Essential Guide to Writing a Novel

Making a list of our favorite novels is fun and it can teach us something about writing, plus the strong technique of check-mark plotting.Support the showBuy the master class.

Plotting our story is so important that we return to it here.  How can we know what works and doesn't work in a story?  We'll talk about plotting techniques including good advice from a Pulitzer Prize winner.Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more.  Each episode is focused and about 30 minutes.  The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars.  If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.Support the showBuy the master class.

Successful novels almost always follow a pattern, and we'll talk about the pattern in this episode.  Also, what put you in mind of writing fiction?  I'd like to hear from you about it.  And several more odd book titles.Support the showBuy the master class.

Vladimir Nabokov said a writer should have the enchanter quality.  Here are examples from H.P. Lovecraft.  And how does Nora Roberts work?  Also, showing rather than telling about the weather and personality.  And some John Lennon.Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more.  Each episode is focused and about 30 minutes.  The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars.  If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.Support the showBuy the master class.

Formulas became formulas because they work.  Our genre will offer guidelines (formulas) for our plots.  And: titles are fun to think about but it's sometimes hard to invent a good one.  Here are some thoughts about coming up with a good title.Support the showBuy the master class.

Exploring interior monologue pitfalls and romantic tensions. Balancing action and thoughts in writing. Portraying dreams and suspension of disbelief. Contrasting showing vs telling techniques in writing.

We writers may never know to whom our words will have a profound meaning.  Plus, the importance of cause and effect.  And the perils of interior monologue.Support the showBuy the master class.

Should you share your manuscript with friends and family? The podcast dives into the pros and cons of seeking feedback on your writing. It highlights the challenges of getting constructive insights from non-writers and the importance of knowing your audience. You'll also learn how to enhance your writing by focusing on specific, concrete imagery and utilizing strong verbs for vivid storytelling. Plus, it features romantic lines from literature that exemplify powerful expression. Perfect for anyone looking to elevate their writing craft!

What should we look for when editing our own manuscript?  How do famous authors do it?  What should we look for as we edit?  This episode discusses the editing process, the good and bad of it.Support the showBuy the master class.

Topics of earlier episodes are boiled down to sixteen points, and we'll talk about them briefly.  Also, here are some things we can do to make our sentence-by-sentence writing more pleasing to readers' eyes and ears.Here is a 20-episode master class on fiction writing—a start-to-finish course covering plot, characters, dialogue, scenes, sentence-level craft, and much more.  Each episode is focused and about 30 minutes.  The full class—all 20 episodes—is available now for a one-time price of forty-nine dollars.  If you want structured, concise guidance, click the Buy the Master Class link in the show notes to get started.Support the showBuy the master class.