screenwriter Phil Ford, "The Devil's On Your Side: A Meditation on the Perennially Disreputable Business of Hermeneutics" (unpublished) Room 237 (Rodney Ascher, 2013) William Irwin Thompson, Imaginary Landscape: Making Worlds of Myth and Science Interview with Mica Levi, who composed the score for Under the Skin Atar Arad, American violist David Caspar Friedrich, Wanderer above the Sea of Fog Learn more about your ad choices. Visit megaphone.fm/adchoices

"The world is not simply composed of physical causes strung together in strictly materialistic and mechanical fashion," writes Prof. Jeffrey J. Kripal in his seminal book, Authors of the Impossible. "The world is also a series of meaningful signs requiring a hermeneutics for their decipherment." This, in a nutshell, is Kripal's position vis à vis the fact of paranormal experience, a fact that he has explored in numerous works of scholarship over the last 25 years. For Kripal, whether we see supernatural entities as beings from other worlds or creatures of the human imagination is secondary to the question of whether they merit serious philosophical thought and consideration. On that point, he says, "it's not an option to be neutral." JF and Phil had the honor of sitting down with Jeffrey Kripal to discuss the super-natural, the sacred, and the reasons why these categories remain as vital now as they ever have been. Header image: "Artist's Impression of the Mothman," by Tim Bertelink, Wikimedia Commons. REFERENCES Jeffrey J. Kripal, Authors of the Impossible: The Paranormal and the Sacred, The Serpent's Gift: Gnostic Reflections on the Study of Religion, Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal, The Super Natural: Why the Unexplained is Real (with Whitley Strieber), and Changed in a Flash: One Woman's Near-Death Experience and Why a Scholar Thinks it Empowers Us All (with Elizabeth G. Krohn) Stanley Kubrick's The Shining Wouter Hanegraaff, historian of hermetic philosophy John Keel, The Mothman Prophecies Graham Harman and Eugene Thacker, philosophers J. F. Martel, Reclaiming Art in the Age of Artifice E. E. Evans-Pritchard, Witchcraft, Oracles and Magic Among the Azande The X-Men (Marvel Comics)Special Guest: Jeffrey J. Kripal. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast, the hosts delve into the occult practice of music writing, analyzing how notation falls short when interpreting ambient tracks like Brian Eno's. They explore the power of good writing to reveal new facets of the ineffable world. Topics range from music analysis in popular culture to the limitations of music notation and the evolution of musical analysis techniques.

Several years ago, on New Year’s Eve, a tall, purple-robed praying mantis appeared to multidisciplinary artist Stuart Evan Davis as he meditated while running a fever. “Remember who you work for,” the entity said after beaming a zettabyte of information into Stuart’s febrile mind. Though it lasted less than a minute, the encounter sparked a series of life-changing -- and hair-raising -- events worthy of a Philip K. Dick novel. JF and Phil talk to Stuart Davis to get his thoughts on nonhuman intelligences, the artistic cosmos, a movie trilogy the Mantis commissioned, and Stuart’s brilliant audio documentary, Man Meets Mantis. Header image by OLJA, Wikimedia Commons Stuart Davis Official Website Stuart Davis, Man Meets Mantis Stuart Davis, “Something from Nothing” course Jasmine Karimova, singer-songwriter Ramsey Dukes, The Good, The Bad, and the Funny John Mack, psychiatrist and abduction phenomenon researcher Jacques Vallee, ufologist John Keel, paranormal researcher Weird Studies episode 2, “Garmonbozia” Norman McLaren, Spheres Remedios Varo, artist Leonora Carrington, artist JF Martel, Reclaiming Art in the Age of Artifice Special Guest: Stuart Evan Davis. Learn more about your ad choices. Visit megaphone.fm/adchoices