New Books in Asian American Studies

Richard Jean So’s new book studies a group of American and Chinese writers in the three decades after WWI to propose a conceptual framework for understanding intellectual and cultural relations between China and America in the twentieth century and beyond. The period that So focuses on was crucial for a number of reasons, including a transformation in US-China relations, transformations in the world economy and international politics, the rise of a new era in media technologies (including the formation of a massive technological infrastructure between the US and East Asia, due in part to radio and telegraph technology and a transpacific transportation system) and the related emergence of a discourse of communications. In Transpacific Community: America, China, and the Rise and Fall of a Cultural Network (Columbia University Press, 2016), So argues that literary histories of U.S.-China cultural encounter in the twentieth century must also, in part, be histories of media. So recasts the Pacific in the twentieth century as a site of mediation and traces the engagement with concepts of democracy through the work of such writers as Agnes Smedley, Pearl Buck, Paul Robeson, Lin Yutang, Ding Ling, Liu Liangmo, Lao She, and Ida Puitt. It’s a focused, compelling account with resonance for Asian studies, Asian American studies, and broader debates about literature, translation, networks, and media in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Becoming Sui Sin Far: Early Fiction, Journalism and Travel Writing of Edith Maude Eaton (McGill-Queens University Press, 2016) is a collection of works–previously published and newly discovered–produced by Edith Eaton, the writer whose literary status seems to escape the limitations of definitions and categorizations. Sui Sin Far is one of the pseudonyms Eaton invented: this gesture can also be presented as an attempt to escape the limitations of, so to speak, one life. Through compiling Eaton’s diverse oeuvre, Mary Chapman, the editor of the collection, presents her vision of Eaton, initiating the reconsideration of the stereotypical reading of Eaton as the writer who was interested predominantly in the exploration of the themes connected with Chinese immigrants in Canada and in the US. The current edition includes four main parts that present the trajectory of Eaton’s writing: “Early Montreal Fiction, Poetry, and Literary Sketches (1888-1891)”;” Selected Early Journalism: Montreal (1890-1896)”; “Selected Early Journalism: Jamaica (1897-1897)”; “Selected Later Fiction (1896-1906)”; “Cross-Continental Writing (1904)”. Having conducted a careful and detailed investigative work, Chapman not only adds new details to the existing portrait of Eaton but also pinpoints aspects that highlight sides–literary, cultural, sociological, political–that have been dismissed or disregarded before. Thus, as the collection demonstrates, Eaton can be characterized by an exclusive ability of curiosity and constant exploration of diverse themes, ranging from observations of trivial life situations to acute insights into the individual’s psychology and ironic remarks concerning social, economic, political issues that were accompanying the era which Eaton happened to witness. Whichever episode Eaton may write, she seems to be indefatigably pursuing the topic that can be claimed to be a link connecting a diversity of fiction and/or journalistic pieces: individuality. The first part of the collection opens with an eloquent statement: “After all I have no nationality and am not anxious to claim any. Individuality is more that nationality (“Leaves from the Mental Portfolio of an Eurasian, 230″).” Eaton’s diverse writing can be interpreted as an attempt to explore her own individuality and to discover writing as traveling: through writing Eaton obtains access to unlimited space of imagination, subverting the boundaries of national, gender, racial, social, political, or literary conventions. Highlighting Eaton’s diverse oeuvre, Chapman shifts an emphasis from national topics (American, Chinese, or Canadian) to transnationalism and transculturalism, contributing to the decoding of Eaton’s understanding of individuality. In the introduction that accompanies the collection, Chapman argues for Eaton’s in-betweeness: Eaton surpasses the boundaries of Asian American and Asian Canadian literature. Chapman’s discussion of Eaton that emphasizes the blurry boundaries of nationhood and invites the conversation about nation formation from the stand point of shifting concepts contributes to the reconsideration of literary canons. Dr. Mary Chapman is Professor of English and Acting Chair of Arts Studies in the Department of English at the University of British Columbia. Dr. Chapman is the author of Making Noise, Making News: Suffrage Print Culture and US Modernism; and a co-editor of Treacherous Texts: An Anthology of US Suffrage Literature. She also has numerous publications in academic journals. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Eric Tang’s book, Unsettled: Cambodian Refugees in the NYC Hyperghetto (Temple University Press, 2015), is an intimate ethnography of a single person, Ra Pronh, a fifty year old survivor of the Cambodian genocide, who afterwards spent nearly six years in refugee camps in Thailand and the Philippines before moving to the Northwest Bronx in 1986. Through Ra’s story, Tang re-conceives of the refugee experience not as an arrival, but as a continued entrapment within the structures and politics set in place upon migration. Situating Ra’s story within a larger context of liberal warfare, Tang asks how the refugee narrative has operated as a solution to Americas imperial wars overseas, and to its domestic wars against its poorest residents within the hyperghetto. Christopher B. Patterson is a Postdoctoral Research Fellow in the Centre for Cultural Studies at the Chinese University of Hong Kong. His articles have appeared or are forthcoming in American Quarterly, Games and Culture, M.E.L.U.S. (Multi-ethnic Literatures of the United States) and the anthologies Global Asian American Popular Cultures (NYU Press) and Queer Sex Work (Routledge). He writes book reviews for Asiatic, MELUS, and spent two years as a program director for the Seattle Asian American Film Festival. His fiction, published under his alter ego Kawika Guillermo, has appeared in numerous journals, and he writes regularly for Drunken Boat and decomP Magazine. His debut novel, Stamped, is forthcoming in 2017 from CCLAP Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

The dialectical configuration of black inclusion/Chinese exclusion is at the center of Edlie Wong‘s book Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the Fictions of Citizenship (New York University Press, 2015). At the end of the 19th century, the southern United States was experimenting with a transition from a dependency on uncompensated, coerced labor in the form of black chattel slavery, to a system of (nominally) voluntary, wage labor i.e. Chinese contract labor (coolieism), modeled most prominently in nearby colonial Cuba. Wong poses the important question of whether coolieism constituted a form of slavery or was indeed, a transition to free labor. In so doing, Racial Reconstruction explores the implications of mutually constitutive African American and Chinese American racialized identity formations, the Chinese Question, and the Negro Problem being coterminous: Chinese exclusion–the exception that proved the rule–helped America define itself as a free nation in the wake of racial slavery. Wong’s use of unusual documentary sources such as the underexamined archive of Anglo-American Cuban travelogues and invasion fiction by both African and European Americans, limns the changing racial landscape of Reconstruction-era immigration policies and conceptions of citizenship that shaped Asian-American cultural politics and impacted African American life. NB: Professor Wong’s next project, mentioned toward the end of the interview, concerns apprenticeship and not indenture as indicated. Mireille Djenno is the Librarian for African, African American and Diaspora Studies at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovative forms for individual and collaborative scholarly work. I had the privilege of talking with Charlotte Eubanks, Jonathan E. Abel, and Tina Chen about Volume 1, Issue 2: Collecting Asias (Fall 2015), which includes – among several fascinating essays – a portfolio of Akamatsu Toshiko’s sketches of Micronesia, an interview about Mughal collections, an introduction to three wonderful digital projects, and a field trip to collaboratively-curated exhibition. In addition to exploring the particular contributions of this special issue, we talked about some of the features of the journal that really excitingly push the boundaries of what an academic journal can be, considering aspects of the innovative forms that are curated in the Convergence section of Verge and reflected in its essays. Highly recommended, both for reading and for teaching! Carla Nappi is Associate Professor of History at the University of British Columbia. Her research and writing concern the histories of science, medicine, materiality, and their translations in early modern China. You can find out more about her work by visiting www.carlanappi.com. She can be reach at carlanappi@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In her new book, Identity, Youth, and Gender in the Korean American Church (Palgrave Macmillan, 2015), Dr. Christine Hong explores the lives of female Korean American Mainline Christian adolescents. Hong’s work, an exercise in feminist ethnography and practical theology, focuses on the difficulties these young women encounter as people who face marginalization within both broader American society and their own faith communities, and discusses ways to help them overcome these obstacles. Hong’s sensitive analysis is sure to benefit anyone interested in religion, ethnicity, and youth in America. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Many people assume that music, especially classical music, is a universal language that transcends racial and class boundaries. At the same time, many musicians, fans, and scholars praise music’s ability to protest injustice, transform social relations and give voice to the marginalized. There is a tension between the ideas of music as a universal language and the voice of the oppressed. In her new book Soundtracks of Asian America: Navigating Race Through Musical Performance (Duke University Press, 2015), Grace Wang explores how the music and sound, not simply appearance, produces and reinforces racial and ethnic stereotypes and inequality about Asian Americans. Examining classical and pop music in the United States and in Asia, Wang reveals how music and attitudes toward music are essential in crafting identities and navigating racial and class boundaries. Wang uncovers that while music and the discourses around it can reify harmful and limiting stereotypes about Asian Americans, music also provides spaces for artistic and personal freedom and creativity. These creative spaces, however, are not completely unmarked by the race, ethnicity, or social class. Grace Wang is Associate Professor of American Studies at the University of California, Davis. She also serves as affiliate faculty with the Cultural Studies Graduate Group. Her areas of interest include Asian American studies, transnational American studies, immigration, race, and music. You can read the introduction to Soundtracks of Asian America here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

With high educational and professional attainment, Asian Americans are often portrayed as the “Model Minority” in popular media. This portrayal, though, is widely panned by academics and activists who claim that it lacks nuance. Madeline Y. Hsu, Associate Professor, University of Texas at Austin, provides such nuance through here historical account of Chinese immigration to the US, entitled The Good Immigrants: How the Yellow Peril Became the Model Minority (Princeton University Press, 2015). Dr. Hsu brings focus to “side door” immigration–students, paroled refugees, and even current H-1B visa holders–that has been crucial to Chinese immigration to the US for well over a century. Through her historical analysis, she shows that the US immigration policy towards China has mostly been skewed towards a selection of higher skilled or more educated émigré. Dr. Hsu joins New Books in Education for the interview to discuss her book. For questions or comments on the podcast, you can also find the host on Twitter at @PoliticsAndEd. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

The intersection between ethnic and religious identities can be both complex and rich, particularly when dealing with a community that still has deep roots in the immigrant experience. In his book, Memory and Honor: Cultural and Generational Ministry with Korean American Communities (Liturgical Press, 2013), Fr. Simon C. Kim explores these issues in the Korean American Catholic community. In this deeply reflective work, Fr. Kim grapples with the many issues, such as the generational divide between ethnic Korean Catholics who immigrated, the children they brought with them from Korea, and their grandchildren born in the United States, and what it means to be a Catholic of Korean ethnicity when Protestant forms of Christianity are linked so tightly with that ethnic group in the popular imagination. This pioneering work will be of interest not only to scholars working in Asian American religion, but anyone who is curious about the connection between ethnicity and Christianity. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Wen Jin’s book, Pluralist Universalism: An Asian Americanist Critique of U.S. and Chinese Multiculturalisms (Ohio State Press, 2012), compares histories and modes of multiculturalism in China and the United States. Whereas many see few correlations between China’s ethnic policies and the multiculturalist policies of the U.S., Wen Jin brings these narratives and histories together to show their common themes. In attempting to incorporate diverse bodies into a state project, both multiculturalisms make their respective countries seem exceptional in their tolerance and acceptance of diverse peoples. Through this comparison, Wen Jin offers a rich study of multiculturalism that allows readers to see its more tangible form, rather than to see one as superior to the other. Wen Jin does this by reading literary narratives that feature a “double critique,” in that they are critical of both the U.S. and China for deploying discourses of diversity in order to justify and rationalize state power. Ultimately, Pluralist Universalism provokes forms of conciliatory or official multiculturalism and leads us to question the very identity politics that has formed the basis of globalization and capitalist growth in the 21st century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies