Private Passions

Broadcaster, John Peel discusses his personal music choices with Michael Berkeley in 1996 - drawn from the archive to mark 20 years of Private Passions.

Philosopher, Isaiah Berlin discusses his personal music choices with Michael Berkeley in 1996 - drawn from the archive to mark 20 years of Private Passions.

Michael Berkeley's guest is Anna Pavord, the distinguished writer about gardens and landscape. Her best-known book is The Tulip, a biography of the bulb that created a mania in the 17th century, but she's written extensively about plants, and places, and spent years as gardening columnist of the Independent. Her latest book "Landskipping: painters, ploughmen and places", is an exploration of how, through the ages, we have responded to the land. The programme is recorded on location in the landscape of west Dorset where Anna Pavord has lived, and gardened, for much of her life. She talks about what this landscape means to her, and why it is that we respond to certain kinds of natural beauty. She discusses her scholarly research into landscape mania in the 18th century, and tells moving personal stories too, such as the time she refused morphine after an operation for cancer, discovering that a mask of sweet peas was more effective - and much more pleasurable. Walking round her garden, Anna Pavord reflects on the therapeutic value - and marvelous madness - of a life spent gardening.Music choices include the Welsh Hymn Cwm Rhondda; the poet R.S.Thomas reading his own work; Bach's Wedding Cantata; two pieces by Schubert; Elgar's Cello Concerto - and a 1929 recording by Cleo Gibson: "I've got Ford engine movements in my hips".

Stephen Hugh-Jones is a fellow of King's College Cambridge and has spent 45 years researching - and living among - the Amazonian Indians who live on the Equator, in South-Eastern Colombia. They are still one of the most remote peoples on earth, and when Dr Hugh-Jones and his wife Christine first went to live there, in the late 1960s, this was a people, and a culture, completely untouched by modern life. This was partly because people were afraid of them; they had a reputation for being dangerous and cannibalistic.In fact, Dr Hugh-Jones discovered that really they were a pacific people, with a very sophisticated set of religious beliefs. And music is a key part of their religious ceremonies. For Private Passions, Stephen Hugh-Jones brings along musical instruments that he has brought back from Colombia, and recordings he has made of music there. He chooses, too, music which he took with him to listen to when he was living so far from home, particularly Bach - who caused a surprising reaction in the Amazon. Other choices include Purcell, Alfred Brendel playing Schubert, Beethoven's String Quartet No 15 in A minor, and Cuban music played by an African band. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Janine di Giovanni has spent more than two decades reporting from some of the most dangerous places on earth: Sarajevo, Sierra Leone, Rwanda, Iraq, and Syria. She's the Middle East Editor of Newsweek, and writes for the New York Times, as well as for glossy magazines - winning numerous prizes, including two Amnesty International Media Awards. She's also written seven books - including most recently "Dispatches from Syria: The Morning They Came for Us", a moving account of the horror, and boredom, of war: War means endless waiting, endless boredom. There is no electricity, so no television. You can't read. You can't see friends. You grow depressed but there is no treatment for it and it makes no sense to complain-everyone is as badly off as you. It's hard to fall in love, or rather, hard to stay in love.When she's not travelling, Janine di Giovanni lives in Paris, with her 12-year-old son. For Private Passions, Michael Berkeley met her earlier this summer on her brief visit to the Hay-on-Wye festival. In a moving interview, di Giovanni reveals how she deals with danger, and her deep belief in her Guardian Angel. The youngest of a large Italian-American family, Janine di Giovanni's sister died as a child; she talks about being brought up in the shadow of that death, feeling that she and her brother were lost, like Hansel and Gretel in the fairytale. She reflects too on love, and particularly her love for her son, and how they both cope with her journeys to the front line.Janine di Giovannni's music choices include Humperdinck's opera "Hansel and Gretel"; Glenn Gould playing Bach's "Goldberg Variations"; Schubert's Trio Op 100 (which she says captures the horror and pity of war); Mozart's Clarinet Concerto; and Jimi Hendrix's "Little Wing". Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Timberlake Wertenbaker is one of our leading playwrights, adapters and translators. Her parents were American, but she was brought up in Basque country in France and has spent much of her life in Greece. Not surprising, then, that her major theme is exile, displacement, flight. She's best known for her play about convicts in 18th century Australia, "Our Country's Good", which was first staged in the late 1980s and which was revived recently at the National Theatre. It has become a set text in schools, and in fact Wertenbaker's own daughter had to study it (refusing all help from her playwright mother).Timberlake Wertenbaker is well known to Radio 4 listeners as the adapter of the recent "War and Peace"; and her new work is a dramatization of "My Brilliant Friend" by the cult Italian writer Elena Ferrante, which will be broadcast as the Classic Serial on 31 July.In Private Passions, Timberlake Wertenbaker talks about her childhood in Basque country, and how that sense of being part of a political minority has influenced her life. She chooses music by Ravel which was inspired by a Basque dance, and a protest song by the Basque musician Mikel Leboa. She talks about the moving experience of seeing her work performed in prisons and chooses the prisoners' chorus from "Fidelio". And she reflects on how little has changed in the theatre since she began writing in terms of how few women playwrights ever get their work on stage. With Schubert, Beethoven, Nina Simone, Ravel, Leboa, and a moving work by the Greek composer Mikis Theodorakis. Produced by Elizabeth Burke A Loftus Production for BBC Radio 3.

Alexandre Desplat is one of the world's leading composers of film music, with more than 120 scores to his name. His big breakthrough came in 2007 with Girl With A Pearl Earring, and since then he's been nominated for innumerable awards, including eight Oscars. 2015 was a particularly interesting year as Alexandre was Oscar-nominated for two films, with The Grand Budapest Hotel beating The Imitation Game on the night. Alexandre talks to Michael Berkeley about the pressures of writing up to ten film scores a year, the complex relationship between director and composer, and his craving for silence.His choices of music reflect his diverse musical influences - Boulez, Haydn, Miles Davis, Janacek, and his mother's Greek heritage which is often reflected in his film scores. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Julia Donaldson began her working life busking and writing songs, and when one of her songs became a children’s book, her phenomenally successful career as an author was born. She’s been the biggest selling author in Britain for the last six years. This will come as no surprise to anyone who has anything to do with young children, who adore her vibrant and funny rhyming picture books - which include A Squash and a Squeeze, The Snail and the Whale, and the tale of that much-loved monster, The Gruffalo.Julia talks to Michael Berkeley about the origins of The Gruffalo – which has sold an astonishing 10 million copies – and the secret of writing for children. She remembers her student days busking with her husband-to-be in Paris and how much they enjoy singing and performing her stories together today. Julia’s music choices reflect her intensely musical background - her father’s cello playing, her mother’s love of lieder, and her own piano playing in pieces by Schubert, Haydn and Handel. Her love of storytelling is reflected in songs by Georges Brassens and Flanders and Swann.Producer: Jane Greenwood A Loftus production for BBC Radio 3

For three decades Glenda Jackson was one of our most acclaimed actors, winning BAFTAs, Golden Globes and Emmys, and two Oscars - for Women in Love and for A Touch of Class. And alongside her film career were ground-breaking stage performances for directors such as Peter Brook and Peter Hall, and a television career which included an astonishing portrayal of Elizabeth I - a performance few of us will forget. But in 1992 she gave it all up to become the Labour MP for Hampstead and Highgate, eventually becoming a Junior Transport Minister. She stepped down as an MP last year, two days before her 79th birthday, and now, after a 24-year gap, she's back on stage this autumn playing King Lear at the Old Vic.Glenda talks to Michael Berkeley about researching Elizabeth I, arguing with Ken Russell about Shostakovich, and how she turned down tickets to the Proms, prefering to listen on the radio at home. Her love of 20th-century music shines through with pieces by Stravinsky, Vaughan Williams, John Adams, Steve Reich and Stevie Wonder. Producer: Jane GreenwoodA Loftus production for BBC Radio 3.

Andrew Solomon is Professor of Clinical Psychology at Columbia Medical Centre in New York, and a writer with a wide-ranging interest in families. He spent ten years talking to parents who faced extraordinary challenges, because their children had turned out so very different from them: either through disabilities, or because they were musical prodigies - or because they had committed serious crimes. The resulting book, "Far From the Tree - Parents, Children, and the Search for Identity" has won many awards, and millions of people have watched Solomon's TED talks. Solomon first made an impact with another prize-winning book, about depression, "The Noonday Demon", a moving account of his own illness.In Private Passions, Andrew Solomon talks to Michael Berkeley about how both books are grounded in his own experience; he had a hard time growing up, and being accepted by his parents - and his peers - as gay. He reveals that at one point he was so depressed that he couldn't get out of bed, and thought he'd had a stroke. It was his father's love and care which saved him. He talks too about how he met his husband, and became a father himself - albeit as part of a marvellously complex and unconventional family.Music choices include Mozart's "The Marriage of Figaro"; Strauss's "Der Rosenkavalier"; Bryn Terfel singing Vaughan Williams's "Songs of Travel"; Rachmaninov's 3rd Piano Concerto, and love songs by Reynaldo Hahn, Strauss and Britten.