New Books in Film

Michael Benson talks about the making of 2001, a movie inspired by the collaboration of American director Stanley Kubrick and British futurist Arthur C. Clark. Benson is a writer, artist, and film maker. He is the author of Space Odyssey: Stanley Kubrick, Arthur C Clark and The Making of a Masterpiece (Simon and Schuster, 2018).Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Audrey Hepburn was justly known for her long acting career, yet her early life is largely unknown. In his book, Robert Matzen describes how she lived during the World War II period in Nazi-occupied Netherlands. Based on many interviews and other primary sources, Robert shows how she was affected by the war. Listen in as we talk about his new book Dutch Girl: Audrey Hepburn and World War II (GoodKnight Books, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Racquel J. Gates’ new book, Double Negative: The Black Image and Popular Culture (Duke University Press, 2018), interrogates understandings of African-American representations on screen.  This book is an important analysis of the concepts of negative and positive representations, especially in regard to the narrow space that these binary classifications create. Gates takes on not only the concept of representation, but also the texts where the images are presented, leading the reader through a variety of popular culture venues. Double Negative presents a careful typology of negativity, with extensive and diverse examples of each distinct variation. This analysis also integrates texts that are often dismissed or undermined. Instead, Gates provides valuable and nuanced interpretations of genres, reclaiming popular culture artifacts that are often excluded from scholarly or critical analysis. Gates explores many of the less respectable images and presentations of African-Americans, considering not only the images themselves and the narratives in which they are presented, but also the historical context in which the popular culture artifacts are engaged and consumed. Double Negative also takes up a metanalysis of celebrity in context of representation, especially in the entwining of race and gender. This is a fascinating book, examining important political questions and understandings through popular culture texts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Most of the time, this podcast focuses on the products of those who create historical fiction—specifically, novels. But what goes into producing a work of historical fiction—especially in a dictatorship where the wrong choice, or even the right choice at the wrong moment, can send the unwitting author to the Gulag? And what if the creator is not an unknown toiling in the dark to produce manuscripts “for the desk drawer,” as the Soviet literati used to say, but the nation’s foremost filmmaker operating at the personal behest of Joseph Stalin? Such is the dilemma that faces Sergei Eisenstein in 1941, when he begins his unfinished trilogy Ivan the Terrible, an epic ordered by the Soviet government to glorify the Russian past and justify state terror.Often written off, especially in the West, as a toady to Stalin, Eisenstein—as Joan Neuberger nimbly shows in her new and fascinating study, This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia (Cornell University Press, 2019)—approached his complicated and risky project with a mixture of enthusiasm and caution. Over the course of five years, despite complaints about budget overflows and production delays, through exile and war and shifts in the party line, personal conflicts and health problems, Eisenstein skillfully alternated between tactics of submission and defiance in support of his idiosyncratic but richly textured portrayal of a tortured autocrat whose childhood traumas led him to ever more extreme exercises of power, even as his excesses stripped him of friends and family, leaving him alone against the endless, unstoppable waves—of progress? of the future? of his own battered conscience? Only the viewer can decide.Part I won the Stalin Prize, the USSR’s highest honor, although not without controversy. Stalin personally banned Part II before release, and Eisenstein died with Part III unfinished. In this master work about a master filmmaker, Neuberger shines a light on all three. In doing so, she highlights the many decisions any author must make while balancing historical accuracy against dramatic potential and character motivation against a verifiable past. Fortunately, for most of us the stakes are nowhere near as high as they were for Sergei Eisenstein.C. P. Lesley is the author of nine novels, including Legends of the Five Directions (The Golden Lynx, The Winged Horse, The Swan Princess, The Vermilion Bird, and The Shattered Drum), a historical fiction series set during the childhood of Ivan the Terrible, and Song of the Siren, published in 2019. Find out more about her at http://www.cplesley.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In the early days of film, female comedians appeared in films that included both strange activities and slapstick. In her new book Specters of Slapstick and Silent Film Comediennes (Columbia University Press, 2018), Margaret Hennefeld, Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities, reviews the role of these women, as well as how their appearances had a cultural and political effect, particularly in the feminist movement leading to universal suffrage. She illustrates how these films still have important meanings to modern day. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

On this episode of the New Books Network, Lee Pierce (she/they) interviews Dr. Kendall Phillips (he) of Syracuse University on his fabulous new book A Place of Darkness: The Rhetoric of Horror in Early American Cinema (University of Texas, 2018). In it, Phillips explores the emergence of the horror film genre before it was horror and a post-Civil War national American identity. Dr. Phillips discusses the unique role of Universal Studio’s 1931 Dracula, the turning point of the Phantom’s revelation in The Phantom of the Opera, and what horror was before it was horror. Along the way, Dr. Phillips discusses how shifts in filming technologies and international politics at the turn of the century forged a distinctly American identity based upon incredulousness, narrative depth, and rationality.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Though most renowned for his award-winning Tibetan films, Pema Tseden, is also a prolific author and translator. Enticement(State University of New York Press 2018) is a collection of Pema Tseden’s short stories edited and translated by Patricia Schiaffini-Vedani and Michael Monhart, with assistance from Southwest University’s Carl Robertson and INALCO’s Francoise Robin. Along with a translator’s introduction and author’s preface, the 10 short stories selected with input from the author himself range from the realistic to the fantastic.  For the more realistic stories, lovingly playful descriptions of everyday Tibetan life bring a relatively apolitical look at contemporary Tibetan experience that defies simplistic interpretation. In the more fantastic stories, some of the same issues appear through descriptions that are stubbornly not realistic. Throughout the stories a narrative style and thematic influences from Tibetan oral traditions, his portrayal of media within media, and his tendency to use conclusions that do not lend a sense of finality to the stories create a reading experience that mirrors, in many ways the author’s unique cinematic storytelling style. This first ever English translation of Pema Tseden’s short stories provides a new way of approaching contemporary Tibet through the eyes of one of its most impressive storytellers.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The so-called Urban Crisis of the 1970s continues to loom large in narratives of US urban politics and history, but what can we learn about the period from movies? In Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination (SUNY Press, 2018), Nathan Holmes burrows down into some key visual texts -- including Klute, Serpico, and the Taking of Pelham 123 -- and tells us about cities, suburbs, anxieties about modernism, identity, politics, and more.Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the late 1990s Thai cinema has come to global attention with movies like the famous ghost film, Nang Nak, and more recently the evocative films of director Aphichatpong Weerasethakul, who won a Palme D’Or award at the 2010 Cannes Film Festival. A perennially popular theme in Thai cinema is that of haunting by a female ghost. In this unique, unusual book, Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema (Duke University Press, 2016), Arnika Fuhrmann hones in on this ghostly theme in contemporary Thai cinema to explore the subjects of female desire and queer sexuality. In doing so she raises questions about a central concept in Queer Theory: the nature of desire. Fuhrmann identifies a tension between Western liberal and everyday Thai Buddhist understandings of desire. Arguably, Buddhist teaching about desire is one factor that has contributed to Thailand’s reputation for being a “queer-friendly” country. Indeed, it is even marketed as a “gay paradise”. But the reality is not quite so simple, especially for women in same-sex relationships. Fuhrmann’s Ghostly Desires also addresses the issue of the subtle regulation of heteronormative sexuality, “Thai-style”.Listeners to this episode might also enjoy listening to:Justin Thomas McDaniel, The Lovelorn Ghost and the Magical Monk: Practicing Buddhism in Modern Thailand (Columbia University Press, 2011)Martin Joseph Ponce, Beyond the Nation: Diasporic Filipino Literature and Queer Reading (NYU Press, 2012)Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film