Private Passions

Michael Berkeley's guest is the actor Rory Kinnear.Rory Kinnear is in danger of becoming a national treasure. Audiences across the world know him thanks to two Bond movies, where he plays M15 officer Bill Tanner. He was the journalist in the TV thriller Southcliffe, he was Denis Thatcher in the Margaret Thatcher TV biopic, he's the straight man to Count Arthur Strong... And he's established a reputation as one of our finest Shakespearean actors - his performance as Hamlet at the National Theatre was screened across the UK as part of the National's 50th anniversary celebrations. This summer he played an unforgettably chilling Iago to Adrian Lester's Othello, again at the National. And he's just turned playwright - his first play, The Herd, directed by Howard Davies, has opened in London.He's a difficult actor to pin down. But in conversation with Michael Berkeley he reveals the man behind the theatrical mask. He talks movingly about his father, the actor Roy Kinnear, who was killed during a film stunt, and how he kept sane after the accident by playing the piano. Rory still plays in rehearsal rooms across the world, grabbing his chance at the piano while the other actors eat lunch. He reveals too that music is the key to his relationship with his sister, who was born with profound disabilities; Rory composes music for her, and plays songs as a way of communicating with her. He works increasingly with musicians, at the Proms last year, and in recordings. And, be warned, every morning he walks across London listening to music on his huge headphones - and singing along at the top of his voice.Music choices include Mark Padmore singing Bach, Haydn's Trumpet Concerto, a Beethoven violin sonata, Erroll Garner, and Big Rock Candy Mountain.First broadcast 13/10/2013.

Greg Doran is one of those lucky people who seem to have found his perfect place in life. From the age of 13, when his mother first took him to the theatre in Stratford, Shakespeare's been his passion; as a boy he dedicated himself to seeing every single Shakespeare play - sometimes managing to watch three Macbeths in a day.So - what better job than Artistic Director of our great national Shakespeare company, a role he took on 18 months ago. His production of Richard II with David Tennant in the lead opens on 10 October, and he's directing Henry IV next year with his partner Anthony Sher playing Falstaff.Doran doesn't come from a theatrical background - his father ran a nuclear power station. But his passion for music began early, thanks to a concert in the local village hall in Lancashire. A friend of his mother's, Mrs Sidebottom, got up on stage and sang 'Blow the Wind Southerly'. And young Greg was hooked. That haunting folk song begins his choice of music - sung in this case by Kathleen Ferrier. Other choices include Duke Ellington, a song by Cervantes, and a Vivaldi Concerto which changed Doran's life when he heard it in Paris. It was a low point - a love affair had ended, his ambition to be an actor was foundering. And the music spoke to him, and gave him a new direction.In Private Passions, he talks to Michael Berkeley about his passion for Shakespeare, and about his relationship with Antony Sher. Its foundations are a shared life in theatre, but also a love of food: when Anthony's depressed, Greg cooks for him the comfort food he ate as a child in South Africa. He's even learned how to make a special lamb stew - and he gives us the recipe: "I believe there is a Jewish saying that food is love. For me, tomato bredie is an expression of love."First broadcast in October 2013.

Beeban Kidron is a rare and very unpredictable film-maker. A woman in a man's world, she's made highly successful dramas such as the BAFTA-winning Oranges Are Not the Only Fruit, and the blockbusting rom-com Bridget Jones: The Edge of Reason. But she also makes documentaries which come straight from her heart: films about sex workers in New York, the women of Greenham Common, the sculptor Antony Gormley, and a highly-acclaimed film about girls sold into religious prostitution in India. And her latest film In Real Life is a documentary about teenagers and the internet.She talks to Michael Berkeley about the power of music in films, the pleasures of building relationships with composers, the joy of telling stories, and the sheer determination needed to make the films she feels so passionately about.Her choices include music from her film Swept from the Sea and her BAFTA-winning television series Oranges Are Not the Only Fruit; the music of her childhood; the piece which changed her ideas about love; and the scariest film music ever written.Producer: Jane Greenwood. A Loftus production for BBC Radio 3.

It's quite possible that Philip French has seen more films than anyone else on the planet. Obsessed with cinema since the age of four, he has been reviewing films for the Observer for the past fifty years, as well as writing for many other papers and publishing several critically acclaimed books about cinema.He talks to Michael Berkeley about the role of the composer in the cinema, his late flowering love of Beethoven string quartets, his lifelong delight in the singing of Ruth Etting; and his greatest film music memories.His music choices are all associated with film ? from Disney's Fantasia; through The Ride of the Valkyries used so memorably in Apocalypse Now; to Miles Davis and avant garde composer Harry Partch.Philip French sees at least nine films a week ? that's getting on for 20,000 over his career. Michael Berkeley asks him, how important is music in making a film stick in the mind?Producer: Jane Greenwood. A Loftus production for BBC Radio 3.

Angie Hobbs is no ordinary philosopher. Her job takes her to places as varied as cathedrals, airforce bases and merchant banks, as well as frequently to our radio and TV screens. As our first ever Professor of the Public Understanding of Philosophy, based at Sheffield University, she's determined to ensure that philosophy doesn't remain exclusively in the hands of academics - she wants it to inspire us all to explore the big questions in our lives.Angie talks to Michael Berkeley about music in Greek philosophy, and about music as solace, as well as a celebration of life and the memory of people and places she has loved. Her choices include a Beethoven movement she considers to be the most beautiful music ever written, a Latin carol and an unusual arrangement of Rodrigo's Concierto de Aranjuez, as well as music by Bach, Vaughan Williams and Emmylou Harris.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Gillian Lynne is best known as the choreographer of Cats and Phantom of the Opera, among other West End hits. She received a lifetime Olivier Award earlier this year. But her career began more than seven decades ago, when she was spotted as a dancer by Ninette de Valois. She danced during the War, with doodlebugs falling around her and just two pianos in the pit - no orchestras, as all the men were away fighting. She danced in the first night at Covent Garden after the War, when audiences dusted off their evening clothes. She then moved into movies, playing a gypsy temptress in The Master of Ballantrae opposite Errol Flynn. The sexual chemistry wasn't confined to the screen - she and Flynn had an affair, though his drink problem meant 'He wasn't a great lover. At the end of the day, he couldn't... But he was a beautiful man.'As she developed as a choreographer, Gillian Lynne worked with the leading composers of the day, including Sir Michael Tippett. In fact she asked him to make changes in his Ritual Dances (from The Midsummer Marriage) so it would become a bit clearer what on earth was going on. 'I said to Colin Davis, I don't know what this is about. But I think it's about orgasms. He said, "Quite right, dear girl. Quite right!"'Now 87, Lynne talks frankly about her career, and people she has worked with, like Frederick Ashton and Dudley Moore. She is still working - 'If I didn't I'd keel over' - and thanks to her daily workout, she is still enviably fit. She tells the story of finding love for the first time when she was in her 50s - with a man 27 years younger than herself. She's naughty, irreverent, and fun; this is also priceless social history.Music choices include Fauré, Walton, Vaughan Williams, Tippett and Errol Garner.First broadcast in September 2013.

The Chief Medical Officer, Sally Davies, is on our TV screens almost every week as the authority we appeal to in every health scare: horsemeat in burgers, antibiotic resistance, three-parent babies. She is clearly a person of tremendous power and influence, in charge of the National Institute of Health Research with a budget of £1 billion ? voted by Woman's Hour recently one of the top ten most powerful women in the UK.Sally Davies talks to Michael Berkeley about her private life. She tells him about the death of her second husband from leukaemia less than a year after they were married, and how this has changed her as a doctor. (She scandalised her medical colleagues on a hospital ward round by putting her arms around a dying patient.) She discusses the breakdown of her first marriage, as well as the happiness she has found with her third husband and daughters.She also reveals that she believes drugs are a medical issue rather than a criminal one.Sally Davies is humorous, and fun ? she admits she loves wine, for instance. She is deeply musical ? she played in the Midlands Youth Orchestra as a girl and turns to music to relieve stress. Music includes: Mozart, Brahms, Wagner, Vaughan Williams, Rossini's Stabat Mater, Beethoven's Fidelio - and Queen.

Adam Nicolson has the privilege, and the burden, of an extraordinary inheritance: Sissinghurst, that quintessentially English house and garden created by his grandparents Harold Nicolson and Vita Sackville-West. In his own right, he's the author of a series of highly esteemed history books and television series, about the making of the King James Bible, about the English gentry, and most recently about 17th-century writers. But it's that Sissinghurst connection which fascinates us all: growing up with bohemian writers and artists, there must have been music going on there all the time? Not at all - Adam reveals that his family were musical philistines. His father hated music because it moved him, and made him emotional ? so for an Englishman of that generation and class it was deeply suspect. It's only in middle age that Adam is discovering music, and he admits cheerfully that his musical taste is 'dreadful'. He also talks about walking 6000 miles round Europe, about his love for the Hebrides, and about his disastrous 'open' marriage. Adam and his wife had a deal ? they were allowed to have two affairs a year, as long as they were abroad. This too was the legacy of Sissinghurst, and a father who urged him to have as many affairs as possible. What followed was predictable, and messy, but with a happy ending - as Adam's choice of music reveals.A light-hearted programme, which includes music by Mozart, Mendelssohn, Eric Whitacre, Prokofiev, Roberta Flack, and a reading by Alec Guinness of T.S.Eliot's 'Little Gidding'.

The astrophysicist Jocelyn Bell Burnell changed the way we see the universe. At the age of only 24, as a Phd student, she discovered a totally new kind of star, a pulsar. Her older male colleagues got the Nobel Prize for the discovery ? her name being unfairly, and in the view of many scientists, outrageously, left off. But many honours have followed, and Jocelyn Bell Burnell is currently Visiting Professor of Astrophysics at Oxford University.In Private Passions she talks to Michael Berkeley about the sexism she's fought all her life as a woman in science: the jeering and catcalls she encountered in lectures at Glasgow university, and the fight as a young girl to be allowed to study science at all. She reflects on what it was like to be denied the Nobel Prize so unfairly ? and why she doesn't feel bitterness. She evokes the exhilaration of scientific discovery, and talks too about the darker times in her life, when she had a very sick child and her marriage failed. Her musical passions include Haydn, Verdi, Smetana, Sibelius, Rachmaninov and Arvo Pärt.

Lord Sacks ends his twenty-year tenure as Britain's Chief Rabbi this coming autumn. At his retirement dinner (24 June) Prince Charles described him as "a light unto this nation" and praised him for promoting the principle of tolerance, expressing mounting anxiety at the apparent rise in anti-Semitism, along with other poisonous and debilitating forms of intolerance. In this programme, Lord Sacks looks back at his life and career, and talks to Michael Berkeley about both the joyous and the sad music which has accompanied him during his time as Chief Rabbi. From the moment his father took the young Jonathan (as a reluctant teenager) to a concert at the Albert Hall he has been passionate about the power of music. But he has also been concerned about the lack of music written for the Jewish people. Composers from Mendelssohn and Mahler to Irving Berlin and George Gershwin have composed for other faiths and other peoples. He feels this is part of the reason why Jewish music needs invigorating - it needs an injection of joyousness. He also talks about composers whose music he feels augurs the nineteenth- and twentieth- century tragedies suffered by the Jewish people, as well as the music which he feels represents the possibility of national and religious reconciliation. His choices include Mahler, Beethoven, Stravinsky, Simon and Garfunkel and Bach. He is a thoughtful but also an ebullient speaker who loves jokes.