Skylight Books Podcast Series

The Conspiracy (Phoneme Media) When leftist revolutionary Sergio's sniper shot misses the President of Venezuela, he's thrown into a sudden tailspin. As he attempts to escape the increasingly militarized regime, he winds up taking residence in a bohemian beachside commune, where he keeps a low profile until Lourdes, his former comrade, the object of his desire, and his possible betrayer, turns up one evening. Pursued by their former trainer in guerrilla warfare on the orders of the newly appointed Minister of the Interior, the two team up with unlikely partners to hatch a new plan for their survival. This poetic thriller, the second in Phoneme Media's City of Asylum imprint, challenges the origin myth of South America's radical left, resulting in its author's exile from Venezuela. Praise for The Conspiracy  "A rare voice from Venezuela. In this fever dream of a novel shot through with dark humor, Centeno grapples with the fallout from generations of violence and corruption." —Natasha Wimmer, translator of Roberto Bolaño'sThe Savage Detectives and 2666 "His fleshy, psychologically penetrating work is one of the great undiscovered literary experiences of Latin America." —Aurelio Major, co-founding editor of Granta en Español "The alleyways and hideaways of Israel Centeno's Venezuela are as real and visceral as the streets of Pasolini's Rome." —Dermot Bolger, author of The Journey Home Israel Centeno was born in Venezuela in 1958. He has published 14 books, primarily novels but short story and poetry collections as well. He is regarded as on of the most important Venezuelan literary figures of the last fifty years. He has won the Federico García Lorca Award in Spain and the National Council of Culture Award in Venezuela. Since 2011 he has lives in Pittsburgh with his wife and two daughters, as an exiled writer-in-residence at City of Asylum Pittsburgh.

Fly Me (Little Brown & Company) The year is 1972 and Suzy Whitman arrives in Sela del Mar, a debaucherous beach town in the shadows of LAX, lured across the country by the desire for danger and acceptance, and the possibility of escaping her past. Full of startling psychological insight, Daniel Riley’s debut novel, Fly Me is a haunting tour de force. Richly evoking the sights and sounds of the era, Riley paints the vivid portrait of a nation on the verge of a new era—and a girl caught between her past and the ever-expanding present. Suzy casts aside her recent Vassar degree, following her beloved older sister into the borderless adventures of working as a stewardess for Grand Pacific Airlines.  Suzy immerses herself into Southern California culture, meeting the surfers who populate the beaches and the musicians who play in the smoke filled clubs.  There is a dark side to this sun-soaked town and Suzy is soon drawn into a drug-trafficking scheme.  Between the years of 1961 and 1973, there were over 160 planes hijacked over U.S. airspace, and Suzy is forced to confront those who dominated the headlines and terrorized the skies. Smuggling cocaine in her (often unchecked) luggage is a lucrative side business; thrilling and terrifying, heightened even more so by the skyjacking epidemic of the day. That will all change on one fateful evening, where everything Suzy has come to know and love, goes up in smoke. For readers of Rachel Kushner’s The Flamethrowers, Fly Me is an engaging exploration of being young, navigating expectations and learning to live with your mistakes. Fly Me is an unforgettable novel about family, a young woman on the edge, about drugs and rock ’n’ roll, and the increasingly thin line between freedom and free fall. Daniel Riley is a Senior Editor at GQ magazine. He grew up in Manhattan Beach, California, and lives in New York City. Fly Me is his first novel. The Last Kid Left (MCD/Farrar, Straus and Giroux) When a scandalous small-town crime goes viral, a teen girl takes center stage in the story of a 21st century Puritan witch-hunt. After a double-murder kicks off a scandal in a New England beach town, a young woman struggles to create a life for herself and escape the lurid interest of a tight-knit community. No doubt one might sense echoes of The Scarlet Letter, one of Baldwin’s favorite works, in The Last Kid on the Left, his eagerly anticipated new novel. Loosely inspired by a true crime in 1930’s New England so shocking that Life magazine devoted an entire spread to the case, Baldwin sets his explosive, searching novel in the present day of Tumblr and sexting. People are haunted equally by the past and the present as the precarious lives of two teens, a small town sheriff, a retired big-city police officer and an aspiring young journalist desperate to make the pages of the New Yorker, all collide in a media firestorm that threatens to swallow them whole. Rosecrans Baldwin is the author of Paris, I Love You but You're Bringing Me Down and a debut novel, You Lost Me There. His essays and articles have appeared in a variety of publications, including GQ, the New York Times, and the Guardian. He lives in Los Angeles. 

The Pox Lover: An Activist's Decade in New York and Paris (University of Wisconsin Press) www.thepoxlover.com The Pox Lover is a personal history of the turbulent 1990s in New York City and Paris by a pioneering American AIDS journalist, lesbian activist, and daughter of French-Haitian elites. In an account that is by turns searing, hectic, and funny, Anne-christine d'Adesky remembers "the poxed generation" of AIDS—their lives, their battles, and their determination to find love and make art in the heartbreaking years before lifesaving protease drugs arrived. D'Adesky takes us through a fast-changing East Village: squatter protests and civil disobedience lead to all-night drag and art-dance parties, the fun-loving Lesbian Avengers organize dyke marches, and the protest group ACT UP stages public funerals. Traveling as a journalist to Paris, an insomniac d'Adesky trolls the Seine, encountering waves of exiles fleeing violence in the Balkans, Haiti, and Rwanda. As the last of the French Nazis stand trial and the new National Front rises in the polls, d'Adesky digs into her aristocratic family's roots in Vichy France and colonial Haiti. This is a testament with a message for every generation: grab at life and love, connect with others, fight for justice, keep despair at bay, and remember. Praise for The Pox Lover  “Reminiscent of the luscious lesbian literature of the Parisian past, but propelled into the era of AIDS, ACT UP, and the Lesbian Avengers. D'Adesky's memoir also reveals her family's role in French colonialism, raising compelling questions about privilege, survival, homophobia, and dislocation.”—Sarah Schulman, author of The Cosmopolitans “A haunting contribution to the record of the AIDS era.”—Laura Flanders, author of Bushwomen: Tales of a Cynical Species “A necessary book. We need such a chronicle.”—Felice Picano, author of Like People in History “In a voice both powerful and cool, The Pox Lover takes on a sprawling personal history, deeply aware throughout that it is the politics of anyone's day—and how we respond to it—that shapes a life. Never far from the mad joy of writing, loving, and being alive, even as it investigates our horribly mundane capacity for horror, this book is a masterpiece.”—Michelle Tea, author of Black Wave Anne-christine d'Adesky is an investigative journalist and documentary filmmaker who reported on the global AIDS epidemic for New York Native, OUT, The Nation, and The Village Voice. She received the first Award of Courage from amfAR, the Foundation for AIDS Research. She was an early member of ACT UP and cofounder of the Lesbian Avengers. Her books include Beyond Shock: Charting the Landscape of Sexual Violence in Post-Quake Haiti, Moving Mountains: The Race to Treat Global AIDS, and a novel set in post-Duvalier Haiti, Under the Bone. Councilmember Lindsey P. Horvath was elected to the West Hollywood City Council on March 3, 2015. She previously served as a Councilmember for two years from 2009-2011. Councilmember Horvath has a long history of civic and social justice advocacy. She has spearheaded policies to make West Hollywood an “Age-Friendly Community” to better serve residents of all ages. She also champions LGBTQ rights, and has led initiatives to denounce discriminatory legislation against LGBTQ individuals. Councilmember Horvath is also known for her leadership on women’s issues and served as a Global Coordinator for One Billion Rising, a global campaign to end violence against women and girls. Additionally, Councilmember Horvath has worked on a range of transportation and mobility issues. Most recently, she engaged in community advocacy to promote light rail and subway service to West Hollywood and is committed to making West Hollywood both pedestrian- and bicycle-friendly. In addition to her service as an elected official, Councilmember Horvath works as an entertainment advertising executive, and has created award-winning campaigns for both movies and television.

Turf (Counterpoint Press) Blazing through states, cities, towns, continents, Crane fearlessly pivots from micro to macro, humor to tragedy, past to present, mixing an off-kilter sensibility with a heartbreaking reality, guiding us into the fringed and often fantastical lives of her characters. And that has never been truer than in her new collection, Turf. The end of the world as seen through a young couple in Brooklyn, who find a baby in a bucket on their front step; a group of geniuses who meet every Wednesday, able to unlock all the secrets of the universe except for the unknowable mystery of love; a woman and her dog walker whose friendship is uprooted by an incident at the park; these are dark, intriguing vistas explored in Crane’s glowing collection. For as places change, and people come and go, these stories in Turf remind us that it is the unchanging nature of the human heart that connects us all. Praise for Elizabeth Crane: "The novel flows smoothly, and readers game for offbeat narrative approaches will be well rewarded . . . So much like the relationship they’re borne of, Crane’s deeply realized mother-daughter inventions are therapeutic and ruthless, heartfelt and crushing. A lovely exercise in the wild, soothing wonders of imagination.” —Booklist, Starred Review  “Poignant and hilarious . . . Crane writes about the relationship between a deceased mother and her daughter as they tell each other’s stories to understand each other.” —Los Angeles Times “Imagine sitting at a leisurely dinner with two intelligent women, a mother and daughter . . . The format may be experimental, but the emotions the book will stir in readers are moving and heartbreakingly familiar.” —Library Journal “I cannot remember the last time I simultaneously cried and laughed as hard as I did while reading Elizabeth Crane’s glorious, tender knockout of a novel, The History of Great Things. Wait, yes I can. It was the last time I spoke to my mom about life.” —Amber Tamblyn, author of Dark Sparkler “A poignant dual narrative . . . Alternating between laugh-out-loud humor and heart-rending melancholy, Crane gives us a mother and daughter who never quite grasp each other’s life stories, but who find truth through unconditional love.” —Bookpage “Ultimately, The History of Great Things is a story of perception, one well worth reading. It serves as a reminder that what truly matters to each of us is not what actually happens, but how we remember it.”  —The Rumpus  “An important work, fearless in both structure and vision, with Crane’s razor-edge fusion of intelligence, humor, and emotion informing every chapter. Get ready, world: this one’s going to be huge.” —Jamie Quatro, author of I Want to Show You More  “Like everything Elizabeth Crane writes, The History of Great Things is wonderful fun to read—smart, insightful, and witty—but it will break your heart, too. It stares down the poignant question so many daughters want to ask: How well did my mother really know me?” —Pamela Erens, author of Eleven Hours and The Virgins “The Copelands would feel right at home in a Noah Baumbach movie . . . Our narrator is an omniscient ‘We’ who reports the goings-on of the family with the breathless glee of an incurable gossip.”—Entertainment Weekly “Its style is literary, with an edge: The point of view is wicked, the characters prickly, the language not quite quotable here. I can’t wait to read past the first chapter.”—Los Angeles Times “Like any good story writer, she had me in the first two paragraphs . . . A treat to read. The characters are crisp and enjoyable; the narrator is smart and witty.”—Iowa Press-Citizen “This is an irresistible and winsome read. A truly astute tale of love neglected and reclaimed, family resiliency, spiritual inquiries, and personal metamorphoses.” —Booklist, Starred Review  “Crane delivers a unique and dizzying tale that delves into the emotional life of a family teetering on the brink of everything . . . The beauty in Crane’s novel is her sweep from acid commentary to heartfelt portrayal of real-life loves and losses.” —Kirkus Reviews “Crane’s novel is filled with deliciously idiosyncratic characters, humorous and distinct narration, and a whole lot of personality. Each character’s emotional growth is just enough to satisfy, without being overbearing . . . Crane’s summer novel has undeniable heart.” —Publishers Weekly “At last a novel from Elizabeth Crane! With her expert humorist’s eye for detail, she gives us a playful, passionate story of longing, heartbreak, and of the gargantuan human will. You won’t be able to stop reading.” —Deb Olin Unferth, author of Revolution “Not since The Royal Tenenbaums have I loved a family so much. The Copelands of We Only Know So Much are wonderfully eccentric, hilariously not self-aware and strangely adorable. They seemed so real, I felt like I was reading my own family story.” —Jessica Anya Blau, author of The Summer of Naked Swim Parties and Drinking Closer to Home “This is the kind of book that inspires a person to see the beauty in the ordinary, to stop concentrating on others’ failings long enough to see their spark and maybe rediscover his or her own.”—Susan Henderson, author of Up from the Blue “A beautiful, warmhearted, ferociously honest debut that will pull you in with its chorus of true voices and catch you off guard with its playful, restless edginess.” —Patrick Somerville, author of The Cradle and This Bright River Elizabeth Crane is the author of the novels The History of Great Things and We Only Know So Much and three collections of short stories. Her stories have been featured on NPR’s Selected Shorts. She is a recipient of the Chicago Public Library 21st Century Award, and her work has been adapted for the stage by Chicago’s Steppenwolf Theatre Company. She currently lives in Newburgh, New York

Two and Two (Little, Brown and Company) McSorley’s Old Ale House is not just a bar—it’s a home to all walks of life that has stood the test of time. For over 160 years, since 1854, the saloon has been a safe haven for regulars and tourists, workingmen and businessmen, writers and artists, old-timers and barely legal college drinkers. It has witnessed the Civil War, two world wars, the Great Depression, Prohibition, the September 11th attacks, Hurricane Sandy.  It was even the subject of a Supreme Court decision—famously a men only pub, the bar finally allowed access for women in 1970 after the Court’s decision! In Two and Two, Rafe chronicles his life growing up at McSorley’s—a place where tradition is not just implemented for nostalgia’s sake, but is a vital component of the lifeblood. McSorley’s patrons read like a Who’s Who of 20th century icons, including Babe Ruth, Teddy Roosevelt and John Lennon.  Today, you might spot Mick Jagger, Matt Damon, Kevin Spacey or even Leo DiCaprio there. Two ale pours, sawdust-strewn hardwood floors, and the company of good folks are always to be expected when one crosses the threshold of McSorley’s—and these were the things that Rafe came to look forward to when he was just seven years old. Bestselling author James McBride (a long-time patron of McSorley’s) who praised “wonderful, young writer Rafe Bartholomew’s forthcoming memoir” in the New York Times Book Review’s Year in Reading  said, “Many a day I have sat in McSorley’s amidst the sawdust and beer and said to myself, ‘You’d have to be a child of this place to make these ghosts speak.’ And that is exactly what Rafe Bartholomew is. His is the voice of ages, the shouts of thousands of fireman, cops, soldiers, drunks, bums, wayfarers, liars, and good souls whose hard luck brought them to McSorley’s, and whose good spirit still reign over the place. He hoists this wonderful piece of Americana into the air with all the humor, joy, humility and love that it deserves.”  Rafe’s father Bart, a poet and bartender extraordinaire, strove to be a better man than his own abusive father and that he did. They also went through losing Rafe’s mom to cancer together.   Rafe was always protected and loved and knew that the pub was a natural extension of his home. The pub also became his library—a history lesson on Irish immigration as he inspected the photographs hanging from the walls, an anthropological study on the interactions between thirsty patrons and a gruff wait staff and an etiquette course in the gift of gab. The walls of the pub are living history—with memorabilia dating back to the turn of the century. In Two and Two, Rafe expertly pours over his and his father’s legacy in one of the last vestiges of a world that is quickly vanishing—that of old New York.  As to why people still flock to McSorley’s after all these years, Bart has the answer: “People can buy a mug of ale for cheap all over the city. They come to McSorley’s because it still feels real.”   Praise for Two and Two  “There is no bar in New York City—perhaps even all of America—with as much history as McSorley's Old Ale House which opened on East 7th Street in 1854. It was a campaign stop for Abraham Lincoln, a gathering spot for Boss Tweed and his Tammany Hall cronies, and a hangout for decades of artists, poets, and musicians. As a child, Bartholomew would spend magical weekend mornings at the bar with his father, playing with the mouser cat in the basement, eating hamburgers in the kitchen, and doing odd jobs. Bart never wanted to see his son behind the bar; he was a working-class kid from Ohio who'd nearly been killed by his drunk of a father and a long-suffering aspiring writer who'd never seen his literary dreams actualized. The author expertly weaves together entertaining stories from his nights behind the bar (note: never work at an Irish pub on St. Paddy’s Day) with more poignant moments between father and son. Bartholomew does both his father and McSorley’s proud with this touching, redolent memoir.”—Kirkus Reviews “[A] big-hearted memoir of a lifelong romance with New York City’s oldest saloon….Bartholomew chronicles this history and demonstrates how a crude, unforgiving, and extremely macho camaraderie sustained his family through suffering and loss….His description of his mother’s harrowing death from cancer jarringly shifts the register and introduces pathos and intensity that infuse the following pages. Bartholomew never ignores the darkness inherent in public drunkenness and jobs without health care or pensions, so his portrayal of the rough humor and blue-collar warmth feels completely earned.”—Publishers Weekly “I gobbled up a galley of the wonderful young writer Rafe Bartholomew’s forthcoming 2017 memoir, Two and Two. It’s about McSorley’s, New York’s oldest saloon. I’ve tipped many a glass at that joint, hoping some of the literary magic of the great writers who once got oiled up there would rub off. It hasn’t.”—James McBride, New York Times Book Review’s “The Year in Reading” Rafe Bartholomew is the author of Pacific Rims. His writing has appeared in Grantland, Slate, The New York Times, the Chicago Reader, Deadspin and other leading online and print publications. His stories have twice been honored in the Best American Sports Writing series. 

Large Animals (Catapult) Jess Arndt's striking debut collection confronts what it means to have a body. Boldly straddling the line between the imagined and the real, the masculine and the feminine, the knowable and the impossible, these twelve stories are an exhilarating and profoundly original expression of voice. In "Jeff," Lily Tomlin confuses Jess for Jeff, instigating a dark and hilarious identity crisis. In "Together," a couple battles a mysterious STD that slowly undoes their relationship, while outside a ferocious weed colonizes their urban garden. And in "Contrails," a character on the precipice of a seismic change goes on a tour of past lovers, confronting their own reluctance to move on.  Arndt's subjects are canny observers even while they remain dangerously blind to their own truest impulses. Often unnamed, these narrators challenge the limits of language--collectively, their voices create a transgressive new formal space that makes room for the queer, the nonconforming, the undefined. And yet, while they crave connection, love, and understanding, they are constantly at risk of destroying themselves. Large Animals pitches toward the heart, pushing at all our most tender parts--our sex organs, our geography, our words, and the tendons and nerves of our culture. Praise for Large Animals "Reading Arndt is like walking toward a shimmering desert mirage and being met with a cloud of acid instead of an oasis of cool water. . . . A deeply transgressive, riveting shot out of the gate. Arndt is one to watch."--Kirkus Reviews  "Arndt's short stories are delicious flights of fancy, or obsession, or fertile curiosity--or, more accurately, some beguiling combination of all three...This is a playful and provocative collection, full of sly, deft turns of phrase and striking imagery."--Publishers Weekly "Arndt tells stories that resemble handfuls of ribbons--vibrant, overlapping, tangled, seemingly more middles than beginnings and endings. . . . Arndt's keen, wild stories are truly original, and readers will hope for more."--Booklist Jess Arndt received her MFA at the Milton Avery Graduate School of the Arts at Bard College, and was a 2013 Graywolf SLS Fellow and 2010 Fiction Fellow at the New York Foundation of the Arts. Her writing has appeared in Fence, Bomb, Aufgabe, Parkett, and Night Papers, and in her manifesto for the Knife's Shaking the Habitual world tour. She is a co-founder of New Herring Press, dedicated to publishing prose and polemics. She lives and works in Los Angeles. Maggie Nelson ​is ​the author of nine books of poetry and prose​, many of which have become cult classics which defy classification​. Her nonfiction titles include the National Book Critics Circle Award winner and New York Timesbestseller The Argonauts (2015), The Art of Cruelty: A Reckoning (2011; a New York Times Notable Book of the Year), Bluets (2009; named by Bookforum as one of the top 10 best books of the past 20 years), The Red Parts​: Autobiography of a Trial​ (​​2007,​ reissued ​in​ 2016), and Women, the New York School, and Other True Abstractions (2007). Her poetry titles include Something Bright, Then Holes (2007) and Jane: A Murder (2005; finalist for the PEN/ Martha Albrand Art of the Memoir). She has also been the recipient of a Guggenheim Fellowship in Nonfiction, an NEA in Poetry, an Innovative Literature Fellowship from Creative Capital, and an Arts Writers Fellowship from the Andy Warhol Foundation. She holds a PhD in English Literature from the Graduate Center of the City University of New York, and has taught literature, writing, art, criticism and theory at the New School, Pratt Institute, Wesleyan ​University, and CalArts. In 2016 she was awarded a MacArthur “genius” Fellowship. She lives in Los Angeles.

Please join us as students from the MFA Program at UC Irvine read from their work.  Readers include:  Jack Foraker is from Davis, California.  Corinna Rosendahl is most recently from Seattle and Portland and Corvallis. William Hawkins grew up in Louisiana. He is a third year in fiction in the MFA program at UC Irvine. Megan Grant grew up in Reedley, California. She went on to get her BA in Literature and Creative Writing and a minor in Jewish Studies at Cal State Long Beach.  She enjoys writing, sarcasm, pineapple, and occasionally, drawing ninja turtles on the sidewalk.

  Nature Poem (Tin House Books) Nature Poem follows Teebs―a young, queer, American Indian (or NDN) poet―who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant―bratty, even―about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice. Praise for Nature Poem “I love this work. Unpredictable & sweet & strong...” —Eileen Myles “A thrilling punk rock epic that is a tour of all we know and can't admit to. Pico is a poet of canny instincts, his lyric is somehow so casual and so so serious at the same time. He is determined to blow your mind apart, and . . . you should let him.”—Alexander Chee *A Most Anticipated Book of 2017 at Publishers Weekly, Buzzfeed, and more.* Tommy "Teebs" Pico is the author of Nature Poem (Tin House Books), IRL(Birds LLC), and the zine series Hey, Teebs. He was a Queer/Art/Mentors inaugural fellow, 2013 Lambda Literary fellow in poetry, and a 2016 Tin House summer poetry scholar. Originally from the Viejas Indian reservation of the Kumeyaay nation, he now lives in Brooklyn where he co-curates the reading series Poets With Attitude (PWA) with Morgan Parker, co-hosts the podcast Food 4 Thot, and is a contributing editor at Literary Hub.  Melissa Broder is the author of four poetry collections, most recently Last Sext (Tin House Books). She is also the author of the essay collection So Sad Today (Grand Central). Her poems have appeared in Poetry, the Iowa Review, Tin House, Guernica, Fence, the Missouri Review, and the Awl among others. Broder lives in Venice, California.

To Have and to Hold (Fantagraphics Books) Couched in the traditional trappings of a noir heist thriller, Graham Chaffee’s To Have and To Hold is a hard-boiled disquisition on the darker regions of married life and the American Dream. Set in October 1962, while the world holds its collective breath awaiting the possibly apocalyptic climax of the unfolding Cuban Missile Crisis, the banality of everyday life goes on, as Lonnie and Kate Ross confront their own domestic cold war. As Kate, frustrated and disillusioned, looks outside her marriage for satisfaction, Lonnie’s justifiable suspicions of his wife’s infidelity lead him down a deadly road of increasing paranoia and violence as he seeks to reclaim what he’s lost. Possession, jealousy, lust, and betrayal — the classic ingredients for a rocky marriage in an America on the verge of nuclear apocalypse. Masterfully paced and drawn in Chaffee’s fluid, inky brushstrokes, To Have and To Hold captures the pulpy, nocturnal atmosphere of classic noir. Praise for Graham Chaffee: "The world does not have nearly enough graphic novels told from the perspective of adorable dogs. Let alone graphic novels that have a good chance of making you feel delighted on one page, then maybe like you might cry a little bit on the next page. Good Dog does those things, and also, did I mention it’s told from the perspective of an adorable dog? Seriously, the dog is so great! I would adopt him in a second and we would do everything together." – Erik Henriksen, Wired, The Best Comic Books of 2013 Graham Chaffee is a professional tattooist and comics artist. His previous books are The Big Wheels (1993), The Most Important Thing & Other Stories (1995), and Good Dog (2013). He lives and works in Los Angeles Sammy Harkham is an American cartoonist and editor, born in Los Angeles in 1980. He began making his own comics and created the zine Kramers Ergot, which has become one of the most influential comics anthologies published today. He is associated with the bookstore Family and the auteur movie house Cinefamily in Los Angeles.

City of Inmates: Conquest, Rebellion, and the Rise of Human Caging in Los Angeles, 1771-1965 (University of North Carolina Press) Los Angeles incarcerates more people than any other city in the United States, which imprisons more people than any other nation on Earth. This book explains how the City of Angels became the capital city of the world's leading incarcerator. Marshaling more than two centuries of evidence, historian Kelly Lytle Hernandez unmasks how histories of native elimination, immigrant exclusion, and black disappearance drove the rise of incarceration in Los Angeles. In this telling, which spans from the Spanish colonial era to the outbreak of the 1965 Watts Rebellion, Hernandez documents the persistent historical bond between the racial fantasies of conquest, namely its settler colonial form, and the eliminatory capacities of incarceration.  But City of Inmates is also a chronicle of resilience and rebellion, documenting how targeted peoples and communities have always fought back. They busted out of jail, forced Supreme Court rulings, advanced revolution across bars and borders, and, as in the summer of 1965, set fire to the belly of the city. With these acts those who fought the rise of incarceration in Los Angeles altered the course of history in the city, the borderlands, and beyond. This book recounts how the dynamics of conquest met deep reservoirs of rebellion as Los Angeles became the City of Inmates, the nation's carceral core. It is a story that is far from over.  Praise for City of Inmates "In this compelling and comprehensive history of incarceration in Los Angeles, Hernandez demonstrates how authorities whether Spanish, Mexican, or American have long used imprisonment as a tool to control labor and immigration. Covering nearly two centuries of incarceration, Hernandez masterfully synthesizes the history of immigration and deportation, the history of crime and punishment, and the history of settler colonialism."--Margaret Jacobs, author of White Mother to a Dark Race: Settler Colonialism, Maternalism, and the Removal of Indigenous Children in the American West and Australia, 1880-1940  "Using settler colonialism as an analytical touchstone, City of Inmates extends arguments about mass incarceration's antiblack violence while challenging its commonly asserted origins in the Deep South or the northeastern United States. Excavating the deep histories of punishment in Los Angeles, Hernandez significantly broadens our understanding of mass incarceration's intersections with immigrant detention and colonial dispossession. Vast in scope and intimate in detail, this book is timely and necessary."--Ethan Blue, author of Doing Time in the Depression  City of Inmates is a pathbreaking work that not only considers together the histories of the regimes of domestic incarceration and immigration detention, the major mechanisms that plague the condition of African Americans and Latino/as in our time. It also incorporates histories of incarceration and removal of Native Americans, Chinese, and poor whites as modes of 'elimination' by white settler colonialism. City of Inmates is a bold work that will surprise and provoke.--Mae Ngai, author of Impossible Subjects  Kelly Lytle Hernandez's City of Inmates is a remarkable book. No historian has ever told California's history with the breadth and depth of its enduring significance quite like this. Since the Spanish colonial period every kind of American--from Native Americans to Mexican and Chinese Americans, to landless whites and African Americans--has passed through California's jailhouse doors with profound implications for the shape of our nation today. No telling or teaching of the past is complete without reckoning with these supremely urgent stories of our carceral history.--Khalil Gibran Muhammad, author of The Condemnation of Blackness  Kelly Lytle Hernandez is associate professor of history at the University of California, Los Angeles