Podcast – Cory Doctorow's craphound.com

As I mentioned in my March Locus column, I’m celebrating the tenth anniversary of Down and Out in the Magic Kingdom by planning a prequel volume. As part of that planning, I’m going to read aloud the entire text of that first book into the podcast, making notes on the book as I go. Here’s part two. Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.” MP3 Link

As I mentioned in my March Locus column, I’m celebrating the tenth anniversary of Down and Out in the Magic Kingdom by planning a prequel volume. As part of that planning, I’m going to read aloud the entire text of that first book into my podcast, making notes on the book as I go. Here’s part one. Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.” MP3 link

Thomas “Command Line” Gideon came out for the DC stop on my Homeland tour, at Busboys and Poets, and mic’ed me up for the event. He’s mastered the audio and posted it. It’s a 40 minute talk about the promise of technology to improve our lives, the risks from allowing technology to be used to surveil and control us, and the contributions Aaron Swartz made to this cause and to the book. There’s also about 20 minutes of Q&A. TCLP 2013-03-13 Cory Doctorow on the Themes of “Homeland” MP3 Subscribe to Command Line podcast (RSS/XML)

Here’s a reading of my recent Locus column, Ten Years On, in which I reflect on my first decade as a novelist and discuss a possible further volume related to Down and Out in the Magic Kingdom, my first-ever novel: I never thought I’d write a sequel. The allure of writing books has always been the experience of discovering and exploring a place and people that have been cooked up by my imagination. By the time I’ve squeezed the book out through my fingertips, I’m generally pretty sick of that place and those people, and frankly glad to be shut of them. But a sequel to Little Brother happened, and when it was done, I discovered that I’d thoroughly enjoyed it. It was like discovering that a whole gang of close friends I’d lost touch with after high-school had stayed tight, and were happy to welcome me back into their bosom. Thoroughly enjoyed it? It was amazing. Back to February 2013. When my publisher told me that the book would come out on Feb 5, I immediately flashed back on Feb 3, 2003, ten years and two days before the publication of Homeland, when my first novel, Down and Out in the Magic Kingdom, was published. D&O was all kinds of firsts: the first novel I’d ever written, the first book of mine Tor ever published, and the first Creative Commons licensed novel – ever. It’s shocking to think that an entire decade has roared past in the interim, with 14 more books in print, and another two (Information Doesn’t Want to Be Free, a non-fiction book; and Anda’s Game, a full-length graphic novel from First Second) in the pipeline. Realizing that I was a decade into my writing career literally staggered me. I missed a step while walking down the street and nearly fell over. Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.” MP3 Link

The folks at Beyond the Book interviewed me for a recent podcast (MP3). We talked about computer control, DRM, publishing, and my latest book, Homeland.

Last week I sat down for an interview with Rick Kleffel at KQED in San Francisco. He’s put the whole interview — a long one! — up in his Trashotron podcast feed. We talked about Homeland and other things. Rick, as always, was a very astute interviewer. MP3 link

Here’s a reading from my upcoming novel, Homeland, the sequel to Little Brother. It’s a rehearsal for the readings I’ll be giving at schools and libraries when I leave for my 22-city US tour next week. He fitted me with a blood pressure cuff — yeah, it was a tactical cuff, which clearly made this guy as happy as a pig in shit — and then started in with the electrodes. He had a lot of electrodes and he was going to use ’em all, that much was clear. Each one went in over a smear of conductive jelly that came out of a disposable packet, like the ketchup packets you get at McDonald’s. These, at least, were non-tactical, emblazoned instead with German writing and an unfamiliar logo. That was when I started puckering and unpuckering my anus. Yes, you read that right. Here’s the thing about lie detectors: they work by measuring the signs of nervousness, like increases in pulse, respiration, and yeah, sweatiness. The theory is that people get more nervous when they’re lying, and that nervousness can be measured by the gadget. This doesn’t work so well. There’s plenty of cool customers who’re capable of lying without any outward signs of anxiety, because they’re not feeling any anxiety. That’s pretty much the definition of a sociopath, in fact: someone who doesn’t have any reaction to a lie. So lie detectors work great, except when it comes to the most dangerous liars in the world. That’s the “It’s better than nothing” stupidity I mentioned before, remember? But there’re plenty of people who start off nervous — say, people who’re nervous because they’re taking a lie detector test on which depends their job or their freedom. Or someone who’s been kidnapped by a couple of private mercenaries who’ve threatened to take him to their hideout if he doesn’t cooperate. But sometimes, lie detectors can tell the difference between normal nervousness and lying nervousness. Which is why it’s useful to inject a few little extra signs of anxiety into the process. There are lots of ways to do this. Supposedly, spies used to keep a thumbtack in their shoe and they could wiggle their toes against it to make their nervous systems do the Charleston at just the right moment to make their “calm” state seem pretty damned nervous. So when they told a lie, any additional nervousness would be swamped by the crazy parasympathetic nervous system jitterbug their bodies were jangling through. Thumbtacks in your shoe are overkill, though. They’re fine for super-macho super-spies for whom a punctured toe is a badge of honor. But if you ever need to beat a polygraph, just pucker up — your butt, that is. Squeezing and releasing your butt-hole recruits many major muscle- and nerve groups, gets a lot of blood flowing, and makes you look like you’re at least as nervous as a liar, when all you’re doing are some rhythmic bum-squeezes. As a side bonus, do it enough and you will have BUNS OF STEEL. Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.” MP3 link

On today’s podcast, I read read my obituary for Aaron Swartz, and the afterword he wrote for my upcoming novel, Homeland. I met Aaron when he was 14 or 15. He was working on XML stuff (he co-wrote the RSS specification when he was 14) and came to San Francisco often, and would stay with Lisa Rein, a friend of mine who was also an XML person and who took care of him and assured his parents he had adult supervision. In so many ways, he was an adult, even then, with a kind of intense, fast intellect that really made me feel like he was part and parcel of the Internet society, like he belonged in the place where your thoughts are what matter, and not who you are or how old you are. Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.” MP3 link

I sat down with the fascinating crew at the Titanium Physicists podcast to serve as their special physics-ignoramus guest in an episode about entropy (MP3)

Today, on a very special Cory Doctorow podcast, the podcasting debut of Ms Poesy Emmeline Fibonacci Nautilus Taylor Doctorow! MP3 Link