The Theatre Podcast with Alan Seales

He may have made his mark playing a famous yellow sponge on stage, but this artist is passionate about exploring all colors of a creative career, and looks “forward to building back the most accessible kind of theater in every angle”.Ethan Slater is an actor, singer, writer, and composer who made his Broadway debut in the title role of SpongeBob SquarePants the musical, for which he won Drama Desk, Outer Critics Circle, and TheaterWorld Awards, as well as a Tony Award Nomination. He is a familiar face on screen with TV credits that include Instinct, Law & Order: Special Victims Unit, and Fosse/Verdon. As a writer Ethan has a number of pieces in development, including the musical Edge of the World, and as a recording artist has released two EPs. Next up he is part of a phenomenal lineup of people performing on May 24th in the Town Hall’s Signature Series Broadway by the Year: The Sir Andrew Lloyd Webber Years virtual concert. Born and raised in Washington, DC, Ethan's auspicious debut came at age four when he played Toto to his sister’s Dorothy in a community production of The Wizard of Oz - and he loved it. He went on to perform in his high school productions, and later found his way to New York. Ethan opens up about his experience with the SpongeBob musical, a project he joined while in college and worked on for 7 years. He takes us from the first audition, to dealing with the harsh criticism the Broadway show received a year before it even opened, to knowing in his heart that they were “gonna show all the haters”, and it was “gonna be glorious”. Ethan shares one of the biggest parts and passions of his career is writing, and that while the pandemic has been a rollercoaster, focusing on being a “writer who acts” has benefited his mental health. He also speaks about the challenges and beauty of artistic collaboration, and his affinity for the rehearsal process. In this episode, we talk about: What songs he’ll be singing for the Town Hall concert  Being a writer who acts, and an actor who writes  Why he was worried about a year long run with Spongebob  Handling criticism as an artist Advice from classmate and fellow actor Noah Robbins  What he’s looking forward to once theatre is back Connect with Ethan: Get tickets to Broadway By The Year IG: @ethanslater Twitter: @ethanaslater Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.A very special thanks to our patrons who help make this podcast possible! Learn more about your ad choices. Visit megaphone.fm/adchoices

The voice on the soundtrack of many childhoods, this performer made a name for herself on stages from New York to South Korea, and continues to connect with audiences virtually until theatre is back in full force.Liz Callaway is a Tony nominee and Emmy Award winning actress, singer and recording artist, who may be best known by some as the singing voice of Anastasia in the 1997 animated film. Liz made her Broadway debut in Stephen Sondheim’s Merrily We Roll Along, received a Tony Award nomination for her performance in Baby, and for five years, won acclaim as Grizabella in Cats. She has also starred in the original casts of Miss Saigon, The Three Musketeers, and The Look of Love. Other New York appearances include the legendary Follies in Concert at Lincoln Center, A Stephen Sondheim Evening, Fiorello!(Encores!), and Hair in Concert. Having released six solo albums, Liz has also established a major career as a concert and recording artist, and is now part of a phenomenal lineup of artists performing in the virtual concert Broadway by the Year: The Sir Andrew Lloyd Webber Years on May 24th for The Town Hall’s signature series.Liz grew up in Chicago, and even though she loved to sing as a child, she would only do so if people left the house. As “kind of a loner”, it wasn’t until high school that she discovered the wonderful feeling of family you get being involved in theatre, and at 18 years old moved to NYC with her sister to pursue performing. During our conversation Liz opens up about how early sibling rivalry grew into a close, enduring relationship with her sister Ann, also an artist who has made her mark as a singer, pianist, composer, award winning songwriter, and Tony-nominated performer in the hit Broadway musical Swing!. She speaks about her surprise when fans approach to tell her Anastasia was the soundtrack of their childhoods, saying, “I had no idea, because you’re in a studio, so you don’t know the effect”. Liz also chats with us about new skills she’s acquired during the pandemic, emphasizing how important it is to keep learning and challenging ourselves no matter what stage of life we are in. In this episode, we talk about: The Callaway Sisters: Side by Side live Zoom concert Plans for her first performance post shutdown  Her connection to TV sitcom The Nanny  Moving to NYC with her sister when she was 18 Craving connection with others during the pandemic  The power and influence of music on our brains, memory  Connect with Liz: Get tickets to Broadway By The Year Get tickets to The Callaway Sisters: Side by Side live Zoom concert IG: @lizgoeson Twitter: @lizgoeson YouTube: @LizCallaway Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.A very special thanks to our patrons who help make this podcast possible! Learn more about your ad choices. Visit megaphone.fm/adchoices

A Tony and Grammy nominated actor, this actor and new dad dishes on what it takes to keep himself going, and his latest sources of inspiration(s). Originally preformed live in the "before times" back in Feb 2020, Jeremy's cabaret show Carry On is being virtually reprised for 3 weeks only at 54/Below (tickets here). Part comedy, part therapy session, Carry On dives into what makes Jeremy who he is today piling onto what he describes as his "rocky childhood," which opens up a side of himself that most audiences have never seen before.As a child, Jeremy would almost only sing in the shower. After being encouraged by his mother to start singing in class (partially because he was "just ok" at sports), he was picked for the boys chorus. The rest, as they say, is history, building up his confidence enough to almost go to college for a vocal major. However, it was a local production of The Fantasticks where he was cast as The Mute where he felt he really learned how to act. Unable to sing, he was forced to listen, which only made him realize what he had been missing to help him round out his craft.In this episode, we talk about: The type of love he's discovered as a father His grandma casting him in community theatre Our constant fear of... {insert your favorite item here} Being unable to show your unfiltered self unless you write your own material Getting in trouble with police in Times Square during Bonnie & Clyde How his career began to snowball while performing Bonnie & Clyde at night and rehearsing for Newsies during the day Connect with Jeremy: Get Tickets to Carry On IG: @JeremyMJordan Twitter: @JeremyMJordan Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.A very special thanks to our patrons who help make this podcast possible!Cheryl Hodges-Selden, Paul Seales, David SealesIf you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

“My writing about theater in general, is to inspire people to go to the theater... But I especially like to inspire people to dip their toes into the oceans of Sondheim.” An award winning theater critic since 1986, Rick Pender was named Ohio’s best critic in 2002 and 2017 by the Society of Professional Journalists. He is the former editor of the Sondheim Review, and currently the executive editor and publisher of Everything Sondheim, a website and nationally distributed quarterly magazine. For his new book, The Stephen Sondheim Encyclopedia, Rick has compiled a trove of detailed entries about nearly every subject Sondheim touched, bringing to life not only the man's well known collaborators and projects, but also many names you may have glimpsed in programs, or on cast albums, and has gathered definitive descriptions of lesser known works and influences that you'd have to search dozens and dozens of books to to uncover. Rick holds a PhD in English Literature, and has interviewed Stephen Sondheim, onstage and in the studio, several times. The Stephen Sondheim Encyclopedia is now available for purchase. As a child in Ohio, Rick was “kind of a theater geek”, and participated in his high school productions. He had an early attraction to the lyrics of West Side Story, the first LP soundtrack he purchased as a teenager, but at the time was still unfamiliar with Stephen Sondheim. It was after a surgery in the 80’s when Rick discovered a CD called A Collector’s Sondheim, and his passion took hold. “By virtue of having all that education in literature, the whole concept of storytelling is very important to me”, Rick shares. He opens up about his initial attraction to Sondheim’s work, noting the words and lyrics in particular first drew him in, and describes his love for Sondheim's integration of music and lyrics to fit and expand upon character. Rick also takes us through the timeline for the creation of The Stephen Sondheim Encyclopedia, which he originally thought would be the work of multiple contributors, and chronicles the development of his own relationship with Stephen Sondheim himself. In this episode, we talk about: The making of The Stephen Sondheim Encyclopedia Being inspired by West Side Story  Why he thinks of Sondheim as a modern day Shakespeare  The intellectuality of Sondheim’s music and lyrics  The working relationship between Sondheim and Hal Prince Hammerstein mentoring Sondheim, who later mentored Lin Manuel Miranda  Connect with Rick: Download and/or purchase The Stephen Sondheim Encyclopedia Visit Everything Sondheim Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.A very special thanks to our patrons who help make this podcast possible!Cheryl Hodges-Selden, Paul Seales, David SealesIf you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

From Iran to Italy to Canada and finally to London, this performer forged a path uniquely his own, knowing the only failure is not trying. “When someone puts a seed in my head, I'll dive in not knowing how deep it is, but I'll just go for it and just see what happens.”Ramin Karimloo is an Olivier and Tony Award nominee who made his name in the early 2000’s starring in some of the West End's most enduring productions, notably Phantom of the Opera and Les Misérables, after becoming the youngest actor ever to play the Phantom in 2007. Ramin later originated the role of Phantom in the 2010 sequel Love Never Dies, and made his Broadway debut in the 2014 revival of Les Misérables as Valjean (earning a Tony Award nomination for Best Actor in a Musical). Throughout his career he has released two EP’s and two albums as an independent recording artist, including his 2019 album From Now On which landed on the Billboard Heatseekers chart. Ramin now hosts his own podcast called “The Hang” on the Broadway Podcast Network, and in addition to playing the dreamy Dr. Kian Madani in Holby City on the BBC, he can be heard playing the dreamy Stavros in “As The Curtain Rises”, Broadway’s first original podcast soap opera. Shortly after his birth in Iran during the Iranian Revolution, Ramin’s family escaped the country and found themselves in Italy. After several years in Italy, and relocating to a small town in Ontario, it was a 7th grade field trip to see Phantom of the Opera when things changed for Ramin. He left the theater that day thinking, “I want to make people feel like this…”. During our conversation, Ramin chronicles his journey from high school, to cruise ships, to London - a journey fueled by his endless pursuit of the goals he set for himself as a teenager. Ramin emphasizes the impact encouragement from others can have on your life, and speaks fondly of the bar owner/father figure who championed his dream of one day playing the Phantom. He also revisits the initial impact of COVID-19 on his creative pursuits, and shares details about his most recent creations - a clothing line, a production company, a podcast, and more. In this episode, we talk about: His family’s journey from Iran, to Italy, to Canada  Being inspired by Colm Wilkinson   Shadowing Phantom Peter Karie in Toronto when he was 16  Life lessons from Mike Nelson, bar owner/dean of the school of life  The serendipity of meeting his first agent in London  His passion projects, and their challenges Connect with Ramin: Twitter: @raminkarimloo IG: @raminkarimloo & 8xCommunity https://www.raminkarimloo.com/ YouTube @ARoamingIranian Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.A very special thanks to our patrons who help make this podcast possible!Cheryl Hodges-Selden, Paul Seales, David SealesIf you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

“When you give the artist the opportunity to be free and respected, they will give you the world with their performance.”Claire Warden is a Drama Desk Award winning intimacy coordinator, fight director, teacher and actress with over 20 years experience in theater, TV and film across America and the UK. She has worked as an intimacy coordinator and consultant on numerous television productions under various studios, including HBO, Hulu, Amazon, and Showtime, as well as major motion picture studios such as Sony and 20th Century Fox. Some of Claire’s credits include work on the series Mrs. Fletcher, Your Honor, Finding Alaska, Hunters, Billions, the feature film of West Side Story, and many more. She recently made history as the first intimacy director on Broadway with Frankie and Johnny, and also worked on the Broadway productions of Slave Play, The Inheritance, Jagged Little Pill, Linda Vista, West Side Story and Company. Claire is part of the collaboration team advising SAG-AFTRA on their effort to standardize, codify and implement guidelines for on-set intimacy coordinators, and in 2019 she was awarded Variety Magazine's '10 Broadway Players to Watch'.Claire began her career in the UK as an actor, a fight director, and a teacher. As a teacher she specialized in supporting actors with various traumas - emotional, physical, and psychological. She had always felt a calling, a feeling of purpose, so when she just happened to read about intimacy direction for the first time in the NY Times, she realized, “Oh, that’s why I’m here.” Claire opens our eyes to the discipline of intimacy direction, which has only been around in its “beginning form” since the end of 2016. She chronicles the team effort to actually codify an approach to sex scenes, intimacy, and nudity for an actor - something that had never been done before. Claire also walks us through her process and approach when starting a new project and working with new actors/directors, the goal always being to empower artists. And she gives us a sneak peek into her work on the Broadway productions of Jagged Little Pill and Slave Play. In this episode, we talk about:  How to become an intimacy director / choreographer yourself via idcprofessionals.com An intimacy coordinator vs. an intimacy director  How intimacy direction rides on the waves of social movements  The lack of understanding about intimacy on stage and screen  Why she asks her actors if they’re “confident” rather than “comfortable”  The importance of strong “closure practices”  Her work on Jagged Little Pill and Slave Play Connect with Claire: Twitter: @clairewarden IG: @clairewarden_ IDCProfessionals.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.A very special thanks to our patrons who help make this podcast possible!Cheryl Hodges-Selden, Paul Seales, David SealesIf you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Many people know Andrew Barth Feldman made his Broadway debut in the title role in Dear Evan Hansen and is now starring in High School Musical: The Musical: The Series, but what most people don’t know is that while he was in DEH performing his 6 shows a week, he was also attending Yale -- and obtained a master’s degree that has landed him his latest gig being the Science Consultant on the forthcoming Avvatar The Musical.Find More about Avvatar the Musical: IG: @AvvatarOnBroadway Web: http://avvataronbroadway.com/ As The Curtain Rises Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.A very special thanks to our patrons who help make this podcast possible!Cheryl Hodges-Selden, Paul Seales, David SealesIf you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

A Disney prince and a family man, this performer opens up about the importance of faith, hard work, and determination, and shares a look behind the curtain of his career both past and present. Adam Jacobs is an actor and singer maybe best known for originating the title role in Aladdin on Broadway, a performance which garnered him both Grammy and Drama Desk Award nominations. Adam’s other Broadway credits include The Lion King, and Les Miserables, as well as the national tours of Mamma Mia!, Cinderella, Les Miserables, The Lion King, and Aladdin. Offstage, Adam’s talents and credits range from writing, and directing, to producing, and even visual effects. His latest film project, Adam Jacobs Behind The Curtain, features a live recording of his 2019 cabaret at Feinstein's Upstairs at Vitello's in LA, as well as interviews and a behind the scenes look at Adam’s artistic journey. During our conversation, Adam speaks candidly about his mixed-ethnicity and the confusion it led to as a child trying to figure out where he fit in. He recalls it first feeling like an obstacle he had to overcome, but explains how he later discovered his heritage was an advantage, allowing him to play a variety of roles. Adam also talks about the decision to leave NYC and move to the suburbs of Chicago with his family a few years ago, which has offered him more performance opportunities, and a homebase between LA and NYC. And we delve into the evolution of Adam’s latest project Behind The Curtain, from live cabaret to filmed “docu-concert”. In this episode, we talk about:  Overcoming self-doubt and challenging the status quo The impact of his high school mentor and teacher  His experience in NYU’s CAP21 program  Having other interests outside of performing  How his family influences career decisions The creation of the Behind The Curtain film  Connect with Adam: IG: @AdamJacobsNYC Twitter: @adamjacobsnyc Stream on Spotify Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.A very special thanks to our patrons who help make this podcast possible!Cheryl Hodges-Selden, Paul Seales, David SealesIf you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

From a meteoric rise to fame at 20 years old, to all the performances he hopes to still tackle in his 60’s, this artist opens up about balancing multiple passions, and serves as an inspiration for all to keep plugging away at your dreams.Widely recognized for his rise to fame as Ralph on one of the most successful television sitcoms of the 1970’s - Happy Days, Donny Most is a multi talented artist with an amazing career spanning decades across stage and screen. Donny’s numerous stage credits include two national tours - Grease in the 90’s, and Damn Yankees with Dick Van Dyke in the 80’s; while he also boasts a slew of TV and film credits including The Love Boat, Glee, Star Trek: Voyager, Sabrina the Teenage Witch, The Bold and The Beautiful, Edtv, Murder, She Wrote, Baywatch, and Family Guy. In addition to acting, Donny is an accomplished producer, director, writer, and singer, with 2 albums and 4 singles and EP’s to his name. Adapting to the time of COVID, he can currently be seen starring in a virtual stage production of Middletown, now available for streaming online. During our conversation, Donny describes his journey on Happy Days as “an incredibly exciting time”, and reveals why he actually turned down the initial offer. He talks about how the notoriety from the show changed his life, in great but also challenging ways, and also opens up about the brick wall he hit when he left the show after 7 years. Noting how he now feels he is at an age where people can accept him as a different sort of character, Donny shares some of the “cool roles” that have been coming his way, and gives us an in depth look at his latest project, Middletown. In this episode, we talk about:  His fathers early influence on his acting career   The decision to leave college and move to LA  Working with Gary Marshall and Ron Howard  Life after leaving Happy Days  Developing a TV series with his wife  His love for singing, and Bobby Darin Connect with Donny: IG: @donmost1 Twitter: @most_don Get tickets to watch Middletown Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.A very special thanks to our patrons who help make this podcast possible!Cheryl Hodges-Selden, Paul Seales, David SealesIf you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

From the non-stop nature of a Broadway performer's life, to the slower pace of TV, this Tony Award winner opens up about her struggles as an artist during the pandemic, and the importance of stopping to “look back and realize how far you have come” on your way to your goals. Lena Hall is a Tony Award winner and Grammy nominee known for her phenomenal performance of Yitzhak in the 2014 Broadway production of Hedwig and the Angry Inch. Following her award winning run, she toured North America with Josh Groban on his Stages tour. Lena’s slew of Broadway credits include 42nd Street, Tarzan, and Cats, as well as originating the role of Nicola in the Tony-winning musical Kinky Boots. She is a recording artist, with 2 albums and 12 EP’s to her name, and numerous TV and film credits including Girls, BoJack Horseman, Sex and the City, and All My Children. Lena can now be seen as Miss Audrey in Snowpiercer on TNT.Currently in Canada quarantining and filming season 3 of Snowpiercer, Lena opens up about how her “light” shooting schedule leads to nostalgia for the workhorse nature of being a Broadway performer. She speaks candidly about the impact the pandemic has had on her creative mind and vision; and shares how she has struggled with the stress, the anxiety, and the not knowing, while taking solace in the knowledge that “we are all in the same boat”. Lena also takes a look back at her career and chronicles how tonsil problems from hell led to a chance to re-start, re-learn, and explore new parts of her voice. In this episode, we talk about:  Working on TV versus working on Broadway  Missing her creative mojo  The impact social media and sitting in front of screens has on our brains Singing for Pope John Paul II when she was 7  Getting a re-do, and learning how to sing again after tonsil surgery  Her “Obsessed” series  Connect with Lena: IG: @LenaRockerHall Twitter: @LenaRockerHall https://www.youtube.com/lenahall Watch her "Obsessed" series Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.A very special thanks to our patrons who help make this podcast possible!Cheryl Hodges-Selden, Paul Seales, David SealesIf you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices