The No Film School Podcast

In wake of the 'Everything Everywhere All At Once' Oscar sweep last night, we're republishing No Film School's 2+ hours of geeking out on the film.(Re-Run) Everyone once in a while a movie comes out that blows our collective hearts and minds. "Everything Everywhere All at Once" is that movie, and these are the people who made it.We're blessed to have an extra-special episode this week featuring Daniels (Writer/Director team behind the film) as well as their frequent collaborators Larkin Seiple (DoP) and Paul Rogers (Editor) to talk about EVERYTHING that went into crafting this modern classic.See the movie, then listen to this as a companion piece!Everyone once in a while a movie comes out that blows our collective hearts and minds. "Everything Everywhere All at Once" is that movie, and these are the people who made it. We're blessed to have an extra-special episode this week featuring The Daniels (Writer/Director team behind the film) as well as their frequent collaborators Larkin Seiple (DoP) and Paul Rogers (Editor) to talk about EVERYTHING that went into crafting this modern classic. See the movie, then listen to this as a companion piece!link to the film: https://a24films.com/films/everything-everywhere-all-at-onceFind No Film School everywhere:On the Webhttps://nofilmschool.com/ Facebook https://www.facebook.com/nofilmschool Twitter https://twitter.com/nofilmschool YouTube https://www.youtube.com/user/nofilmschool Instagramhttps://www.instagram.com/nofilmschool Get your questions answered on the podcast by emailing editor@nofilmschool.com!  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, No Film School’s GG Hawkins speaks with director Erica Tremblay and Co-Writer Miciana Alise about the film, Fancy Dance. They discuss what their writing collaboration looked like, as well as challenges they faced during filming. The film premiered at Sundance 2023 and will premiere at SXSW on March 10.Topics discussed: Tackling prevalent problems in indigenous communities How Erica and Miciana met and what it was like writing the script together Applying storytelling into different genres, platforms, and formats Sharing breakthrough moments in complicated scenes Realizing that one still does directing in post production Successfully pulling off a big set piece using ingenuity and networking Having the right people behind the scenes, who really wanted to support the project Learning how to be a more considerate writer Memorable Quotes “We hope it can shine a little light on some of the struggles that Indian country has, with outside forces coming in and trying to tell us how we should be living on our sovereign land.” [5:12] “It makes it a little less painful that you’re not just alone in these deep, dark, scary pages.” [12:29] “There’s this symbiotic relationship of ideas and talent and knowledge that’s passing through two people, ending up on the page.” [12:43] “The biggest thing was learning what the characters didn’t need to say….Just letting them breathe in that uncomfortable moment.” [14:56] “Just be ferocious. You cannot hang your ego on any one scene. You can’t be precious about it.” [22:12] Resources:Fancy DanceFind Miciana on InstagramFind Erica on InstagramFind No Film School everywhere:On the Webhttps://nofilmschool.com/Facebook https://www.facebook.com/nofilmschoolTwitter https://twitter.com/nofilmschoolYouTube https://www.youtube.com/user/nofilmschoolInstagramhttps://www.instagram.com/nofilmschoolGet your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

In today’s episode, No Film School’s Charles Haine, Jason Hellerman, and GG Hawkins discuss their concerns over the insidious ways big data is affecting hollywood. They also unpack the benefits and disadvantages to entering screenwriting contests. We discuss: The scary way big data is now being used in the industry How commerce is pushing back on creativity The best way to approach screenwriting contests Our worries about screenwriting contests and who actually benefits from them Feeding into the “hope machine” in order to get into the industry An anecdote about Triangle of Sadness Why there are no rules to convey your message when it comes to screenwriting Memorable Quotes “It is interesting to think about the data that’s being tracked on what you watch and where it can go…Is this something they are selling to people?” [6:40] “In an industry that’s already shrinking…putting A.I. behind it is a little worrisome.” [8:15] “The safest bet is not the best story.” [9:25] “There are things other than the checkboxes that make a movie what it is.” [12:52] “As a writer, as a director, you can use whatever you want to get your point across.” [42:20] Resources:I am Worried About Big Data and HollywoodTriangle of SadnessDenver the Guilty DogFree Screenwriting E-bookFind No Film School everywhere:On the Webhttps://nofilmschool.com/Facebook https://www.facebook.com/nofilmschoolTwitter https://twitter.com/nofilmschoolYouTube https://www.youtube.com/user/nofilmschoolInstagramhttps://www.instagram.com/nofilmschoolGet your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

If you bring your full self to a festival, to a film, to any project, whilst helping others shine in the process, you will find your place in this industry.In this episode, GG Hawkins speaks with director, Ella Glendining about her feature film, Is There Anybody Out There? She also speaks with cinematographers Lauretta Prevost and Laura Valladao on recent Sundance films they worked on.We discuss: Being a vehicle for communicating your passion Feeling self conscious about filming oneself everyday for a documentary film The surreal experience of having a film premiere at Sundance Accessibility, open captioning and inclusive viewing experiences at the festival Prioritizing everyone’s comfort in the making of a film  Figuring out how to shoot and edit a purely black and white film Limiting air flow on set during Covid Experiences working with nonactors How emerging filmmakers should approach attending film festivals Memorable Quotes “I think anybody who’s ever felt other or left out or discriminated against, hopefully will be able to take something very powerful from the film.” [11:23] “I didn’t really notice I was making a feature until I was in the editing suite.” [19:10] “You must, must, must stick to your gut. Like if you absolutely know something is right, then it is.” [22:46] “Texture is so important in black in white because you don’t have color information to help you understand the space and the depth.” [33:14] “It’s the first time I’ve really felt like an adult here…I feel like a grown up.” [38:56] Resources:Find Ella on InstagramFind Laura on InstagramLaura’s websiteFind Lauretta on InstagramLauretta’s websiteFind No Film School everywhere:On the Webhttps://nofilmschool.com/Facebook https://www.facebook.com/nofilmschoolTwitter https://twitter.com/nofilmschoolYouTube https://www.youtube.com/user/nofilmschoolInstagramhttps://www.instagram.com/nofilmschoolGet your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

In today’s episode, we discuss storytelling in both the show and video game adaptation of The Last of Us.Also, we talk about Warner Bros suing South Park and how it speaks to the frustrations creatives are experiencing in the industry. In today’s episode, No Film School’s Charles Haine, Jason Hellerman and GG Hawkins discuss: The things we wanted to see in a flashback episode of The Last of Us Expecting to see more sophisticated and interesting video game adaptations in the future Good actors versus bad actors in regards to legal contracts The after effects of a change in studio ownership How frustrating Hollywood is for a lot of creatives Why development is still so important Memorable Quotes “The more you do this filmmaking thing, the more empathy you have with people struggling with these challenges.” [11:50] “The problem with all flashbacks is we know what happens after.” [16:33] “Create a writing profession where breaking in doesn’t cost you ten years of your life and you get paid no money.” [37:10] Resources:The Last of Us ShowThe Last of Us GameSouth Park lawsuitFind No Film School everywhere:On the Webhttps://nofilmschool.com/Facebook https://www.facebook.com/nofilmschoolTwitter https://twitter.com/nofilmschoolYouTube https://www.youtube.com/user/nofilmschoolInstagramhttps://www.instagram.com/nofilmschoolGet your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is award winning editor, Mikkel E.G. Nielsen. Mikkel is an editor and director known for films such as Sound of Metal, Beasts of No Nation, and most recently, The Banshees of Inisherin. Mikkel shares what he appreciates most about being a film editor.In this episode, we discuss… What Mikkel appreciates the most from his time in film school in Denmark Realizing you can treat material in many different ways Remaining as objective and open as possible, especially in the initial stages of the process Loving and honoring the collaborative process of editing a film  Why “less is more” sometimes How finding balance and simplicity lends to a more powerful film Helping the director make the best possible version of their intention Memorable Quotes “Editing has always been about experimenting and trying to see if there’s new ways to do certain things and to treat material in different ways.” [5:12] “On a first pass you never ever touch anything from the script.” [15:15] “There are so many things that are possible with so little material.” [18:14] “We have a tendency in editing especially, to make things complicated.” [35:17] “The film is not my baby. I’m helping someone and I always see it like that.” [41:43] Resources:Aqua Music Video: https://www.youtube.com/watch?v=WQPS5J9_GNwWalter Murch https://nofilmschool.com/podcast-legendary-walter-murch-editingAlison O’Daniel and the Tuba Thieves https://nofilmschool.com/the-tuba-thieves2023 Sundance Post Round Table https://nofilmschool.com/editors-and-post-sound-have-crush-each-others-workFind No Film School everywhere:On the Webhttps://nofilmschool.com/Facebook https://www.facebook.com/nofilmschoolTwitter https://twitter.com/nofilmschoolYouTube https://www.youtube.com/user/nofilmschoolInstagramhttps://www.instagram.com/nofilmschoolGet your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

In today’s episode, we discuss whether or not editors should be allowed to digitally manipulate performances. Also, we talk about the changes RED is making and what cameras they will no longer offer. In this episode, we talk about… Milkshake ducking and why we are afraid of it Protecting the performance element of an actor’s work What editors need to consider before making artificial changes to an actor’s performance A recent announcement from RED that has left many camera owners disappointed Our experiences shooting on RED cameras How to approach working with non-actors Memorable Quotes “The thing that AI is very good at doing is changing a facial expression.” [7:04] “We’re living in this world of contrived filters and I don’t want us to move too much further into that….we need to protect the humanity.” [9:15] “We’re watching civilizational standards shift.” [10:35] MentionedRED Camera Announcement Keanu Reeves Warns Us About the Dangers of AI Editing ActorsET Audition TapeFind No Film School everywhere:On the Webhttps://nofilmschool.com/Facebook https://www.facebook.com/nofilmschoolTwitter https://twitter.com/nofilmschoolYouTube https://www.youtube.com/user/nofilmschoolInstagramhttps://www.instagram.com/nofilmschoolGet your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hours before their Sundance premieres, we spoke with the writing fellows of Women Write Now, Hartbeat’s annual comedic screenwriting fellowship for Black women in partnership with the Sundance Institute. In addition to having the three writing fellows on, we were also joined by Hartbeat’s Head of Film, Candice Wilson-Cherry, who takes us through how the program is designed to directly address the lack of BIPOC women in leadership positions like showrunners and in writers' rooms. We also were joined by Hey Boo director Logan Browning who you might know from The Perfection and Dear White People. And in addition to diving into the art of comedy, we also dig into the art of directing for comedy. All of these shorts are directed by actors — the other two being Tika Sumpter and Nicole Byer.In this episode, we discuss… How the Women Write Now program is filling a void in the writing space  Their process for finding writiers and directors for the program The development process of each of the shorts  Fitting the script into only 10 pages Having to adjust things for the budgets Finding mentors who would guide fellows in nurturing yet realistic ways Doing table reads versus chemistry reads Letting go of control by trusting actors Hitting deadlines so you don’t hold up production Memorable Quotes “It’s really important that all of our films, tv shows, and formats are all reflective of the world.” [3:28] “That was really nice, sort of discovering a different layer and different element to the story.” [9:56] “They have helped me walk into a door that was closed.” [14:03] “Make sure your actors get to be free and play.” [22:28] “Write, write, write. You only become good, by just doing it.” [34:32] “If you feel like you are a writer to your core, don’t be afraid to say it and don’t be afraid to tell people.” [41:03] Mentioned:https://womenwritenow.com/The Real Hartbeat on InstagramCandice Wilson Cherry (Producer of the films)Logan Browning (Hey Boo director)Danielle Solomon (Hey Boo writer)Mayanna Berrin (Power Dynamics writer)Kiana Butler (Night Off writer)Find No Film School everywhere:On the Webhttps://nofilmschool.com/Facebook https://www.facebook.com/nofilmschoolTwitter https://twitter.com/nofilmschoolYouTube https://www.youtube.com/user/nofilmschoolInstagramhttps://www.instagram.com/nofilmschoolGet your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Continuing our Sundance coverage in episode 608 of the No Film School podcast, we sat down with editors and sound teams from films premiering at the festival. In addition to unpacking post production — the final and critical phase of filmmaking — we uncovered possibly the biggest work crushes in the film industry. In this conversation, you’ll hear from:  Emmy-winning editor, Taylor Mason - Editor for the psychological horror film Birth/Rebirth which premiered in the Midnight section on say one of Sundance. Mason’s previous work includes the Netflix mini-series Dahmer – Monster: The Jeffrey Dahmer Story, and Pose, as well as the variety show A Black Lady Sketch Show, for which Taylor and her team of editors became the first all-Black team to win a Primetime Emmy Award for Outstanding Picture Editing. Jon Philpot - Editor for the mockumentary film Theater Camp. Jon previously worked on beloved comedy series like Hacks, Search Party, Broad City, and Awkwafina is Nora From Queens, and At Home With Amy Sedaris.  Mike James Gallagher and Anthony Vanchure - Part of the sound team on Onyx the Fortuitous and the Talisman, the pair also recently worked on the biopic Weird: The Al Yankovic Story, as well as Selena Gomez: My Mind & Me and their collaboration on the documentary Lucy and Desi earned the pair an Emmy nomination. In this episode, we discuss… Breaking story as an editor The emotions of door sounds Temp sound and editors hoping to impress the sound designers and vice-versa Figuring out the most interesting way to keep people engaged The great thing about low budget projects  Balancing the tone of a more dramatic story with moments of levity The great combination of laughter and fear How sound design can affect people psychologically  Why it's so fun for editors and sound designers to collaborate Memorable Quotes “Is this a scene? Is this supposed to be entertaining? What does this have to do with anything?” [16:14] “I wanna do a great job. I wanna do that on every project I work on. You don’t just want to half ass it.” [21:38] “The idea of mixing comedy and horror together is phenomenal.” [31:00] “I love working with editors that take sound seriously.” [41:35] Mentioned:Taylor Mason InstagramJon Philpot InstagramMike James Gallagher Instagram, website and sound design deconstructionsAnthony Vanchure InstagramFind No Film School everywhere:On the Webhttps://nofilmschool.com/Facebook https://www.facebook.com/nofilmschoolTwitter https://twitter.com/nofilmschoolYouTube https://www.youtube.com/user/nofilmschoolInstagramhttps://www.instagram.com/nofilmschoolGet your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we talk about considering the advice of others, while still being the architect of your own destiny. Also, we chat about maintaining healthy relationships with collaborators and the importance of clear communication.In this episode, we talk about… Our experiences with agencies and the important lessons we learned Discussing the myths of management Trusting your instincts and following your “why” Why you need reps that truly believe in you and what you are doing Not working with the same people on all your projects Breaking out of the box people put you in  Avoiding relationship rifts and how to handle it when it happens Memorable Quotes “People in that business burn out fast. They burn bright and they burn fast and they burn bridges.” [7:28] “You gotta do some internal housekeeping and soul searching.” [9:30] “You are there to evaluate them as much as they are there to evaluate you.” [15:22] “When we present ourselves with too many cerebral options, we get lost.” [24:37] Mentioned:Start With WhyFind No Film School everywhere:On the Webhttps://nofilmschool.com/Facebook https://www.facebook.com/nofilmschoolTwitter https://twitter.com/nofilmschoolYouTube https://www.youtube.com/user/nofilmschoolInstagramhttps://www.instagram.com/nofilmschoolGet your questions answered on the podcast by emailing editor@nofilmschool.com! Learn more about your ad choices. Visit megaphone.fm/adchoices