New Books in Architecture

In his shining new book The Medieval Islamic Hospital: Medicine, Religion, and Charity (Cambridge University Press, 2015), Ahmed Ragab, Assistant Professor of Religion and Science at Harvard Divinity School, charts the institutional and intellectual history of hospitals or bimaristans in medieval Egypt and the Levant. A central argument of this book is that hospitals in Islamdom were more than just institutions where the sick were treated; hospitals also served as important sites of communal services and congregation, as urban architectural monuments, and as symbols and expressions of a rulers political authority. By exploring an astonishing variety and number of sources, Ragab provides an unparalleled window into the aspirations and operations that defined the medieval Islamic hospital. This splendid new book will be of great interest to students of medieval Islamic history, religion and science, medical history, and the study of Islam and religion more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. Lost Utopias (Black Dog Publishing, 2016) brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the Seattle Space Needle, the Eiffel Tower, Brussels Palais des Expositions and New York’s Unisphere. Doskow’s large-scale colorphotographs poignantly illustrate the utopian architecture and art that has surrounded the Worlds Fairs, across both the nineteenth and twentieth centuries. Presented in a large-scale hardback book, Doskow’s work carries a unique sense of both grandeur and dreaminess, whilst also reflecting upon the often temporary purposes that these structures once held. Jade Doskow is an award-winning photographer based in Peekskill, New York. She holds a BA in Philosophy of Art and Music from New York University and an MFA in Photography & Video from the School of Visual Arts. She is currently on the photography faculty of the School of Visual Arts and the International Center of Photography, and was named by ‘American Photo’ as ‘One to Watch’ in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

During the 18th century English country houses served an important function in their society as stages for the display of the status and power of the landed aristocracy. As Jon Stobart and Mark Rothery demonstrate in Consumption and the Country House(Oxford University Press, 2016), though, they also played a revealing role as centers of consumption. Using three aristocratic families from the Midlands as case studies, Stobart and Rothery survey their patterns of spending over several generations, revealing the factors that shaped them. This spending, they argue, was not constant but instead saw fluctuations that coincided with life events, such as deaths and inheritances. Such dramatic changes were followed by the acquisition of goods that often were then used to create venues for these families to display their elite identity, with pursuit of the fashionable often tempered by issues of taste, rank and lineage. Stobart and Rothery’s analysis is not confined to large expenditures, however, as they also examine the more mundane spending necessary to keep these large households functioning and the gendered spheres that often defined the roles played by husband and wife in purchasing goods and services. Their analysis of these activities helps to refine our understanding of country houses, demonstrating how they were not the static exhibits we know today but fluid environments in which families left an ever-changing imprint. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In the early 18th century, country houses in Ireland underwent a dramatic physical transformation. In her book Life in the Country House in Georgian Ireland (Paul Mellon Centre, 2016), Patricia McCarthy describes the course of this evolution, as the Palladian style turned aristocratic domiciles in rural Ireland from fortified buildings into elegant structures with columns, porticos, and other classically-influenced touches. From there she goes on to describe the interiors of the homes, the functions of the various rooms, and the lives lived both by the upper class and the people who served them. By describing the manifold ways in which the occupants used the spaces, a portrait of their domestic lives emerges that enriches our understanding not just of country house life in the 18th century but the world of the Protestant elite in Georgian Ireland as well. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In Building a Public Judaism: Synagogues and Jewish Identity in Nineteenth-Century Europe (Harvard University Press, 2013), Saskia Coenen Snyder, Associate Professor of History at the University of South Carolina, uses buildings to tell a story; specifically, a story about how the construction and architecture of nineteenth-century European synagogues shed light on the different national experiences of modern European Jews. By looking at synagogues in four important European centers: London, Amsterdam, Paris, and Berlin, Snyder explores Jewish space as a marker of acculturation but not full acceptance. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Nicole Rudolph‘s At Home in Postwar France: Modern Mass Housing and the Right to Comfort (Berghahn Books, 2015) contributes to a growing body of scholarship on the three decades after 1945 known as the Trente glorieuses. Rudolph’s emphasis is on French designs and experiences of dwelling, and the interior spaces of French homes in particular. The book argues that housing was essential to the modernizing project that French society engaged in during these years, a vital site of reconstruction in the wake of the Second World War, and a key locus of nation-building and democratization. In this period, the French state actively pursued policies that sought to guarantee its citizens the right to safe, hygienic, and comfortable homes that would nurture individual happiness while helping to strengthen families as the building blocks of a thriving society. From the creation of a Ministry of Reconstruction and Urbanism in 1945, to the housing crisis of 1953, to the yearly Salon des arts menagers promoting new household methods and technologies, to the oil crisis of the early 1970s, At Home in Postwar France examines the class, gender, and design ideals and tensions of a France in the throes of major transformations on multiple fronts. Pursuing the diffusion, mediation, and reception of the new housing forms that developed in the period, the book considers the contributions of state officials, architects and designers, and proponents of domestic economy and organization in France. It also examines the reactions of the residents and social commentators who felt and evaluated the impact of these forms. At Home in Postwar France explores a range of hopes and dreams for modern French living spaces, thinking through a variety of new approaches to housing on a mass scale. Taking on the complicated relationship between home and citizenship in postwar France, the book offers readers new perspective on how French women and men dwelt and thought about dwelling during this critical period in the nations history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Peter L. Laurence is an associate professor of urban design, history and theory at Clemson University School of Architecture. His book Becoming Jane Jacobs (University of Pennsylvania Press, 2016) is an intellectual biography of the architecture critic and neo-functionist Jane Jacobs and how she came to write the 1961 classic The Death and Life of Great American Cities. Beginning with Jacobs’s arrival in New York City in 1934 with only a high school diploma and writing aspirations Laurence follows her career to the pages of Architectural Forum under the editorial direction of Douglas Haskell. At the magazine she honed her critical skills and was exposed to the latest in urban design and renewal working with leading architects and planners. Laurence argues that there are persistent myths about Jacobs, including her status as a housewife and an amateur urban activist who surprisingly wrote a classic, or a genius. Rather, Jacobs transformed herself into a sophisticated critic influenced by the ideas of a wide circle of intellectuals and wrote a great deal before and after her most well known work. Death and Life of Great American Cities synthesized many previous ideas and proposed a new way to think about cities that considered the social networks and perspective of the person on the street rather than top-down planning that disregarded the human element for efficiency and form. Her vision for the city was of a living system with flexibility, creativity, and diversity offering a sense of connection by mixing the old and the new. Laurence offers not only the evolution of Jacobs’s ideas but also the ways mid-century intellectuals conceived of the cities we now live in. Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: Religion, Intellectuals and the Challenge of Human Liberation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In her excellent new book The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East (UNC Press, 2015), Kishwar Rizvi, Associate Professor of the History of Art at Yale University, interrogates the interaction of history, memory, and architecture by exploring arguably the most important sacred space in Islam: the mosque. By combining the study of religion, history, and architecture in the most compelling of ways, Rizvi highlights the material and political significance of the mosque as a transnational symbol. While focused on the contexts of Iran, Turkey, Saudi Arabia, and the UAE, the theoretical insights of this richly textured book extend much beyond the contemporary Middle East. In our conversation, we talked about the concept of the transnational mosque, the historicist desires and assumptions that often undergird projects of mosque construction in Muslim societies, the transnational mosque, religious identity and international politics, and ways in which mobile networks of architects and corporations reorient our understanding of what we mean by the Middle East. This stunningly well-written book is also aesthetically pleasing, populated with wonderful visuals and images. It will also make an excellent reading for both undergraduate and graduate courses on sacred space, the modern Middle East, Islam and architecture, and religion, mobility, and globalization. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Prague, according to Derek Sayer, is the place “in which modernist dreams have time and again unraveled.” In this sweeping history of surrealism centered on Prague as both a physical location and the “magic capital” in the imagination of leading surrealists such as Andre Breton and Paul Aluard, Sayer takes the reader on a thematic journey from the beginning of the 20th century to the immediate post-war era. In this interview, Sayer talks about why surrealism – and, more importantly, why Prague – is central to understanding the 20th century and modernism. Through works of literature and works of architecture, Sayer demonstrates how Czech modernists pluralized visions of what modernist art should be. These Czech artists and architects were largely ignored in post-World War II exhibitions and histories of surrealism and modernism. With this book, Derek Sayer returns them to their proper place in the narrative. Prague, Capital of Twentieth Century: A Surrealist History (Princeton University Press, 2013) received the 2014 George L. Mosse Prize from the American Historical Association. The prize is awarded annually for an outstanding major work of extraordinary scholarly distinction, creativity, and originality in the intellectual and cultural history of Europe since the Renaissance. The book also received an honorable mention for the 2014 Wayne S. Vucinich Book Prize, awarded to the “most important contribution to Russian, Eurasian, and East European studies in any discipline in the humanities or social sciences,” by The Association for Slavic, Eastern European, and Eurasian Studies (ASEEES). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Jonathan M. Reynolds‘s new book looks carefully at how photographers, architects, and others wrestled with a postwar identity crisis as they explored and struggled with new meanings of tradition, home, and culture in modern Japan. Building on the work of Walter Benjamin, Allegories of Time and Space: Japanese Identity in Photography and Architecture (University of Hawaii Press, 2015) takes readers into a range of media in which writers and artists engaged with these questions. From photographs of rural inhabitants of the Snow Country of northern Japan to photobooks on Japanese architecture to special structures built to serve young female nomads in Tokyo, the objects of Reynolds’s study all served their makers as spaces for working through problems of identity, Japaneseness, and their transformations. It’s a fascinating study that beautifully integrates images as an integral part of the text, and it is well worth reading. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture