Private Passions

The playwright and novelist Michael Frayn shares his musical passions with Michael Berkeley.Michael Frayn is an acute observer of the absurdities and pain of the human condition, and his writing career has spanned journalism, novels, philosophy, Russian translation, and plays both philosophical and farcical. Noises Off, his 1982 farce about a farce, has become one of the twentieth century's best loved and most successful plays and is frequently described as the funniest farce ever written. Equally praised have been his philosophical plays such as Copenhagen and Democracy.He tells Michael about his childhood in Surrey, which partly inspired his award-winning novel Spies, his time in the army learning Russian, and the pain and pleasure of farce - the most technically demanding of all literary forms.And he shares his lifelong love of classical music, choosing pieces by Beethoven, Prokofiev, Mozart, Mahler, and Brahms - and a piece by his late mother-in-law Muriel Herbert. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Susan Richards, writer and commentator on contemporary Russia, talks to Michael Berkeley about her fascination with the country and her passion for 20th-century Russian music. Susan's first book, Epics of Everyday Life, was about the euphoric period after the collapse of communism. She travelled all over Russia to try to find out how ordinary people were coping with the discovery that they'd been so comprehensively lied to for so long. Her second book, sixteen years in the writing, was Lost and Found in Russia, and it described the collective nervous breakdown that took place after that. Both books are a testimony to her fascination with the lives of ordinary Russians - and a celebration of friendship. They also include hair-raising encounters with the KGB and the Mafia. A Founding Editor of OpenDemocracy, set up in 2001 to encourage democratic debate around the world, Susan is also the co-founder, with her husband the television producer Roger Graef, of Bookaid, which has sent more than a million books to Russian public libraries. Susan's music takes us on a journey from pre-revolutionary Russia to the early 21st century, with pieces by Scriabin, Prokofiev, Shostakovich, Stravinsky, and the contemporary composer Sofia Gubaidulina. And we hear music inspired by a Siberian forest, and a singer Susan first met during a hair-raising encounter with the mafia.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

As part of Radio 3's coverage of the London Jazz Festival, Michael Berkeley talks to the saxophonist and bass clarinettist John Surman, who over a career of dizzying versatility that spans more than fifty years, has shown us just how many different ways jazz can be made. Surman's hundreds of recordings include solos with synthesizers, saxophone trios, trios with voice and drums, with brass bands and big bands. He has made albums with church choirs, duos with church organs and with drums, as well as composing music for saxophone and string quartet.He has worked with most of the jazz greats of the last half century, including Ronnie Scott, Alexis Korner and Gil Evans, and more unusually for a jazz musician he's worked at the Paris Opera, with the Trans4mation Quartet, and on modern reinterpretations of the songs of John Dowland. He's been the recipient of numerous awards including the 2017 Ivor Novello Jazz Award.In Private Passions, John Surman tells Michael how his love for music began in his childhood in Devon, when he was a talented boy treble. He chooses Bach's St Matthew Passion, which he first heard in a Plymouth church, and Beethoven's "Pathétique" sonata (No 8, in C minor), which his father would play on the piano. Surman's love of jazz is entwined with his love of classical music, and among his musical passions Duke Ellington and Miles Davis go hand-in-hand with Bartok's Concerto for Orchestra and the voice of Kathleen Ferrier. Happily based in Norway for the last decade, Surman has chosen a music list to help him through the long dark Scandinavian winters. A Loftus production for BBC Radio 3 Produced by Jane Greenwood.

Simon Sebag Montefiore is a prizewinning writer whose books return again and again to Russia. His latest novel is Red Sky at Noon, the last of his Moscow Trilogy, following Sashenka and One Night in Winter. His most recent history, The Romanovs 1613-1918, tells the story of twenty tsars and tsarinas, some touched by genius, some by madness. It's a world of unlimited power and ruthless empire-building, overshadowed by palace conspiracy, family rivalries, sexual decadence and wild extravagance. Montefiore is also author of the epic history books Catherine the Great and Potemkin; Young Stalin; and Stalin: The Court of the Red Tsar. In Private Passions, Simon Sebag Montefiore tells the story of how his grandparents fled the Russian Revolution, buying tickets to New York. Instead, they were cheated, and landed in Ireland on the coast of Cork. In Ireland they had to flee persecution again - and relocated to Newcastle. He talks too about what he saw first-hand as a war correspondent during the fall of the Soviet Union. He explores the similarities between Putin, Stalin, and the Tsars who came before them. And he reflects on what "Russian Culture" means in a country with such a turbulent history. Produced by Elizabeth Burke A Loftus production by BBC Radio 3.

Ronan Bennett is a novelist and screenwriter whose latest drama series on the BBC, "Gunpowder", dramatizes the story of Guy Fawkes from the point of view of the Catholics, who were persecuted in England at the time. All through his substantial body of work Ronan Bennett has explored the roots of violence and terrorism, something he knows about from personal experience, having grown up as a Catholic in Northern Ireland in the 1970s. He was imprisoned twice as a young man, accused of IRA terrorist offences, but was acquitted both times, not before spending a total of almost three years in prison, sometimes in solitary confinement.After he came out of prison for the second time, Ronan Bennett made the decision to study history at King's College London, and went on to do a PhD on crime and law enforcement in 17th-century England. In Private Passions he talks about how studying history is a way of trying to make sense of his own painful experience. He looks back on his childhood and chooses Berlioz's opera "The Trojans" for his mother; he includes, too, choices for his own children, who have widened his musical tastes, with Chopin and the grime artist Kano. He talks movingly about the death of his wife, the journalist Georgina Henry, and about the music which he listened to as she died - and which then gave him hope. Musical choices include Thomas Tallis, the Chieftains, Jessye Norman singing from Strauss's "Four Last Songs", and Bon Iver.A Loftus production for BBC Radio 3 Produced by Elizabeth Burke.

Thirty years ago, Vesna Goldsworthy fell in love with a young Englishman she met at a summer school in Bulgaria; she moved to England to be with him, much to the disapproval of her parents, arriving in London in 1986. Since then, she's established a reputation as a writer of great wit and originality: with her memoir, Chernobyl Strawberries; with her poetry; and in 2015 with her first novel, Gorsky, which became a best-seller and which was serialized on Radio 4. Vesna Goldsworthy is also a Professor of Creative Writing at the University of East Anglia. In Private Passions, Vesna Goldsworthy talks to Michael Berkeley about being brought up in Belgrade during the Communist regime. The popular idea is of an era which was grey and philistine - but in fact there was a huge amount of classical music around. And when she moved to England, her friends and family were horrified. They asked, "How could you move to a country where there is no music"? She reveals why she started writing a memoir of her Serbian childhood: because her doctors told her she was dying of cancer, and she wanted to leave a record for her son. Happily, the cancer was cured, but it taught her a lifelong lesson: not to take life too seriously. Vesna Goldsworthy's music choices include the Romanian-Serbian composer Ion Iovanovici; an Orthodox address to the Virgin by Divna Ljubojevic; the Sephardic song, "Adio Querida", by Yasmin Levy; and a popular Russian song from the Second World War. She ends with Purcell, a composer she discovered only after she moved to a country "with no music". Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Allan Corduner is an astonishingly versatile actor, equally at home in the West End, on Broadway, in television series such as Homeland, or in films like Yentl, Florence Foster Jenkins, and Mike Leigh's Topsy-Turvy, in which he played the composer Sir Arthur Sullivan, perfect casting for an actor who is also an accomplished pianist. He talks to Michael Berkeley about his favourite music, with pieces by Scriabin, Sibelius, and Bruch that reflect his Russian, Finnish and Jewish heritage. And Allan chooses piano music by Schubert, which he loved playing as a child, and his favourite recording of Bach's Goldberg Variations, with Glenn Gould.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

As part of Radio 3's Why Music? The Key to Memory weekend, Michael Berkeley talks to the psychiatrist Sir Simon Wessely. Professor Sir Simon Wessely is one of our most eminent psychiatrists: until recently the President of the Royal College of Psychiatrists, he is the current president of the Royal Society of Medicine, and Regis Chair of Psychiatry at King's College London. An interest in unexplained symptoms and syndromes has led to many years of research in areas such as Chronic Fatigue and Gulf War Syndrome. Simon talks to Michael about the powerful relationship between music and memory, his decision to study medicine rather than history, and how playing the flute once got him out of a tricky situation at Tel Aviv airport. He chooses violin music by Brahms and Dvorak for his parents, shares his love of opera with music by Puccini and Mozart, and tells Michael about his other passion - musical theatre. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

As part of the BBC's opera season, designer Hildegard Bechtler talks to Michael Berkeley about her favourite music and some of the twenty-seven operas she has worked on all over the world.Hildegard is one of our most prolific and successful theatre and opera designers. Born in Germany, she moved to Britain aged eighteen, and very quickly established herself first in film, then in theatre and opera. Her style combines wit and invention to deliver minimalist style with maximum impact. She has designed for every major theatre and opera company including the Royal Opera, ENO, Glyndebourne, and the Royal National Theatre. And the international nature of her work is typified by one of her most recent productions - Thomas Adès's new opera The Exterminating Angel - staged in Salzburg, Copenhagen, Covent Garden, and the Metropolitan Opera in New York. Hildegard chooses music from two operas she has worked on, The Ring Cycle and The Damnation of Faust; a Burns song which reminds her of her love of Scotland and her husband, the actor Bill Paterson; and a piece by her namesake, Hildegard of Bingen.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Maurice Riordan is a poet much preoccupied with time - how time suddenly stands still, or speeds up, or loops you back in dreams to childhood - in his case, to the countryside of County Cork where he grew up. It's a theme he's explored in four prize-winning collections of verse, alongside translations and a series of anthologies - including an anthology of very early Irish poetry, scribbled by Irish monks in the margins of Latin texts. In his day job, he's professor of poetry at Sheffield Hallam University and was until recently editor of Poetry Review. In Private Passions, Maurice Riordan talks to Michael Berkeley about his childhood in the "horse-drawn, candle-lit" Irish countryside and the music which inspires him, beginning with the Gregorian Chant he heard as a young altar boy. We hear the haunting unaccompanied voice of the traditional Irish singer Darach Ó Cathain, and of the Traveller and banjo player Margaret Barry. Other choices include Debussy, Piazzola and Samuel Barber. Ian Bostridge sings an aria from Monteverdi's Orfeo, begging the boatman Charon to carry him to the underworld: a metaphor, Riordan believes, for what poets do. They take you, he claims, deep down into the underworld of the unconscious. To illustrate this, he reads "The January Birds", a poem about hearing birds singing in a local cemetery:The birds in Nunhead Cemetery begin Before I've flicked a switch, turned on the gas. There must be some advantage to the light I tell myself, viewing my slackened chin Mirrored in the rain-dark window glass, While from the graveyard's trees, the birds begin...Produced by Elizabeth Burke A Loftus production for BBC Radio 3.