New Books in Poetry

Tamara J. Madison, both on the page and in voice, is magical. In her most recent collection, Threed, This Road Not Damascus (Trio House, 2019), she seamlessly bridges the gap between past and present while remaining grounded in the here and now. Via her use of religion, familial history, and rhythm she is able to give voice to those women who oft times were forced to remain silent in order to survive. It is through her poetry that these women, and those still to come, are allowed to be wholly free. Madison creates a new mythology here. A mythology that begins to lay the groundwork for us to create the worlds in which we want to move. She leaves us with the lingering sense that the makings of the universe are in our hands. All we need to do is mold it and name it.Tamara J. Madison is an internationally traveled author, poet, performer, and editor currently teaching as a professor of English and Creative Writing at Valencia College in Orlando, Florida. Her critical and creative works have been published in various journals and magazines including Poetry International, Tidal Basin Review, Web del Sol, and Linden Avenue. She has also been published in several anthologies: Temba Tupu, Check the Rhyme, Seattle Poets and Photographers, and SisterFire. Her most recent publication is a full-length poetry collection, Threed, This Road Not Damascus. An earlier manuscript of the book was short-listed for the 2015 Willow Books Literature Award. She is the author of Collard County, A Collection of Short Stories. Her collection, Kentucky Curdled (poetry and essay) is available in paperback, on Kindle , and poetry audiobook.A consummate performance poet and spoken word artist, Tamara has performed for numerous stages and television. Her melodic poetry and spoken word are featured in the award winning, Naked Voice currently available on CD Baby. She has also performed and recorded as bilingual vocalist and poet (French/English) with Juba Collective of Chicago under master musician and composer, Kahil El’Zabar. To contact her for readings, workshops, and updates, visit her home on the web at here on Instagram @tamarajmadison.Born and raised in Northeast Ohio, Athena Dixon is a poet, essayist, and editor. She is Founder of Linden Avenue Literary Journal, which she launched in 2012. Athena's work has appeared in various publications both online and in print. She is the author of No God In This Room, a poetry chapbook, published by Argus House Press. Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). She writes, edits, and resides in Philadelphia. Learn more about Athena here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Drawing on the author’s deep knowledge of classical literature, Deborah L. Davitt’s book of poetry The Gates of Never (Finishing Line Press, 2018) explores the intersections of myth, science, and humanity through her beautifully accessible poems, reflecting a variety of forms and linguistic styles. These poems morph between being moving, irreverent, unsettling, and erotic — offering up a richly textured collection of work.“He writes me upside downand backwards, so thatI hardly know myself yet,but my hundred newly-open mouthswhisper secret meanings,and offer atramentum kisses;he soothes my wounds withcopper vitriol, making the wordsholy and incorruptible,incapable of fading into sepia;yet as he kisses me, our tongues meeting,the words spark white-fireunder my skin, the runes writhinginto new configurations”– from “Testament”Deborah L. Davitt was raised in Nevada, but currently lives in Houston, Texas with her husband and son. She has worked as a technical writer on contracts involving nuclear submarines, NASA, and computer manufacturing. Her poetry has received nominations for the Rhysling, Dwarf Star, and Pushcart awards; and her short fiction has appeared in InterGalactic Medicine Show, Compelling Science Fiction, and Pseudopod. For more about her work, including her Edda-Earth novels and her poetry collection, The Gates of Never, please see www.edda-earth.com.You can find New Books in Poetry on Shuffle here.Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at: www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Inspired by Ntozake Shange’s for colored girls who considered suicide/when the rainbow is enuf Lady Dane Figueroa Edidi has written her own beautiful choreo drama titled For Black Trans Girls Who Gotta Cuss A Mother F*cker Out When Snatching An Edge Ain’t Enough. Lady Dane Figueroa Edidi describes For Black Trans Girls as “a celebration of Trans Women, Goddesshood, a lament for our fallen, a sword for our living and a challenge to white supremacy, structural oppression and any who would dare try to erase us from existence." In this interview Lady Dane shows that she really is a renaissance woman, discusses the connection between racism and transphobia, challenges the idea that science is better religion especially for trans folks of color, and promotes the importance of accountability.You can purchase a copy of For Black Trans Girls here. $2 from each book sold goes to a trans and/or gender non-conforming person of color’s survival fund.Lady Dane Figueroa Edidi is an African, Cuban, Indigenous, American Trans performance artist, author, and playwright among many different titles. Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects.jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk.Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Is classical Japanese poetry something to be enjoyed in private, an object of study for scholars, or an item of public life teeming with hints about how to understand and deal with our past and our future? In Japanese Poetry and its Publics: From Colonial Taiwan to Fukushima (Routledge, 2018), Dean Anthony Brink, Associate Professor at the National Chiao Tung University in Hsinchu, Taiwan, argues that certain forms of Japanese classical poetry (especially tanka and senryū) have remained central to public life in both Japan and its former colony of Taiwan. Brink analyzes poems published in regular newspaper columns and various blogs, examining the way in which they reflect specific historical moments and exploring how they can be used for (and in) politics. Brink’s conclusion is that poetry has an ambivalent function, as it can serve on the one hand to justify and support colonialism and imperialism, and on the other hand to present a medium of resistance and protest.Roman Paşca is Assistant Professor at Kyoto University’s Graduate School of Letters, Department of Japanese Philosophy, Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

John Sibley Williams’ As One Fire Consumes Another (Orison Books, 2019) presents a familiar world full of burnings carried out on both the grand and intimate scale. The newspaper-like columns of prose poetry provide a social critique of the violent side of American culture centered within the boundaries of self and family. Although an apocalyptic tension permeates throughout, these poems envision the kind of fires that not only provide destruction but also illuminate a spark of hope.“Dust rises from the road & there istoo much curve to resolve the edgesof embankment & asphalt. Backfirekeeps the pastureland carefully lit.Static keeps us wanting for anotherkind of song.”— from “Story that Begins and Ends with Burning”John Sibley Williams is the author of As One Fire Consumes Another (which won the Orison Poetry Prize in 2019 and which we’ll be talking about today). He is also the author Skin Memory (which won the Backwaters Prize and is forthcoming from University of Nebraska Press also in 2019) as well as Disinheritance and Controlled Hallucinations. A nineteen-time Pushcart nominee, John is the winner of numerous awards, including the Wabash Prize for Poetry, Philip Booth Award, American Literary Review Poetry Contest, Phyllis Smart-Young Prize, Nancy D. Hargrove Editors' Prize, Confrontation Poetry Prize, and Laux/Millar Prize. He serves as editor of The Inflectionist Review and works as a literary agent. Previous publishing credits include: The Yale Review, Midwest Quarterly, Southern Review, Sycamore Review, Prairie Schooner, and other journals and various anthologies. He lives in Portland, Oregon.Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at: www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In Oculus (Graywolf Press, 2019), Sally Wen Mao explores exile not just as a matter of distance and displacement, but as a migration through time and a reckoning with technology. The title poem follows a girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence speaks in the voice of international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them.“I’ve tried to hard to erase myself.That iconography—my facein Technicolor, the manta rayeyelashes, the nacre and chignon.I’ll bet four limbs they’d cast me as anotherMongol slave. I will blow a holein the airwaves, duck lasers in my dugout.I’m done kidding them. Today I flythe hell out in my Chrono-Jet.”— from “Anna May Wong Fans Her Time Machine”Sally Wen Mao is the author of Oculus (Graywolf Press, 2019) and Mad Honey Symposium (Alice James Books, 2014). Her work won a 2017 Pushcart Prize and is published or forthcoming in A Public Space, Poetry, Black Warrior Review, Guernica, The Missouri Review, Tin House, The Best of the Net 2014, and The Best American Poetry 2013, among others. The recipient of fellowships and scholarships from Kundiman, the New York Public Library Cullman Center, and Bread Loaf Writers Conference, Mao holds an M.F.A. from Cornell University. Learn more at: www.sallywenmao.com.Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is cohost of the New Books in Poetry podcast, serves as an associate editor for Zoetic Press, and is a member of the Science Fiction and Fantasy Poetry Association. Learn more at: www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In his own description of his book, And Then I Got Fired: One Transqueer’s Reflections on Grief, Unemployment, & Inappropriate Jokes About Death, J Mase III writes, “Feel free to scream directly into this book if you need to.” It is in this invitation that J Mase III takes on themes of the messiness of grief, Black trans spirituality, and what it means to be an independent artist. Written after the passing of both his grandmother and father within the span of three months, this book is honest, brave, and full of love.J Mase III is a Black trans queer poet and educator and is the founder of awQward, a talent agency exclusively for trans and queer people of color. You can check out his amazing work and purchase his book here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In Strange Cocktail: Translation and the Making of Modern Hebrew Poetry(University of Michigan Press, 2018), Adriana X. Jacobs offers a translation-centered reading of twentieth-century modern Hebrew poetry. Through close readings of poems by Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel, Jacobs shows how an intertwined poetics and praxis of translation shaped the work of these poets and became synonymous with the act of writing itself.Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Grey Held writes of Frances Donovan's book, Mad Quick Hand of the Seashore (Reaching Press 2018 ), "there is hunting for love, there is basking in love, there is longing." This collection offers all of these things. It examines what it is to love romantically, sexually, as a friend, and as a resident of the world. It pulls us down into the micro-moments of our lives and then catapults us out into the universe. In this episode, we touch upon marginalization, hope for inclusion, the writer's journey, and how we come to the page on our own terms.Mad Quick Hand of the Seashore was named a finalist in the 2019 Lambda Literary Awards. Her publication credits include The Rumpus, Snapdragon, and SWWIM. An MFA candidate at Lesley University, she is a certified Poet Educator with Mass Poetry and has appeared as a featured reader at numerous venues. She once drove a bulldozer in a GLBT Pride parade while wearing a bustier and combat boots. You can find her climbing hills in Boston and online at www.gardenofwords.com.Born and raised in Northeast Ohio, Athena Dixon is a writer and editor. She is Founder of Linden Avenue Literary Journal. Athena's work has appeared in various publications both online and in print. She has been nominated for both the Pushcart Prize and Best of the Net. Athena has attended workshops with Callaloo, V.O.N.A., and Tin House. She is a member of the Moving Forewards Memoir Writers Collective. She is the author of No God In This Room (Argus House Press). Her work also appears in The BreakBeat Poets Vol. 2: Black Girl Magic (Haymarket Books). She writes, edits, and resides in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry