Illuminated

John Betjeman wrote that it was 'worth cycling forty miles in a head wind to visit St Wendreda's church in March, Cambridgeshire, because of the 118 angels in the roof. The wings of the C16th oak carvings are inspired by hen and marsh harriers. Once common locally - they are returning now. Nature writer Robert Macfarlane looks at the carvings, drawing connections between angels and harriers, what they say about of our feelings for the birds and angels.Robert climbs to the ringing chamber to get close to the harrier angels with Ruth Clay, vicar of St Wendreda's, Edward Wilson-Lee, author of The Grammar of Angels, and Ajay Tegala, ranger at Wicken Fen. They discuss their meaning, in the C16th when they were carved, and today. The persecution and survival of the angel carvings corresponds to that of the birds. At Easter this is a resonant story.During the Reformation iconoclasts destroyed 'idolatrous' church decorations, including carvings. Michael Rimmer, author of The Angel Roofs of East Anglia, tells of their destruction. At the same time the Tudor Vermin Acts led to a frenzy of killing of birds of prey such as harriers.When Henry VIII's agents came to March to destroy the carvings, the people of March plied them with drink and food. They left with the church silver, but the harrier angels stayed intact. In William Barsley’s workshop the wood carver speaks about the art of the carvers who were known as 'imaginators'. Robert visits Wickham Fen with Ajay Tegala, where hen and marsh harriers are in recovery, to observe them in angelic flight.And musician Martin Simpson has made a special recording of his song Skydancers, about harriers, their predicament, recovery, and our role in this.Presenter: Robert Macfarlane Producer: Julian May

In 2018, the writer and actor Harriet Madeley found out that she was going to die. At least, that’s what she heard when a doctor diagnosed her with Primary Sclerosing Cholangitis, a progressive disease for which there is no medical treatment, no cure, poor understanding and a long list of frightening Google stats.. None of her loved-ones knew how to respond to this bombshell. Her best friend kept crying. Her parents preferred not to talk about it. And her fiancée? She took it upon herself to cure the thing.In the midst of a confrontation with looming death, Harriet’s closest relationship began disintegrating. Harriet's response? To write a comedy about it.This is the story of how Harriet used her creativity to come to terms with a life-changing diagnosis, and how it helped her to rebuild her relationships and decide how to face the future.The play featured (slightly) fictionalised versions of the people closest to her. The script was a monologue, in which her own flaws and those of her loved-ones are magnified for the paying audience.But how will those loved-ones respond? Will they be horrified? Or will the play force a meaningful conversation at last? Harriet is still alive and kicking, facing a finite future. But then again, aren’t we all?Writer: Harriet Madeley Producer: Andrew Wilkie Sound Design: Micky Curling and Bella Kear Voices of theatre team: Madelaine Moore, Mark Knightley, Jessica Clark With heartfelt thanks to Abi Mowbray Photo: Karla GowlettA PRA production for BBC Radio 4

‘Do nothing’. So exhorts Jimmy as he overhauls the strokes, kicks and breathing of his adult swim learners at Cardiff International Pool. They plunge, roll, extend. As they learn to let go and glide, they’re overcome with a sense of joy, freedom and bodily ease.For journalist Selma Chalabi, Jimmy’s classes have been a lifeline. She joined the class to improve her swimming technique, but what she found was something so much more profound. Jimmy’s unique and philosophical style of teaching taught her not only how to move at one with the water, but also how to live her life - when to move and when to rest and how to breathe.It’s in the pool that Selma meets a community of learners - all ages, shapes and cultures - who are doing so much more than learning to swim. There’s Maggs, who is determined to face her worst fear and overcome a deep childhood trauma, and working mum Doris, whose moment of peace is when she submerges into the water. As for Darius, he has transformed from absolute beginner to potential competitor. This is a world you might find in any leisure centre around the country. A place so familiar to us, and yet in its depths and shallows, in its pools of chlorine and azure light, are stories of courage, determination, bliss and finding new meaning in the water. Producer and presenter: Selma Chalabi Executive Producer: Leonie Thomas Sound Designer: Mike Woolley Sound engineers: Meic Parry and Katie HillWith deepest gratitude to Jimmy, his students, and the staff at Cardiff International Pool.An Overcoat Media production for BBC Radio 4

Historian Maurice Casey reveals the story of an anti-Nazi resistance network and the family at its heart, told through a newspaper crafted by two young girls. In the dusty corners of a Galician villa on Spain’s northern coast, Casey uncovered a forgotten archive of revolution, resistance and love. Among the documents was something extraordinary. The Alpenpost - a newspaper lovingly hand-crafted by Elisa and Alida Leonhard, two girls raised on Europe’s 1930s refugee routes. Created every fortnight from late 1935 until 1940, The Alpenpost charted the activities of the two Leonhard girls and their mother Emmy, a veteran of the repressed world of Weimar German communism. With a mixture of cartoons, light stories and precocious political analyses, the girls charted their unusual upbringing as the children of an anti-fascist father and an exiled revolutionary mother.Each issue was posted to the girls’ ‘papa’ Edo Fimmen, separated from his family, constantly travelling to maintain a network of activists and informants. Fimmen led the powerful International Transport-Workers’ Federation in continual resistance to fascism. Reading The Alpenpost, Edo could chart his daughters’ flight through 1930s Europe. Both a love letter to a father seperated from his family by dangerous work and a remarkable document of a childhood lived in flight from totalitarianism.This is a tale of survival against the odds - not only the survival of a family that lived under grave political threats, but an archive that survived a journey across countries and generations.Contributions from Pedro Ewald, Dieter Nelles, Rene Dumont, Bob Reinalda Voices of The Alpenpost: Hannah Nehb, Juno Nehb, Neva Nehb with Arjan SchipperProducer: Mark Burman A Storyscape production for BBC Radio 4

Alan Hall and his siblings have a shared story from their childhoods - their mum, Jackie, describes walking through a Liverpool park with her mum, their grandma, Hettie. It must be the 1940s. Hettie is a single mum. She'd fallen pregnant, according to family mythology, while working as a domestic servant in Scotland. Jackie has had spells in foster care. "Don't stare," Hettie says. "Those men over there, they're your uncles." Years later, after Jackie's death, Alan finds an envelope labelled, 'Mum's Pics'. Inside, there are photographs of two men in military uniforms, one with 'Fred' written on the back, the other, of a soldier in a kilt, 'Brother Bill'. These are Hettie's brothers - or rather, two of them. She was the youngest of nine and the only daughter. Of the other boys, Jackie had told her children, three had been killed in the Great War. A third photograph, of the Foster family gravestone, provides their names - Harry, Sidney and Thomas, "their duty nobly done".Cannon Fodder traces memory, myth and meaning within one family touched by the catastrophe of World War One. With contributions from historian Jeremy Banning, Lynelle Howson of the Commonwealth War Graves Commission, retired Salvation Army officers Lt-Cols. David and Doriel Phillips, Ruth Anders of St Anne's Church, Aigburth in Liverpool and Hettie's grandchildren - Cathy, Laureen, Alan and Robin.With music by Robin's daughter, Leila Hall (voice), and Alan Hall (cornet). Produced by Alan Hall A Falling Tree production for BBC Radio 4

Hilik Magnus is Israel’s foremost search and rescue specialist. He has performed missions, public and private, for over 30 years across six continents. He has worked under the radar during disasters such as 2004’s tsunami and 2008’s Mumbai attacks. He has worked with everyone, from grieving families to cartels and the Taliban, all for the simple purpose of returning people to where they belong. Now, he opens up about this secretive world, and talks frankly about his origins and values.The start, in the 1990s, was simple. His operating base was an abandoned train carriage in the southern desert of Israel with three telephones and a dial-up connection. Hilik did not know what awaited him. All he knew was that he felt a ‘shlichut’ – ‘higher purpose’ in Hebrew – to help save lives, to return the unburied to their grieving families. Yet the business grew and now employs 80 people in a hi-tech hub in Tel Aviv. There is GPS, GSM, fibre-optic, and over 2,500 calls for help every year. In the midst of this change, Hilik is finding it hard to connect the now and then. For him, the purity of the work was in shepherding lost souls, alive or dead, to their rightful place. Strange, mystical encounters at 6,000m above sea-level, exposing national corruption in Bolivia - not board meetings and touchscreens. He hates the city and all it implies. Yet the world moves on, and the work means everything to him. When he lets himself stop, his 76 years catch up with him, leading to days laid up in bed. Producer: Jeremy Neumark Jones Assistant Producer, Additional Research: Robert Neumark Jones Original Music by Theo Whitworth Executive Producer: David Prest A Whistledown production for BBC Radio 4

The Indri lemur, also known as the singing lemur, can be found only in Madagascar’s rainforests. Famous for their eerie, melodic calls, they are one of the few primates that sing and, as it turns out, they have a surprising relationship to rhythm - one that’s very similar to our own. After hearing news of these unlikely rhythmic capabilities, Georgie Styles ventures into one of the most biodiverse yet threatened ecosystems on Earth to capture the haunting songs of this critically endangered species, as they echo through the treetops. But as she goes deeper into this tale of survival and song, she discovers a hidden female history. So what can the Indri lemur tell us about the origins of music?Providing us with the first-ever evidence of complex vocal abilities that exceed those of any other mammal, besides humans, the Indri reveals clues to our own evolutionary journey and offers us a rarely told perspective.With contributions from primatologist and conservationist, Dr Sylviane Volampeno, primatologist Dr Chiara De Gregorio, researcher Irene Marchesi and a team of Madagascan research guides, A Lemur’s Song connects nature’s melodies to the evolution of music. Through the captivating sounds of Madagascar’s rainforests, the Indris songs and the creative responses of an original score by music artist and saxophonist Laura Misch, Georgie reflects on what sounds can tell us about our world and what we are at risk of losing.A 2 Degrees West production for BBC Radio 4

If you ask many women in recovery from alcoholism what the term ‘functioning alcoholic’ means to them, they will laugh. In truth, a large percentage of women who end up in treatment had been, to the outside world, ‘functioning’. Holding down jobs, raising children, paying their rent or mortgage. However, internally, ‘functioning’ is about the last word they would use to describe their mental and emotional landscape as alcohol increasingly tightened its grip on their lives.Here, two women share in raw and brutally honest detail their descent into alcohol dependency, which took place incrementally, behind closed doors, and, for the most part, under the radar as they continued to appear to live regular, ‘functional’ lives.​​Functioning offers a rare insight into the experience of leading a completely dual existence - the secrecy, the agility and the alchemy required in maintaining a ‘functioning’ exterior, while your interior is coming apart; and a lesson in how much can go undetected when you are not what the world assumes of an alcoholic.Sound design by Action Pyramid Produced by Jodie Taylor A Falling Tree production for BBC Radio 4

In the 1930s a group of researchers descended on the northern mill town of Bolton to observe the natives. They christened their chosen case-study 'Worktown'. It was a ground breaking study of working class culture - and one thing they wanted to know was what makes people happy.The people of Bolton were asked a simple questions "What is happiness to you and yours?" The letters written in response reveal a snapshot of the innermost thoughts and feelings of ordinary people, living ordinary lives almost a century ago. Katharine Longworth returns to Bolton to discover whether this town still holds the secret to happiness. Exploring the town centre, markets, pasty shops and pubs; she asks the same question, bringing the original letters to life as modern day Boltonians reflect on the insights of their predecessors. We knock on the doors of those who live in the same spot as the original correspondents, linking them to the past through the words of the letters, and hearing their own reflections on happiness. Have things changed? Is it more difficult to be happier today? And is Bolton the happiest town on earth?Original letter written by: J.E. Nelson G. Taylor J. Warburton Joseph Roberts A. Thornley F. Fielding L. Bollington E. HorrocksProducer: Katharine Longworth Sound Design: Michael Smith Actors: Paul Brennan, Jasmine Hyde and Mike RogersWith thanks to Professor Jerome Carson and Dr Sandie McHugh at The University of Greater Manchester.

Join poet Jack Underwood, who humorously dubs himself a 'metaphor consultant,' alongside Stephen Flusberg, director of the FRAME Lab, and AI expert Melanie Mitchell. They dive into the transformative power of metaphors in shaping our understanding of concepts like AI and politics. Flusberg shares how different metaphors alter decision-making while Mitchell highlights the cultural implications of describing machines in human terms. They also discuss the need for fresh metaphors in a rapidly changing world, and Jack even offers custom metaphors for callers.