New Books in Technology

Remember when Massive Open Online Courses (MOOCs) were going to shake higher education to its foundations by giving courses from the world’s most prestigious colleges and universities away free to the world?Today’s guest, Jeffrey Young – Senior Editor at the online educational publication EdSurge and host of the Edsurge podcast – talks about his time on the front lines of MOOCs and other technology advances in higher education. Jeffrey covered the rise and alleged fall of MOOCs extensively at the Chronicle of Higher Education, as well as exploring the MOOC story beyond the headlines during a Neiman Fellowship at Harvard University. The insights he developed can all be found in his book Beyond the MOOC Hype. (Chronicle of Higher Eduction, 2013)Over a million new people have signed up to take MOOC courses since the COVID-19 crisis hit. Does this represent a MOOC renaissance, or something else? Listen to our wide-ranging discussion to learn more about what MOOCs might mean today.Jonathan Haber is an educational researcher and consultant working at the intersection of pedagogy, technology, and educational policy. His books include MOOCS and Critical Thinking from MIT Press and his LogicCheck project analyzes the reasoning behind the news of the day. You can read more about Jonathan’s work at http://www.degreeoffreedom.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

When we talk about technology we always talk about the future—which makes it hard to figure out how to get there.In Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us about Digital Technology (Verso), Lizzie O’Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and social movements with modern theories of the mind, society, and self, O’Shea constructs a “usable past” that help us determine our digital future.What, she asks, can the Paris Commune tell us about earlier experiments in sharing resources—like the Internet—in common? Can debates over digital access be guided by Tom Paine’s theories of democratic economic redistribution? And how is Elon Musk not a visionary but a throwback to Victorian-era utopians?In engaging, sparkling prose, O’Shea shows us how very human our understanding of technology is, and what potential exists for struggle, for liberation, for art and poetry in our digital present. Future Histories is for all of us—makers, coders, hacktivists, Facebook-users, self-styled Luddites—who find ourselves in a brave new world.Lizzie O’Shea is a lawyer, writer, and broadcaster. She is a founder and the chair of Digital Rights Watch, which advocates for human rights online, is a special advisor to the National Justice Project, and also sits on the board of Blueprint for Free Speech and the Alliance for Gambling Reform. At the National Justice Project, she worked with lawyers, journalists and activists to establish a Copwatch program, for which she received a Davis Projects for Peace Prize. In June 2019, she was named a Human Rights Hero by Access Now.Dr Alexandra Ortolja-Baird is a visiting researcher at the British Museum and teaches Digital Humanities at University College London. Her research intersects intellectual history, digital humanities and cultural heritage studies. She can be reached at aortolja-baird@britishmuseum.org Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

With the burst of new technologies in the 1870s, many inventors and visionaries believed that the transmission of moving images was just around the corner. As Doron Galili details in his book Seeing by Electricity: The Emergence of Television, 1878-1939 (Duke University Press, 2020), the half-century of speculations that followed did much to shape the development of broadcast television well before it emerged in the 1930s. Galili notes that much of this occurred within the context of contemporary technologies such as the cinema and the telephone, both of which pointed to the inherent possibilities of such an invention yet embodied very different ideas about image and communications. Seeking to conceptualize moving image technology, people often used the eye as a metaphor or model for how it might operate or the role that it would serve. Though the emergence of the cinema industry in the United States did much to shape the context in which television would develop in the United States, Galili shows how differing theories of visual media and society in the Soviet Union, Germany, and Italy offered alternate models that influenced how the new technology was received in their respective countries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In this interview, I talk to Dr. Ainissa Ramirez about her new book, The Alchemy of Us: How Humans and Matter Transformed One Another (MIT Press, 2020)Dr. Ramirez examines eight inventions―clocks, steel rails, copper communication cables, photographic film, light bulbs, hard disks, scientific labware, and silicon chips―and reveals how they shaped the human experience. These fascinating and inspiring stories offer new perspectives on our relationships with technologies.Ainissa Ramirez, Ph.D. is an award-winning scientist and science communicatorNajarian Peters is a new associate professor of law at the University of Kansas and a Faculty Fellow at the Berkman Klein Institute at Harvard University. Her research interests and teaching areas focus on privacy and emerging technology. Email her at: npeters@law.harvard.edu, najarian.peters@ku.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

What is the culture of the tech industry? In The Culture of Women in Tech: An Unsuitable Job for a Woman (Emerald, 2019), Mariann Hardey, an Associate Professor in Marketing at Durham University, shows the ongoing inequalities faced by women in the IT industry. The book uses a range of case studies from across the world’s ‘tech cities’, drawing on interviews, focus groups, ethnography, and a feminist theoretical framework, to make clear the problem of the ‘women in tech’ label and the sexism in the tech industry. The book analyses the gendered spatial and career divisions of tech, making it an important addition to the literature, as well as essential reading for anyone interested in how this most essential modern industry works. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Nick Prior—Professor of Cultural Sociology at the University of Edinburgh—discusses his new book, Popular Music, Digital Technology and Society (SAGE Publications, 2018). The book explores the social, cultural and industrial contexts for the changes that have taken place in popular music since the widespread adoption of digital technology by creators, distributors, and listeners from the early 1980s onward. Joining insights from the sociology of culture with key analytic categories from science and technology studies (STS), Prior examines a variety of contexts in which these changes have been felt, including the novel spaces and structures of both music production and consumption afforded by digitalization, the co-construction of vocal subjects and vocal sound-processing technologies, the tactical use of portable media by young urbanites to mediate their relationship to the city, and the conjunction of music and play in the ever-growing video game sector. In addition to an acute sense for their embeddedness in the social lives of their various users, Prior also demonstrates a notable fluency with the technologies he describes as well as a distinctively musical interest in the sounds that they have been used to produce.Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

How does technology shape music? In Digital Sampling: The Design and Use of Music Technologies (Routledge, 2019), Paul Harkins, a lecturer in music at Edinburgh Napier University, looks at the relationship between the rise of digital sampling, technology, and music. The book draws inspiration from Science and Technology Studies to explore the impact of specific technologies, such as the Fairlight Computer Musical Instrument, programming languages, and studio practices, on artists and producers. The analysis also thinks through the evolution of digital sampling across a variety of genres, including pop, folk, and hop-hop. Drawing on a wealth of examples, the book is essential reading for anyone interested in the history of music, the history of technology, and the history of contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Technology has been instrumental in allowing audiences to encounter expressions of culture to which they may have no direct connection. The popular commercial platforms like Twitter and Instagram mediate culture, the affordances of each determining how aspects of culture translate on the sites. In his new book, Distributed Blackness: African American Cybercultures (NYU Press, 2020), Andre Brock, an associate professor at Georgia Tech, theorizes what it means to be Black online, particularly when the physical body can neither be understood nor constrained. Though considering topics like afro-pessimism and the digital divide, Brock particularly focuses on Black joy – “the embodied cognition where Black people express their relationship to the world through our joy in moving through it.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Cars are among our most ubiquitous technologies; one could say that the cultural lore of the postwar United States is written in tire marks. But as much as they have been a vehicle for liberation and expression, historian Lee Vinsel argues that automobiles have been shaped by government regulation through and through.In Moving Violations: Automobiles, Experts, and Regulations in the United States (Johns Hopkins University Press, 2019), Vinsel combats the free market doctrine that auto regulation is fundamentally opposed to innovation. In part, he does this by historicizing the animus against regulation and the “innovation speak” that emerged in its wake. But the book itself makes a compelling argument for how the automobile has always been perceived by voluntary associations and governing bodies as a risk in need of taming. These shifting perceptions formed the basis for infrastructures that made the car into a more dependable, safer, and cleaner technology. Vinsel’s engaging narrative provides a model for studying technology and governance in the postwar U.S. in which policy instruments, built environments, and constructions of the human subject all share the road.Mikey McGovern is a PhD candidate in Princeton University’s Program in the History of Science. He is writing a dissertation on how people used discrimination statistics to argue about rights in 1970s America, and what this means for histories of bureaucracy, quantification, law, politics, and race. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology