Pop Pantheon

In this week's B-Side episode, DJ Louie reflects on a year of Pop Pantheon, shares how the podcast got started and offers a refresher on all of the tiers, how they work and if they've changed or been refined as the show has progressed. He then goes through all of the 31 artists ranked so far, decides if he still agrees with his ranking or if any artist's standing in the Pop Pantheon has shifted since the episodes originally aired. Join the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

ABBA Scholar and author of 8 (!!!!) books on ABBA, Carl Magnus Palm, joins DJ Louie for an epic deep dive into the Swedish pop legends. First, Louie and Carl discuss the history of pop and "schlager" in Sweden and how the country's musical traditions helped form ABBA's music before tracing the pre-ABBA careers of the four members, Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad, through the 1960s and how the group came together in the early 1970s, both as bandmates and romantic couples. Louie and Carl then break down how the "ABBA Sound" developed from the group's early recordings and their obsession with Phil Spector's "Wall of Sound" and The Beach Boys' vocal-layering, ABBA's unique international ambitions, how the glam-rock nodding, Eurovision-winning "Waterloo" changed their career, the ways they continued to refine and expand their singular aesthetic on subsequent hits like "Mamma Mia" and "SOS", the darker and more wistful lyrical themes that began to surface on mid-period hits like "Fernando", the majestic ebullience of "Dancing Queen", their canny techniques for incorporating numerous pop subgenres into their work without ever losing their essential ABBA-ness, the powerful interplay of light and dark in their work, how the dissolution of the group's two romantic couples informed their more emotionally-complex latter period hits like "The Name of the Game" and "The Winner Takes It All", how the band came apart in the early 1980s, and how their legacy has evolved and changed over the last 40 years thanks to their greatest hits album ABBA Gold and the jukebox musical and film, Mamma Mia!. Finally, Louie and Carl rank ABBA in the official Pop Pantheon. LA Pop Pantheon Girlies! Get Info for Louie's New Queer Pop Party, Gorgeous Gorgeous, on 4/22 at Resident in DTLA!Check Out Louie's ABBA Essentials PlaylistJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Carl Magnus Palm on TwitterJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

Freelance Music Journalist for the New York Times, Pitchfork, The Guardian and more, Owen Myers, joins DJ Louie to tackle Charli XCX's recently released 5th studio album, Crash, which Owen recently reviewed for Pitchfork. Louie and Owen discuss Charli's assertion of this album cycle as her "main pop girlie era" and whether that's really come to fruition, how Charli shrewdly draws on '80s titans like Janet Jackson, Cameo, New Order and Eurythmics as well as novelty '90s dance songs like September's "Cry For You" to create the sonic palette for the album, wonder where her true career ambitions lie between her avant-garde instincts and her desire to play in the mainstream, her prickly relationship to writing personal songs, break down The Crash Tour, and rank Crash in the Charli canon. Read Owen's Review of Crash in Pitchfork LA Pop Pantheon Girlies! Get Tix to Louie's New Queer Pop Party, Gorgeous Gorgeous, on 4/22 at Resident in DTLA!Join the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Owen Myers on TwitterJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

Writer and podcaster Evan Ross Katz joins DJ Louie for a wide-ranging discussion about TRL-icon-turned-pop-iconoclast, Christina Aguilera. First, Louie and Evan discuss the teen pop boom of the late '90s and early '00s, how it presented young stars as both wholesome and over-sexualized, and the factory-style, scientifically-perfect-if-personality-less music that defined the era. They then cover Christina's emergence on The Mickey Mouse Club as the "little girl with the big voice", her breakthrough singing the Mulan theme song "Reflection", how Britney Spears' explosion helped shape her first album, 1999's Christina Aguilera, how the massive success of that record both launched Christina to superstardom and put her in an uncomfortable box that obscured her unique talents, how she re-wrote the script with her iconic sophomore album, 2002's Stripped, her penitent for massive sonic and visual reinventions on subsequent albums like 2006's Back to Basics and 2010's Bionic, the latter of which helped usher the word "flop" into common parlance and also recast Christina as a underdog and gay icon, and how her singular career choices and trajectory has influenced recent pop stars and is deserving of a modern reassessment. Finally, Louie and Evan rank Christina Aguilera in the Pop Pantheon. LA Pop Pantheon Girlies! Get Tix to Louie's New Queer Pop Party, Gorgeous Gorgeous, on 4/22 at Resident in DTLA! Check Out Louie's Christina Aguilera Essentials PlaylistJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Evan Ross Katz on InstagramJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

APRIL FOOLS!!!Keep It! host Ira Madison III returns to Pop Pantheon for a very special (and silly) episode on the glacially unfurling career of former Fifth Harmony member and aspiring pop starlet, Normani. Louie and Ira talk about why people fell in love with Normani as the clearest talent in 5H before debating the conditions that have allowed Normani to release only seven songs in the last five years before diving into her multiple attempts at getting her solo career off the ground. They begin with her two hit Spotify-core duets, 2018's "Love Lies" and 2019's "Dancing with a Stranger" with Khalid and Sam Smith respectively, before moving through her erstwhile Calvin Harris collabs, her apparent lift-off with 2019's banger Beyonce-referencing "Motivation" and its' break-the-internet music video showcasing her formidable dancing talents followed by her perplexing disappearance from music for two years, and finally her two recent underperforming "comeback" singles, the Aaliyah-sampling slinky R&B groover "Wild Side" and her latest non-event, "Fair". Finally, Louie and Ira place Normani in the official Pop Pantheon (SPOILER ALERT: she's Tier 5....). Join the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Ira Madison III on InstagramJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

The Grammy Awards are this Sunday April 3 and to get you ready for the big show, Senior Writer for Rolling Stone Brittany Spanos is back with DJ Louie to talk all things Grammys! Louie and Brittany break down what the problems have been for the Grammys over the last few years before dissecting each of the four major categories, how the Grammys did this year, who's nominated and why, who they each think should and will win each award, who got snubbed and debate whether or not Olivia Rodrigo will just sweep the whole damn thing.Join the Pop Pantheon Discord!  Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Brittany Spanos on TwitterJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

Assistant Editor at Pitchfork Cat Zhang joins DJ Louie for a deep dive into the career and music of misunderstood, resilient 2010s trash pop queen, Kesha. First, Louie and Cat break down the hip-hop-dance-pop party music of the mid-late aughts- a hedonistic period fueled in part by a desire for escapism during The Great Recession- and discuss artists like Fergie, Gwen Stefani and others who set the stage for the uptempo rap/EDM hybrid that would become Kesha's calling card. Next, they lay out Kesha's biography, growing up poor with a single mom who wrote country songs for artists like Dolly Parton, her initial connection to superstar producer/songwriter Dr. Luke, what made Luke such a prolific hitmaker in the 2000s, and finally how a chance appearance on the hook of Flo-Rida's "Right Round" provided the launching pad for Kesha's breakthrough debut album, Animal. Louie and Cat go long on Animal, breaking down it's unique, gaudy sonic landscape and Kesha's singular perspective as an anti-materialistic, dumpster-diving party animal who proudly flew in the face of respectability on hits like "Tik Tok", "Blah Blah Blah" and "Take It Off", the way the album inverted pop gender politics and drew on far-ranging influences from Daft Punk to the Beastie Boys to Bloghaus, the fine lines Kesha's rapping walked in terms of cultural appropriation, and the borderline-experimental ways Kesha and Luke found true heart and personality in the maximalist machinery of modern pop. They then chronicle the contentious creation of Kesha's follow-up album, 2012's Warrior, and how she and Luke's diverging artistic visions presaged greater rifts in their relationship, how the album's sole hit "Die Young" was pulled from radio following the school shooting at Sandy Hook, the moment Kesha filed lawsuits against Luke for sexual assault, battery, sexual harassment, and emotional abuse, how those lawsuits derailed her career for five years, her comeback with her radically different third album, 2017's critical-darling Rainbow, and how we see Kesha's influence on modern pop. Finally, Louie and Cat rank Kesha in the official Pop Pantheon. Read Cat's retrospective review of Animal in Pitchfork Check Out Louie's Kesha Essentials PlaylistJoin the Pop Pantheon Discord!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Cat Zhang on InstagramJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

In a special mailbag episode, DJ Louie answers listener questions about the "Levitating" lawsuit, the greatest pop comebacks of all time, Kylie Minogue's placement in the Pop Pantheon, Charli XCX's new album, what Beyonce should do next, how artists are selected for the podcast, relatability vs. virtuosity in pop stardom, Christina Aguilera's signature song and more!Follow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

Pop critic, chart analyst, writer of Slate's "Why Is This Song No. 1?", and host of the podcast Hit Parade, Chris Molanphy, joins DJ Louie once again for the second part of our series on Diana Ross. This episode, Louie and Chris discuss Diana's initially rocky transition from lead singer for The Supremes into solo superstar and how she finally scored a solo #1 with an unexpected, avant-garde cover of "Ain't No Mountain High Enough" in 1970. They then discuss her spotty track record through the early-mid '70s, sometimes scoring massive hits with mostly adult-contemporary ballads like "Touch Me in the Morning" and "Do You Know Where You're Going To", but just as often releasing records that made little impact, all while pursuing a secondary career as a movie star most notably in her Oscar-nominated performance as Billie Holiday in 1972's Lady Sings the Blues. Louie and Chris then chronicle various pop movements that coincided with and affected Diana's career in this '70s- the racial segregation of radio, the birth of the female pop singer-songwriter like Carole King and Joni Mitchell, innovative R&B artists like Roberta Flack and Chaka Khan-  Diana's third wind as a disco queen, beginning with 1976's smash "Love Hangover", 1979's "The Boss" and eventually, her blockbuster, career-defining collaboration with Chic's Nile Rodgers and Bernard Edwards, 1980's Diana and it's legendary singles, "I'm Coming Out" and "Upside Down". Finally, Louie and Chris debate what allowed Diana to beat the odds, defying pop's ageist bent with hits across three decades and what exactly makes Diana one of the ultimate Tier 1 Icons in the official Pop Pantheon.  Send questions about this episode, the Pantheon, pop stars in general or whatever else is on your mind to PopPantheonPod@gmail.comJoin the Pop Pantheon Discord Monday 3/14 at 8PM ET / 5PM PT!Check Out Louie's Diana Ross Essentials PlaylistFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Chris Molanphy on TwitterJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

Pop critic, chart analyst, writer of Slate's "Why Is This Song No. 1?", and host of the podcast Hit Parade, Chris Molanphy, joins DJ Louie for the first of a two-part series on American Icon, Diana Ross. First, Louis and Chris set the stage by discussing how the phrases "pop" and "pop star" came into form in the late 1950s, the establishment of the teenager as a target market group for music and the birth of the "teen idol". They then discuss Diana Ross' backstory growing up in the burgeoning Detroit music scene, how the formation of the predecessor to The Supremes, The Primettes, dovetailed with the creation of her future-label-boss-turned-husband Berry Gordy's Motown Records, why Motown and "the Motown Sound" were so transformational in the pop music landscape in the late '50s and early '60s, and how a popular wave of pre-Supremes girl groups like The Shangri-Las and The Marvelettes functioned as musicians and stars in this period. Next, Louie and Chris walk through The Supremes signing with Gordy, their flop first album and Diana being promoted to permanent front-woman, their historic collaboration with storied producers and songwriters Holland-Dozier-Holland, their smash second album, Where Did Our Love Go? and subsequent astounding run of hits through the middle and end of the '60s, how their music evolved with the times, the inherent radicalism of a group of black women becoming the most popular pop act in the world, what makes Diana's star quality and voice to singular, and how Gordy positioned her for eventual solo stardom, often at the expense of the other girls in the group. Join us next week for Part 2, which will cover Diana's solo career!Send questions about this episode, the Pantheon, pop stars in general or whatever else is on your mind to PopPantheonPod@gmail.comJoin the Pop Pantheon Discord Monday 3/7 at 8PM ET / 5PM PT!Check Out Louie's The Supremes Essentials PlaylistFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Chris Molanphy on TwitterJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.