New Books in American Politics

Ronald Reagan’s hagiography has created an entire mythology around the 40th president of the US; anticommunism and the fight against the ‘Evil Empire’ are the central tropes of the Reagan story to this day. The culmination of this narrative arc is the collapse of the Soviet Union, an event which is still routinely attributed to Reagan and, particularly in conservative circles, and hailed as the ultimate validation of American political models and of American values.But the historical reality of the 1980s was far from ideologically monolithic. Andrew Hunt’s We Begin Bombing in Five Minutes: Late Cold War Culture in the Age of Reagan (University of Massachusetts Press, 2022) paints a nuanced picture of the complex social and cultural landscape of the United States during Reagan’s two terms. The country was in turmoil, bitterly divided over the meaning of its recent past (from nostalgia for the 1950s to the trauma of the Vietnam War) and over the direction of its future. It was rocked by street protests fueled by a rebirth of activism comparable to that of the 1960s. It witnessed the rise of fringe conspiracy theories, of popular opposition to U.S. involvement in Central America, and of widespread anxieties over nuclear war with the Soviet Union. Hunt’s book captures, in fascinating detail, the enormous pushback to the anticommunist rhetoric of the Reagan regime from citizens, activists, and artists, and the role that American popular culture—from music, to television, to film— played in reflecting, and sometimes influencing, the dynamics of the age.Oana Godeanu-Kenworthy is Associate Teaching Professor of American Studies at Miami University of Ohio. Her book, Between Empire and Republic: America in the Colonial Canadian Imagination, came out in 2022. Twitter: @OanaGodyKenw. Oana’s webpage. Learn more about your ad choices. Visit megaphone.fm/adchoices

What are the connections between the past and modern politics? In Heritage and Nationalism: Understanding Populism through Big Data (UCL Press, 2022), Chiara Bonacchi, a Chancellor's Fellow in Heritage, Text and Data Mining and Senior Lecturer in Heritage at History, Classics & Archaeology and Edinburgh Futures Institute at University of Edinburgh, explores the uses of heritage by contemporary populist politics. Drawing on ‘big data’ sources, including Facebook and Twitter, along with a deep theoretical engagement with digital humanities and heritage, the book compares and contrasts key political events in Italy, USA, and the UK to show how the ancient world is deployed by both politicians and audiences. The book is essential reading for both humanities and political science scholars, along with anyone interested in understanding the current populist moment. The book is available open access here.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Christopher Gilbert, Assistant Professor of English at Assumption College, has a new book that examines the understanding of American national character and culture through the works of caricature and comic representations. Gilbert specifically focuses on this kind of work that is produced during moments of crisis, particularly during wartime. Wartime often prompts self-understanding for a nation, since there is a demand that the reason for war is made clear, and the role of the nation is seen in this context. Gilbert notes that in the early days of the republic, Benjamin Franklin turned to caricature to help define or start to clarify an American national character, particularly in distinction from British colonial power. And this concept of national character is different than either patriotism or nationalism, since it reflects how citizens, individually and as a whole, understand themselves as a nation, and as separate from other nations. Unique histories, characteristics, and “belonging” all contribute to this broader sense of self for a nation.Caricature and National Character: The United States at War (Pennsylvania State UP, 2021) examines the various symbols and images that have become part of the American national identity, noting, often, how those images shift and change with time and context. Gilbert notes that these recursive themes and images are distinct in different historical moments, providing a kind of complexity to the images and how and what they communicate. Consider the image of the bald eagle, which has been integrated into American national character for some time, but has been drawn and redrawn to represent imperialism, laziness, or cultural power at different points in U.S. history. Gilbert explains that humor itself is situational and situated, a sign or signal of the time, and that caricature and comic artists and political and editorial cartoonists are commenting on and positioning their work within a particular historical point, and in so doing, also reflecting American cultural politics.Caricature and National Character brings a variety of artists together in a way that intertwines their work without silo-ing them within chronological periods. Their work is made, in a certain way, to be in conversation, and to help to understand the United States as a warring nation, even if there is no shooting war transpiring at times. The artists and cartoonists are using their own membership within the national character to present ideas and commentary on what it means, in time of war, to protect national character and what it is that needs protecting. These images, which can be explored across history, carry significant weight because they are reflecting on the notion of national character, which is often more clearly on display during times of war.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

Howard Mortman's book When Rabbis Bless Congress: The Great American Story of Jewish Prayers on Capitol Hill (Cherry Orchard, 2020) is about the rabbis. It’s an unprecedented examination of 160 years of Jewish prayers delivered in the literal and figurative center of American democracy. With exhaustive research written in approachable prose, it uniquely tells the story of over 400 rabbis giving over 600 prayers since the Civil War days―who they are and what they say.Few written works examine the tradition of prayers in government. This new angle will appeal to students and lovers of American history, Congress, American Jewish history, and religion. It’s a welcome, important addition to our understanding of Congress and Jewish contribution to America. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Pandemic Perspectives Podcast, Ideas Roadshow founder and host Howard Burton talks to Michael Berry, Director of the UCLA Center for Chinese Studies on American scapegoating, Chinese censorship and the sad story of Fang Fang's brave and influential COVID-19 memoir, Wuhan Diary.Ideas Roadshow's Pandemic Perspectives Project consists of three distinct, reinforcing elements: a documentary film (Pandemic Perspectives), book (Pandemic Perspectives: A filmmaker's journey in 10 essays) and a series of 24 detailed podcasts with many of the film's expert participants. Visit www.ideasroadshow.com for more details.Howard Burton is the founder of Ideas Roadshow and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The word neoliberalism is often used more as an insult than a description of a set of beliefs. And people can be rather hazy about the beliefs it refers to – although the mix generally includes free markets, privatisation and globalisation and high levels of inequality. In his book The Rise and Fall of the Neoliberal Order: America and the World in the Free Market Era (Oxford UP, 2022), Professor Gary Gerstle of Cambridge University charts how both rightists and leftists embraced neo liberal ideas which prevailed for some three decades until they were challenged by the populist ethno nationalism of Trump and his imitators. But can ethnonationalism prevail? Professor Gerstle argues its too soon to say whether ethnonationalism will become the new post neoliberal orthodoxy Learn more about your ad choices. Visit megaphone.fm/adchoices

For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power?With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world.Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Lost Promise: American Universities in the 1960s (University of Chicago Press, 2021) is a magisterial examination of the turmoil that rocked American universities in the 1960s, with a unique focus on the complex roles played by professors as well as students.The 1950s through the early 1970s are widely seen as American academia’s golden age, when universities—well funded and viewed as essential for national security, economic growth, and social mobility—embraced an egalitarian mission. Swelling in size, schools attracted new types of students and professors, including radicals who challenged their institutions’ calcified traditions. But that halcyon moment soon came to a painful and confusing end, with consequences that still afflict the halls of ivy. In The Lost Promise, Ellen Schrecker—our foremost historian of both the McCarthy era and the modern American university—delivers a far-reaching examination of how and why it happened.Schrecker illuminates how US universities’ explosive growth intersected with the turmoil of the 1960s, fomenting an unprecedented crisis where dissent over racial inequality and the Vietnam War erupted into direct action. Torn by internal power struggles and demonized by conservative voices, higher education never fully recovered, resulting in decades of underfunding and today’s woefully inequitable system. As Schrecker’s magisterial history makes blazingly clear, the complex blend of troubles that disrupted the university in that pivotal period haunts the ivory tower to this day.Ellen Schrecker is a retired professor of history at Yeshiva University and the author of numerous books, including No Ivory Tower: McCarthyism and the Universities, Many Are the Crimes: McCarthyism in America, and The Lost Soul of Higher Education: Corporatization, the Assault on Academic Freedom, and the End of the American University.Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in the Cold War. She can be reached by email or on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Big No (U Minnesota Press, 2022) is an edited volume, assembled and overseen by political theorist Kennan Ferguson, who also provides the Introduction. This group of essays came out of a conference at the Center for 21st Century Studies at the University of Wisconsin-Milwaukee. The theme of the conference, also created and managed by Kennan Ferguson, and of the book, is the concept of “no” in terms of our understanding of thought, politics, and philosophy. The contributors to the book come mostly from philosophic backgrounds – and thus the emphasis in these articles is on pushing against established theoretical conceptions. But the concept of The Big No is confronting not just saying “no” to something but to decline to work towards solutions, to resolve to say no and not to determine other options. As Ferguson notes in the Introduction, No, in contrast to Yes, “stands against consensus, against assumption, against presumption, against the easy passage…it disturbs order and propriety, forcing power to act nakedly and bringing to the forefront the implicit and accepted.”The essays in The Big No trace three different kinds of No. The first is the no of resistance—which may, at its most radical, become the no of revolution. The second no is the no of forking paths—an entire grouping of different possibilities and results—this no includes the challenge to reconsider philosophy, to instead take up the idea of non-philosophy, or to completely undercut the very basis of philosophy. The third no is of absolute refusal, of abolition. This third no “looks elsewhere,” denying the basis for whatever request is being made. This no also refuses “the presumptions of unity, of communal experience, and of collective purpose.” These essays take the reader through a variety of schools of thought and modes of thinking, as we are considering what it is to refuse, to deny, to say no to structures, power, demands, expectations, processes, and ways of thinking.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

The great political ideas and movements of the modern world were founded on a promise of universal emancipation. But in recent decades, much of the Left has grown suspicious of such aspirations. Critics see the invocation of universality as a form of domination or a way of speaking for others, and have come to favor a politics of particularism—often derided as “identity politics.” Others, both centrists and conservatives, associate universalism with twentieth-century totalitarianism and hold that it is bound to lead to catastrophe.This book develops a new conception of universality that helps us rethink political thought and action. Todd McGowan argues that universals such as equality and freedom are not imposed on us. They emerge from our shared experience of their absence and our struggle to attain them. McGowan reconsiders the history of Nazism and Stalinism and reclaims the universalism of movements fighting racism, sexism, and homophobia. He demonstrates that the divide between Right and Left comes down to particularity versus universality. Despite the accusation of identity politics directed against leftists, every emancipatory political project is fundamentally a universal one—and the real proponents of identity politics are the right wing. Through a wide range of examples in contemporary politics, film, and history, Universality and Identity Politics (Columbia UP, 2020) offers an antidote to the impasses of identity and an inspiring vision of twenty-first-century collective struggle.Todd McGowan is professor of film studies at the University of Vermont. His previous Columbia University Press books are The Impossible David Lynch (2007), Capitalism and Desire: The Psychic Cost of Free Markets (2016), and Emancipation After Hegel: Achieving a Contradictory Revolution (2019). He is the coeditor of the Diaeresis series at Northwestern University Press with Slavoj Žižek and Adrian Johnston. He is also cohost of the Why Theory podcast, which brings continental philosophy and psychoanalytic theory together to examine cultural phenomena. Learn more about your ad choices. Visit megaphone.fm/adchoices