Only Three Lads - Classic Alternative Music Podcast

2025: Was it a "Golden" year for songs or did it coast on the fumes of 2024's hits? This week, Uncle Gregg and Brett dive in to discuss their top songs of the year that was. Better yet, some of YOU chimed in with your opinions as well! Settle in as we recap the year's most listened-to songs, 2025 trends, discuss the future of physical media, give our 2026 predictions, and much more! Albums of 2025 episode coming soon. Happy New Year! Learn more about your ad choices. Visit megaphone.fm/adchoices

Think about your favourite records. Go ahead. Chances are, one of the first things that popped into your head was the album cover. And it makes sense...who hasn’t studied an album jacket while listening to a record?  Or scanned the track listing, or read the liner notes or credits?  How many of you have bought an album solely based on the cover art? The artwork colors how we hear the music, and, likewise, the music informs how we interpret the artwork.  Either way, when done effectively, the two are intertwined. But don’t take it from us.  This week, we have one of THE greatest creative art directors in music history joining as our Third Lad.  There's a near certainty that you have the iconic work of John Kosh sitting in your record collection - and it’s absolutely staggering list of credits since the late ‘60s.  For starters, how about his work as with The Beatles' Apple Records, like Abbey Road, Let It Be, or John & Yoko’s Wedding Album? Or how about Who's Next?  Get Your Ya-Ya’s Out?  Hotel California?  Out Of The Blue, featuring his familiar ELO spaceship logo?  In fact, he is the only Art Director to have worked with The Beatles, The Stones, and The Who.  That’s not enough for you?  Among the hundreds of album covers Kosh has designed, there are also familiar sleeves for Ringo Starr, Rod Stewart, Marvin Gaye, James Taylor, Jimmy Buffet, Donovan, Aerosmith, Family, The Moody Blues, Badfinger, 10,000 Maniacs, T. Rex, and so, so many more.  And, oh yeah, the four decade string of gorgeous covers he did for Linda Ronstadt, three of which have earned him Grammys. Aside from album covers, there’s artwork for singles, books, TV, film, posters, and billboards - like, for example, the simple but incredibly effective John & Yoko campaign declaring WAR IS OVER…if you want it.  Listen as Kosh recounts stories from his fabled career and discusses his Top 5 Album Covers (other than his own). This is living history, kids! Learn more about your ad choices. Visit megaphone.fm/adchoices

’Twas the night of the O3L Holiday Party, and all through the cabin The drinks were a-flowin, and the friends were a-blabbin’ Meanwhile, the snow piled up, it was treacherous out there, And Bob Dylan’s words rang true, you ain’t going nowhere. The turntable hummed with a familiar warm crackle, As laughter rang out with a loud joyful cackle. Mixtapes were stacked by the glow of the fire, Each one tells a story, a hope, a desire. (Oh, and incidentally, cassettes melt, so that’s a really bad idea.) From post-punk to new wave, these songs tell our truth, We argued what really defined the music of our youth. There were games full of nonsense, of trivia and cheer, “Did this actually happen?”—the answer unclear. But what clatter arose, and echoed all through the city It was flippin’ “Word Girl” by Scritti Politti, But oh how they danced, some arguably twerked Brett was seething in the corner, like a judgmental jerk And just when they thought it couldn’t get any funner, “Come on Eileen” came on, by Dexy’s Midnight Runners. We all joined in on the chorus, what a jubilant sound, That is, except Uncle Gregg, but perhaps he’ll come around. So settle in close as for the 6th year, Our holiday tradition is finally here. Tonight, we’re all snowed in at O3L cabin So let the memories start, Let the party begin! Join Uncle Gregg and Brett for a holiday party filled with laughter, (mostly) good cheer, and plenty of holiday spirit(s) - including our friends Joshua, Kimberly (who brought along Timmy the Taxi with her!), Lance, Paul, and Matt & Stefan from Paisley Underground legends The Rain Parade. We make the most of the blizzard-like conditions, making themed mixtapes, playing brand new O3L games ("That's Soooo 2025!") and Alternativity") and spinning future holiday classics by Swansea Sound ("Not My Order"), Mossy Ledge ("Christmas Lights"), Autos ("X-Mas Eve At The Metro"), and Slow Owls ("Counting Down To Christmas"). It may be freezing outside the cabin, but inside we're gettin' LIT! Happy Holidays to you and yours from O3L! Learn more about your ad choices. Visit megaphone.fm/adchoices

Get ready for more petty arguments, hot takes and fisticuffs*, because we're back with more cover versions that we feel are better than the originals. Annie, are we OK? You betcha! Joining us for this discussion are two members of the iconic Seattle indie pop band Tullycraft, vocalist/songwriter/bassist Sean Tollefson and guitarist Chris Munford. For more than three decades, Tullycraft has married DIY punk ethos to tender twee pop songs featuring charming boy/girl vocals and clever songwriting filled with pop culture references. Appropriately enough, one of their early songs was the brilliantly titled "Pop Songs Your New Boyfriend's Too Stupid To Know About," which not only does a great job of summing up Tullycraft's career but is also the namesake of Sean's great Friday night radio show on Seattle's SPACE 101.1 FM that he hosts with his wife. Tullycraft practically defined the twee movement in the US, inspiring legions of bands, zines, and record labels. Their debut album, 1996's Old Traditions, New Standards, was named as one of Pitchfork's 25 Best Indie Pop Albums of the '90s. And, now they're back with their 8th album, Shoot The Point on HHBTM Records, which runs the full Tullycraft spectrum - from tender, heart squishing moments to full-throttle freakouts. It's fun. It's weird. It's very Tullycraft. Special thanks to Mike Turner from HHBTM for the introduction and coordination. *No podcasters or guests were actually harmed in the making of this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, it's all about personal growth with a side of nostalgia. We cover some of the albums that helped to shape or change our taste as music fans, consumers, and/or musicians with Derek Almstead (Of Montreal, Olivia Tremor Control, Elf Power, Marshmallow Coast, Circulatory System, Faster Circuits) and Emily Growden (Marshmallow Coast, Faster Circuits) from Elephant 6 band Giant Day. In October, the Elephant 6 Recording Company released Alarm, the second full-length album by Giant Day. Their first, 2024’s Glass Narcissus, bore a unique weight — it wasn’t just a debut album, it was the debut album by the first official Elephant 6 band in more than 15 years. With the 2023 wide-release of the documentary The Elephant 6 Recording Co. codifying the E6 “sound” for some and introducing it to others, what Giant Day conjured into being on Glass Narcissus was notably darker than the lysergic, sun-drenched pop associated with their former Athens, Georgia home.The word “former” is important to Giant Day’s origin story. In 2020, Almstead and Growden moved from Athens to rural Pennsylvania, where they became caretakers of a family farm. They converted the horse stables into a studio and continued to write and record music, but they were dislocated from their sense of the world, let alone anything resembling a “scene.” That lack of place — what Almstead and Growden refer to as the “dissonance” between the beauty of their new home and the reality of the world beyond it — crept into their songs, a desperate signal emanating from off the grid. On Alarm, that signal is stronger, more urgent. The alluring, paranoid throb underpinning their songs is keener now, more lived in, as if the veil between the fears of characters whose points of view Almstead had written from on Glass Narcissus and his own had dropped. Learn more about your ad choices. Visit megaphone.fm/adchoices

Record Store Day - Black Friday is Friday, November 28, 2025. In this bonus episode, join O3L's Brett Vargo as he spotlights some of the releases that will appeal to classic alternative music fans. Hit our social media and let us know what's on your want list, and what ends up in your shopping bag! Song: American Lips - "Record Store Day" (from the LP On Strike!, Ancient Fashion Records) Learn more about your ad choices. Visit megaphone.fm/adchoices

**PART TWO** Life is beautiful! This week, we have the extraordinary honour to welcome the creative nucleus of Brett's favourite band of the 21st century...Murray A. Lightburn and Natalia Yanchak from Montreal's orchestral pop noir heroes The Dears! Life is beautiful! We are heading into the future from our normal O3L timeline to the year Two Thousaaaaand (more echo, please) to commemorate the albums that are unbelievably a quarter of century old this year. This includes The Dears' debut album, End Of A Hollywood Bedtime Story. Life is beautiful! We celebrate humble beginnings to a life less ordinary... from an innocent encounter to musical partnership to a love story of marriage and family. Along the way, The Dears have continued to hone their unique brand of indie rock, boast one of the most consistent catalogues of the past 25 years, play in front of 50,000 people at Glastonbury, and garner fan adoration and critical praise (well, mostly...ahem, Pitchfork). Life is beautiful! The Dears' brand new album, Life Is Beautiful! Life Is Beautiful! Life Is Beautiful! is out now on Next Door Records. Their ninth studio album finds them at the top of their game, equal parts passion and compassion, beauty and defiance, intimacy and universality. Part 1 premieres Tuesday, November 25, 2025 Part 2 premieres Thursday, November 27, 2025 Learn more about your ad choices. Visit megaphone.fm/adchoices

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Stranger than fiction, larger than life...we are elated to welcome Split Enz singer/songwriter/pianist Tim Finn and keyboardist Eddie Rayner to O3L! This is gonna be a hard act to follow. Formed in 1972 in Auckland, New Zealand, Split Enz, known initially as Split Ends, were, and remain, utterly unique. As the first band from New Zealand to achieve major success beyond the Southern Hemisphere, they blazed a trail with a sound and style entirely their own. Evolving from folk-inspired beginnings into a fusion of art-rock, new wave, and theatrical performance, Split Enz didn’t just follow trends, they genuinely created them. While no one sounded like Split Enz at the time, countless acts have drawn inspiration from their legacy over the past five decades. To celebrate the 50th anniversary of their groundbreaking debut, Mental Notes, the first installment of a landmark archival project, ENZyclopedia Volumes One & Two, presents a comprehensive tribute to New Zealand’s most visionary and influential band.  ENZyclopedia Volumes One & Two is housed in a deluxe 5-CD box set (also available as a 3-LP + Blu-Ray edition), this release has been curated in close collaboration with the band. It offers an in-depth look at their formative years, showcasing the evolution of a group whose creative spirit reshaped the boundaries of popular music from New Zealand. The CD set features remasters of their first two albums, Mental Notes (1975) and Second Thoughts (1976), a remix of Second Thoughts, a partially remixed, remastered version of the early tracks comp The Beginning of the Enz, and a disc of live tracks, rough tracks, and alternate mixes. ENZyclopedia Volumes 1 & 2 is out now on Chrysalis Records. Special thanks to Maria Malta for the introduction and coordination. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we are heading back into the weird and wonderful world of the Elephant 6 collective - this time to talk about E6 obscurities. Yes, "obscurity" is relative. To the casual music fan, perhaps it's all obscure. We take it to mean that we don’t need another episode to extol the virtues of Neutral Milk Hotel’s In The Aeroplane, Over The Sea, Olivia Tremor Control’s Dusk At Cubist Castle, or The Apples In Stereo’s Tone Soul Evolution. Either way, we aim to uncover some of the lesser known gems in the consistently consistent E6 catalogue. Outside of the four founding members - Robert Schneider, Jeff Mangum, Will Cullen Hart, and Bill Doss - there is arguably no bigger name in the E6 universe than Elf Power and their songwriter/guitarist/vocalist Andrew Rieger.  Elf Power is responsible for some of the finest psych-pop and indie rock records since 1995...but we’re actually NOT here today to celebrate the release of a new Elf Power album, but rather roughly five minutes of some of the most surprising music to come out in 2025. Leap Through Poisoned Air is a from the vaults collaboration EP between the late, great Will Cullen Hart, who we lost in 2024, and Andrew Rieger, and released on Rieger and keyboardist Laura Carter’s label Orange Twin.  Thanks to Mike Turner from Crashing Through Publicity for the introduction and coordination! Learn more about your ad choices. Visit megaphone.fm/adchoices