New Books in Early Modern History

Art historian Catherine McCormack challenges how culture teaches us to see and value women, their bodies, and their lives.Venus, maiden, wife, mother, monster—women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. In Women in the Picture: What Culture Does with Female Bodies (Norton, 2021), Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art—think Titian, Botticelli, and Millais—and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways.Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Against a groundswell of critiques of global English, Vernacular English: Reading the Anglophone in Postcolonial India (Princeton UP, 2022) argues that literary studies are yet to confront the true political import of the English language in the world today. A comparative study of three centuries of English literature and media in India, this original and provocative book tells the story of English in India as a tale not of imperial coercion, but of a people’s language in a postcolonial democracy. Focusing on experiences of hearing, touching, remembering, speaking, and seeing English, Akshya Saxena delves into a previously unexplored body of texts from English and Hindi literature, law, film, visual art, and public protests. She reveals little-known debates and practices that have shaped the meanings of English in India and the Anglophone world, including the overlooked history of the legislation of English in India. She also calls attention to how low castes and minority ethnic groups have routinely used this elite language to protest the Indian state. Challenging prevailing conceptions of English as a vernacular and global lingua franca, Vernacular English does nothing less than reimagine what a language is and the categories used to analyze it.Akshya Saxena is Assistant Professor of English at Vanderbilt University. She studied English literature at the University of Delhi and Jawaharlal Nehru University in India, before earning her Ph.D. in Comparative Literature at the University of Minnesota. Her areas of study are 20th and 21st-century literature and media of the English-speaking world, with a special interest in the racialized and caste-marked practices of mediation that shape language.Saronik Bosu (@SaronikB on Twitter) is a doctoral candidate in English at New York University. He is writing his dissertation on literary rhetoric and economic thought. He co-hosts the podcast High Theory and is a co-founder of the Postcolonial Anthropocene Research Network.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth Oyler and Katherine Saltzman-Li's book Cultural Imprints: War and Memory in the Samurai Age (Cornell UP, 2022) draws on literary works, artifacts, performing arts, and documents that were created by or about the samurai to examine individual "imprints," traces holding specifically grounded historical meanings that persist through time. The contributors to this interdisciplinary volume assess those imprints for what they can suggest about how thinkers, writers, artists, performers, and samurai themselves viewed warfare and its lingering impact at various points during the "samurai age," the long period from the establishment of the first shogunate in the twelfth century through the fall of the Tokugawa in 1868.The range of methodologies and materials discussed in Cultural Imprints challenges a uniform notion of warrior activity and sensibilities, breaking down an ahistorical, monolithic image of the samurai that developed late in the samurai age and that persists today. Highlighting the memory of warfare and its centrality in the cultural realm, Cultural Imprints demonstrates the warrior's far-reaching, enduring, and varied cultural influence across centuries of Japanese history.Contributors: Monica Bethe, William Fleming, Andrew Goble, Thomas Hare, Luke Roberts, Marimi Tateno, Alison Tokita, Elizabeth Oyler, Katherine Saltzman-Li.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alice Dailey’s How to Do Things with Dead People: History, Technology, and Temporality from Shakespeare to Warhol (Cornell University Press, 2022) is an exploration of Shakespeare’s chronicle plays through the theoretical rubric of modern technology. Dailey is Professor of English at Villanova University and is the author of the monograph The English Martyr from Reformation to Revolution (from Notre Dame Press).How to Do Things with Dead People is a study of the representational strategies of the porous boundary between past and present, and dead and undead, in Shakespeare’s history plays. Drawing on Roland Barthes, Susan Sontag, Lee Edelman, Peggy Phelan, and Derrida, Dailey creates new space for how we might think about the unruly interrelationships of the present, the past, and the future, including how twentieth-century technology can reanimate our engagement with early modern theories of kingship, ableism, and reproductive futurity.John Yargo recently received his PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

To many the city might seem simply a large urban area to live within, but it actually forms an important political concept and community that has been influential throughout European history. From the polis of Ancient Greece, to the Roman Republic, to the city-states of the Italian Renaissance, and down to the present day. Modern concepts of democracy and citizenship that have shaped European thought have historically originated from the political community of the “city”.Addressing this multifaceted topic is Ferenc Hörcher's The Political Philosophy of the European City: From Polis, Through City-State, to Megalopolis? (Lexington Books, 2021)Ferenc Hörcher is a political philosopher, historian of political thought and a philosopher of art. He is director of the Research Institute of Politics and Government at the University of Public Service in Budapest and senior researcher at the Institute of Philosophy of the Hungarian Academy of Science.Stephen Satkiewicz is independent scholar whose research areas are related to Civilizational Analysis, Big History, Historical Sociology, War studies, as well as Russian and East European history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before the nineteenth century, travelers who left Britain for the Americas, West Africa, India and elsewhere encountered a medical conundrum: why did they fall ill when they arrived, and why - if they recovered - did they never become so ill again? The widely accepted answer was that the newcomers needed to become 'seasoned to the climate'. In his book Difference and Disease: Medicine, Race, and the Eighteenth-Century British Empire (Cambridge UP, 2020), Suman Seth explores forms of eighteenth-century medical knowledge, including conceptions of seasoning, showing how geographical location was essential to this knowledge and helped to define relationships between Britain and her far-flung colonies. In this period, debates raged between medical practitioners over whether diseases changed in different climes. Different diseases were deemed characteristic of different races and genders, and medical practitioners were thus deeply involved in contestations over race and the legitimacy of the abolitionist cause. In this innovative and engaging history, Seth offers dramatically new ways to understand the mutual shaping of medicine, race, and empire.Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the years between the American Revolution and the Civil War, there was an awkward persistence of sovereign rituals, vestiges of a monarchical past that were not easy to shed. In Awkward Rituals: Sensations of Governance in Protestant America (U Chicago Press, 2022), Dana Logan focuses our attention on these performances, revealing the ways in which governance in the early republic was characterized by white Protestants reenacting the hierarchical authority of a seemingly rejected king. With her unique focus on embodied action, rather than the more common focus on discourse or law, Logan makes an original contribution to debates about the relative completeness of America's Revolution.Awkward Rituals theorizes an under-examined form of action: rituals that do not feel natural even if they sometimes feel good. This account challenges common notions of ritual as a force that binds society and synthesizes the self. Ranging from Freemason initiations to evangelical societies to missionaries posing as sailors, Logan shows how white Protestants promoted a class-based society while simultaneously trumpeting egalitarianism. She thus redescribes ritual as a box to check, a chore to complete, an embarrassing display of theatrical verve. In Awkward Rituals, Logan emphasizes how ritual distinctively captures what does not change through revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

Analyzing the spread and survival of Islamic legal ideas and commentaries in the Eastern Mediterranean and the Indian Ocean littorals, Islamic Law in Circulation: Shafi'i Texts across the Indian Ocean and the Mediterranean (Cambridge University Press, 2022) focuses on Shāfiʿīsm, one of the four Sunnī schools of Islamic law. It explores how certain texts shaped, transformed and influenced the juridical thoughts and lives of a significant community over a millennium in and between Asia, Africa and Europe. By examining the processes of the spread of legal texts and their roles in society, as well as thinking about how Afrasian Muslims responded to these new arrivals of thoughts and texts, Mahmood Kooria weaves together a narrative with the textual descendants from places such as Damascus, Mecca, Cairo, Malabar, Java, Aceh and Zanzibar to tell a compelling story of how Islam contributed to the global history of law from the thirteenth to the twentieth century.Mahmood Kooria is a researcher at Leiden University (the Netherlands) and a visiting faculty of history at Ashoka University (India). Earlier, he worked as a postdoctoral fellow at the Dutch Institute in Morocco (NIMAR); International Institute for Asian Studies (IIAS); and African Studies Centre, Leiden (ASCL). He received his PhD in Global History from Leiden University in 2016. Before this, he studied at the Centre for Historical Studies of Jawaharlal Nehru University (New Delhi, India) for his M.A. and M.Phil. in Ancient Indian History, and at Darul Huda Islamic University and the University of Calicut (both in Kerala, India) for Bachelors. In addition to numerous academic journal articles and book chapters, he has co-edited Malabar in the Indian Ocean: Cosmopolitanism in a Maritime Historical Region (2018) and Islamic Law in the Indian Ocean World: Texts, Ideas and Practices (2022). Currently he is writing a book on the matriarchal Muslim communities in East Africa and South and Southeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices

No matter what people call them today the northwestern Great Plains have been and continue to be Blackfoot country, argues Colgate University assistant professor Ryan Hall in Beneath the Backbone of the World: Blackfoot People and the North American Borderlands, 1720-1877 (University of North Carolina Press, 2020). By maintaining their boundaries and enforcing power between both European empires and Indigenous neighbors, the Blackfoot were able to carve out a lasting niche in the contested borderlands of the early North American West of the eighteenth and nineteenth centuries. Although disease, resource depletion, and colonization would eventually be visited upon the Blackfoot, along with American settler colonialism, this outcome was never preordained. Nor was that the entire story, as Blackfoot history carries on well after such well known events as the Montana gold rush and the Marias Massacre. Beneath the Backbone of the World is an example of Native history's power to force a rethinking of North American history's arc.Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s copyright laws are predicated on the idea that music is intellectual property; a commodity that has value to its creator and to its publisher. But, how did that concept originate and why? From Servant to Savant: Musical Privilege, Property, and the French Revolution (Oxford University Press, 2022) by Rebecca Geoffroy Schwinden tackles this question with an insightful examination of the years around the French Revolution when the legal protections for music moved from a system of monopolies granted by the sovereign that regulated music as an activity to a framework that assumed music was a kind of property. Before the French Revolution, making music was an activity that required permission. After the revolution, music was an object that could be possessed.In Geoffroy-Schwinden’s analysis, this is far from a simple history of commodification, it is, instead, a process entwined with the political, ideological, and cultural agendas of the French Revolutionaries. It is also a history of the development of new institutions, and how the Paris Conservatory, founded in the fluid and sometimes violent aftermath of the French Revolution, became the conservator and arbiter of French musical traditions and pedagogy. Musicians capitalized on new kinds of legal protections to guard their professionalization within new laws and institutions, while excluding those without credentials from their elite echelon.Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices