New Books in Technology

Since the 1990s, the music industry has been going through a massive transformation. After World War II, the primary way audiences participated in the music business in the period between 1945 and 1990 was by purchasing records and attending concerts. The internet and the mp3 file, however, have changed how people are listening to music. In Popular Music in a Digital Music Economy: Problems and Practices for an Emerging Service Industry (Routledge, 2014), Tim Anderson explores how the music industry is changing from selling records as its primary purpose to a new paradigm in which artists must be entrepreneurial, audiences are end users, and record companies are investing in music brands, not simply records. Anderson’s book is a great guide for this new world. In his book, he draws on a wide range of examples from Moby and Lupe Fiasco to Amanda Palmer and Jonathan Coulton. He also introduces readers to the role that music supervisors, such as Alexandra Pastavas, are playing in film and television. Dr. Tim Anderson is an associate professor at Old Dominion University in the Department of Communication and Theatre Arts. He is also the author of Making Easy Listening: Material Culture and Postwar American Recording. Dr. Anderson can be contacted at tjanders@odu.edu. His website is http://timjanderson.weebly.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Daryn Lehoux‘s new book will forever change the way you think about garlic and magnets. What Did the Romans Know?: An Inquiry into Science and Worldmaking (University of Chicago Press, 2012) is a fascinating account of the co-production of facts and worlds, taking readers into the sciences of Rome from the first century BC to the second century AD. Masterfully blending approaches from the history and philosophy of science, Lehoux traces the significance of the “threefold cord” of nature, law, and the gods in making up the early Roman world. The chapters use the works of Cicero, Seneca, Galen, Ptolemy, and others to explore topics making up the foundation of a history of Roman science, including the importance of divination to Roman politics and natural knowledge, the relationship between optics and ethics in the Roman world, and the entanglements of law, nature, and witnessing. What Did the Romans Know? also contributes to philosophical debates over the theory-ladenness of observation, scientific and historical realism, and relativism. Lehoux ends his account as an “epistemological coherentist,” suggesting a model for thinking about and with the sciences in history and beyond. On top of all of this, the language of the text sparkles. It’s a wonderfully enjoyable read. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Josh Lerner is the author of Making Democracy Fun: How Game Design Can Empower Citizens and Transform Politics (MIT Press, 2014). Lerner earned his Ph.D. in Political Science from The New School for Social Research, and is now the Executive Director of The Participatory Budgeting Project, a nonprofit organization that empowers communities to decide how to spend public money. Lerner asks the question at the start of the book: Can games make democratic participation more fun? He does not mean game theory, he means actual games. Designed activities aimed to infuse the rules of a game to political decision making. He traces the use of gaming to advance public participation through Latin America, with particular attention on Rosario, Argentina. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Ronen Shamir‘s new book is a timely and thoughtful study of the electrification of Palestine in the early twentieth century. Current Flow: The Electrification of Palestine (Stanford University Press, 2013) makes use of Actor-Network Theory as a methodology to trace the processes involved in constructing a powerhouse and assembling an electric grid in 1920s Palestine. The book brilliantly shows how electrification “makes politics” rather than just transmitting it: under the auspices of British colonial government, the material processes of electrification produced and affirmed ethno-national distinctions like “Jews” and “Arabs” and the spaces they came to produce and inhabit in Palestine. The electric grid, here, “performs and enables (or disables) social formations through the physical connections it establishes and its attachments to other entities.” The episteme of separatism and the roots of what would become a partition plan were born in this context, as Shamir shows. The first part of the book (chapters 1 & 2) explores these phenomena by looking at flows of electric current to streetlights and private consumers who were lighting their homes and businesses. The second part of the book (chapters 4 & 5) looks at the attachment (or not) of the electric grid to railways, industry, and agriculture. The third chapter acts as a pivot between them, examining the processes by which the measurement and standardization of current became a potent social force, creating new divisions between areas of the city of Tel Aviv, public and private spheres, and kinds of consumers. Whether you’re interested the history of Palestine or the historical sociology of science, this is a fascinating, inspiring study well worth reading! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The conversation about the Web and social media skews toward a discussion of the potential for connections, and how both individuals and organizations are using the media to communicate, to form communities, and to conduct business. Lacking, for the most part, is an investigation of the design of these spaces and how design, both good and bad, encourages or provokes certain kinds of interactions. In her new book, The Social Machine: Designs for Living Online (MIT Press, 2014), Judith Donath, Faculty Fellow at Harvard University’s Berkman Center, explores the theory and practice of interface design, and analyzes how design influences online interaction. With a view toward inspiring designers, and others, “to be more radical and thoughtful in their creations,” Donath provides a detailed examination of topics to be considered for beneficial design. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In his new book, Imperial Technoscience: Transnational Histories of MRI in the United States, Britain, and India (MIT Press, 2014), Amit Prasad, an associate professor of sociology at the University of Missouri, examines what he calls the “entangled histories of MRI” by studying the development of the technology in the United States, Britain and India. In this way, Prasad deconstructs West/non-West technological and cultural divisions, as well as elucidating Euro/West-centrism in the histories of technology. To do so, Prasad examines five key aspects of MRI research: invention, industrial development, market, history, and culture. In so doing, Prasad provides a critique of the situating of the origin of modern science in the West. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

“One doesn’t so much read a death certificate, it would seem, as perform calisthenics on one…” From the first, prefatory page of Lisa Gitelman‘s new book, the reader is introduced to a way of thinking about documents as tools for creating bodily experience, and as material objects situated within hierarchies and relationships of labor. Working beautifully at the intersection of media studies and history, Paper Knowledge: Toward a Media History of Documents (Duke University Press, 2014) curates a thoughtful and inspiring collection of moments from the expansion of a modern “scriptural economy.” The case studies explore fill-in-the-blank forms in the context of late nineteenth century job printing, typescript books and scholarly communication in the 1930s, photocopies and photocopying in the 1960s and 1970s, and PDF files in the 1990s and beyond. The final chapter is a fascinating exploration of what it might look like to write a situated history of amateurdom and the figure of the “amateur,” a theme that recurs throughout the preceding chapters. Though all of these cases are carefully rooted within a US context, the insights gleaned from them potentially apply to a much wider and trans-local conversation about the documentary media of writers and readers. It is a history of documenting as an epistemic practice and documents as instruments, and that history is consistently and productively entangled with concerns about reproduction, access, labor, and the emergence of a bureaucratic self. Along the way, Paper Knowledge helpfully opens up some persistent historiographical notions that benefit from such opening, such as “print culture,” “digital humanities,” “authorship,” and other categories that have defined the history of and with communication, and that animate contemporary debates within academia and beyond. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Scholars and commentators have used metaphor in an attempt to describe the Web since public access began. Think of ideas like the information highway, cyberspace, the digital library, etc. In her new book, The Leisure Commons: A Spatial History of Web 2.0 (Routledge, 2014), Payal Arora, an assistant professor in the Department of Media and Communication at Erasmus University Rotterdam, takes a novel approach to the use of metaphor by examining the parallels between public common spaces and Web 2.0. In the book, Arora uses an interdisciplinary approach to exploring the historical, geographical, political and social issues related to public parks. In so doing, Arora, provides a foundation for how policymakers, organizations and individuals may conceptualizes the debates surrounding common spaces, particularly Web 2.0. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The continued growth of online gaming and virtual worlds has effects not only in the analog world, with games and social media organizations taking stock options public, but also in the worlds created online. Many games and platforms allow users to involve themselves in virtual labor, to own property, and most importantly to make purchases. This one of areas where the analog and virtual crossover. And the question for platform providers becomes how to capitalize on user interest while earning money. In the new book Virtual Economies: Design and Analysis (MIT 2014), Vili Lehdonvirta, a research fellow at the Oxford Internet Institute, at the University of Oxford and Edward Castronova, professor of communications and cognitive science at Indiana University provide a detailed examination of the underpinnings and motivations for the creation of virtual economies. Lehdonvirta and Castronova consider various international examples to provide a comprehensive look at the markets that continue to be embedded into all kinds of online, and offline, interactions. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

How much do we really think about the technology that we spend so much time using? More specifically, have you really ever considered the possible effects that the use of technology like your laptop, tablet, cellphone, etc. has on your reading, writing, and overall production of materials? In her new book, Reading Writing Interfaces: From the Digital to the Bookbound (University of Minnesota Press, 2014), Lori Emerson, an assistant professor of English and founder and director of the Media Archaeology Lab at the University of Colorado at Boulder, examines how ever changing technology mediates between what we read, write, and otherwise produce. To do this, Emerson combines both media archaeology and literary studies, and examines the possible dangers of the constant moves towards “invisibility” of the technology, and the rhetoric surrounding buzz phrases like “ubiquitous computing” and “user friendly.” Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology