New Books in Asian American Studies

This is the third episode of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies (AAAS). This episode features two of the winners in Creative Writing Prose: Xuan Juliana Wang, whose collection Home Remedies explores the new generation of Chinese diasporic wanderers, and Ricco Villanueva Siasoco, whose collection The Foley Artist provides a new treatment of queer Filipinx diasporic lives.Xuan Juliana Wang was a Wallace Stegner Fellow at Stanford University and received her MFA from Columbia University. Her work has appeared in The Atlantic, Ploughshares, The Best American Nonrequired Reading and the Pushcart Prize Anthology. Her collection Home Remedies won the 2021 AAAS award in Creative Writing: Prose.Ricco Villanueva Siasoco received his MFA from the Bennington Writing Seminars and is finishing his Ed.D. from Teachers College, Columbia University. He has received fellowships from The Center for Fiction, Lambda Literary, The National Endowment for the Humanities, and is a board member of Kundiman. His collection The Foley Artist won honorable mention in Creative Writing: Prose.Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of British Columbia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

The US military camptowns were established shortly after the Second World War in 1945, appropriating the Japanese comfort stations. The Korean government actively supported the creation of camptowns for its own economic and national security interests. Utilizing the Japanese colonial policy, the US military and the South Korean government sought to control camptown women’s bodies through vaginal examinations, isolation wards, and jails, monitoring women for potential venereal diseases. Denigrated as a “traitor” for “mixing flesh with foreigners,” camptown women and their labors were disavowed in Korean society.[1] However, the Korean government also depended on camptown women for its economic development: camptown women’s earnings accounted for 10% of Korea’s foreign currency.[2] Speaking against this silence, Grace Cho’s new memoir, Tastes Like War (Feminist Press at CUNY, 2021), brings to light not only the pain and trauma of militarized violence as experienced by her mother who worked as a camptown woman in the 1960s and 1970s, but also the beauty and poignant resilience of her life.In Tastes Like War: A Memoir (Feminist Press, 2021), Cho explores the connection between food, war, trauma, family, and love. After marrying a merchant marine, Cho’s mother moved to a white town of Chehalis in Washington in the 1970s. Abundance, social mobility, and progress – America promised Cho’s mother what seemed beyond her grasp in Korea. However, the daily traumas of racialized violence and institutionalized abuses at her workplace furthered her fragmentation as a Third World subject whose body and subjectivity were created by complex ties between the histories of empire, militarized and sexual violence, and racialization. To understand the roots of her mother’s schizophrenia, Cho delves into this history, focusing not only on the traumas but also on hope, strength, beauty, and resilience as embodied by her mother. The everyday acts of cooking Korean meals and foraging for mushrooms and blackberries signaled her mother’s will to survive no matter the condition set by the global empire. Through the act of writing, Cho reconstructs the fragments of her mother’s life – illustrating her mother’s persistent and creative drive for life despite the historical violence that continued to condition her present and the future. [1] First quote is from Cho, Haunting the Korean Diaspora, 94 and second quote is from Cho, Tastes Like War, 93.[2] Park, Emmanuel Moonchil, dir. Podŭrapge (Comfort). 2020; Seoul, Korea: Independent, 2020. Vimeo.Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Edison Hark, the star of The Good Asian (Image Comics: 2021), the new comic series written by Pornsak Pichetshote and illustrated by Alexandre Tefenkgi, never signed up to investigate a murder in Chinatown. As the only Chinese-American law enforcement officer in the United States, he travels to San Francisco in 1936 to help find a Chinese maid who has run away from the household of the man who raised him. But he stumbles upon a crime scene that harkens back to an old crime legend: a hitman for the old Tongs, back for revenge.But while The Good Asian tells a thrilling noir story of crime, detectives and investigations, it also tells the story of the Chinese community, who at the time were still under scrutiny under laws like the Chinese Exclusion Act. The comic grapples with ideas of racial prejudice, respectability politics, and identity.In this interview, Pornsak and I talk about the setting and genre of The Good Asian, and what it means to star a Chinese-American lead in such a well-known genre.Pornsak Pichetshote was a Thai-American rising star editor at DC’s Vertigo imprint where he worked on such comics perennials as The Sandman and Swamp Thing. He left Vertigo to become an executive in DC Entertainment’s media team, where he started and oversaw DC TV’s department. He is also the writer of Infidel, also for Image Comics, which was his first work as a writer. He can be followed on Twitter at @real_pornsak, and on Instagram at @real_psak.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Good Asian. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Richard Alba, Distinguished Professor of Sociology at the Graduate Center, City University of New York, has written an intriguing new book on our understanding of American demographic data, and how we, as citizens, see each other as part of the fabric of the United States. The Great Demographic Illusion: Majority, Minority, and the Expanding American Mainstream (Princeton UP, 2020) examines the long historical narrative of the experience of immigrants to the United States while also mapping out various forms of data to help us understand the actual experience of immigrants, over time, in the U.S. Part of Alba’s research in this project is highlighting the issue of what kind of assimilation actually happened in the U.S., especially in the post-World War II period. He explains that there was mass assimilation, after World War II, of the children of immigrants who had arrived in the U.S. in the earlier waves of immigration, prior to WWII. But Alba is not only interested in the immigrant experience, what he is really digging into is the experience of those who are not white, or who were not considered white initially but subsequently were seen as white citizens of the U.S. Alba is examining the reality and interrogating the narrative that has come to be associated with particular waves of immigrants to the U.S. In order to unpack the reality of these immigration narratives, Alba is also digging into the demographic data about where people live, who they marry, and the way that children are categorized according to the United States’ census.The census generates a lot of data, which is used in a host of different ways, including in a traditional political fashion, in the allocation of goods and services. This is not the story that Alba is telling in The Great Demographic Illusion, which is mining the census data to determine what assimilation actually looks like in the U.S., and how citizens perceive themselves, and how they go on to raise their children, where they choose to live, and the kinds of communities to which they are connected. The Great Demographic Illusion also highlights the problems with the census data, in the aggregation of the data that is compiled in the survey, especially in regard to the questions of racial identification. While the census has innovated by expanding the capacity for individuals to indicate more than one race, thus adapting to the individuals who have parents of different races. In order to tease out the problems in the ways that the census data is reported, Alba compared the information from the census in terms of racial identification with what birth certificates indicate about the racial identity of parents of the child; he also compared the census data to the Pew Research data on intermarriage. This really gets at the heart of what Alba is calling the “great demographic illusion” – since the reporting of the census data is indicative of a greater and faster racial change in the country, which Alba has noted is not exactly accurate. Another dimension of the research that Alba finds particularly engaging is the sociological position of these individuals who come from mixed backgrounds, since they are socially flexible in ways that their parents and grandparents were unable to be. This is a sophisticated and multi-dimensional study of what we know, assume, and possibly are misguided about, in regard to the tapestry of the American citizenry and all those who live in the U.S.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Spies deep behind enemy lines; double agents; a Chinese American James Bond; black propaganda radio broadcasters; guerrilla fighters; pirates; smugglers; prostitutes and dancers as spies; and Asian Americans collaborating with Axis Powers.All these colorful individuals form the story of Asian Americans in the Office of Strategic Services (OSS), the forerunner of today's CIA. Brian Masaru Hayashi brings to light for the first time the role played by Chinese, Japanese, and Korean Americans in America's first centralized intelligence agency in its fight against the Imperial Japanese forces in east Asia during World War II. They served deep behind enemy lines gathering intelligence for American and Chinese troops locked in a desperate struggle against Imperial Japanese forces on the Asian continent. Other Asian Americans produced and disseminated statements by bogus peace groups inside the Japanese empire to weaken the fighting resolve of the Japanese. Still others served with guerrilla forces attacking enemy supply and communication lines behind enemy lines. Engaged in this deadly conflict, these Asian Americans agents encountered pirates, smugglers, prostitutes, and dancers serving as the enemy's spies, all the while being subverted from within the OSS by a double agent and without by co-ethnic collaborators in wartime Shanghai.Drawing on recently declassified documents, Asian American Spies: How Asian Americans Helped Win the Allied Victory (Oxford UP, 2021) challenges the romanticized and stereotyped image of these Chinese, Japanese, and Korean American agents--the Model Minority-while offering a fresh perspective on the Allied victory in the Pacific Theater of World War II.Jessica Moloughney is a public librarian in New York and a recent graduate of Queens College with a Master’s Degree in History and Library Science. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Mahjong: many have played the game, but few are familiar with its rich and complex history. In Mahjong: A Chinese Game and the Making of Modern American Culture (Oxford University Press, 2021), Annelise Heinz (University of Oregon) follows this beloved pastime from the International Settlement in Shanghai, to the detention facilities on Angel Island Immigration Station, to Wright-Patterson Air Force Base in Ohio, to Jewish American bungalow colonies in the Catskill Mountains—and beyond. Heinz examines the intersection of leisure and Orientalism to show how the game shaped the lives and identities of Chinese and Americans alike over half a century. Equally fascinating is Heinz’s discussion of mahjong’s evolving materiality, from artisanal bone-and-ivory production to mass-manufactured plastic. To tell this story, Heinz combines a wide array of sources, including not only manuscript material and newspapers, but also novels, popular music, and dozens of oral history interviews. Mahjong will interest scholars of American culture; women’s, gender, and sexuality studies; race and immigration; Jewish studies; and business history—as well as mahjong fans and players of all backgrounds. Pung!Ian Shin is Assistant Professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Based on longitudinal ethnographic work on migration between the United States and Taiwan, Time and Migration: How Long-Term Taiwanese Migrants Negotiate Later Life (Cornell UP, 2021) interrogates how long-term immigrants negotiate their needs as they grow older and how transnational migration shapes later-life transitions. Ken Chih-Yan Sun develops the concept of a "temporalities of migration" to examine the interaction between space, place, and time. He demonstrates how long-term settlement in the United States, coupled with changing homeland contexts, has inspired aging immigrants and returnees to rethink their sense of social belonging, remake intimate relations, and negotiate opportunities and constraints across borders. The interplay between migration and time shapes the ways aging migrant populations reassess and reconstruct relationships with their children, spouses, grandchildren, community members, and home, as well as host societies. Aging, Sun argues, is a global issue and must be reconsidered in a cross-border environment. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In Unstable Masks: Whiteness and American Superhero Comics (Ohio State UP, 2020), Sean Guynes and Martin Lund have assembled more than fifteen chapters that interrogate our thinking about superheroes, especially those written and created in the United States, and how those heroes participate in reifying the whiteness of American politics, culture, and worldview. Even as we have seen attempts to diversify the representation within the superhero genre, there is a continued reinscribing of the normative whiteness that frames not only the narratives themselves, but the ideas and images conveyed by the authors, artists, and producers of these works. As Lund and Guynes note, much analysis has been done about the superheroes, especially paying attention to those heroes who deviate from the norm in terms of race, gender, and sexuality. But what has been missing in a great deal of the scholarship is an analysis of the predominant whiteness of superheroes and how the constructed narrative of the genre, of defeating a threat to a particular way of life, country, people, continues to reaffirm the overarching whiteness of this genre. As Lund noted in conversation, the marquee superheroes are unhyphenated, they are simply the normal, everyday superhero, and they are also, by default, white. Whereas Black, or LatinX superheroes are classified as such, and they are thus distinguished from the “normal” superhero.It is not only the characters themselves, in the panels, but also the structure of the story that complies with an understanding of whiteness, and a hierarchy that is often racially structured. The superhero is tasked with fighting for the “good” – but who defines that good, and who benefits from that preserved good? This very understanding of the job of the superhero, to fight for “truth, justice, and the American way” builds on the basis that truth is the same for all members of the society, justice is equally distributed, and the American way is quite clear. Except that none of these are accurate depictions of the reality for those living in the United States (or elsewhere). How we discuss the goals that the superheroes pursue is tied into what it is that we anticipate being restored by a superhero who confronts an enemy. The chapters in Unstable Masks explore this dynamic, focusing on the exceptions as well as those who make up the vast majority of this imaginary space, examining how whiteness informs the understanding of the superhero. The contributing authors not only examine different superheroes at different periods, but they also reach back to examine the way that the superhero genre fits within the American cultural and literary tradition of the western, detective fiction, and the conquest of the frontier where individuals imposed “law and order” on “ungoverned” or “unstable” parts of the continent.This is a fascinating collection; taken together, this edited volume an impressive consideration of the superhero genre, those who created these characters, and the audiences who consume and interact with these ideas.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Isabel Rosario Cooper, if mentioned at all by mainstream history books, is often a salacious footnote: the young Filipino mistress of General Douglas MacArthur, hidden away at the Charleston Hotel in DC.Empire’s Mistress, Starring Isabel Rosario Cooper (Duke University Press: 2021) by Professor Vernadette Vicuña Gonzalez refuses to reduce Cooper’s life to that simple statement. The book investigates Cooper’s life both in the Philippines, where she was a famed vaudeville and film actress, and in the United States, where her life shows the struggles that Asian actors and actresses faced in a prejudiced Hollywood.In this interview I ask Vernadette to introduce us to Isabel Cooper, and go beyond the simplistic historical narrative of her as MacArthur’s mistress. Wel talk about how her life exemplifies how imperialism, gender and entertainment intersected in both the Philippines and the United States. And we briefly explore how this connects with the idea of being “Asian-American”.Vernadette Vicuña Gonzalez is Professor of American Studies at the University of Hawai‘i at Mānoa, and author of Securing Paradise: Tourism and Militarism in Hawai‘i and the Philippines (Duke University Press: 2013), and coeditor of Detours: A Decolonial Guide to Hawai‘i (Duke University Press: 2019).You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Empire’s Mistress. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

This is the second episode of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies. This episode features two of the winners in Creative Writing: Poetry: Benjamín Naka-Hasebe Kingsley, whose poetry collection Colonize Me explores the lives of those communities and peoples on the intersections of indigeneity, migration, Asian, queerness, and lower class; and Jan-Henry Gray, whose collection Documents traces Gray’s upbringing as a queer undocumented Filipino American.Benjamín Naka-Hasebe Kingsley belongs to the Onondaga Nation of Indigenous Americans in New York and is an assistant professor of poetry and nonfiction in Old Dominion University’s MFA program. His poetry collection Colonize Me won the AAAS award in Creative Writing: Poetry.Jan-Henry Gray currently teaches at Adelphi University in New York. Born in the Philippines and raised in California where he worked as a chef, Jan lived undocumented in the U.S. for more than 32 years. His poetry collection Documents won honorable mention in Creative Writing: Poetry. Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of British Columbia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies