New Books in Critical Theory

Setting goals for the new year? Learning a language? Going for a run? Delivering food? Picking packages off a warehouse shelf for delivery? There’s a game for that. Or, at least, a gamified system designed to nudge you in a series of pre-programmed directions in the service of the state, techno-capitalist overlords, or any number of other groups and entities that chart the course of our hyper-connected, cutting-edge, dystopian 21st century lives. On this episode of Darts and Letters, guest host Jay Cockburn and our guests take us through the gamification of…everything.—————————-SUPPORT THE SHOW—————————-You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.——————-ABOUT THE SHOW——————For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

We are in the middle of a 'desirevolution' - a fundamental and political transformation of the way we desire as human beings. Perhaps as always, new technologies - with their associated and inherited political biases - are organising and mapping the future. What we don’t seem to notice is that the primary way in which our lives are being transformed is through the manipulation and control of desire itself.Our very impulses, drives and urges are 'gamified' to suit particular economic and political agendas, changing the way we relate to everything from lovers and friends to food and politicians. Digital technologies are transforming the subject at the deepest level of desire – re-mapping its libidinal economy - in ways never before imagined possible. From sexbots to smart condoms, fitbits to VR simulators and AI to dating algorithms, the 'love industries' are at the heart of the future smart city and the social fabric of everyday life.Alfie Bown's Dream Lovers: The Gamification of Relationships (Pluto Press, 2022) considers these emergent technologies and what they mean for the future of love, desire, work and capitalism.Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Ben Rhodes visited dozens of countries, meeting with politicians and activists confronting the same nationalism and authoritarianism that are tearing America apart. Along the way, he discusses the growing authoritarianism of Vladimir Putin, and his aggression towards Ukraine, with the foremost opposition leader in Russia, who was subsequently poisoned and imprisoned; he profiled Hong Kong protesters who saw their movement snuffed out by China under Xi Jinping, and America itself reached the precipice of losing democracy before giving itself a fragile second chance. The characters and issues that Rhodes illuminates in After the Fall: The Rise of Authoritarianism in the World We've Made (Random House, 2021) paint a picture that shows us where we are today—from Barack Obama to a rising generation of international leaders; from the authoritarian playbook endangering democracy to the flood of disinformation enabling authoritarianism. Ultimately, Rhodes writes personally and powerfully about finding hope in the belief that looking squarely at where America has gone wrong can make clear how essential it is to fight for what America is supposed to be, for our own country and the entire world.Ben Rhodes is the author of the New York Times bestseller The World as It Is, co-host of Pod Save the World, a contributor for NBC News and MSNBC, and an adviser to former president Barack Obama.Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Olivia Stowell speaks with Saronik about Reality TV.In the episode she talks about the genesis of the genre in Candid Camera, An American Family, COPS and America’s Most Wanted, before the watershed moment of The Real World in the 1990s. She references the work of June Deery, and Pier Dominguez on the commercial realism and affective economies of reality tv, and Susan Douglass’s article “Jersey Shore: Ironic Viewing.” She reminds us that Reality TV dramatizes the life of the neoliberal subject under surveillance, and explicates our “trashy” desires.Olivia Stowell is a Ph.D. student in the Department of Communication at the University of Michigan, where she studies the intersections of race, genre & narrative, food, and temporality in contemporary popular culture. Her scholarship has appeared or is forthcoming in Television & New Media and New Review of Film & Television, and her public writing has appeared in Post45 Contemporaries, Novel Dialogue, Avidly: A Channel of the L.A. Review of Books, and elsewhere.The image for this episode was made by Saronik Bosu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Adrienne Buller (The Value of a Whale) and Mathew Lawrence (Planet on Fire) have penned a radical manifesto for the transformation of post-pandemic politics: Owning the Future: Power and Property in an Age of Crisis (Verso, 2022).The question of ownership is the critical fault line of our times. During the pandemic this issue has only become more divisive. Since March 2020 we have witnessed the extraordinary growth of asset manager capitalism and the explosive concentration of wealth within the hands of the already super-rich. This new oligarchy controls every part of our social and economics lives. In the face of crisis, the authors warn that mere redistribution within current forms of ownership is not enough; our goal must be to go beyond the limits of the current system, dominated by private enclosure and unequal ownership. Only by reimagining how our economy is owned and by whom can we address the crises of our time - from the fallout of the pandemic to ecological collapse - at their roots. Building from this insight, the authors argue the systemic change we need hinges on a new era of democratic ownership: a reinvention of the firm as a vehicle for collective endeavour and meeting social needs. Against the new oligarchy of the platform giants, a digital commons that uses our data for collective good, not private profit. In place of environmental devastation, a new agenda of decommodification - of both nature and needs - with a Green New Deal and collective stewardship of the planet’s natural wealth. Together, these proposals offer a road map to owning the future, and building a better world.Adrienne Buller is Director of Research at the UK-based think tank Common Wealth. Mathew Lawrence is Common Wealth's founder and director.Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The 1929 encounter between Ernst Cassirer and Martin Heidegger in Davos, Switzerland is considered one of the most important intellectual debates of the twentieth century and a founding moment of continental philosophy. At the same time, many commentators have questioned the philosophical profundity and coherence of the actual debate. In Cassirer and Heidegger in Davos: The Philosophical Arguments (Cambridge UP, 2022), the first comprehensive philosophical analysis of the Davos debate, Simon Truwant challenges these critiques. He argues that Cassirer and Heidegger's disagreement about the meaning of Kant's philosophy is motivated by their different views about the human condition, which in turn are motivated by their opposing conceptions of what the task of philosophy ultimately should be. Truwant shows that Cassirer and Heidegger share a grand philosophical concern: to comprehend and aid the human being's capacity to orient itself in and towards the world.Simon Truwant is FWO Postdoctoral Fellow at KU Leuven. He is the editor of Interpreting Cassirer: Critical Essays and has published articles in journals including Idealistic Studies, and International Journal of Philosophical Studies.Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Faced with waning state support, declining revenue, and forced entrepreneurialism, museums have become a threatened public space. Simultaneously, they have assumed the role of institutional arbiter in issues of social justice and accountability. The canon of Institutional Critique has responded to the social embeddedness of art institutions by looking at the inner workings of such organisations and has found them wanting.In After Institutions, Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art’s sociopolitical entanglements, looking beyond what cultural institutions were to what they are and what they might become.Karen Archey speaks to Pierre d’Alancaisez about the histories and futures of Institutional Critique, the museum’s neoliberal catch-22, and about an exhibition that didn’t happen.Karen Archey is Curator of Contemporary Art at Stedelijk Museum Amsterdam. Formerly based in Berlin and New York, she worked earlier as an independent curator, editor, and art critic, writing for publications such as Artforum and frieze. Lawrence Weiner, A Square Removal from a Rug in Use, 1969 Mel Bochner, Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art, 1966 Seth Siegelaub, The Xerox Book, 1968 Hans Haacke, Condenstation Cube, 1963-68 Steyerl, Hito. ‘The Institution of Critique’. In Art and Contemporary Critical Practice: Reinventing Institutional Critique, edited by Gerald Raunig and Gene Ray, 13–20. London: MayFlyBooks, 2009 Mario García Torres, Preliminary Sketches for the Past and the Future (Stedelijk Museum), 2007 Isa Genzken, Ohr (Ear), 1980 Josh Kline Park McArthur, Ramps Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Beyond the Door of No Return: Confronting Hidden Colonial Histories through Contemporary Art (Skira, 2021), art historian and curator Selene Wendt presents lesser-known tales of anticolonial defiance in artworks and marginal histories worldwide. The artists featured in this book create compelling narratives that shed light on the entangled colonial histories that connect Europe, Africa, the Caribbean and the Americas. Collectively, these artists provide crucial insight into some of the lesser-known aspects of colonial history, such as Norwegian involvement in the transatlantic slave trade. They describe the lives of freedom fighters such as Venus Johannes, Mary Thomas, Olaudah Equiano and Anna Heegaard. By highlighting the stories of those who have been historically silenced, we encounter a more nuanced understanding of colonial history and the factors that have contributed to the continued effects of colonialism today, most evidently witnessed in the prevalence of institutional, systemic and everyday racism, poverty and forced migration. The book includes artists John Akomfrah, La Vaughn Belle, Manthia Diawara, Jeannette Ehlers, Michelle Eistrup, Sasha Huber, Oceana James, Patricia Kaersenhout, Grada Kilomba, Suchitra Mattai and Alberta Whittle.Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Of all the concepts that form the constellation of modern political thought, surely “solidarity” is a strong candidate for the most challenging. At once influential and undertheorized, the concept of solidarity appears to function across a startling range of discourses.– Max Pensky, The Ends of Solidarity (2008)This book is intended to serve as a contemporary response to the pessimism about contemporary political life that is both overwhelming and demotivating. Far from giving in to that dire picture of our collective lives, it challenges readers to see themselves as potential members of solidarity organizations, to build society when forces attempt to undermine it, and to take the critical but hopeful stance that, though things may not end well, we must continue hoping that they might. Taking this stance seriously requires that we spend much more time focusing on those who actually attempt to realize democratic nonexclusion through conflict, agitation, and the collective project of building and sustaining our world.– Rochelle Duford, Solidarity in Conflict: A Democratic Theory (2022)Democracy has become disentangled from our ordinary lives. Mere cooperation or ethical consumption now often stands in for a robust concept of solidarity that structures the entirety of sociality and forms the basis of democratic culture. How did democracy become something that is done only at ballot boxes and what role can solidarity play in reviving it?In Solidarity in Conflict: A Democratic Theory (Stanford UP, 2022), Rochelle DuFord presents a theory of solidarity fit for developing democratic life and a complementary theory of democracy that emerges from a society typified by solidarity. DuFord argues that solidarity is best understood as a set of relations, one agonistic and one antagonistic: the solidarity groups' internal organization and its interactions with the broader world.Such a picture of solidarity develops through careful consideration of the conflicts endemic to social relations and solidarity organizations. Examining men's rights groups, labor organizing's role in recognitional protections for LGBTQ members of society, and the debate over trans inclusion in feminist praxis, DuFord explores how conflict, in these contexts, becomes the locus of solidarity's democratic functions and thereby critiques democratic theorizing for having become either overly idealized or overly focused on building and maintaining stability.Working in the tradition of the Frankfurt School, DuFord makes a provocative case that the conflict generated by solidarity organizations can address a variety of forms of domination, oppression, and exploitation while building a democratic society.Nathan Rochelle Duford is assistant professor of philosophy at the University of Hartford, and is currently working on an essay on political epistemology as well as a book proposal investigating the idea of sex, gender and sexuality in the early Frankfurt School.Keith Krueger lectures at the SILC Business School in Shanghai University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Expo 1967 was the centrepiece of Canada’s 100th birthday. Amid the crowds and the pageantry, one building stood out: The Indians of Canada Pavilion.This was more than a tall glass tipi. It revealed (at least partly) Canada's sordid colonial history, and it challenged the myth of Canada being a peace-loving and tolerant society. We tell the surprising story of the historical experts who put this thing together, and the public's reaction to their workThis episode was produced in May 2020 as part of Darts and Letters predecessor, Cited. Polly Leger is the co-host alongside regular host and editor Gordon Katic. This was before the wave of discoveries of unmarked graves across Canada as horrific as the descriptions of residential schools are in this episode… the reality is worse, and we made this show before all that additional evidence had been discovered.—————————-SUPPORT THE SHOW—————————-You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.——————-ABOUT THE SHOW——————For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory